Monday, June 29, 2009


12,000 fans in Edmonton, Alberta Canada apparently saw Fleetwood Mac's last show of the north american leg of the tour... and all that is on youtube as evidence is 49 seconds! LOL


Thoughts on Joni Mitchell's Court and Spark

By Stevie Nicks |

Joni Mitchell’s Court and Spark. I was over at [Fleetwood Mac producer Keith Olson’s] house, and he had these great speakers that were as tall as me, and Joni’s record had just come out, and I put it on. He went away, it was just me, and I listened to this record for three days. She was able to stuff so many words into one sentence and not have them sound crowded. She was talking about what it was like to be very famous and to be a woman living in a man’s world. She had been in the world of fame much longer than me, and she had gone out with every famous rock ’n’ roll star that there was. And she was such an amazing guitarist that they all respected her. That was unheard of. She was in the boys’ club. She talked about what I saw coming. Even though Buckingham Nicks had tanked, I knew that we were going to be very famous, very rich, and that this fame thing was going to overwhelm us. So when I listened to this record, it was like a great old premonition just being laid out in front of me. There is a song on it called “The Same Situation,” and that song just would kill me when I’d hear it. Because I knew it was coming.

Sunday, June 28, 2009


A couple of years ago during various press interviews when asked about recording new material Stevie mentioned that in the wake of Katrina she wrote a song for New Orleans. Fast forward a couple of years later in New Orleans on June 20th - the last date of the American Unleashed Tour - Stevie sang a few lines of this mystery song. For Stevie Nicks fans, this is a hopeful sign that one day, in the not to distant future she will record it and include it on a new studio album.

The lyrics in this clip appear to be:

I want to sing in the streets of the French Quarter
I want to dress up, I want to wear beads, I want to wear feathers and lace
I want to brush by the vampires that go down Bourbon Street

Thursday, June 25, 2009


Photos by: JORDAN VERLAGE/Sun Media


Fleetwood Mac ensures P.E.I. Steve Nicks fan sees Edmonton concert

EDMONTON — A lifelong dream finally came true Wednesday night when a fan from Prince Edward Island finally saw her idol Stevie Nicks up close and personal at a Fleetwood Mac concert in Edmonton.

“I am beside myself, I’m ecstatic,” Pauline Doucette said before the show, wearing a black T-shirt bearing the singer’s image and holding a bag of gifts for the band.

“This is unbelievable, a memory of a lifetime.”

Doucette originally held tickets for Fleetwood Mac’s May 13 concert in Edmonton. She had saved money for months to pay the airfare.

But the concert was cancelled at the last minute when a member of the band fell ill.

In some ways, it didn’t surprise Doucette — in her hometown of Summerside, P.E.I., her nickname is “Black Cloud Polly,” an indicator of a long string of bad luck and her struggle as a 45-year-old single mother living off a disability pension.

But her luck changed when the band heard her story.

For the rescheduled concert, they ensured she had a room at a posh hotel, filled with band memorabilia including T-shirts and autographed photos, as well as a chance to meet the band members with a backstage pass.

The band had also offered to fly her back out to Edmonton, but she had already accepted an offer from a woman — a complete stranger — who offered to give Doucette her Air Miles for free.

“I’m still speechless,” Doucette said Wednesday. “It’s beyond anything I had expected.”


A study in contrasts
By MIKE ROSS, Edmonton Sun

It was the last date of this particular leg of this particular tour -- till Denmark in October -- and Fleetwood Mac didn't seem the least bit tuckered out.

It was more like one last hurrah. It was drummer Mick Fleetwood's 66th birthday last night. Perhaps that explains it.

Actually, Stevie Nicks has always seemed a bit sleepy on stage, but that's just her style, you know?

While she omitted a few high notes during the show at Rexall Place last night, her sultry, sleazy, captivating voice was largely intact.

There's no one quite like this singer. She often plays with her notes in the manner of a bored cat toying with a doomed mouse, which might be an unpleasant image to associate with such a beautiful voice, but at heart I think Stevie Nicks is a cat person. She'd understand.

Anyway, her ex Lindsay Buckingham provided most of the fireworks during the extra-long hit parade (rescheduled from a date cancelled in May).

He comes off a bit too much in love with himself, but he's such an awesome guitarist that he's entitled, don't you think?


The grey ponytailed rhythm section of Mick Fleetwood and John McVie, meanwhile, provided an oblivious rock solid accompaniment to this rock 'n' roll study in contrasts: the laid-back Stevie vs. the fiery Lindsay, the witchy woman vs. the howling wolf, pick your metaphor.

How these two ended up together is a mystery, but they did, the tension of their relationship and ensuing break-up supposedly providing some kind of magical, creative juice that resulted in one of the finest rock records ever made, Rumours.

Would it have been the same if they hadn't split? We'll never know. Fans should be pretty sure, however, that without this colourful couple, Fleetwood Mac would've probably been just another garden variety British blues band.

The pair of frontpeople made hash of their stormy past onstage -- for our amusement, surely.

In one of his bits of canned patter, Buckingham laughingly referred to the band's "complex and convoluted emotional history." He would expand on the theme later.

You can try to read body language into it. While Nicks gave Buckingham a hug at one point -- was this, too, rehearsed? -- the two largely kept to their respective sides of the stage, and their respective musical domains, too.

At times, she also twirled like a tasselled ballerina and played air guitar during his solos. Lindsay made a lot of guitar face, sometimes howling "oh yeah!" at the end of a particularly great solo.

Like I said, it was a study in contrasts, two concerts in one, really. Buckingham got the up-tempo, high energy stuff and the blistering solos -- especially shining in songs like I Know I'm Not Wrong, Go Insane and the distinctive Big Love.

Stevie took the mellow side of the road, haunting hits like Gypsy and Rhiannon (no relation to Chris Brown's girlfriend). She was especially "sleepy" -- let's just say hypnotic -- in one of her signature songs, Landslide.


Overall, it was a two-hour-plus hit parade that was promised to contain no new music, only "songs that we love to play and I'm sure you want to hear!" Buckingham declared. (Bachman Cummings take note.)

They played a bit with the arrangements, but not so much that you'd have to play "guess that tune" after the song kicked in.

The Chain -- with huge vocals provided by a trio of backup singers who couldn't possibly replace departed singer Christine McVie (talk about complex, convoluted emotions) -- came early.

The tribal groove of Tusk had the crowd cheering with joy. The canned horns filled the arena.

There are always things to nitpick about a bunch of 60-ish millionaires touring on their laurels -- they're doing it more for money than fun, let's get real here -- but this is Fleetwood Mac.

I always say that rock stars don't become famous by accident. They're up there for a reason. They're up there because they're great.

By the two-hour mark, Buckingham was still uncorking one wild solo after another, Nicks was still in good voice -- and several different outfits -- and Mick was still banging out the beat (and that damn gong) like a champ.

You couldn't ask for more. Well, you could, but let's not get greedy.

Fleetwood Mac
12,000 in Rexall


One last hurrah for the last date of the tour -- and happy birthday to Mick Fleetwood.

4 out of 5


EDMONTON — So, was it worth the wait, you ask?

Where: Rexall Place
When: Wednesday night

With multiple stories running in all media about fans distraught at last month’s postponement of Fleetwood Mac’s Edmonton date, you just knew that anticipation would be running high when they finally rescheduled — and that the band would be fully aware they had to deliver.

Well, deliver they did, with a stomping two hours plus set of hits that eschewed almost all recent material and honed in on the hits.

Guitarist Lindsey Buckingham in particular was on fire from opener Monday Morning on, playing as though his life depended on it, sizzling leads igniting The Chain and Second Hand News, vocals coming straight from the heart. His ex-girlfriend and constant foil Stevie Nicks was a step behind, a strong singer but unable to hit the notes she once did on Rhiannon and Sara, or sharing missing member Christine McVie’s Say You Love Me with Buckingham.

Even with these slight reservations it was still an at times powerful experience — made so in part by one of the greatest and oft overlooked rhythm sections in rock history, John McVie and Mick Fleetwood — with songs that could’ve been glossed over after over thirty years of constant radio and live play. It was especially impressive considering the fact that all of the interior drama that made Rumours and Tusk such fantastic albums has now dissipated over the years as the various members have reconciled with each other. And although Buckingham made a special point of noting those tensions, you could still feel those old emotions rise up on songs like Second Hand News — or maybe it was simply the combined memories of 12,000 fans as up to date on the band’s romantic entanglements as they are.

A strange, strange situation to be in — personal hurts played out for entertainment — but then that’s where the band has always excelled.

And it has to be said that while they have little competition when it comes to muscular California pop, Nicks and Buckingham also slay when the acoustic numbers come out. Buckingham started it off alone with an impassive, almost vengeful Big Love that fully deserved the near unanimous standing ovation it got, with Nicks joining him for Landslide — good, but almost a letdown in comparison.

Buckingham’s intense performance reminded that while he was lumped in with the California folk pop movement of the ‘70s he always considered himself in some ways allied with the British punks — and that Tusk, their experimental to Rumours, was meant to take the band out of formula. It never did, but a few cuts have survived into the stage show — a long version of the hit Sara, and a reserved take on Storms.

To see a group as involved in their back catalogue as Fleetwood Mac is a heartening thing — especially with so many other bands simply playing by rote. They may not be breaking new ground as they once tried, but Buckingham did acknowledge with a wink that there is something in the works — fingers crossed that playing these old classics will give us a new Rumours and not, say, Mirage.

Wednesday, June 24, 2009

REVIEW: Fleetwood Mac Live in Calgary 2009

Fleetwood Mac in fine form
Band hints at new album coming soon

They told listeners not to look back in their 1977 hit, Don't Stop.

But last night, nothing stopped Fleetwood Mac from mining their extensive catalogue for the golden tracks that made them one of the biggest bands in the world.

Five years after they last graced the Saddledome stage, Lindsey Buckingham, Stevie Nicks, John McVie and Mick Fleetwood returned amidst the enthusiastic cheers of almost 12,000 adoring fans.

The show was rescheduled from last month, when the original concert was cancelled only hours before the band was set to hit the stage.

Not surprisingly, the near-sold-out audience was made up largely of the middle-aged set, but there was also a number of young hipsters who were equally excited to see Fleetwood Mac, despite being born about a decade after the band's chart-topping glory days.

Drummer Fleetwood was first to take the stage followed by bassist McVie.

And after a lengthy pause, singer Nicks and guitarist Buckingham walked hand-in-hand to the centre of the stage, warmly acknowledging the crowd before launching into the boogie-rock number, Monday Morning.

It was the first of more than 20 songs.

Buckingham's voice was raspy at first, but warmed up nicely as the evening progressed.

Nicks, on the other hand, was singing an octave or two lower than we're used to, but was propped up by two backing singers.

Buckingham and Nicks took turns introducing each tune with a story about how the song was written or gave insight into the band's history.

During the 1970s, the British-American quintet (fifth member Christine McVie left the band in 1998) was entangled in affairs, break-ups and drug abuse.

"We have a complex and convoluted emotional history," Buckingham explained.

That's putting it mildly.

But he said even though it hasn't been an easy ride, it's worked out in the long run.

He also hinted at a possible new album soon.

Buckingham probably knew the fans were there to hear the hits and reassured them that Fleetwood Mac were there to play them.

From McVie's exciting bass line breakdown in The Chain and Nicks' nasal drawl in Gold Dust Woman to the epic chorus of Rhiannon, the crowd had much to be happy about.

A lovely moment early in the show came courtesy of Nicks, who was clad in her trademark hippy goth wear, complete with sparkly scarves hanging off her microphone.

She told the crowd the tale of how she met her former lover Buckingham in San Francisco and how the song Gypsy was written as a way to remember her happiest times while the band was going through turmoil.

The performance of the song itself was a bit flat as were many of Nicks' numbers, but it didn't seem to matter to the devoted Stevie-ites singing along to every word.

However, Nicks' voice also seemed to improve as the show went on and by the time she got to the gorgeous ballad Landslide, she was sounding like the Stevie of old.

It was all about the music last night and therefore the band kept the stage setup simple. There were a few nifty lighting effects, but for the most part the stage was bare save for two blocks that changed colour every so often.

Buckingham was by far the most energetic of the group.

He rocked out like no time had passed and was constantly making eye contact with the front rows and giving out high fives.

He even pulled out his modest 1984 solo hit, Go Insane, which sounded fantastic. It's a very '80s song, but last night it sounded modern with a theatrical twist.

Fleetwood Mac may have been through hell to get where they are today. But their legion of Calgary fans are glad they made the journey.


Fleetwood Mac June 23, 2009
Venue: Pengrowth Saddledome
Attendance: 12,000
Rating: 4 OUT OF 5

REVIEW: Fleetwood Mac Live in Calgary "Dilemma of the Classic Rocker"

Fleetwood Mac Live in Calgary, AB Canada at the Saddledome June 23, 2009

Photograph by: Stuart Gradon, Calgary Herald

What else can you call it when an announcement from Lindsey Buckingham that his legendary band Fleetwood Mac will not be playing any new songs during the group’s Tuesday night concert at the ‘Dome draws hearty cheers throughout a crowd of 11,000 fans?

As the 59-year-old singer/guitarist told the audience early, this "Unleashed Tour" of the Mac’s is all about "having fun" with none of the pressures of selling their fans on new material. This tour is about the hits.

Which is all that classic rock fans really seem to want, for the most part — to the chagrin of many a classic rock artist, some of whom still have something to offer artistically. Based on some of their more recent work, I’d say Fleetwood Mac fits into that category. But like the Stones, The Who, Elton, you name it, few seem to care when they work the new stuff. That’s drink time, bathroom time, talk amongst yourselves time — no matter the quality of the fresh tunes.
It has to be frustrating for the artists.

To their credit though, Fleetwood Mac sidestepped the issue gracefully in Calgary, playing a set finely jammed with crowd faves.

They kicked off the show with Monday Morning, which immediately showcased the band’s great strength — that sunny California folk-pop filtered through the English blues-rock base of drummer Mick Fleetwood and bassist John McVie.

This was followed up by a fantastic version of The Chain, which still stands as one of the Mac’s great masterpieces, Fleetwood, 62, every bit the mad pirate drummer on that one, hammering his giant gong.

One of the criticisms Fleetwood Mac often draws these days is the charge that singer and resident diva Stevie Nicks, 61, can’t deliver like she used to. It’s a valid point and that was evident enough at times, as in the rather limp version of Dreams, one of her signature tunes. Actually, it sounded as if both Nicks and Buckingham were being carried by their backup singers at certain points in the concert.

But Nicks also proved that her sultry rasp still has some life in it, most notably on beautiful versions of the acoustic ballad Landslide and her pseudo-mystical hit Gold Dust Woman.

As far as impassioned deliveries went, however, Buckingham stole the show.

On his acoustic showpiece Big Love there was no doubt as to what a fiery and incredibly underrated guitarist the man is and his vocal performance was so fevered, almost maniacally so, that you’d have thought the guy was about to explode.

Even though the Mac limited themselves to the all-classics format on this tour, it was also commendable the way the band found ways of maintaining a vibrant and fresh approach.

Dusting off hidden gems like Storms off Tusk was one means of achieving that. So too was the band’s storming version of the heavy rocker Oh Well, which goes back to Fleetwood Mac’s pre-Lindsey and Stevie days in the ‘60s when the band’s star was blues guitarist Peter Green. On this tune Buckingham again shined, his chops on the six-string absolutely fierce.

In the end, Fleetwood Mac’s Tuesday show at the ‘Dome was one with far more highs than lows, even if the sweet harmonies of departed member Christine McVie were missed throughout the evening, and certainly when the band encored with one of her tunes, Don’t Stop.

By that point though, the only thing that wasn’t stopping was the adulation, and that’s something Fleetwood Mac had earned on this night.

(REVIEW) FLEETWOOD MAC - WINNIPEG "Far More Than a Mere Nostalgia Act"

The Bottom Line Far more than a mere nostalgia act. The Mac Attack still has legs! Check 'em out!

Fleetwood Mac
MTS Centre: Winnipeg, MB Canada
June 6/09
4 out of 5
By: Rob Rheubottom

Controversy has always been part of the Fleetwood Mac legacy. In the past, sparks have flown over divorces, affairs, infighting and band break ups. Though the band’s personal escapades have mellowed with time, the current tour has not been completely devoid of storm clouds. Most recently, the band postponed 3 concerts in Calgary, Edmonton and Sacramento during the May leg of their Unleashed: Hits Tour 2009 due to undisclosed health concerns. Having driven out to Calgary specifically to see their show, only to have the show postponed at the last minute – I awaited their Winnipeg appearance with some apprehension.

But June 6 rolled around, and no cancellation was announced. At 7:45pm, I was in my seat listening to the lulling sound of crickets (in lieu of music) that emanated from the PA. The cricket sounds were relaxing, but given that there was no warm up act, and the band hit the stage a half hour late, the crickets soon became a little grating.

At 8:30pm, the lights went out; the crowd roared and the legendary Rumours line up of the group: Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks (sadly without Christine McVie who stopped touring in ’98) took the stage. Though McVie and Fleetwood looked a little long in tooth, Stevie and Lindsey still looked great.

Lindsay kicked off the night with his self-penned song Monday Morning off of Fleetwood Mac’s self-titled album. His exuberance was infectious and earned the band an immediate standing ovation. The fans on the floor remained standing for the duration of the show. They kept up the momentum with the instantly recognizable track The Chain culled from their multi-platinum 1977 album Rumours, giving Buckingham a chance to show off both his vocals and lead guitar playing talents.


Third London date has been added to the UK leg of the tour.

Wembley Arena
Arena Square, Engineers Way
London, United Kingdom, HA9 0DH

Friday November 6, 2009

Tickets On Sale to the General Public from 26/06/2009, 09:00

Start: Wed 24/06/09, 09:00
End: Fri 26/06/09, 08:00

Live Nation PRESALE
Start: Thur 25/06/09, 09:00
End: 26/06/09, 08:00

Tickets From £45 - £75 (All prices listed exclude fees and charges)


Birth Place: Redruth, Cornwall, England, UK
Date of Birth: June 24, 1947

Tuesday, June 23, 2009

PHOTOS: Fleetwood Mac Live in Calgary June 23, 2009

Fleetwood Mac performed at the Pengrowth Saddledome in Calgary on Tuesday, June 23, 2009
Photos: Lyle Aspinall - Calgary Sun


A fan documents her experience at the Meet and Greet with Fleetwood Mac's Mick Fleetwood in Manchester, NH

"The band will be doing more concerts in Europe and Australia starting in October. Mick even said that it looks like Fleetwood Mac will tour again next summer – fabulous."

[excerpt from moreofmymusings] - click the link for the full article


By Sandra Sperounes

The Edmonton Journal Gives Away 2 Tix
Hey, whatcha doing tomorrow (Wednesday) night? I've got two tickets to give away to Fleetwood Mac's rescheduled show at Rexall Place. You don't have to do anything special to enter -- just send me an e-mail with your name and phone number. We'll pick one winner at random.

Note: You'll have to pick up your tickets from the Journal's downtown HQ tomorrow. I'll announce the winner sometime around 11 a.m. The show starts at 8 p.m.


June 19, 2009

Edmonton and Calgary Fleetwood Mac Seat Release

has released some awesome seats for Fleetwood Mac
in Edmonton and Calgary.


Tickets for Fleetwood Mac in Paris, France are now on sale:

Parc de la Villette
17 Octobre 2009 , 20:00
211 Avenue Jean Jaurès

Cat 1 : 72,50 € - Cat 2 : 61,50 € - Cat 3 : 45,00 €

Monday, June 22, 2009


People Magazine June 6, 1977:
Fleetwood Mac - Their saga of busting charts while breaking hearts... Each others!


EDDI READER: It's been twenty years since Scottish songstress Eddi Reader burst onto the British charts with the band Fairground Attraction and the spry, folksy hit "Perfect" - a song that won a Brit Award for Best Single. With her first solo album five years later, Reader picked up another Brit for Best Female Singer and she hasn't looked back since, recording seven albums of memorable folk/pop melodies and her own distinctively lighter-than-air vocals.

Her latest, Love Is The Way, continues the winning ways spanning traditional U.K. folk and contemporary acoustic pop with thirteen songs that include a reworking of Fleetwood Mac's "Never Going Back", a rare Brian Wilson tune ("Sweet Mountain of Love") and, as usual, some wonderful songs written by and with long-standing collaborator Boo Hewerdine. Amazon (for samples)

REVIEW: Fleetwood Mac Live in Nashville June 19th

Fleetwood Mac at Sommet Center 6/19/09
The Nashvillescene

If someone had told us when we were 15 that we'd: a) be going to see Fleetwood Mac--a band who was adult contemporary and soft even when they rocked--voluntarily; and b) be pretty excited about it--we'd have probably laughed. We'd love nothing more than to report that band--with all members hovering between the ages of 59 and 63--blew us away, sounded phenomenal and rocked with a burning passion that flew in the face of their age. But the show sounded old, tired and phoned-in. We were bummed.

Fleetwood Mac are one of those bands that for many of our generation elicit memories of excruciatingly long car rides to which they were the soundtrack. However, the undeniable quality of the songwriting on the band's three seminal records Fleetwood Mac, Rumors and Tusk inevitably led us to grow up and appreciate how great they are. The Sommet Center show made us feel like we were 15 again, bored and squirming in our seats.

We knew we were in trouble from the start, when not a single person around us stood for the opening song, "Monday Morning." Given the demographic of the audience--just think Belle Meade Country Club--we were expecting a tame crowd with a proclivity towards sitting. But we at least expected that all would rise for the opening song.

Next up was "The Chain." Fuck yeah! Or so we thought. Midway through the Rumors anthem we found ourselves bored. This became the case with many of the hits--which the band's set was chock full of, this being a "greatest hits" tour and all. From "Dreams" to "Rhiannon," "Gold Dust Woman" to "Tusk," nearly every one one of the band's indelible classics in what Stevie Nicks called their "myriad of treasure trove songs" underwhelmed, lacking the potency of their original recordings. "Tusk" was going fine until the whole USC marching band section was piped in by either a sequencer or a synthesizer, making it seem instantly cheesy. Where are Heypenny when you need 'em?

The biggest problem was Stevie Nicks. Her voice sounded fatigued, pitchy and at some points just plain bad. Most of the songs were dropped down a key or two and she would still take many of the lower harmonies, which contributed to the songs' losing a lot of their power. Couple this with her uncomfortable "mystic" fabric twirling and you have a performance that bordered on goat-like parody throughout the duration of the show. She seems like a real nice lady and all, it's just that people are paying upwards of $150 a ticket for this show and, frankly, deserved better for that price.

Lindsay Buckingham, on the other hand, was mostly great. His voice, by and large, has held up, and he had more than his share of blistering guitar solos. His talents were not enough to save the show however, and he too has a presence that borders on parody, fawning over himself and playing up the whole star-crossed lovers schtick in a way that makes him come off as weirdly self-absorbed. Even for a rock star.

Unfortunately Christine McVie, having retired from touring, was absent from the proceedings and the version of "Say You Love Me" they played made us long for her presence. Her ex-husband, bassist John McVie held down a solid groove--no complaints about him--while Mick Fleetwood was mostly awesome, both as a hammy performer and as player. His greatest transgression was a drum solo during the encore that sounded frighteningly similar to Iron Butterfly's "Inagaddadivida."

The night wasn't without at least a few moments, as songs like "Second Hand News," "Go Your Own Way" and especially "Landslide" still retained some of their power. But the show never really got to the point of kicking ass. Waiting for those few and far between moments kept us there for the entire two-and-a-half hours, but, unsatisfied at show's end, we headed over to the Features show at Mercy Lounge for something that rocks!


Backstage at Fleetwood Mac's Nashville show on June 19th.

Pictured: Carrie Underwood, Sheryl Crow, and Michelle Branch. Also pictured are 3 girls I'm not familiar with.

Photo courtesy of: Carrie Underwood BR

PHOTOS: Fleetwood Mac Live in New Orleans - June 20, 2009

Sunday, June 21, 2009


Chris Hawkins presents more concerts and sessions from the archives, featuring Insight - Fleetwood Mac, in which the band talk candidly about their music.

It's steaming at BBC Six

One Hour show - an old interview from what appears to be around 1975 - 76 after the release of the white Fleetwood Mac album and prior to Rumours. Interview footage of the band speaking about the history of Fleetwood Mac from the late 60's up to the white album. Mick, Christine, Stevie, Lindsey and John interviewed with segments of various tunes between.

PHOTOS: Fleetwood Mac Live in Atlantic City, NJ - June 13, 2009

Fleetwood Mac in Atlantic City, NJ
Photos by: DBK Photos


Crowd Shot of Fleetwood Mac in New Orleans 06.20.09
Video/Photo by: by achgcs

Silver Springs was dropped on this last US date... By the sounds of it in Nashville the night before, Stevie was struggling. Two more shows left (Calgary and Edmonton) to close out the North American dates before a few months off for the band before Europe. I hope she gives her voice a rest over the next couple of days to unleash this song one last time for these two Canadian dates - it's so good live!. One bonus for New Orleans though is that Stevie spoke about and sang a few lines (accapella) of a NEW song she had written about New Orleans after Katrina hit. She spoke about the song a few years ago in the press but no sign of it being recorded just yet... Maybe if they manage to get it together for an album she'll consider finally recording it! No video has surfaced of her singing it... yet. Would love to see and hear it if anyone managed to capture that moment during the show.

Silver Springs - Nashville

PHOTOS: Fleetwood Mac Live in Nashville June 19, 2009


 Fan Photos Above

Above Photos by: Larry McCormack | The Tennessean

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