Tuesday, October 13, 2015

WIN THE ULTIMATE FLEETWOOD MAC EXPERIENCE

Fleetwood Mac is due to hit New Zealand this November and THE BREEZE wants to send you to their sold-out Auckland show on Saturday, November 21!

Simply tell them the names of the five members of Fleetwood Mac and you could be into win:

  • Concert tickets for you and a friend to see Fleetwood Mac LIVE in concert on Saturday.
  • November 21 at Mt Smart Stadium.
  • Return flights to Auckland for two (from a major NZ domestic airport).
  • Luxury accommodation.
  • A rock 'n' roll dinner at SkyCity prior to the concert.

Fleetwood Mac  - On With The Show Tour - Australia & New Zealand 2015. All five classic band members back together!

Tour dates & locations:
  • Forsyth Barr Stadium, Dunedin - Wednesday November 18 (ticketdirect.co.nz)
  • Mt Smart Stadium, Auckland - Saturday November 21 (sold out show)
  • Mt Smart Stadium, Auckland - Sunday November 22 (ticketmaster.co.nz)

LIMITED TICKETS TO THEIR ONLY DUNEDIN CONCERT AND SECOND AUCKLAND CONCERT AVAILABLE NOW

The legendary FLEETWOOD MAC are bringing their On With The Show World Tour to New Zealand next month!

Touring as a five-piece for the first time since 1998, one of music’s most enduring groups of all time, Fleetwood Mac, will play three stadium shows in November.

All five classic band members are back together, with Christine McVie rejoining band mates Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks after a 16-year absence.

The On With The Show Tour will see Fleetwood Mac on stage for close to two and a half hours, showcasing hits and classic songs from their career that spans more than four decades and global album sales in excess of 100 million, including songs such as: “The Chain”, “Dreams”, “Second Hand News”, “Rhiannon”, “Sara”, “Gold Dust Woman”, “Tusk”, “Looking Out for Love”, “Don’t Stop”, “Go Your Own Way”…and the list goes on and on.

This is a tour not be missed and tickets are selling fast so put it in the diary and get your tickets quick!

The first Auckland show Saturday, November 21 is already sold out but you can still get your tickets for the second Auckland show which is on Sunday, November 22.

ENTER CONTEST (Open to New Zealand Residence Only)

Saturday, October 10, 2015

Fleetwood Mac Reunited But Going Their Own Way

Reunited for a mammoth tour, Fleetwood Mac are now planning an album. But for all their attempts to put on a show, they are still driven by backstage tensions, writes Dan Cairns

I’M DRAWN TO THESE FOUR PEOPLE. HOW CAN YOU NOT LOVE MICK? HE’S BOLD, ECCENTRIC ... WARM AND SWEET. LINDSEY IS ANOTHER TYPE OF CHARACTER ALTOGETHER
CHRISTINE McVIE

CANVAS - Couriermail.com.au - October 10, 2015

Forty years after the line-up that conquered the world with Rumours first came together, Fleetwood Mac are still having problems agreeing on anything much. The return to the fold 20 months ago of Christine McVie after an absence of 16 years is one development they all speak positively about, with none of the usual caveats and festering agendas.

“There’s Stevie on one side of the spectrum,” says Lindsey Buckingham, the band’s coiled, restless, 65-year-old musical director and – what seems like a lifetime ago – Stevie Nicks’s boyfriend. “And me, kind of, on the other, in terms of sensibilities. Christine sort of bridges that gap.”

Where Buckingham talks in the clinical manner of a scientist, Nicks dives right in.

“Christine’s coming back was like the return of my best friend after years away,’’ she says. “It’s much more fun now. We were always a force to be reckoned with, and that’s happened again.”

For McVie, 71, having emerged from what she describes as years of isolation in a remote Kent farmhouse – years of “mud and grey days, where your life is dark, your heart is dark, your brain is dark” – rejoining the band “feels like a resurrection’’.

“I feel confident again, self-assured, I know I can put my fingers on a piano and play. I can write again. I can sing,” McVie says.

And Mick Fleetwood, aged 67, gentle giant, drummer, court jester, and the band’s unofficial manager and cajoler-in-chief, is characteristically gung-ho.

“It’s been an enormous benefit,’’ he says. “I turn around every night during the shows, when Stevie’s doing her Gypsy intro, which sometimes goes on a little long, and there’s John and Christine chatting away, sitting on an amp.

“And I sit there and think, ‘How cool is that?’ I’ve asked them, ‘What are you talking about?’ and they say, ‘Oh, you know, we’re just catching up on stuff’. It’s the sweetest thing.”

The band began a European tour in May. This followed an 81-date run around North America.

In October they head Down Under with the On With The Show Tour, marking Fleetwood Mac’s first series of concert dates in Australia and New Zealand since 2009’s sold-out Unleashed Tour. The band were scheduled to tour in November 2013, but cancelled the tour after bass player John McVie was diagnosed with colon cancer. It will be Fleetwood Mac’s first Australian tour as a five-piece for the first since 1998.

Before the US tour was over, however, there were already signs of wear and tear.

Holding court at various locations in Santa Monica in the US, the Mac – save for Christine McVie’s ex-husband, the bass player John McVie, 69, who is in remission from cancer and rarely grants an interview at the best of times – accentuate the positives but can’t quite eliminate the negatives.

This is the latest stage in a journey, or saga, for a band that has always been as riveting for its offstage shenanigans as it has been for the music that has soundtracked the lives of successive generations.

Nicks, sitting in her vast apartment, its wraparound, floor-to-ceiling windows making you feel as though you’re suspended above the ocean, seems the most conflicted and ambivalent. Buckingham, by telephone, exudes a serenity you sense is hard won and, by all accounts, paper-thin. McVie talks like a lovable, slightly dotty aunt, words tumbling over themselves, candour suddenly rearing up and slapping you in the face.

Then there’s Fleetwood – resplendent in various shades of aquamarine, charms, chains and bangles rattling from wrist and neck – who goes back down memory lane to early 1960s Notting Hill in London, hanging out as a teen in coffee bars and flirting with the girl who would become his first wife. He later fights tears while talking about the recent death of his mother, and of his plans to walk Hadrian’s Wall in her memory.

“I was telling Lindsey about that the other day,” Fleetwood says. “And he went, ‘Oh, you and your rose-tinted spectacles’. I said, ‘Well, look where they’ve got all of us. You should try wearing them yourself some time’.”

If the two McVies are now friends again, and Fleetwood is still adept at playing the role of peacemaker, the relationship between Buckingham and Nicks seems as dysfunctional as ever. Most bands with a tour raking it in and a new album in the planning stages would, you’d think, have a fairly clear idea of how the near future was going to pan out.

Yet that mooted album – their first in the classic line-up since Tango in the Night in 1987; Buckingham and Christine McVie have collaborated on seven songs – already sounds fraught with some of the same old problems.

“Chris’s return has been a huge help for some of the things that Stevie and Lindsey continue to go through,” says Fleetwood, with a hint of exasperation. “In terms of ... well, it’s a form of button-pushing, about which Christine would say, ‘This should long since have been over’.”

Buckingham sounds wary when the album comes up.

“We had planned on reconvening at the start of next year but, again, there’s the politics. Stevie has not involved herself in it and has not committed to involving herself in it either, so that’s something we’re working on.” Nicks, 67, doesn’t even try to hide her fatigue. “Tomorrow will be show 79, and then we start the European tour, and then we go to Australia,’’ she says. “Three solid years of Fleetwood Mac. When that’s done, I’m done. I’m done. I’m taking a long vacation.

“I’ve bought a little house on the other side of Malibu, I’ve owned it since March last year and I have three chairs in the living room, and that’s it. I’ve spent five days there in a year. People keep saying, ‘How’s the new house?’ I don’t know, I haven’t been there. I need a break. Maybe I shouldn’t be saying this in an interview, but I don’t really care.

“I have done my best every single night to go out there and be my best and not be upset about the fact that we are doing 80 shows instead of 60, and then going straight to Europe and doing 27 shows instead of 17.”

Isn’t she keen, though, to have her own material represented on the new album?

“I don’t know how I feel about that,’’ Nicks says. “I’m not in a good place right now to make decisions. We are on the road, and in my opinion, we should not be thinking past that. We’re a strange band of bandits and gypsies, travelling as part of this huge machine. This tour would never have happened if Chris hadn’t come back.”

Christine McVie admits to some bemusement about the continuing discord between the band’s Californian contingent. She describes the appeal of returning to the band as one of “chemistry, simple chemistry’’.

“I’m drawn to these four people,’’ McVie says. “How can you not love Mick? He’s bold, eccentric, arrogant, pompous, vulnerable, warm and sweet. Lindsey is another type of character altogether. He has the darkest, most caustic sense of humour ever. He really makes me laugh, but he can also be so twitchy and edgy; you know, ‘Keep away’. He’s always crossing his arms, his legs. And you just think, ‘Relax’. He and Stevie don’t get on. On stage, they act. Privately, no.

“John and I genuinely have a friendship. I love Mick and I love both of them. But it’s like putting a wet hand in a plug socket. It’s an electric shock every time. Who knows how long it will last? The idea is to try to finish the album, and then tour it. But Stevie says, ‘You’ve just had 16 years off. Now it’s my turn’.’’

For McVie, her return was worth it, no matter the bickering that continues to coexist with some sublime live performances (for all that, the one I watched in Los Angeles was a bit flat). Anything is better than that Kent vastness, she says.

“I was living in this sprawling wasteland in the middle of 50 acres of farmland. It’s a lovely place, but it’s too isolated, and I think that’s what drove me into this slow decline; the dogs and the wellington boots and the Land Rover, the idea that you’re going to bake cookies in the Aga. “And you don’t. You just get depressed. I tried writing songs again, and nothing came, nothing. I was there in the middle of acres of greenery and sheep and totally alone.”

Nicks, clearly ready for that (long) vacation, says she still finds herself having to talk about the band’s 1970s heyday, the busted relationships, the drink and the drugs, the wounds that, in some cases, never quite seemed to heal.

“And I don’t enjoy going back to that time because it’s not who I wish I had been. I wish that I’d been less f---ed-up and less drugged-out. Done a little bit less coke, drunk a little less, smoked a little less pot. I don’t feel romantic about it at all. People like hearing about it, but it wasn’t their journey, it was mine. I was young and beautiful and just so super-unattractive.”

Of the Buckingham-Nicks relationship, Fleetwood speculates: “On some level, they must be addicted to it, to something – to love, probably. It’s strange when you’re a friend to both parties, and I do sometimes get drawn in, but you don’t want to be like the messenger in El Cid, bringing in the head. I want them to be sitting on an amp, like John and Chris. I don’t think it will ever happen, but I don’t know that for sure.” He pauses to relocate a more positive thread. “Look, this is one hell of a thing. Not all of it is ever going to be 100 per cent happy, but it’s one hell of a weird, wonderful thing. And if it were a book, you’d want it to end like this.” Fleetwood Mac play Brisbane Entertainment Centre, Boondall, November 10 and 12, 8pm, $101.85-$402.70, ticketek.com.au

Saturday, October 03, 2015

HAPPY BIRTHDAY LINDSEY BUCKINGHAM !! Born on this day in 1949

HAPPY BIRTHDAY TO LINDSEY BUCKINGHAM
Born on this day... October 3, 1949

Wishing you a very Happy Birthday Lindsey... You're the man!!

Friday, September 25, 2015

STEVIE NICKS featured on DON HENLEY'S new album CASS COUNTY

Don Henley released "Cass County" today (Sept 25th), his first solo album in 15 years. The album is available at all music retailers in various versions. For more details check out Don's website.  The one you may want to buy though, is the Target exclusive version as it includes 2 bonus tracks one of which features Stevie Nicks on “It Don’t Matter To The Sun”.

It's a beautiful song!

Target exclusive version track list below:

1. Bramble Rose (f/ Mick Jagger)
2. The Cost Of Living (f/ Merle Haggard)
3. No, Thank You
4. Waiting Tables
5. Take A Picture Of This
6. Too Far Gone
7. That Old Flame (f/ Martina McBride)
8. The Brand New Tennessee Waltz
9. Words Can Break Your Heart
10. When I Stop Dreaming (f/ Dolly Parton)
11. Praying For Rain
12. Too Much Pride
13. She Sang Hymns Out Of Tune
14. Train In The Distance
15. A Younger Man
16. Where I Am Now
17. It Doesn't Matter To The Sun
18. Here Comes Those Tears Again

Thursday, September 24, 2015

Fleetwood Mac's Christine McVie puts her 19-acre Kent home on the market

She's going to go her own way: Fleetwood Mac's Christine McVie puts her 19-acre Grade II listed Kent home on the market for £3.5million

  • Christine McVie, 72, has been spending an increasing amount of time in London since rejoining Fleetwood Mac
  • So now, she has decided to put stunning Grade II-listed country home in Kent village of Wickhambreaux on sale
  • She is selling the mansion - where she wrote some solo material following band's disintegration - for £3.5million
  • It boasts six bedrooms, four reception rooms, a three-bedroom outhouse, two cottages and sprawling gardens

By SOPHIE JANE EVANS
Daily Mail

She has been spending an increasing amount of time in London since rejoining her rock band for a global tour.

So now, Fleetwood Mac singer Christine McVie has decided to put her sprawling Grade II-listed country home in Kent on the market.

The 72-year-old, who penned some of the group's biggest hits including Don't Stop and Little Lies, is selling the mansion for a whopping £3.5million.

She is planning to 'upsize' in the capital - where she has been spending a lot of time with her bandmates - and 'downsize' in the country.

Full story with full size images at Daily Mail

Strutt and Parker Realtor Listing (includes floor plans, property layout and many more photos)


Friday, September 18, 2015

Ultimate Music Guide: Fleetwood Mac by @uncutmagazine on sale now - UK

Uncut Magazine

122 page magazine
Don’t Stop! Uncut’s newest Ultimate Music Guide tells the incredible story of Fleetwood Mac – an infinite series of surprise plot twists, where radical upheavals arrive with every new album. “We’ve never done what was expected of Fleetwood Mac,” says the band’s first leader, Peter Green, “we’ve always done the opposite.”

Fleetwood Mac: The Ultimate Music Guide collects revealing features, unseen for decades, from the archives of Uncut, NME and Melody Maker They document the rise and fall of Green’s band, the emergence of Christine McVie, the transitional lineups of the early ’70s, the dramatic arrival of Lindsey Buckingham and Stevie Nicks, and the glory and devastation that soon followed. “Being in Fleetwood Mac is more like being in group therapy,” noted the mostly redoubtable Mick Fleetwood in 1977, as he contemplated the seismic impact of Rumours and laid bare – not for the last time – the private lives of its key players.

Our Ultimate Music Guide, though, focuses on Fleetwood Mac’s extraordinary music as much as their intimate affairs. To that end, we’ve commissioned new, in-depth reviews of every single one of their albums, from lost gems to some of the biggest-selling releases of all time. Like everything about Fleetwood Mac, it makes for an uncommonly long and complicated story, but one that is never less than compelling. “Looking back, it’s like listening to war stories,” says Fleetwood. “There’s blood and guts and disagreements still to this day. But that’s what makes it mean a shit.”

On sale in the UK on Thursday Sept 10, but available to order now online.

Sunday, August 30, 2015

Sausalito: Luxury destination still has hints of Fleetwood Mac magic

American Airlines "Celebrated Living" Magazine - Summer, 2015
If you look and listen closely, this luxury destination still has hints of magic left from when Fleetwood Mac came here to make the bands's greatest album.

Read the full emagazine at American Airlines



Sunday, August 23, 2015

Fleetwood Mac Live at Isle of Wight Fest Sept 1st on @Palladia

Palladia Outdoor Week 2015
MONDAY 8/21 to MONDAY 9/7 -- Palladia is celebrating the great outdoors with 8 full days of outdoor concerts and festivals from around the globe. Featuring 8 brand new palladia concert premieres every single night! Don't miss highlights from 2015 music festivals such as Radio 1's Big Weekend, Isle of Wight Festival, Download Festival, Hangout Music Fest, Glastonbury and more. This year's Outdoor Week premieres include a variety of big name artist such as Foo Fighters, Florence + The Machine, Fleetwood Mac, Muse, Kiss, Beck, Zac Brown Band, The Who, Kanye West, Jeff Lynne, Judas Priest, The Black Keys, Counting Crows, Blur, Foster The People, My Morning Jacket, Pharrell Williams, Hozier, James Bay, Mary J. Blige, Lionel Richie and many more!

Isle of Wight Festival 2015
TUESDAY, 9/1 at 9pm EST -- Highlights from the iconic 2015 Isle of Wight Festival from the UK. Features performances by Fleetwood Mac, The Black Keys, Counting Crows, Blur, Pharrell Williams, Kool and The Gang, Paolo Nutini, James Bay, Jessie Ware and more.

Thursday, August 13, 2015

FLEETWOOD MAC “WHITE ALBUM” 40TH ANNIVERSARY

Fleetwood Mac Pivot To Stardom On 1975 Album 
Stevie Nicks, Lindsey Buckingham, Mick Fleetwood Recall Fateful Union

Dallas, TX - August 11, 2015.  North American syndicated Rock radio show and website InTheStudio: The Stories Behind History’s Greatest Rock Bands takes a look at one of the most interesting personnel changes in Rock’n’Roll, setting off the musical tsunami of Fleetwood Mac’s third and most successful era with this self-titled album forty summers ago.

British ex-pats blues band Fleetwood Mac had established themselves over seven years (1968 - 1974) and ten albums as a respected musical outfit.  No stranger to personnel changes (15 different members over the band’s forty-eight year career), none was more impactful than the departure of American Bob Welch in 1974 and the serendipitous arrival of struggling singer/songwriter duo Stevie Nicks and Lindsey Buckingham. That fateful union would forever change the music, and fortunes, of Fleetwood Mac.

The 1975 “White Album” would become Warner Bros. Records’ biggest-selling album to date and produce three hit singles, “Say You Love Me”, “Rhiannon”, and “Over My Head”.  InTheStudio host Redbeard spoke to Mick Fleetwood, Lindsey Buckingham, and Stevie Nicks about the transformative union, and just how quickly their personal and professional lives changed.

“Initially we were looking for a guitar player, but almost instantaneously upon inquiring about their (Lindsey & Stevie’s) situation, I found it to be they came very much as a package… As soon as we started playing together it became very evident, in terms of the spark, and realizing the chemistry that was definitely there.” - Mick Fleetwood

“It was like overnight, hugely successful. And it was hard for my little brain to accept that kind of fame, that fast ..You have to remember: Fleetwood Mac was NOT looking for another girl singer. They were looking for a guitar player, period. The fact that the guitar player they found happened to have this girlfriend, that they instantly knew he was not going to give up for them… I know Mick joked to many people, ‘Well if she doesn’t work out... off with her head!’”  (laughs) - Stevie Nicks

FLEETWOOD MAC /InTheStudio interview is available now to STREAM at: InTheStudio



Monday, July 20, 2015

Fleetwood Mac Announce Australian Tour Support Acts


Fleetwood Mac has announced sibling duo Angus & Julia Stone and all-sister rock group Stonefield as their supporting acts for select dates of their upcoming Australian tour. 

Angus & Julia Stone will hit the road for Perth, Adelaide, Hunter Valley and Geelong, as well as Fleetwood Mac's New Zealand dates, while Stonefield will perform on the tour's winery shows at Mt Duneed Estate (Geelong) and two Hope Estate Winery Shows (Hunter Valley). Supporting acts for the band's gigs in Sydney, Brisbane and Melbourne have yet to be announced.

Fleetwood Mac's Australian Tour Dates:

- October 22 - Allphones Arena, Sydney
- October 24 - Allphones Arena Sydney
- October 25 - Allphones Arena, Sydney
- October 28 - Coopers Stadium, Adelaide w/Angus & Julia
- October 30 - Domain Stadium, Perth w/Angus & Julia
- November 2 - Rod Laver Arena, Melbourne
- November 4 - Rod Laver Arena, Melbourne
- November 6 - Rod Laver Arena, Melbourne
- November 7 - A Day On The Green, Mt Duneed Estate, Geelong w/Angus & Julia & Stonefield
- November 10 - Brisbane Entertainment Centre, Brisbane
- November 12 - Brisbane Entertainment Centre, Brisbane
- November 14 - Hope Estate Winery, Hunter Valley w/Angus & Julia & Stonefield
- November 15 - Hope Estate Winery, Hunter Valley w/Angus & Julia & Stonefield
- November 18 - Forsyth Barr Stadium, Dunedin, NZ w/Angus & Julia
- November 21 - Mt. Smart Stadium, Auckland, NZ w/Angus & Julia
- November 22 - Mt. Smart Stadium, Auckland, NZ w/Angus & Julia

Tuesday, July 14, 2015

Review Fleetwood Mac Live in Dublin - July 12, 2015

Fleetwood Mac light up 3Arena Dublin
by Ed Power
Independent


How fitting that Fleetwood Mac should close the European leg of their latest comeback tour with a brace of sold-out shows in Dublin.

It was at this very venue in 2013 that erstwhile singer and keyboardist Christine McVie reunited with her bandmates for the first time in 16 years. The success of their soundcheck jam that night persuaded the reclusive Englishwoman to rejoin full-time – and now here she was, back where it started.

The sense of a group operating at full tilt was evident from the outset as McVie, guitarist Lindsey Buckingham and vocalist Stevie Nicks plunged into the harmonized introduction to The Chain, a tug-of-love ballad written while Nicks and Buckingham were in the throes of their notoriously messy late '70s break-up (heartbreaking fuel for the 40-million selling Rumours album). Half a lifetime later the tune still gleamed with acidic vim as Nicks and Buckingham locked gazes and spat accusatorially lyrics at one another.

With McVie in the fold once more, it was as if a missing piece of a puzzle had clicked into place. In her absence, Buckingham's pop eccentricities wielded an outsize influence over Fleetwood Mac, his oddball histrionics threatening to capsize the ship. Tonight confirmed that McVie's classic songwriting and calm persona served as a vital counterpoint. Earlier Fleetwood Mac reunions felt like glorified Buckingham solo affairs. This was assuredly no longer the case.

How or why Fleetwood Mac became the world's favourite heritage act remains a matter of conjecture. Through the '80s and '90s, the soft rock titans were an ongoing punchline. Catchy, crowd-pleasing and always on radio, they were everything a rebellious young musician might despise. However, the onward march of the decades has seen their stock soar, with hayseed Gen Yers such as Haim and Best Coast blatantly indebted to the quintet's burned-out California cool. Wait long enough and everything comes back into fashion.

Straining my neck from my standing position towards the rear of the arena, I could just about make out the top of McVie blonde bob. It was all that I needed to see as Fleetwood Mac negotiated one of mainstream rock's greatest catalogues. From The Chain, they shifted gear into You Make Loving Fun, McVie's sly Valentine to a secret lover, while Nicks had an early opportunity to shine on Dreams, a scented-candle dirge whose hippy aphorisms yielded universal truths.

Wiry and goggle-eyed, Buckingham was a tortured yin to McVie's understated yang. He barked into the mic and bobbed his head as he dispensed platitudes to the crowd (apparently we're still the best audience in the world). McVie, in contrast, stayed in the shadows for much of the set but, when required to step beneath the spotlight, was a searing presence, especially on Everywhere, her bittersweet love ballad. Disinterred six songs in it was a knockout punch and powerful closing argument for anyone who wondered how pop's naffest ensemble ended up its most beloved.

Saturday, July 04, 2015

Fleetwood Mac Tour Stats Update Adding Toronto, Atlanta, Anaheim, AtlanticCity, Austin and Houston

Updated On With The Show Tour Stats.  New to the list: Anaheim, Houston, Atlanta x 2, Atlantic City, Austin and Toronto.