Showing posts with label Unleashed Tour. Show all posts
Showing posts with label Unleashed Tour. Show all posts

Thursday, April 09, 2009

$25 FLEETWOOD MAC TIX - FLORIDA, CLEVELAND, COLUMBUS, LAS VEGAS

Here’s are great concert deal from TravelZoo 
Almost 50 percent off tickets to Fleetwood Mac’s “Unleashed: Hits Tour 2009″ 

ALL UPPER LEVEL SEATING

$25 - Cleveland, OH - April 17, 2009 (Reg. $49.00)
You must book by April 16th at TICKETMASTER

$26 - Columbus, OH - April 18, 2009 (Reg. $49.50)
You must book by April 16th at TICKETMASTER

$25 - Sunrise, FL -  April 23, 2009 (Reg. $46.75)
You must book by April 19th at TICKETMASTER

$25 - Las Vegas, NV - May 30, 2009 (Reg. $55)
You must book by April 30th at TICKETMASTER

When ready to purchase, select "Find Tickets." Enter the code LANDSLIDE in the box marked "Travelzoo Ticket Offer" and use the drop-down menu to select the number of seats you would like. Click "Find Tickets" to see your seats. Note: Ticket fees are an additional $6.60 per ticket. 

With Fleetwood Mac's "Unleashed: Hits Tour 2009" selling out nationwide, this one is sure to sell quickly with this exclusive 50% OFF deal for Travelzoo subscribers.

See legendary personalities Stevie Nicks, Mick Fleetwood and Lindsey Buckingham play all their greatest hits live at Nationwide Arena in Columbus, Saturday, April 18 at 8PM. With over 3 decades of hits, Fleetwood Mac has a reputation as one of the greatest rock bands of the era.

FLEETWOOD MAC 1977 - 2009 ST. PAUL COLLAGE

When Fleetwood Mac played in St. Paul, MN last month on March 3rd - the band was presented with a framed collage of their concert ads for shows in St. Paul stretching back to 1977. Mick Fleetwood was on hand to accept.

Wednesday, April 08, 2009

WIN "ALL ACCESS" FLEETWOOD MAC PACKAGE


SUNNY 105.9 will give one Fleetwood Mac fan unbelievable all access for the band’s performance April 20th at the Amway Arena in Orlando Florida. For your opportunity to win, find Mick Fleetwood somewhere on the Sunny web site and enter to win by telling us where you found him on the form below. 

Winner will receive the “All Access” package that includes:
  • Pair of tickets in the first ten rows
  • Meet'n Greet with legendary Mick Fleetwood
  • Souvenir laminate
  • Pre-show party
  • Fleetwood Mac gift bag
SUNNY 105.9’s Downtown Billy Brown will announce the winner just before 8am on Monday, April 13th!

Monday, April 06, 2009

WMGK Philadelphia - FREE FLEETWOOD MAC TIX

PHILADELPHIA'S CLASSIC ROCK STATION WMGK 102.9FM 
is giving out free Fleetwood Mac tickets all this week after 7am!

Catch JOHN DEBELLA between 5:30am - 9am in the Philadelphia area.

Fleetwood Mac kick off the second leg of the Unleashed Tour 
April 15th at the Wachovia Center.

Friday, April 03, 2009

UNLEASHED LIGHTING DESIGN

The grandMA Helps Fleetwood Mac Get “Unleashed” For Its New Tour
David Steinberg April 3rd, 2009

Fleetwood Mac is starting its “Unleashed” greatest hits tour with lighting design by Paul “Arlo” Guthrie. Arlo chose a pair of full-size grandMAs for lighting and video control. A.C.T Lighting is the exclusive distributor of the grandMA in North America.

The band commenced its tour of the US and Canada in Pittsburgh on March 1. It will continue to play dates through the summer.

“Arlo and I programmed the whole show during two weeks in Los Angeles,” notes Axis deBruyn, the tour’s lighting director who himself is a “big fan” of the grandMA. So much so in fact, he own’s one himself! “The design of the show is fairly simple with lots of video. Two PRG Mbox Extreme Media Servers feed custom content to 42 Martin LC Panels mounted into light boxes.”

Among the lights controlled by the grandMAs are 120 custom Barco O-lite PAR cans, six DL3s, five Bad Boys, eight VARI*LITE 3000 spots, eight VARI*LITE 1000TS spots, 14 VARI*LITE VL3500 washes, eight VARI*LITE VL500 washes, and 16 Altman Mini Strips.

Guthrie comes to the grandMA having used other desks in the past. “He’s very happy with it,” deBruyn reports. “He especially likes the way it handles media servers more than any other console he’s used.”

“It is a pleasure watching Arlo use the grandMA through his programmer Axis deBruyn. They have tapped the power of the grandMA and the show has really benefited from the sophisticated lighting & video,” comments A.C.T Lighting President and CEO, Bob Gordon.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients. For more information call 818-707090884 or visit www.actlighting.com.

MAC TICKETS IN FLORIDA STARTING AT $35

ST. PETE TIMES FORUM TICKET INFORMATION

Fleetwood Mac “Unleashed” Tour at the St. Pete Times Forum April 22 - Tickets available starting at just $35.00!
4/2/2009

Tickets are available for the Fleetwood Mac concert Wednesday, April 22 at the St. Pete Times Forum, an experience many are considering for one of the hottest live shows around! And with prices starting at just $35.00, it promises to be an entertainment treat that most anyone can enjoy.

The sure-to-be-historic "Unleashed" Tour, which began on March 1 in Pittsburgh, is an epic cross-country trek featuring 44 shows in major markets. The tour will include all of the Mac's many greatest hits from over the course of the band's extraordinary career. Fleetwood Mac, the multi-Grammy winning, multi-platinum Rock and Roll Hall of Fame inductees are back on the road for the first time in five years following several successful solo projects.

Tickets for this event are on sale now at the MCDONALD’S BOX OFFICE at the St. Pete Times Forum and all Ticketmaster Outlets including FYE. To order tickets by phone, call Ticketmaster at 800-745-3000. Tickets are priced at $35.00, $49.50, $79.50, and $149.50. Prices do not include service charges.

Thursday, March 26, 2009

My Night with Fleetwood Mac

Fleetwood Mac 2009 Unleashed Tour
They may be getting older, but Fleetwood Mac put on a great show. If you can, catch the Fleetwood Mac Unleashed tour, it's amazing.
http://www.associatedcontent.comarticle/1583239/fleetwood_mac_2009_unleashed_tour.html

MICK FLEETWOOD Two New Behind The Scenes Videos

These are hysterical!

Episode #2 of MyMickTV.com This is a brilliant idea to film behind the scenes footage of Mick on the Fleetwood Mac tour!!

The first video is courtesy of 429Records channel on Youtube. The second video is from Micks MyMickTV channel on Youtube

Tuesday, March 24, 2009

FLEETWOOD MAC IN THE UK IN AUGUST?

Mick Fleetwood - speaking to fans that purchased the I Love All Access 5 Star Package at last nights show in Ottawa Canada said that if logistics are worked out they will be touring in the UK and Australia beginning in August.

Friday, March 20, 2009

FLEETWOOD MAC SET TO PLAY IRELAND

Rumours have been persistent about Fleetwood Mac playing Glastonbury this year in the UK, and with news today being reported by the Irish Times that Fleetwood Mac are set to play Ireland at the "Electric Picnic Music and Arts Festival" , can there still be doubt out there that Fleetwood Mac will be heading to Europe this Summer?

The festival is held at Stradbally, Co Laois.


FULL ARTICLE

Sunday, March 15, 2009

CRAZY FLEETWOOD MAC JOURNEY - Mick Fleetwood Interview

Fleetwood Brings Back Blues And Beats Pop Icons In The Process

ANDPOP.COM
by: Ilan Mester

You may know Mick Fleetwood as a blues artist, a legendary rock drummer or as one of the founders of the Grammy Award winning band Fleetwood Mac. But you may not know that this drummer has his own line of wine and that he recently beat out the Jonas Brothers, Nickelback and Britney Spears on iTunes the day his latest album “Blue Again” became available for download.

In a recent phone conference, Fleetwood reminisced about his blues roots. “We were very much just a formatted blues band,” says Fleetwood. “Our love for the genre of music was extreme.”

As the drummer explained, since Fleetwood Mac started off as a blues band in 1967, he was able to return to his blues roots with “Blue Again.”

And in what he defined as the “crazy Fleetwood Mac journey,” there were members that came and gone, one of them being guitarist/singer Rick Vito. “I got to know him as a player and as a friend,” says Fleetwood of Vito. The two friends worked together on Fleetwood’s album.

“How we got here is really an affinity and a love from Rick and myself with blues music,” says Fleetwood. “And hence ‘Blue Again,’ you know, blues once more.”

The album features new takes of classics like “Looking For Somebody,” “Rattlesnake Shake” and “Black Magic Woman.”

But that’s not all the drummer has going on for him. Fleetwood is currently on the road with Stevie Nicks, Lindsey Buckingham and John McVie for Fleetwood Mac’s sold-out North American tour — a first in five years.

“We’re right at the beginning of our tour which is going great, and as with anything you’re sort of nurturing some of the technical stuff and the production stuff to make sure everything is going,” tells Fleetwood. “So we try to pay as much attention to that until everything is as right as it can be.”

The tour kicked off on March 1 in Pittsburgh and features seven Canadian dates including Ottawa (March 23), Montreal (March 25), Toronto (March 17 & 26), Calgary (May 12), Edmonton (May 13), and Vancouver (May 15), before wrapping up in San Diego on May 31.


But until then, the band has plenty of shows to put on, and plenty of time to play around with the set list. “As the months go by we may, you know, have fun changing around the set, cause we are blessed with a chunk of excessive amount of songs,” jokes Fleetwood.

He says the set list was carefully thought about, and they made sure to include songs that had never been heard live before. “It’s all about what we’ve thought would be an interesting set, we’re doing ‘Storms’ which we’ve never done on stage.”

The concert will open with the hit “Monday Morning,” a song which they haven’t performed in about 30 years according to Fleetwood.

During the phone conference, Fleetwood also answered the question that’s probably on everyone’s mind: Why did it take them so long to return to the stage as a band?

“We had talked about this probably about 18 months, nearly two years ago and in truth, Lindsey did not put out a double album, he put out two single albums and that sort of put a dent in the planning of the timing of it.”

Fleetwood says this five-year gap worked out for the best, adding they have all “ended up happy and brought that energy” to the stage.

“We’ve all brought sort of things back into Fleetwood Mac, you know, certainly the fact that I’ve been very active playing as a musician, you know, I’ve gotta be in good shape to do this,” Fleetwood admits.

However, he says there was a time period in the 80’s where he ditched practicing to party. “I confess I was so busy sort of galavanting around and partying way too much that [drumming] got put by on the sideline.”

But this has obviously changed today, as the drummer says he’s been playing more today than in his early 30’s.

And when Fleetwood isn’t busy with his music, he’s busy with his wine. The musician has one of the most sold celebrity-branded wines and says that letting go of his wine, is like “letting go of a song or letting go of an album. You do what you feel you can do with hopefully the right integrity.”

For more Mick Fleetwood news visit mickfleetwood.com.

Saturday, March 14, 2009

FLEETWOOD MAC BACK ON THE ROAD (VIDEO)

Stevie Nicks and Lindsay Buckingham talk about life and love with Fleetwood Mac. Denise Quan has the story (after the commercial)
Embedded video from CNN Video

Friday, March 13, 2009

NEW SONGS CAN BE A PAIN

Fleetwood Mac is back on the road and
playing 'songs that people love'
by Jay Lustig/The Star-Ledger
Friday March 13, 2009

Musicians with a new album out will always swear it's their best work, ever, and they can't wait to play the new songs live.

Stevie Nicks doesn't have a new album right now. Her band, Fleetwood Mac, decided to tour without one. So she can speak the truth: New songs can be a pain.

Even when the band was touring behind its 1977 "Rumours" album, which went on to sell more than 30 million copies worldwide, "Nobody wanted to hear the 'Rumours' songs, just 'cause they were new," said the singer, who performs with the band at Madison Square Garden on Thursday and the Izod Center on Saturday.

"New songs always throw the whole set off. What happens is, you put way too many new songs in, and you get out there on the road, and every night you drop one because you're like, 'This isn't going over. People are going to the bathroom or buying T-shirts.' "

So this time around, the band is focusing on its hits: "Don't Stop," "Dreams," "Rhiannon," "Tusk," "Sara," "Go Your Own Way" and so many others.

"In terms of the actual song choices, it's not that hard," said singer-guitarist Lindsey Buckingham, who fronts the band with Nicks. "Probably 80 percent of the set is a no-brainer, because one of the things we have the luxury of looking at is a lot of hits. We have a good track record on radio, and if you go down the list of songs that were clearly radio hits, it defines what you're doing, to a certain degree, right there."

Just don't call it a greatest-hits tour.

"That sounds cheesy to all of us, and we hate that," said Nicks. "We're looking at it as an opportunity to go out and play the tapestry of songs that people love."

Buckingham said the tour also represents an opportunity to reconnect, musically, and take a first step toward making another studio album.

The band last toured together in 2004, and coming together without new material "does provide a hang time, or a proving ground," he said. "You get your musical chops up, not only as an individual, but in terms of how you play as a band over a period of time, and I think that we will be throwing some song ideas around."

After the tour is over, he said, "we'll take a break, and then go in the studio. It could be six months from now, it could be a year. But it is the intention to go in and do that."

Nicks discusses the possibility of a new album in a similar way: "Down the road, if this goes well -- which I'm sure it will -- maybe we'll do one last kick-ass Fleetwood Mac record, and then we can start worrying about the new songs again."

The tour represents the latest chapter in an epic rock tale that has been unfolding for more than 40 years.

The band first came together in England in 1967 as a blues-rock combo, taking its name from its rhythm section: drummer Mick Fleetwood and bassist John McVie. The duo kept the band going with various other musicians for the next eight years before finding the golden mix: Fleetwood, McVie, lovers (and soon to be ex-lovers) Nicks and Buckingham, and McVie's wife Christine (soon to be his ex-wife) on keyboards and vocals.

It was a rocky time for everybody, personally. But the quintet's first two albums, 1975's "Fleetwood Mac" and "Rumours," were blockbuster hits. Its next three, 1979's "Tusk," 1982 "Mirage" and 1987's "Tango in the Night," all went at least double platinum (selling more than two million apiece) as well.

The decade from 1987 to 1997 was Fleetwood Mac's dark age, with Buckingham and then Nicks leaving, and the remaining musicians soldiering on with mixed results. Then came a reunion tour, followed by Christine McVie's decision to quit the band, and a new album (2003's "Say You Will") and tour without her.

"I didn't see it coming," said Nicks of Christine McVie's exit, adding that she was "a bit of a leader" in the band.

"When stuff wasn't going right, Christine was able to walk into the middle of the room and say, 'Listen, this is the way it's going to be. You guys have all lost your minds. And this is how we're going to do it.' And everybody listened to her. She was like our Mother Earth."

Nicks said the band now functions like a democracy, though people make their opinions known in different ways. "Lindsey and I are the obnoxious ones: We're the foot-stompers. John and Mick are the ones who look at us and go, 'Ah, there they go again.' But it always comes around, and it's OK. They know that, so they don't worry too much about it."

March 2008 news reports predicted that Sheryl Crow was going to replace McVie in the band. But this did not end up happening.

Nicks said she considers Crow a close friend, loves singing with her, and suggested she join the group. Crow, Nicks said, agreed, and then decided not to do it.

"Joining this band is like joining the army," Nicks said. "There's no time off. It's heavy, it's huge, it's grand, and it never stops once it starts. I told Sheryl this. I said, 'I want you to understand what you're getting into here.' She said, 'Are you trying to talk me out of it?' And I said, 'No honey, but I'm trying to make you understand what it is.'

"She called me back two days later and said, 'I think I'm going to have to pass.' And I said, 'As Stevie Nicks, I'm disappointed that I won't get to work with you. But as your friend, I think you're making the right decision.'"

Buckingham sees this episode differently, calling the idea of Crow joining the band "a complete hypothetical," and accusing her of mentioning it in the press in order to drum up publicity for her own album.

"It had not been decided," he said. "So it was presumptuous, and I think the timing might have been a little self-serving."

Buckingham said that after the Crow news broke in the press there were discussions about the matter that he was not in on, "and the whole thing just went away, which, in my mind, was a good thing. Because to bring in someone else ... it may work from a business sensibility. But from a musical sensibility ... it is problematic doing Christine's material, no matter how you do it, but it's much better for Stevie and I to try to interpret it in some sort of way than to bring in an extra person to do it, which struck me as a bit lounge-y."

Nicks and Buckingham both said Christine McVie is always welcome back in the band. Nicks in particular would love it if she returned.

"I really miss having the other girl in the band," she said. "Since 1975, I had this buddy: Christine was my best friend and my travelin' buddy -- the girl that you can talk to about everything that's going on."

That's part of what made her reach out to Crow. "It didn't come from the boys," she said. "The boys are always fine for it just to be the boys club. It was me that wanted another feminine energy."

Buckingham said the band invited Christine McVie to participate in this tour "as a matter of course," but that "there was not any real expectation that she would accept."

When the band finished touring in '98, he said, she let everyone know that she had simply had enough. Period.

"I certainly understand it," said Buckingham. "There are days where I think maybe that's what I should be doing, too. But I don't seem to have it in me. There's still something bubbling in there."

Thursday, March 12, 2009

MAC READY TO UNLEASH "UNLEASHED" ON THE WORLD

After five dormant years, Fleetwood Mac has regrouped to hit the road on the band's first-ever tour without a new album to promote.


By ERIC R. DANTON | The Hartford Courant

So why now?

That's easy, Stevie Nicks says: The universe was ready for what Fleetwood Mac is calling "Unleashed."

"'Unleashed' to me meant unleashing the furies, unleashing us back into the universe," she says on a rambling conference call with reporters before starting the tour that comes Saturday to Mohegan Sun. "'Unleashed' to me was an edgy term of throwing this amazing musical entity back into the world that we had been away from."

There you have it. With no new songs to slot in, Nicks, Lindsey Buckingham, Mick Fleetwood and John McVie have drawn up a set list of greatest hits, mostly from the '70s. There's a lot to choose from. Fleetwood Mac's 1977 album "Rumours" is one of the biggest records of all time, with sales of more than 19 million copies in the United States, and the band's self-titled 1975 album and 1979's "Tusk" yielded plenty of fan favorites, too.

"This is truly a new experience for Fleetwood Mac to go out ... and play songs that we believe and hope that people are really going to be familiar with," Fleetwood says.

Fans are bound to appreciate a hits-heavy set, but playing shows without the pressure of rehearsing and fitting in new songs relieves the band of a certain burden, too.

"What it does is it kind of frees you up to kind of enjoy each other a little bit more as people," Buckingham says. "The mantra is really more 'Let's just have a good time' and value, you know, the friendships and the history that really underpins this whole experience that we've had over these years."

The band has a famously fractious history, with near-constant lineup changes since its founding in 1967, and various intra-band romantic relationships disintegrating during the period of Fleetwood Mac's biggest success in the mid-'70s. Christine McVie, who was there for the huge hits, left in 1998. Even now, there are flare-ups: Buckingham says that after the band's previous tour, for the 2003 album "Say You Will," "there was some discontent over how things were left."

He continues, "You wouldn't think it would be possible all these years later, but it is still to some degree a work in progress in terms of how we all interact as people."

Since rehearsals for this tour began, though, everyone is all smiles.

"Lindsey has been in incredibly good humor since we started rehearsal on the fifth of January," Nicks says. "And when Lindsey is in a good humor, everybody is in a good humor. When he's happy, everybody is happy."

Although the band has been dormant, the musicians haven't. Nicks has released a greatest-hits record and toured, Fleetwood put out a solo album in 2004 and Buckingham has been something of a road warrior, crisscrossing the country in support of a pair of recent studio albums. Those side projects, they say, help them to stay sharp.

"It's like it's you never get bored," Nicks says. "And so you can do your thing until you start to get bored and then you can go to the other thing. And then you can do that until you start to get bored and then you can go back to the other thing."

It's possible, though not certain, that the first other thing — Fleetwood Mac — will work on a new album after this tour is over.

"There have been discussions for sure that we would love to make some more music," Fleetwood says. "And I think it's really down to the whole sort of bio-rhythms of how everyone is feeling and what's appropriate. We have careers and families and whole different sort of perspectives from what it would have been you know 20, 30 years ago."

First things first, though: the tour. Fleetwood Mac outings are relatively rare, which gives the musicians added motivation to put on the best show possible.

"We don't do this that often," Fleetwood says. "But when we do it, we try to do it right, even with some of the complications that come with. But we don't do it when it's not possible and it doesn't feel right. And this feels really right to be doing this now."

•FLEETWOOD MAC performs Saturday at Mohegan Sun. Tickets for the 8 p.m. show are $175, $150 and $125. Information: 860-862-7163.

UNLEASHED TOUR COMES TO ROCHESTER

Fleetwood Mac's Unleashed 2009 tour comes to Rochester

By: JEFF SPEVAK
DEMOCRATANDCHRONICLE

Lindsey Buckingham left Fleetwood Mac two decades ago, he says, "for my own sanity."

Call Buckingham crazy, if the price is right. Christine McVie hasn't toured with the band since the early '90s. But Buckingham, Stevie Nicks, John McVie and Mick Fleetwood can't turn their backs on Fleetwood Mac's long-running experiment in interpersonal train wreck and pop perfection, which comes to the Blue Cross Arena at the War Memorial on Monday.

"I guess I don't need it," Buckingham says. "At the same time, I'm not prepared to say I don't. ..."

His voice trails off to introspective ellipses. "The reasons don't always have something to do with defining the art," he says. "There may be unfinished business that you need to look at on a personal level."

Buckingham's 60 now, and his personal levels seem fine. Talking by phone from his home in California, he sounds quite Zen.

"Well, yeah, I'm probably as calm as I've ever been," Buckingham agrees. Fleetwood Mac, he says, "created a kind of mythology around us that was definitely a hook. It took a long, long time to get a little less emotionally defensive."

He put down his guard after meeting Kristen, a photographer, at a recording session. "We connected, ended up going out for coffee," Buckingham says. "I had just come out of a fairly long and involved dysfunctional relationship with another woman. There had been a series of those. She broke that pattern."

Now they're married with three kids, the oldest 10. "That might not have happened," Buckingham reasons, "had that not all happened."

By that, he means a band that, when he joined in 1974, was well into middle age for a rock group, having burned its way through a vast cast of personalities and sounds.

He and Stevie Nicks, whom he'd known since high school, were just getting started with the release of their debut album, the folk-pop Buckingham Nicks.

"I was talking about this with Stevie recently," Buckingham says. "It wasn't an easy decision to join the band. There was a certain vision with what we wanted to do, even though we had done that one album and it had come and gone.

"Synergy brought all of these people together. Mick, he asked me to join, and I said, 'You've got to take my girlfriend as well.'"

Buckingham became the driving musical force, as both writer and producer, with Nicks its sexy gypsy chanteuse.

The band's self-titled album of 1975 remade Fleetwood Mac into the sound of the decade. Rumours followed two years later, becoming the biggest-selling pop album of all time for a while, in world that had already seen the Beatles.

"We were recording Rumours even as everything was breaking up. Stevie and I were breaking up, John and Christine were getting divorced. We kind of had to rise above it.

"I think it was a fairly unique situation, with two women in a band who were partners with two of the three men. That in itself becomes a tabloid hook. Thank God we weren't doing that in today's media, we would have gotten eaten alive. It was not easy, as a producer, seeing Stevie moving away from me. It was an exercise in compartmentalizing emotions, putting them in a corner so you could get things done. Filter out the trauma and anxiety.

"I wasn't aware that the songs were so specifically addressing what was going on in our lives. You do pull from personal experiences. It's kind of a generic thing, a sum of the parts, where you have three songwriters writing songs to each other. Once the audience picked up on that, and that became part of Rumours, that made it successful. It brought out the voyeur in everybody."

Weary of people peeking into his personal windows, Buckingham left the band in 1987. He has returned several times.

"One of the things that that kind of success teaches you is it's a doubled-edged sword," he says. "We had an album, Rumours, that was selling in the millions, and a choice has to be made. You can be branded as one thing. The fans seem to want that. But more importantly, the machinery wants to see you repeat that formula. Not necessarily for good reasons."

He balances the machinery with a healthy dose of lower-profile solo work — some of which evolved into Fleetwood Mac music — always aware that, "the Fleetwood Mac thing would slowly cultivate the story of my life, and I'd be making these albums that don't get heard very much. It's not easy for me. You mount these things and lose money every time, playing for 2,500, 2,000 people a night."

Several times, Buckingham speaks of this music beyond Fleetwood Mac in spiritual terms. Something that can "keep the connotation of the religion that I think the work should have."

"The work has a very holy kind of feel to it when you're doing it properly. It's nurturing to your inner self. It grounds you. It gives you a strong sense of self, a strong sense that there is magic in the world. A calmness to be had."

IF YOU GO
What: Fleetwood Mac.
When: 8 p.m. Monday.
Where: Blue Cross Arena.
Tickets: $49.50, $79.50 and $149.50, available at the arena box office, 1 War Memorial Square, and at Ticketmaster, www.ticketmaster.com and (585) 232-1900.
Call: (585) 758-5300.

Tuesday, March 10, 2009

REMEMBERING THE TURMOIL BEHIND RUMOURS

After a five-year break, 'rock-'n'-roll's greatest soap opera' hits the road and remembers the turmoil behind 'Rumours'

By Alan Light
Special to MSN Music

A few weeks ago in Los Angeles, the members of Fleetwood Mac -- Lindsey Buckingham, Mick Fleetwood, John McVie and Stevie Nicks -- gathered to run through songs in preparation for their Unleashed Tour. "We did the entire set, totally unplugged," says Stevie Nicks. "We laughed about the songs, about what was going on when we wrote each one -- what we thought it was about, and what it was really about. One of our backup singers was asking all these questions like she was interviewing us. It's such a shame we didn't film all the little stories, because it was really all coming out."

If this band was truly revealing old secrets to each other, it's a bit of a miracle they walked out of there alive. There is simply no other group that can match the offstage drama of Fleetwood Mac.

Fleetwood and McVie -- the rhythm section that gave the band its name -- are the only members who have stuck it out through multiple lineups since the Mac's early days as a British blues-based band in the '60s. In 1975, the Bay Area duo of Buckingham and Nicks joined the fold, and all the parts fell into place. The resulting "Fleetwood Mac" album sold five million copies and spun off three hit singles.

But that was just a warm-up for 1977's "Rumours." Recorded while Buckingham and Nicks were breaking up romantically; McVie's marriage to the group's third songwriter/vocalist, Christine, was disintegrating; and Fleetwood and his wife were divorcing -- played out amid numerous affairs and copious amounts of drugs -- the album became a perfect chronicle of the promise, excess and chaos of the late '70s. It spent 31 weeks at No. 1 on the charts and has sold, to date, a staggering 19 million copies. 

A new CD/DVD box-set reissue of "Rumours," with previously unreleased demos, outtakes, live recordings and video footage, was to be released in conjunction with the new tour, but is delayed while some clearance issues are being resolved.

For the past few decades, Buckingham and Nicks have bounced between solo careers and Fleetwood Mac reunions; his sixth solo album, "Gift of Screws," was released in September, and she has a live album and DVD coming out later this month. The Unleashed Tour, which kicked off March 1 in Pittsburgh, is the band's first outing in five years. Unfortunately, this time around, Christine McVie -- an often-overlooked secret weapon in the Mac arsenal -- opted not to participate (there was talk of Sheryl Crow filling her chair, but the idea fizzled out), and there is no new music attached.

Instead, there is an unprecedented sense of loyalty and camaraderie between the band members, as Buckingham and Nicks both expressed during separate telephone conversations on break from rehearsal. For a band whose music is forever linked to its personal relationships, its high-wire act of romance and heartbreak, Fleetwood Mac has even started to fully embrace maturity.

"I'm a first-time parent in the last 10 years -- at age 59, with three kids under 10," says Buckingham. "That transforms your life, that sensibility and stability, and it informs everything I do. Being adult carries over into the group setting."

MSN Music: Do you find it difficult to connect to the old songs? Especially because you don't have a new album for this tour, is there any extra challenge in relating to that material again?

Stevie Nicks: The way we always start is that we go back to the original. We listen to the record once or twice, all of us together -- and then we don't listen too much more after that. So every time we play a song, of course, there's a lot of the original in there, but it also tends to morph a little bit, depending on our mood and what's going on in the world. After 9/11, everything took on a different meaning. For this show, a song like "World Turning" is such a premonition of our world in chaos, spinning out of control.

Lindsey Buckingham: I was definitely a little ambivalent about the mentality going in to this. We knew that we wanted to get out and do something, and there was talk of making an album, but it didn't work out. But the last album we made [2003's "Say You Will"], we worked for almost a year, in the same house, and by the end, there was a lot of tension that carried into rehearsals and the shows that followed.

Getting back into the big machine could be seen as resting on our laurels. So the mantra has had to be not what new statement we are making, but how we have moved along as people trying to become adults, who were admittedly living in a state of arrested development, without ever getting closure and never really working our problems out fully.

What becomes meaningful to me is that we've got this body of work, so let's relax into that and enjoy it and see what comes, rather than go through the pressure cooker again. And, as a result, these are probably the smoothest rehearsals I've ever been involved in.

So much of your writing, particularly on "Rumours," grew out of your personal relationships. How do those songs evolve as your own lives change?

Buckingham: It becomes easier to look back and appreciate the struggles we went through. I think that, especially with "Rumours," there really was a transformative, redemptive purpose in that music. We somehow survived all of our personal difficulties because of the music. On that album, I think there's a staying power that comes from being very authentic in terms of what we were going through. I can hear these opposite emotions going on in those songs that really lend themselves to a very timeless quality. But it takes time to be able to appreciate that.

Nicks: When you're singing, you definitely throw yourself back into that time. You can't sing "The Chain" without throwing yourself into it. You can't sing "Damn your love/Damn your lies" without becoming those people again. Lindsey and I haven't been in a relationship for 20 years, but you go right back to that -- I mean, if we didn't, it would be pretty stupid to even do those songs.

Lindsey and I will never be pals, never just hang out. We will always be that ex-couple where it all blew up in the middle of being so rich and so famous and so indulgent. But we're still able to be a power couple onstage. We can be nothing to each other when we don't see each other for three years, but when we come back together, we can have that relationship, and we're still working out our problems onstage.

We never found the peace that we'd like to find. We've known each other since we were 16 or 17, and I think we'd like to know before we die that we finally found a peaceful place together.

The reputation of "Rumours" is that it's the greatest rock-'n'-roll soap opera of all time. Do you think the focus on its history distracts from the music?

Buckingham: I think you have to be realistic about the fact that "Rumours" was a success for reasons other than the music. There got to be a point where it did clearly detach from the music and bring out the voyeur in listeners. We put ourselves out there, and people started to invest in us more emotionally. And that was part and parcel of the phenomenon -- it had to do with the mythology around the record, and it would be unrealistic to not acknowledge that. I don't think that it diminishes the appreciation of the music in any way; it was just a scope that went beyond the music.

I will say I'm glad it didn't happen in 2008 or 2009. I think the way the tabloids work today, it would have been exploited in such a different way. At the time, though some of it was reported, it really was more word of mouth, and there was an authentic sense of a lore that grew up around it.

Nicks: It is inextricably part of it, and you have to embrace that.

And when you hear it, it's like being back there -- even for me. It puts me right back there, and it makes me understand why I'm going out on the road with Fleetwood Mac again, because it is that good.

Right now, Fleetwood Mac, the Eagles and Bruce Springsteen are all on the road -- it could be the touring calendar for 1979, not 2009. Does it surprise you that you're all still standing and still out playing?

Nicks: If you'd asked me 25 years ago, I would have said that I think we would all still be going, but that I also hope there are some great new bands who are firmly established by the time I'm 60. And there are a few, but it's not what I expected, and I really fault the music business for that. Artist development really died about 15 years ago, and it's killing the ability of talented kids who are just as good as Fleetwood Mac, just as good as Led Zeppelin -- and I know they're out there -- from ever seeing the light of day.

Buckingham: We obviously had a lot of commercial success at that time, but they weren't the happiest days for me personally, or the most artistically satisfying. And in those days, the studio was crazy and the road was five times crazier. People always ask now, isn't it tiring being on the road? It used to be, when we were doing all that nonsense, but now with everyone behaving, the whole day is really geared around having the energy for those two hours onstage. It's very Zen, a very pared-down environment, if that's what you choose for it to be.

Any time there's a band with a male and female singer -- from a rock band like Rilo Kiley to a country group like Little Big Town -- they get compared to Fleetwood Mac. Do you think that kind of harmony singing is your most defining legacy?

Buckingham: It's hard to analyze your own work. You concentrate on the process and not the impact that it's having. So it's hard to know what's passed on. I mean, I can tell that Death Cab for Cutie has listened to Fleetwood Mac, I can hear the chordal structure. But I think about the construction, the complexity that makes up Fleetwood Mac; I don't necessarily think about the most obvious things. You just have to let it go, out into the ether.

Nicks: I think two girls and a guy really worked. It adds that spark of romance, no matter what. I mean, the Eagles have romantic songs and they're all guys, but having a woman in a band of great guys is a big selling point. And if she's as good as the guys, it's a huge selling point. So if I were a kid, I'd definitely be looking to make that next Fleetwood Mac.

Sunday, March 08, 2009

Renowned for caustic divorces and boozy intra-band affairs


FLEETWOOD MAC BACK FOR ANOTHER AFFAIR
By JOSEPH BARRACATONEW YORK POST

Renowned for caustic divorces and boozy intra-band affairs, Fleetwood Mac never seemed likely to celebrate a 42nd anniversary. Throughout the years, the only constant has been drummer Mick Fleetwood, who stuck it out behind the skins no matter how crazy things got. Now the band - including Lindsey Buckingham, Stevie Nicks and John McVie - is back on tour for the first time in six years, playing the group's biggest hits and a new version of "Rumours." The group hits Nassau Coliseum on Friday, Madison Square Garden on March 19 and the Izod Center on March 21. We asked Fleetwood about the reunion.

So, who caved in and got the reunion going?
There really wasn't any single person doing the coercing. We've been talking about it for two years, but needed to wait for the right time. Lindsey was working on solo records, I was touring with my blues band and both Stevie and Christine [McVie, a former member] were working on projects.

Is the group still tight?
Yes. John lives in Oahu and I live in Hawaii, so we see each other a lot. And Stevie has always been like family. We've all gone through such an emotional roller coaster together - everyone falling in and out of love with each other. Our story is pretty damn unique. A lot of the troubles Stevie and I went through are so well-documented, they've almost become boring.

Most of the band's insane alcohol- and drug-fueled stories are commonly known.

Any chance of creating new ones?
[Laughs] The days of putting up silver paper over the windows to keep the sunlight out are well and truly over. There's not much "partying" anymore. We still have fun . . . sitting around sharing old war stories, but nothing crazy. Most of us are in our 60s, with kids.

Which outlandish tale(s) stand out?
The thing that truly amazes me was the time we spent in the studio recording "Rumours." We made that album under impossible circumstances - everyone's life was falling apart. I was divorcing my wife, John and his wife Christine were separating, and Stevie and Lindsey were breaking up. It was a hell of a mess. But even though it was a horror show, we created something special that has withstood the test of time.

Any chance you'll be back into the studio?
I have three hairs left. If they all don't fall out following the tour, we've talked about recording again. I don't think we want to just sit around for another five years. We're all healthy, we still have loads of energy. [Laughs] Plus, some of us still have mortgages to pay.

THEY make singin' fun

Newsday.com Full Article


One thing that's sure to happen is a new Fleetwood Mac record, though the timing of it hasn't been worked out, since it depends on how long the current tour goes. "We will have time to hang and maybe throw some new material around, whether it's after 46 dates or after we do some playing in Europe and some other places," Buckingham says. "Eventually, we will get down to making an album, but it will be after we've had time to be not only close as people but sharp as musicians, too."

And Nicks says she is just as determined.

"I think the world should have one more kick-ass Fleetwood Mac record," she says. "We're going to do it so the world can have it."

THEY make singin' fun

For its new tour, Fleetwood Mac is planning to play songs by former member Christine McVie, with Lindsey Buckingham and Stevie Nicks handling the vocals, for the first time since McVie retired from touring in 1998. "Christine really was the singles queen," says Nicks.

Here are some of the songs they've considered:

"Say You Love Me" (1975) - Sweet harmonies and "Fallin', fallin', fallin'."
"You Make Loving Fun" (1977) - "Oh, woh-oh, can it be so?"
"Don't Stop" (1977) - A smash even before the Clintons.
"Hold Me" (1982) - Videorific, harmony-filled single from "Mirage."
"Little Lies" (1987) - Classic Mac updated with '80s pop.

-Glenn Gamboa

Friday, March 06, 2009

"I THINK THE WORLD SHOULD HAVE ANOTHER FLEETWOOD MAC RECORD" (Stevie Nicks)

Boston.com
By Sarah Rodman

All iconic rock records begin life as the dreaded "new stuff" fans don't want to hear.

Stevie Nicks vividly remembers a time when Fleetwood Mac fans weren't interested in the songs from the landmark album "Rumours." Granted, it didn't take long for the 1977 release to become a multiplatinum monster, but there was definitely an initial resistance to the charms of "Gold Dust Woman."

"The audience is always going to be like, 'We need to hear the songs we came here to hear,' " says the 60-year-old singer-songwriter. And at the start of the "Rumours" tour, the songs they came to hear were hits like "Rhiannon" and "Say You Love Me" from Fleetwood Mac's eponymous 1975 album, the first to feature Nicks and her then boyfriend, singer-songwriter-guitarist Lindsey Buckingham.

As the title of the current road show makes clear, Fleetwood Mac's "Unleashed: Hits Tour 2009," which comes to the TD Banknorth Garden on Wednesday, will not feature any new stuff. "We've had incredibly good luck with successful radio songs, so if you start with that and make a list, it's not a short list," says Buckingham, 59.

But this is no farewell jaunt for the band, which also features the namesake rhythm section of drummer Mick Fleetwood, 61, and bassist John McVie, 63. (Singer-songwriter-keyboardist Christine McVie retired from the group in 1998 but performed on the 2003 album, "Say You Will.") In separate back-to-back interviews, we talked to Buckingham and Nicks about the past, present, and future, and they made it clear that the British-American band that has withstood more than a half-dozen permutations will continue to make new music for the masses to disregard - at least at first.

Singing McVie's praises

This tour is the group's second go-round without McVie. The absence of her harmonies and keyboards was definitely felt on the "Say You Will" tour, as were her songwriting contributions, including the hits "Say You Love Me," "Over My Head," "Hold Me," "Everywhere," and "Little Lies." This time out, the group has decided to add some of her tunes to the set list.
Buckingham: "I think she would want us to do that. I think she's going to be flattered as well."

Nicks: "She's delighted. Chris is the greatest, she's not selfish and she's not conceited. She's just a wonderful, wonderful girl. She doesn't like to fly and you just have to. She was having panic attacks and she didn't tell us, so we were all very surprised when she said 'I can't do this' because we never knew she was having a hard time."

The Stevie/Lindsey dynamic

McVie's absence was also felt on a personal level, especially by Nicks, who felt adrift as the band's gender balance shifted. Buckingham was having a blast, however, digging into his songs and guitar playing. Onstage in Worcester in 2003, the former lovers could be seen shooting intense glares at each other.

Buckingham: "When we got off the road in 2004 with Fleetwood Mac, I know Stevie was not very happy with me. I think she maybe wasn't that comfortable onstage in a situation where, without Christine, I had half the material to do and I was just up there being a guy. I think her sense of herself, the context kind of got blurred for her without the female compadre. I had a great time; she didn't."

Nicks: "It went from being a band with two powerful women and a bunch of guys to a bunch of guys with one powerful woman. And Christine really was the powerhouse anyway, she really was the leader of the pack, our Mother Earth. So without Chris it definitely changed the dynamic. And I was lonely because I was obviously so used to having her there since 1975."

Buckingham: "That was one of the reasons we decided we would do a few more Christine McVie songs this time and that we would find ways to do them that are more about Stevie's and my dynamic. I've been talking to Stevie a lot and it's great, the chemistry, the history; I've known her since we were both in high school. And it's not only intriguing but it gives me a big smile that we're going to go out there as a band, the four of us, and particularly Stevie and myself, and be able to bridge all the crap that maybe we've never been able to completely bridge before. We're talking about a band whose sensibilities are so disparate that probably on some level we don't really have much business being in a band together. . . . It's the synergy of that, that makes it work, that makes it greater than the sum of its parts. I think it becomes important and timely to acknowledge that and to share it with each other."

New record on the horizon

The band members hope to keep that synergy going when they get off the road and into the studio.

Nicks: "There's nothing better than having a totally tight, rehearsed band go in and make a record because you're playing great and you've been hanging out for a long time. I'm excited about it because I think the world should have another Fleetwood Mac record. Even if it doesn't sell one record, what it is for us is the experience of making the record. It really is the journey of making 'Rumours,' of making [her first solo album] 'Bella Donna,' of making these really precious records in the long run that is almost more important than what they did when they left us."

Buckingham: "I think there are chapters yet to be written with this band, and there are chapters that need to be written for the people themselves. There have been some things left hanging out there, and this isn't just a band getting together to do it for the bucks. . . . I'm getting quite excited about it, I have to say."

FLEETWOOD MAC'S SAGA IS LIKE A "FRIENDS" STORY ARC

For Fleetwood Mac, the flame still burns
Boston Herald
By Jed Gottlieb

Fleetwood Mac’s saga is like a “Friends” story arc. Couples break up, things get interesting, couples make up, things get less interesting, then the cycle repeats itself.

This makes Lindsey Buckingham and Stevie Nicks rock ’n’ roll’s Ross and Rachel (only sub out annoying drama at Central Perk, sub in genius song-writing and cocaine). And though the romance between the two may be long over, Buckingham and Nicks aren’t done with each other yet.

With the Mac back (minus the retired Christine McVie) at TD Banknorth Garden on Wednesday, Buckingham phoned the Herald to talk about the band’s first tour in half a decade and when we can expect a new album. Then Nicks called with her own take on the saga’s next chapter and to remind us that, even in their AARP years, the two’s tempestuous relationship isn’t about to end.

Lindsey Buckingham

Herald Without a new album to promote are you going to dig into your back catalog for older, more obscure stuff to play in concert?

Buckingham: It’s a funny thing because you get into that area and it really underscores part of what makes Fleetwood Mac such a good band. There’s such a disparate range of sensibilities. What one person considers to be a worthy, obscure gem is not what another feels is right. When you include all of the songs that have been radio songs for us it defines about 80 percent of our set. The extra 20 percent is up for grabs.

Have you had a big hand in putting together the deluxe reissue of “Rumours” that’s due in May?

Not really. I’m not a huge fan of those repackagings anyway. But in light of the fact that there is no new album, it makes sense to have something out there to help the marketing of the tour. Certainly there are some curiosities on there, but I haven’t had much to do with it. I did put the kibosh on a few things that I didn’t think should make the cut. So I’ve had an editorial hand in it, but that’s it.

You’ve done two solo albums in three years, which seems like a furious pace for you. Are still writing like a madman?

Kind of, yeah. When we got off the road in 2004, I told the band, ‘Don’t bother me for about three years.’ And they didn’t, which was great. It allowed me to step up the writing frequency and get out and tour. But we had committed to do a tour months ago, so I had to cut my own tour short. The finer points aside, it was very satisfying to get to spend a few years doing my own thing. It has stepped up my creativity and put me on a whole new wavelength.

Do you recognize when you write a song if it will be for Fleetwood Mac or for a solo album?

Not really. There are certain things I write that are esoteric or idiosyncratic that I know will go on a solo record. But in general, if you look at the lion’s share of “Gift of Screws” (Buckingham’s 2008 solo album), much of that would work as Fleetwood Mac. It also comes down to the band. If they go “eh,” then it becomes a solo piece. (Laughs.)

How far along are you in planning a new Fleetwood Mac album?

We aren’t far along in any specific sense. My mantra is to work on my dynamic with Stevie. She was a little uncomfortable when we got on the road last time, for whatever reason. Part of it was that she missed Christine, part of it was that I was getting 50 percent of the face time onstage and she wasn’t used to having a guy get all that space. I think it threw her context out a little. So this time around I am very much wanting to make everyone as comfortable as possible and have that be the most important thing. But we have discussed, when this tour is done, going into the studio. The only specific we know is that we are leaning toward finding an outside producer. I think it would help to have an overviewer. It was pretty hard taking the reins last time. Not so much with the music but with the band politics.

Have any producers in mind?

We had a short a list, but I have no idea. We’ve talked about everyone form Daniel Lanois to Dave Stewart to Rick Rubin. That pretty much runs the gamut of approaches. We have to meet with a few people and see how it feels.

Looking back, does it seem like everything great that you’ve done as a band has come out of turmoil?

That’s absolutely true. Obviously “Rumours” was the personal turmoil and then “Tusk” was the artistic turmoil. Then a lot of stuff after that was dealing with levels of disillusionment, at least for me. Or it was about dealing with lifestyles that were getting out of hand on some level.

Stevie Nicks

Herald You’ve been busy on the road for the last three summers. When did you have time to plan this Fleetwood Mac tour?

Nicks: The last three summers on solo tours and two years ago a tour with Tom Petty. I went out for seven shows and I stayed for 27. Tom asked me to stay and I said, “There’s no way I’m not going.” My manager said, “OK, but this is your vacation. Tom Petty is your vacation.”

So when did the Fleetwood Mac reunion come together?

We had a meeting between two and three years ago to talk. Lindsey had really been working hard on his solo work and decided he was going to get those one or two or three CDs done and tour behind them. He ended up using up a lot of his songs for “Say You Will” and that really didn’t fulfill his need to be a solo artist and, well, that album wasn’t the best experience for any of us. Lindsey made a decision to take a couple of years off and work on his solo stuff so he could enjoy Fleetwood Mac again. We all said, “Go ahead, have fun, rock on!”

I asked Lindsey if there was another rarity like “Silver Spring” waiting to be dug out and done live and he wasn’t sure. What do you think?

I suggested that we do “Storms” (from “Tusk”) on this tour. We have never done it onstage. The last tour we pulled “Beautiful Child” out and we’d never done that before and it went great. But what we do always comes down to is what sounds good. We’re just thrilled to play our body of work that we’ve worked so hard on over the last 30 years. We really shy away from the “Greatest Hits Tour” label because we think it sounds cheesy. It’s not just the greatest hits, it’s the familiar songs that everyone loves.

And you’re ready to jump into the studio as soon as this tour is over?

I would very much like to do that. I think the world should have one more kickass Fleetwood Mac record. This tour could go on for 135 shows, but when we come off the road we will be a finely tuned, well-rehearsed band, which is the best thing to be when you go into the studio because you’re already hot. Your chops are up, you’re singing great, you’ve been playing fantastic music for a year. And writing on the road is really fun. Not to mention that we already both have enough songs to do a record now. But it all depends on if we’re having fun and enjoying each other.

In the past it seemed you recorded or toured because you had to, it was your career. Now it seems like you don’t have to, you want to.

That’s right. Lindsey has children. He didn’t have children 10 years ago. Mick (Fleetwood) has 6-year-old twins. John (McVie) has a daughter in college and so he and I are the only freewheeling ones. At this point in our lives, especially for Lindsey and Mick, if they’re not having a good time, they need to go home and raise their kids and make music in their home studios.

What do you think of the “Rumours” reissue?

It’s pretty awesome. It’s the songs before they came to fruition, almost like the five of us sitting in your living room playing for you. Listening to it, I could rise up above my body and go back there and remember what an amazing group of people we were in those years. As I was listening to it, I thought, “This could so be now. This sounds like a brand-new band just coming out.”

It’s that fresh?

It is so amazingly fresh. But Lindsey and I joke that we could never get a record deal in L.A. today with this sound. People wouldn’t know if we were folk or country or rockabilly. Well, they said the same thing when I moved to L.A. in 1971. But when you hear this band, this really young band, and you hear Christine’s amazing keyboards and John and Mick, the bassist and drummer of life, and then stick that under Lindsey Buckingham who can do anything on the guitar, it’s spectacular.

So much of your great stuff came out of the band being a mess. If you are all on great terms will it be harder to make a great album?

No. Lindsey and I and our tragic, uptight way of doing things to each other is still the same in so many ways. In many, many ways, Lindsey and I are still the same people that we were when we met at 16 and 17. There’s a part of our relationship that remains unchanged. It doesn’t matter that he’s married with kids. It doesn’t matter what my life is. When we’re together we can still be incredibly teenage. And we still write about each other a lot. We’re still great sources of inspiration for each other. When we’re 90, whoever goes first, the other one will be sitting on a bed alone. We’ll never run out of stuff to write about.