FLEETWOOD MAC TALKS 2014 WORLD TOUR

Watch as Fleetwood Mac tells Access about the story and message of their 2014 world tour. Plus, what's it like to have Christine McVie back with the group after a 16 year absence?

Fleetwood Mac sells out Bankers Life Fieldhouse - Photos

Fleetwood Mac Live in Indianapolis, IN
October 21, 2014 - Bankers Life Fieldhouse

Photos below by Michelle Pemberton

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 Photos below by LivePixLive.com

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 Photos below by Bankers Life Fieldhouse

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Fleetwood Mac: The Mac is back!

By Aaron Kirchoff
Rushville Republican

Last Tuesday, Banker’s Life Fieldhouse in Indianapolis played host to legendary rock band Fleetwood Mac in the 12th show of their tour – another sold out show.

The band, back to the original five with the return of Christine McVie after 16 years, reminded the sold out crowd why they were such big fans of the band for such a long time.

The nearly 3-hour long concert was filled with hits from the past as well as hits of the future.

As the lights went out the shouts and applause began. Chimes were heard and then the foot drum played by Mick Fleetwood slowly began to play. Everyone knew what was coming when Lindsey Buckingham started on the guitar, we all knew what song it was, “The Chain,” a hit from their album “Rumors.”

They followed with several more hits back to back all evening.

Age has nothing on this band as these “youngsters at heart” thrilled the crowd and sounded incredible. They sang, danced, jumped and moved around the stage as if time had stood still for the past 40 years.

I have been at concerts of artists in their 20s on up and this concert was one of the best, if not at the top.

Stevie Nicks, 66 and Christine McVie, 71, can still belt it out like no one else with their amazing vocal talents.

From Mick Fleetwood’s entertaining antics on the drums during “World Turning” to John McVie’s steadiness on the bass to Lindsey Buckingham’s unbelievable abilities on the guitar all across the stage, the band put on a show to remember.

There were several highlights on the night aside from Christine’s return, the long guitar run by Buckingham as he played, “I’m So Afraid” and Stevie dedicating “Landslide” to Scott (off a sign from the front row). But one of my favorites was Stevie’s story before “Gypsy” and how she was in The Velvet Underground in San Francisco shopping – like all the famous female rockers (even though she said she couldn’t afford it and wore for five years). While she was there, she felt that something big was coming and she didn’t know at the time what it was…..maybe a new boyfriend, career change or something else. Then she realized, it was this band, Fleetwood Mac.

The band played their hearts out all evening, giving it their all. Many fans never sat down, they were too busy soaking up what they had been waiting for since they bought their “golden” tickets.

Stevie reminded us all, “don’t stop believing in your dreams, as dreams do come true.”

As the show closed, John Mcvie threw up his hat and announced to the crowd, “and remember, the Mac is most definitely back!”

REVIEW: STEVIE NICKS SOUNDS GOLDEN ON ‘24 KARAT GOLD ★★★★ stars

by brent80

brentmusicreviews.com
★★★★

Veteran Stevie Nicks might’ve confused people with the title of her latest album, 24 Karat Gold – Songs From the Vault. The reason being, the new studio album from Nicks is assumed to be a compilation effort rather than a true follow up to Nick’s 2011 LP, In Your Dreams. It is a new effort in regards to being recorded in 2014, though many of the songs were written in past by Nicks, dating back to the late 60s! The final results – spectacular! 

“Starshine” opens 24 Karat Gold electrifyingly with a driving groove, quick tempo, and assertive vocals by Nicks. Dynamic, filled with bold guitars and bluesy, unfurled organ, “Starshine” definitely gets the listener’s attention by all means. Follow up “The Dealer” may be even more alluring, with Nicks sounding nothing short of terrific. The songwriting, particularly the refrain, stands out the most: “I was the mistress of my fate / I gave it all out / If I’d have really known different / you’d have to watch out.”

REVIEW: Fleetwood Mac Give The Best Concert of 2014

FLEETWOOD MAC Live in New York City, NY
October 6, 2014
by Chris Ryan
audiofuzz.com

Complete with Christine McVie the band known as FLEETWOOD MAC hit the road late September this year and already have a trail of stellar reviews behind them. The band is something of an anomaly having gone through break-ups, drug addiction, bankruptcy, loss of members and oh so much more. But if there’s one thing you can be assured of, they don’t stop and won’t stop according to lead guitarist Lindsey Buckingham.

The band opened MSG with a defining tune, which is the epitome of this band, “The Chain.” Members Stevie Nicks, Lindsey Buckingham, John McVie, Mick Fleetwood and Christine McVie hit the stage of MSG for the first time together in 17 years.

Continue to the full review

REVIEW: Fleetwood Mac graced Toronto’s Air Canada Centre, Saturday, October 18

Photograph by Lee-Ann Richer

FLEETWOOD MAC LIVE 
Air Canada Centre
Toronto, Ontario
October 18, 2014

By Trent Richer
Liveinlimbo.com

Fleetwood Mac graced Toronto’s Air Canada Centre, Saturday, October 18 and showed a sold out crowd what they are made of! 

The band has been restored to its original five piece lineup. Christine McVie, who has not been with the band in 16 years due to her fear of flying, is back. For someone who is 71 years young, she showed that she can give it like the rest of the young’uns in the band. Who, by the way, range from 65 – 68.  

The 2 ½ hour show opened up with the thunder of Mick Fleetwood’s kick drum sounding like something out of Jurassic Park.  Then the eerie bluegrass sound of “The Chain” started, reminding me if a sunrise emerging from the dark. The next three songs were also off Fleetwood Mac’s top selling album “Rumors”. They were “You Make Loving Fun” sung by Christine McVie, “Dreams” sung Stevie Nicks and “Second Hand News sung by Lindsay Buckingham. 

Continue to the full review with spectacular photos

Christine McVie helps Fleetwood Mac stage a jubilant return to Columbus

By Martin Lopez
The Lantern

It’s a marvel that Fleetwood Mac were even on stage to perform last night.

It is a band that has gone through a great deal of emotional turmoil, and more recently, physical stress, as bassist John McVie was diagnosed with cancer roughly one year ago. Two other members have died within the last three years, one to suicide and the other to a haemorrhage.

They have four members who have gone through two failed relationships (one divorce) and have had several key members come and go. They even bared their emotional and romantic troubles out on their 1977 20-time platinum album “Rumours.” And when the band finally gained some stability during their 1990s reunion, singer and keyboard player Christine McVie left due to a fear of flying on tour.

And so it was immensely gratifying to see her make a triumphant return to the group at Nationwide Arena Sunday night — both for the audience, and clearly for the band. The band was firing on all cylinders with the original three-part harmonies that McVie brought back to their sound, Stevie Nicks sounding as gorgeous as ever, and lead guitarist and songwriter Lindsey Buckingham transcending with his stunning guitar solos.

The group opened up with “The Chain,” one of their most poignant and visceral songs off of “Rumours,” so they got into the soul-bearing business right away. And Buckingham immediately reminded me of why I consider him to be one of my favorite guitar players, a guitarist who, as George Harrison might put it, can make his guitar weep. His unusual finger picking, remarkable songwriting abilities, and brilliant lyrical guitar lines proved to be a constant highlight throughout the night.

Continue to the full review

THE CHAIN

RHIANNON - Stevie is wearing a cape that was hand made by Celeste Meyeres which Stevie chose as the winner in the Talent House "Design a show-stopping shawl for Stevie Nicks" Contest. You can read more about Celeste here and see Stevie's note to Celeste at the Talent House website.

Photo by vangoghtravels

Review: Fleetwood Mac Live in Columbus, OH Oct 19, 2014

Christine McVie makes singing fun

By Rob Harvilla
The Columbus Dispatch
Photos: Kristen Zeis

In sports, one player, no matter how transcendent, can’t single-handedly win a title: Just ask LeBron James. On the crowded classic-rock-nostalgia circuit, even two towering superstars might not cut it: Ask Lindsey Buckingham and Stevie Nicks.

So please welcome back Fleetwood Mac’s not-so-secret weapon, Christine McVie. As evidenced by last night’s transformative show in Nationwide Arena, her adoring fans missed her, but not half as much as the rest of her band.

Sure, the ’70s-chart-smashing pop juggernaut could subsist on the arena-touring circuit for decades hence off the poisonous fruit of the infamously doomed Buckingham-Nicks romance alone, but what fun is that?

McVie, a far sweeter and gentler singer and songwriter, had quit the band in 1998 (she hated flying) and vowed never to return. Thank God she relented this year. The crowd’s huge swell of adoration was palpable from the first few notes of You Make Loving Fun. Exquisitely mushy cloudbursts like Everywhere and Say You Love Me — a typical line of hers is “I'm over my head / But it sure feels nice” — were crucial counterpoints to Nicks’ siren songs and Buckingham’s wiry, pantherlike aggressiveness.

A shadowy back line of five singers and multi-instrumentalists quietly added any muscle the core quintet, rounded out by rock-solid bassist John McVie and incurably hammy drummer Mick Fleetwood, had lost over the years. (Nice gong, Mick.)

Nicks in particular deftly dodged the high notes on Dreams and Rhiannon, though her cuddly-goth charisma helped close the deficit: Nobody on Earth gets more applause just for twirling in a circle.

Still, Landslide, her colossally gentle acoustic duet with Buckingham, can always induce open weeping, and her entrancing Gypsy may be the band’s single most rapturous pure-pop moment. (The lost high notes on that one particularly hurt last night, though she did twirl a lot.)

Buckingham, meanwhile, is the mad virtuoso: His howling, classical-guitar-shredding, one-man version of Big Love (off 1987’s crazy-underrated Tango in the Night) is an awesome, terrifying thing, and his prowling, snarling, opera-length solo on the uncharacteristically heavy deep cut I’m So Afraid nearly knocked the audience unconscious.

Ultimately, though, it was Christine’s night: The show peaked with the Tango-era soft-rock classic Little Lies — featuring the night’s best harmonies by a long shot — and she closed out with the delicately strident solo-piano gem Songbird. Her bandmates appeared to consider carrying her offstage like a Super Bowl-winning quarterback. It’s not a bad idea.

SAY YOU LOVE ME