Olivia Rodrigo Sets All-Women Music Festival With Chappell Roan, Stevie Nicks, Katseye and More
Olivia Rodrigo has announced her inaugural Daisy Chain Fields Festival, taking place at Irvine, CA’s Great Park on August 29 and touting an all-female lineup.
The festival will feature performances from Rodrigo alongside Chappell Roan, Doechii, Katseye, Mitski, the Breeders, Die Spitz, Bikini Kill, Eli, Garbage, Quiet Light, Rachel Chinouriri and Not for Radio. Daisy Chain Fields will also feature special guests Karen O, Stevie Nicks and Sarah McLachlan.
Daisy Chain Fields features an all-women lineup and 100 percent of the net proceeds will go to charities dedicated to advancing and advocating for women and girls.
“The lineup is truly insane and full of my heroes and friends,” she continued. “I firmly believe that joy, community, and music can be the drivers of meaningful change and I’m hopeful this festival will be just that. I absolutely cannot wait to scream and dance and sing with you guys August 29th!!!!”
The festival will feature 14 performances across 2 stages. Tickets start at $250 for general admission.
Presale tickets on sale June 24th at 10am PT
Fans can sign up for presale access at the festival’s Daisy Chain Fields
City of Hope Announces Melissa Etheridge, Stevie Nicks & Jackson Browne for 2026 Spirit of Life® Gala honoring music exec & entrepreneur Larry Mestel, founder and CEO of Primary Wave.
July 31st Fleetwood Mac will release a Deluxe Edition of their multi-platinum Greatest Hits collection on 2LP, 2CD and streaming. The new compilation features 10 more classics including "Landslide," "The Chain," "Silver Springs (Live)," "Big Love" and "You Make Loving Fun". Rhino.com has a Ultra Clear Vinyl Exclusive available for pre-order and Urban Outfitters has the purple splatter 2LP collection available for pre-order. Walmart has the Sea Blue Vinyl Exclusive. The Translusent White Vinyl is a Brick and Mortar / Indie Retail Exclusive. The Translusent Light Blue Vinyl is a Barnes and Noble Exclusive. Full track listing below.
2LP Tracklisting
Side 1: [27:11]
1. RHIANNON [4:11]
2. DON’T STOP [3:11]
3. GO YOUR OWN WAY [3:38]
4. HOLD ME [3:45]
5. EVERYWHERE [3:43]
6. GYPSY [4:25]
7. AS LONG AS YOU FOLLOW [4:17]
Side 2: [26:36]
1. SAY YOU LOVE ME [4:10]
2. DREAMS [4:14]
3. LITTLE LIES [3:38]
4. SARA [6:22]
5. TUSK [3:30]
6. NO QUESTIONS ASKED [4:36]
Side 3: [16:43]
1. LANDSLIDE [3:19] *
2. BIG LOVE [3:39]
3. OVER MY HEAD [3:35] (was not included on the European release in 1988)
4. OH DIANE [2:39] * (was on the European release in 1988)
5. YOU MAKE LOVING FUN [3:32]
Side 4: [18:53]
1. THE CHAIN [4:30] *
2. THINK ABOUT ME [2:44] *
3. SEVEN WONDERS [3:42] * (was on the European release in 1988)
4. NEVER GOING BACK AGAIN [2:14] *
5. SILVER SPRINGS (LIVE) [5:42] *
2CD Track Listing (same as 2LP)
Rhiannon - 4:11
Don't Stop - 3:11
Go Your Own Way - 3:38
Hold Me - 3:45
Everywhere - 3:43
Gypsy - 4:25
As Long As You Follow - 4:17
Say You Love Me - 4:10
Dreams - 4:14
Little Lies - 3:38
Sara - 6:22
Tusk - 3:30
No Questions Asked - 4:36
Landslide - 3:19 *
Big Love - 3:39
Over My Head - 3:35 (was not included on the European release in 1988)
Oh Diane - 2:39 * (was on the European release in 1988)
You Make Loving Fun - 3:32
The Chain - 4:30 *
Think About Me - 2:44 *
Seven Wonders - 3:42 * (was on the European release in 1988)
Never Going Back Again - 2:14 *
Silver Springs (Live) - 5:42 *
* indicates new tracks added to the Deluxe Edition.
Interview with Jeanne Elfant Festa | Co-President, White Horse Pictures.
White Horse Pictures are producing the Fleetwood Mac documentary that will be released late this year or early next on Apple. She speaks about the documentary during the below podcast in many spots throughout.
This is a section of the video where she speaks about obtaining an unseen interview with Christine before she passed and about John and the rare unseen photos and video he provided for the documentary:
Micks new album is coming together... A new post on his Instagram account indicates he's heading to LA this Monday to put the finishing touches on the album and then it can be mixed.. Looks like we'll see something from Mick later this year or early next.
Stevie Nicks Makes Major Gift to Establish Endowed Chair at USC
Rock and Roll Hall of Fame singer-songwriter Stevie Nicks has made a significant contribution to the University of Southern California, helping establish a $3 million endowed chair in otolaryngology at the USC Keck School of Medicine.
The newly created Stevie Nicks and Joseph Sugerman, MD, Endowed Chair in Otolaryngology honors renowned Beverly Hills ear, nose and throat specialist Dr. Joseph Sugerman, a USC alumnus and longtime faculty member who has spent nearly five decades caring for performers and patients alike.
Nicks’ gift completed the fundraising effort for the endowed chair, which was also supported through contributions from several foundations and individual donors.
Reflecting on her longtime relationship with Dr. Sugerman, Nicks said:
"Through late nights on the road, years of touring, hours in the recording studio, I always knew I could count on Dr. Sugerman to be there to help keep my voice healthy, just as he does for his other patients. I am thrilled to have this opportunity to acknowledge his talent and insights and mark his many years of outstanding practice."
The honor recognizes a professional relationship that has helped sustain one of rock music’s most distinctive voices throughout a celebrated career spanning more than five decades.
Nicks’ connection to USC dates back to 1979, when Fleetwood Mac invited the USC Trojan Marching Band to perform on the title track of the band's landmark album Tusk. The collaboration later continued when the band joined Fleetwood Mac on tour.
According to USC officials, income generated by the endowed chair will support research, education, and patient care focused on vocal medicine and disorders affecting the ear, nose, and throat, ensuring continued advancements in a field that has played a vital role in preserving the voices of performers around the world.
Fleetwood Mac’s “Dreams” makes UK chart history this week, soaring 66-18 (18,849 sales) on the Official Singles Chart — its highest position ever in the UK and its first-ever appearance inside the Top 20. The Stevie Nicks-penned classic originally peaked at No. 24 in August 1977, meaning it has taken nearly 49 years for the Rumours single to eclipse its original chart peak.
The new No. 18 peak is another remarkable chapter in the song’s long afterlife. Once a modest UK hit compared to its U.S. No. 1 success, “Dreams” has become one of Fleetwood Mac’s defining streaming-era staples — a track that continues to find new audiences decades after release, powered by catalog listening, viral rediscovery and the enduring pull of Rumours.
Two more singles are sitting within the Top 50 on the UK Official Single Chart. "Everywhere" leaps forward from No. 81 to No. 24 (16,241 sales) while "Landslide" is currently at No. 50.
On the Top 100 Albums Chart "50 Years - Don't Stop" moves up to No. 6 on sales of 9,095 units while "Rumous" is currently No. 23.
Eight Classic Music Films to Be Re-Released in 2026 in High Definition
Studio City, CA – Lightyear Entertainment announces that it has embarked on a major project to remaster and future-proof its classic music films. Shot and edited on videotape in the 80’s, there was no way to go back to 35mm film materials. But using modern technology, the company has successfully remastered eight of them in High Definition for the first time.
Lightyear CEO Arnie Holland said: “These films are some of the best music films ever, starring some of the biggest artists ever. Some are concerts, some are documentaries, and one is a unique feature film. All were in Standard Definition. It was sad for me to watch them become so fuzzy and outdated, when these beloved artists’ music is still vibrant and relevant. Technology had pushed these classic films aside, but now technology has made them great again. Yes, we used AI programs to accomplish this. While I am as worried about the future of AI as most other people, right now it’s a great tool. And ignoring the possibilities of what it can do doesn’t make sense. We owed it to these major artists to use every tool we could find in order to preserve and future-proof these films.”
All of the eight films were produced in the 80’s before Lightyear’s 1987 management buyout of RCA Video Productions, Inc.
The first film to be newly released was Elvis ’56 Remastered, on February 20. For that one a BluRay was released for the first time along with a release to Digital platforms in TVOD, SVOD, AVOD and YVOD.
On June 5, the following films will be released to Digital platforms in TVOD, SVOD, AVOD and YVOD:
Eurythmics: Sweet Dreams (the Video Album) Remastered
Jefferson Starship: The Definitive Concert Remastered
Stevie Nicks: Live at Red Rocks Remastered
On August 21, the following films will be released to Digital platforms in TVOD, SVOD, AVOD and YVOD:
A Night with Lou Reed Remastered
Rick Springfield: The Beat of the Live Drum Remastered
Waylon Jennings: America Remastered
Return to Waterloo (a film by Ray Davies of the Kinks) Remastered
Waylon Jennings America was released on DVD in 1986. It has never been offered to Digital platforms before. The film includes scenes with Robert Duvall, Hank Williams, Jr. and Johnny Cash.
Return to Waterloo is a 60-minute feature film (released theatrically by New Line Cinema), and, instead of dialog by the actors, the story is told almost exclusively by the lyrics of original songs penned by storyteller extraordinaire Ray Davies.
Elvis ’56 was originally seen on Cinemax after debuting at Sundance; Stevie Nicks Live at Red Rocks on HBO, Rick Springfield’s The Beat of the Live Drum (directed by David Fincher) on HBO, Eurythmics Sweet Dreams on MTV, A Night With Lou Reed on MTV.
All of the film remastering was produced in-house by David Lawrence, Lightyear’s Director of Film Acquisition. Sound mastering adjustments were done by Sky Spooner, Lightyear’s Executive Vice President.
After decades of influencing fashion from concert stages around the world, Stevie Nicks finally made her long-awaited debut at the Met Gala on May 4 — and in true Nicks fashion, the moment felt nothing short of magical.
The legendary Fleetwood Mac frontwoman arrived at fashion’s biggest night in a breathtaking custom gown created by celebrated designer John Galliano for Zara, marking the singer’s first-ever appearance on the famed Met steps at age 77.
This year’s gala theme, “Fashion is Art,” celebrated the Metropolitan Museum of Art’s spring 2026 exhibition “Costume Art,” making Nicks’ cinematic, romantic look a fitting addition to the night’s artistic spectacle.
The ensemble was completed with a silk taffeta and velvet jacket that shimmered beneath the gala lights, along with one of Nicks’ signature accessories — a towering black top hat accented with feathers. The piece was created in collaboration with famed milliner Stephen Jones, further elevating the gothic glamour of the look.
While Nicks is famously associated with flowing shawls, moon necklaces, and layered bohemian jewelry, she opted for a more refined approach for her Met Gala debut. She wore her signature blonde curls loose over the velvet textures of the gown and accessorized with opal and diamond jewelry from Tiffany & Co.’s Blue Book collection, including a pendant necklace, earrings, and rings.
The appearance served as a reminder of just how influential Nicks has been as a fashion icon throughout her career. From velvet capes and platform boots to lace gloves and top hats, her aesthetic helped define the visual identity of 1970s and 1980s rock culture and continues to inspire generations of musicians and designers alike.
Later in the evening, the night transformed from fashion event to unforgettable musical moment when Sabrina Carpenter joined Nicks for a surprise duet performance of Landslide in the Metropolitan Museum of Art’s Egyptian wing.
After Carpenter opened the evening with performances of “House Tour,” “Espresso,” and “Please Please Please,” Nicks took the stage as the event’s headlining performer. Together, the pair performed “Landslide” before Carpenter assisted Nicks on “Don’t Stop Thinking About Tomorrow.” Nicks also delivered performances of Gypsy and Edge of Seventeen, bringing the evening to a dramatic and emotional close.
For an artist whose image has long existed at the intersection of rock and couture, Stevie Nicks’ Met Gala debut felt less like a first appearance — and more like the arrival of fashion royalty.
Photos: Kevin Mazur, Michael Loccisano, John Shearer
Time has cast a spell over Fleetwood Mac’s infamous 1997 performance of “Silver Springs,” a live recording that forced Lindsey Buckingham into the unenviable position of playing lead guitar on a dis track written about himself by his ex Stevie Nicks, who sang about how he’ll “never get away from the sound of the woman that loves you.” It’s an icy face-off, steeped in decades of complex romantic entanglements, that often feels too intimate to watch — so much so that Nicks once admitted she chose her steely demeanor to “leave behind for posterity, just in case Fleetwood Mac never did another thing.” Now, Buckingham is doing his best to insist this particular “Silver Springs” hasn’t lingered in his memory at all. In a recent social-media video, Buckingham was asked by his daughter about how the performance is, essentially, the female version of thinking about the Roman Empire. “This night? What was the buzz?” he responded. “The one where Stevie was staring at me? Well, you know, people are going to look for things to read into, right?” Yes, we sure do, and it doesn’t help that the duo are teasing some sort of reunion in the near future. (watch the video until the end)
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