Fleetwood Mac "Silver Springs / Go Your Own Way" Vinyl Single - Urban Outfitters Exclusive

URBAN OUTFITTERS CELEBRATES VALENTINE'S DAY WITH "LOVE ME, LOVE ME NOT" SINGLES VINYL RELEASE 

PHILADELPHIA, Feb. 13, 2026 /PRNewswire/ -- This Valentine's Day, Urban Outfitters sets the soundtrack for every kind of love with the release of "Love Me, Love Me Not," a new collection of exclusive 7" vinyl singles. Launching Friday, February 13th, the limited-edition drop reinforces Urban Outfitters' commitment to meaningful, collectible releases with artists that resonate with this generation.

Anchoring the release is Fleetwood Mac's viral live rendition of "Silver Springs," a perennial anthem of complicated love.

As with all Urban Outfitters exclusive vinyl's, each special-edition 7" is pressed with a unique look.

Fleetwood Mac — Silver Springs (Live) / Go Your Own Way

Translucent Sea Blue Vinyl | $17.98

Limited to just 5,000 copies

The vinyls will be available exclusively at UrbanOutfitters.com and select retail locations beginning February 13, 2026

Incredible new certifications and milestones for Fleetwood Mac

Check out these incredible new certifications and milestones for Fleetwood Mac:

"Landslide" Hits 1 Billion Streams on Spotify! 

This timeless 1975 track has officially joined the elite "Billion Streams Club" on Spotify! An incredible milestone that puts it alongside Dreams, Everywhere, The Chain, and Go Your Own Way.

"Dreams" Achieves 18x Platinum in New Zealand! 

Certified on January 29, "Dreams" has reached a monumental 18x Platinum status in New Zealand. This means the iconic single has moved over 540,000 units (30,000 units per Platinum) in the country through sales and streaming equivalents!

"Mirage" Goes Platinum in New Zealand! 

Earlier in the month on January 6, the classic album "Mirage" also achieved Platinum status in New Zealand, signifying over 15,000 units moved in the territory.

"Hold Me" Earns Silver in the UK! 

As of January 30, "Hold Me" has been certified Silver in the UK, recognizing 200,000 units in sales and streaming.

In the UK this week, Fleetwood Mac's "50 Years - Don't Stop" remains at No.5 on the Top 100 Albums chart.  "Rumours" is No.18 up from No. 21 last week.

LANDSLIDE in the UK remains in the Top 100, holding at No. 34 for a second week. Dreams is No. 60, and The Chain is No. 79

In Ireland, "50 Years - Don't Stop" is also at No. 5 on their Top 100 Albums Chart.  Rumours is up one spot to No. 11 this week, and Landslide is also up one spot in the top 20 to No. 18. Dreams is No. 52 this week, and Silver Springs re-enters the chart at No. 61.

Notably, in the US, "Rumours" is No. 22 this week on Billboard's Top 200.

Stevie Nicks is coming to Austin Texas April 22nd

 New date announced... 

STEVIE NICKS LIVE IN AUSTIN, TX

April 22, 2026 at The Moody Center

Tickets on sale Friday January 23rd

StevieNicksOfficial.com

Fleetwood Mac Log First Billboard Hot 100 Debut in 23 Years!

Fleetwood Mac’s ‘Landslide’ Debuts on Hot 100 More Than 50 Years After Its Release

BY XANDER ZELLNER

Billboard

Fleetwood Mac’s classic studio version of “Landslide,” released in 1975, reaches the Billboard Hot 100 at last, debuting at No. 41 on the Jan. 17-dated chart.

The song hits the Hot 100 following its placement in the series finale of Netflix’s Stranger Things, released Dec. 31. It generated 7 million official U.S. streams (up 43% week over week), 888,000 radio audience impressions (up 10%) and 1,000 downloads sold (up 15%) Jan. 2-8, according to Luminate.

Fleetwood Mac first released “Landslide” in July 1975 on its self-titled 10th studio album — the group’s first project featuring Stevie Nicks as a vocalist and Lindsey Buckingham as a guitarist. Nicks solely wrote the song and delivers its lead vocals.

Despite becoming one of the band’s most enduring compositions, “Landslide” was never issued as an official single during its original run. Still, it remained a staple of Fleetwood Mac’s live performances, as well as Nicks’ solo tours. A live version was released as a single in 1997, following its inclusion on the band’s album The Dance. That rendition debuted on the Hot 100 in July 1998 and peaked at No. 51 that August, while also reaching No. 10 on Adult Contemporary and No. 26 on Adult Pop Airplay.

Several covers of “Landslide” by other acts have charted over the years. The Chicks’ version climbed to No. 7 on the Hot 100 in March 2003, while the Glee cast’s take, featuring Gwyneth Paltrow, hit No. 23 in 2011. More notable remakes found success across other charts: Smashing Pumpkins’ cover reached No. 3 on Alternative Airplay and No. 30 on Radio Songs in 1994; Kat Perkins’ version hit No. 35 on Hot Rock & Alternative Songs in 2014 after her performance on NBC’s The Voice; and Chloe Kohanski’s interpretation peaked at No. 26 on the same chart also after a performance on The Voice.

With the entrance of “Landslide,” Fleetwood Mac logs its 26th career entry on the Hot 100 and first debut in 23 years, since “Peacekeeper” debuted at No. 93 in March 2003 (before peaking at No. 80 that May).

The group’s most recent Hot 100 appearance came earlier this decade. In 2020, its 1977 No. 1 hit “Dreams” re-entered after a viral TikTok featuring Nathan Apodaca skateboarding while sipping Ocean Spray Cran-Raspberry juice sparked a massive streaming resurgence. The clip’s popularity resulted in recreations from several members of Fleetwood Mac, including Nicks and Mick Fleetwood. The song rebounded to No. 12 in October 2020.

Thanks to “Landslide,” Fleetwood Mac has now debuted on the Hot 100 in five different decades: the ‘70s, ‘80s, ‘90s, 2000s and ‘20s. The band joins a select list of groups with debuts on the chart in at least five decades, a landmark last attained by The Beatles when “Now and Then” launched in the top 10 in November 2023. Other groups with at least five decades of Hot 100 debuts include The Isley Brothers (six), The Rolling Stones and Santana (five each).

Full list of Billboard Chart entries below

Stevie Nicks Rock a Little (180g 45RPM 2LP)

New Pre-Sale Available on Amazon

Stevie Nicks Rock a Little (180g 45RPM 2LP)

Mastered at MoFi's California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning.

Pre-order at Amazon - Expected Release Date US: January 23, 2026 - dates have changed for other Amazon countries.  MoFi.com is shipping now if you order from them.

USA - Amazon

UK - Amazon

JAPAN - Amazon

MoFi.com

Side One:

1. I Can't Wait
2. Rock a Little (Go Ahead Lily)

Side Two:

1. Sister Honey
2. I Sing for the Things
3. Imperial Hotel

Side Three:

1. Some Become Strangers
2. Talk to Me
3. The Nightmare

Side Four:

1. If I Were You
2. No Spoken Word
3. Has Anyone Ever Written Anything for You

This week belongs squarely to Fleetwood Mac

UK Charts: 9 January 2026 | US Billboard Charts: 10 January 2026

This week belongs squarely to Fleetwood Mac, as Stranger Things delivers one of the most remarkable catalogue revivals in modern chart history.

UK: “Landslide” Finally Charts — 50 Years Later

Fleetwood Mac’s Landslide makes its first-ever appearance on the Official UK Singles Chart this week — an astonishing 50 years after its original release on the band’s self-titled 1975 album.

• No. 20 on the UK Top 100 Singles Chart
• 13,715 sales, the highest new entry of the week

Driven by its emotional placement in the Stranger Things finale

Despite its legendary status, this marks the first time the original Fleetwood Mac recording has charted in the UK. Previous versions had modest runs — The Chicks peaked at No. 55 in 2003, while the Glee cast reached No. 52 in 2011 — but neither matched the scale or cultural impact of this moment.

It’s a powerful reminder of how streaming-era exposure can rewrite chart history decades later.

Albums Surge: 50 Years – Don’t Stop Sets a New Peak

The ripple effect of “Landslide” extends across Fleetwood Mac’s catalogue, most notably lifting their 2018 compilation 50 Years – Don’t Stop to a new all-time peak:

• UK Top 100 Albums: No. 3 (new peak)
• 8,393 sales
• 125th week in the UK Top 10
• 373rd week inside the Top 75

Having already equalled its previous best at No. 4 last week, the album now climbs higher, powered directly by renewed interest in “Landslide.”

Meanwhile, Rumours continues its extraordinary evergreen run across every major format.

UK Chart Highlights (Selected)

Albums

Top 100 Albums:

• No. 3 – 50 Years – Don’t Stop
• No. 11 – Rumours

Streaming Albums:

• No. 2 – 50 Years – Don’t Stop
• No. 17 – Rumours

Physical Albums:

• No. 3 – Rumours

Vinyl Albums:

• No. 2 – Rumours

Singles

Top 100 Singles:

• No. 20 – Landslide
• No. 53 – Dreams
• No. 69 – Everywhere

Multiple re-entries across streaming, downloads, and sales charts underline how deep cuts and classic singles are being rediscovered simultaneously.
US: Streaming Explosion After Stranger Things

In the United States, the Stranger Things finale triggered an immediate and dramatic response:

• “Landslide” streams jumped 61%
• Nearly 4 million on-demand streams in just four days (Jan 2–5)

That surge feeds directly into Fleetwood Mac’s album performance stateside.

US Chart Momentum

Albums

Billboard 200:
No. 15 – Rumours (up from No. 39)

Top 50 Album Sales:
No. 13 – Rumours

Top 25 Vinyl Albums:
No. 6 – Rumours

Top Rock & Alternative Albums:
No. 2 – Rumours

Songs

Rock Digital Song Sales:
No. 9 – Landslide (re-entry)
No. 8 – Silver Springs

Streaming Songs:
No. 23 – Dreams (re-entry)

This week’s charts show Fleetwood Mac operating on a level few artists ever reach:

A 50-year-old album track becomes a Top 20 UK hit for the first time
A compilation sets a new peak eight years after release
Rumours continues to dominate vinyl, streaming, sales, and rock charts simultaneously across multiple countries

In the streaming era, history isn’t just remembered, it’s actively rewritten. And this week, Fleetwood Mac prove once again that timeless music doesn’t age… it waits.

REVIEW Stevie Nicks • Bella Donna Ultradisc One-Step

Spins: Stevie Nicks • Bella Donna Ultradisc One-Step 2xLP

Stevie Nicks

Bella Donna Ultradisc One-Step 2xLP

(Mobile Fidelity)

– Jeff Elbel

9 of 10

Illinois Entertainer

2025 was a good year for devotees of audiophile vinyl and Mobile Fidelity Sound Lab followers. The label reissued pristine pressings of albums reviewed in Illinois Entertainer, including Rick James’ soul-funk classic, Street Songs, and Miles Davis’ genre-blending jazz standout, Sketches of Spain. Fans of the best ’80s rock and followers of Fleetwood Mac and Stevie Nicks herself will be thrilled by the quality of this reissue of Nicks’ 1981 solo debut, Bella Donna.

The album was meticulously recorded with the best technology of its day and has always sounded good, but it has never sounded this good on vinyl. This prestige-format release benefits from the label’s best mastering and highest-tier pressing process.

MoFi’s Ultradisc One-Step process reduces the generational loss experienced in the traditional three-step plating process by directly making a metal stamper from the lacquer. This results in greater detail retention, increased dynamics, and a lower noise floor. These qualities are evident in the new pressing of Bella Donna. The album is mastered for 45RPM playback, which requires the 10-song program to be split across two vinyl platters but also provides increased sonic fidelity compared to the original analog source tapes. Many who know the album from its eventual CD release in the ’80s will be impressed by this vinyl release’s depth, body, warmth, clarity, dynamic range, and spatial staging.

None of the technical work would matter if not for the performances and songs conveyed. Songs including the conversational duet with the Eagles’ Don Henley, “Leather and Lace,” remain among Nicks’ most beloved songs. The glistening acoustic love song used its titular fabrics as metaphors for the attraction of opposites. “Kind of Woman” is a haunting waltz reflecting on the repercussions of infidelity. E Street Band pianist Roy Bittan’s piano and Dan Dugmore’s weeping pedal steel ring through the countrified “After the Glitter Fades,” a melancholy portrait of a rock star’s hopes and fractured dreams in gilded Hollywood.

“Edge of Seventeen” is tense and restless, driven by a carpal tunnel syndrome-inducing Waddy Wachtel rhythm guitar part that echoes “Bring on the Night” by the Police. The coming-of-age song probes Nicks’ own mindset in the wake of loss and grief. Infused into the song’s imagery are the loss of John Lennon (a close friend of Bella Donna producer Jimmy Iovine) and the loss of Nicks’ beloved uncle Jonathan, who succumbed to cancer during the same week that Lennon was killed.

Brooding rocker “Stop Draggin’ My Heart Around” is steeped in the sound and songwriting of Tom Petty and the Heartbreakers. The song sprang from the same sessions that produced “The Insider” on the Heartbreakers’ Iovine-produced Hard Promises album. Nicks arguably got the most mileage out of the collaboration. “Stop Draggin’ My Heart Around” rose to #3 on the Billboard Hot 100 and has remained a mainstay in Nicks’ solo set lists. The Heartbreakers would revisit the song with Nicks on stage as well.

The album features first-call players from the era. Drummer Russ Kunkel propels most songs, often joined in the rhythm section by top bassist Bob Glaub. Duck Dunn from Booker T. & the M.G.’s guests with the Heartbreakers on “Stop Draggin’ My Heart Around.” Bill Payne from Little Feat plays piano on the stirring mid-tempo thriller “Think About It.” Heartbreakers keyboardist Benmont Tench plays Hammond shimmering organ throughout the album. Harmony vocalists Sharon Celani and Lori Perry are featured on many tracks, including the title cut. The pair continue to work with Nicks today. The players’ performances and Nicks’ own tremulous, inimitable vocals are rich, nuanced, and vivid on this One-Step pressing.

The price for this premium release is not cheap. With an MSRP of $125, this might be the most you spend for a new copy of an in-print domestic LP. For audiophiles who count Bella Donna among their favorite records and want the definitive vinyl experience, though, this reissue can’t be topped.

 

– Jeff Elbel

9 of 10

Available at Mobile Fidelity

Fleetwood Mac's 2018 Compilation 50 Years - Don't Stop Makes History

UK, Ireland & Scotland Chart Positions January 2, 2026

Fleetwood Mac’s career-spanning 2018 compilation 50 Years: Don’t Stop surges 6 - 4 on the UK Albums Chart, equalling the highest position of its chart career, previously reached 36, 34 and 30 weeks ago. The set logs 7,653 units, driven almost entirely by streaming with just 48 CDs and one digital download contributing to the total.

Its tally now stands at 124 weeks inside the UK Top 10, extending its record as the longest-running artist compilation in Top 10 history. This week’s jump also sees it move back ahead of Fleetwood Mac’s 1977 landmark album Rumours, which slips from last week’s 672-week high of No. 5 to No. 11 on sales of 5,827 units.

Despite sharing six tracks with the most expansive edition of 50 Years: Don’t Stop, Rumours continues to demonstrate a very different retail profile. Its latest breakdown includes 1,951 vinyl albums, alongside CDs, downloads and streams - reinforcing its dominance as the best-selling vinyl album of the 21st century with 350,719 copies sold. By contrast, 50 Years: Don’t Stop has accumulated just 2,721 vinyl sales, suggesting that a future vinyl reissue could easily propel it to an even higher chart peak.

Elsewhere, Fleetwood Mac’s catalogue makes a major impact across the UK singles chart, with Dreams, Everywhere, and The Chain all returning to the Top 100, underlining the band’s multi-generational appeal as 2026 gets underway.

Chart	Position	Title	Last Week
UK Top 100 Albums	No. 4	50 Years – Don’t Stop	6
	No. 11	Rumours	5
Top 100 Streaming Albums	No. 2	50 Years – Don’t Stop	3
	No. 18	Rumours	22
Top 100 Album Sales	No. 6	Rumours	4
	No. 99	Greatest Hits	63
Top 40 Vinyl Albums	No. 3	Rumours	2
UK Top 100 Singles	No. 63	Dreams	Re-entry
	No. 81	Everywhere	Re-entry
	No. 89	The Chain	Re-entry
Ireland Top 100 Albums	No. 5	50 Years – Don’t Stop	10
	No. 7	Rumours	6
Ireland Top 100 Singles	No. 52	Dreams	Re-entry
	No. 62	Silver Springs	Re-entry
	No. 68	Landslide	Re-entry
Scotland Top 100 Albums	No. 3	Rumours	2
	No. 71	Greatest Hits	51

US Chart Positions January 3, 2026

In the United States, Rumours continues to outperform expectations nearly five decades after its release, rising to No. 12 on Top Album Sales, climbing on the Vinyl Albums chart to No. 7, and improving to No. 6 on Indie Store Album Sales - a clear sign of sustained demand among physical buyers and core catalog consumers.

The album also holds firm near the top of Billboard’s genre charts, remaining No. 4 on Top Rock Albums and No. 5 on Top Rock & Alternative Albums, while Greatest Hits continues to register solid multi-format activity across the same charts.

On the songs side, Silver Springs remains a notable presence on Rock Digital Song Sales, landing at No. 10 after last week’s No. 2 peak. Its continued digital performance underscores the song’s enduring resonance and places it alongside contemporary rock releases - a rare feat for a deep-catalog track as 2026 begins.

Chart	Position	Title	Last Week
Billboard 200	No. 39	Rumours	33
	No. 100	Greatest Hits	77
Top 50 Album Sales	No. 12	Rumours	15
	No. 40	Greatest Hits	28
Top 25 Vinyl Albums	No. 7	Rumours	11
	No. 21	Greatest Hits	15
Top 25 Indie Store Album Sales	No. 6	Rumours	9
Top Rock & Alternative Albums	No. 5	Rumours	4
	No. 20	Greatest Hits	13
Top Rock Albums	No. 4	Rumours	4
	No. 16	Greatest Hits	11
Rock Digital Song Sales	No. 10	Silver Springs	2