Chart Week Ending: October 25, 2025
Nearly five decades after its release, Rumours continues to prove why it remains one of the most resilient albums in rock history. This week’s charts across the UK, USA, and beyond reveal another wave of upward movement for Fleetwood Mac and even a few surprising rebounds from Buckingham Nicks and Greatest Hits that underscore just how deep the band’s catalog still resonates.
United Kingdom – Steady Streams and Physical Slowdown
After last week’s celebration of The Chain returning to the UK Top 75 for the first time in 35 years, this week’s focus turns to the albums, and the story is one of quiet consistency.
50 Years – Don’t Stop maintains a powerful No. 8 position on the Official Albums Chart with 7,337 weekly sales, remaining the band’s flagship compilation and a fixture in the UK’s streaming culture. Rumours follows at No. 24, marking its 1,000th-plus week in the Top 100 across its various runs since 1977.
On the Streaming Albums Chart, both titles hold steady with Don’t Stop at No. 6 and Rumours at No. 20, reflecting how Fleetwood Mac continue to thrive most strongly in the digital space. However, on the Album Sales and Physical Albums charts, Rumours dips slightly to No. 40, signaling a natural slowdown following a late-summer vinyl surge.
Still, Rumours makes a re-entry at No. 67 on the Album Downloads chart, suggesting renewed digital purchasing likely sparked by Fleetwood Mac’s visibility in playlists following “The Chain”’s recent resurgence.
Meanwhile, Buckingham Nicks remains comfortably placed on the UK Americana Chart at No. 7 in its fifth week in the Top 10, while ranking No. 53 on Album Sales and No. 50 on Physical Albums, a testament to how enduring interest in the duo’s pre-Mac history remains.
On singles, the band’s “big three” remain solid fixtures:
- “Dreams” holds at No. 49, now marking its 53rd week inside the Top 75 since its streaming-era rebirth.
- “The Chain” slides slightly to No. 74, yet continues to outperform expectations for a nearly 50-year-old album track.
- “Everywhere” stays put at No. 83, completing the trio’s unbroken chart presence.
Even more impressive is that on the Streaming Songs Chart, all three remain within the Top 100. “Dreams” stands at No. 48, “The Chain” at No. 72, and “Everywhere” at No. 84, underscoring their multi-generational appeal in the digital era.
In Scotland, Rumours dips to No. 37, while Buckingham Nicks settles at No. 42, maintaining regional traction.
United States – Fleetwood Mac Rise Again on the Artist 100
Across the Atlantic, Fleetwood Mac post another strong showing, not only with Rumours climbing to No. 19 on the Billboard 200, but also with the band themselves surging to No. 13 on the Billboard Artist 100, their highest placement in months.
That metric, which blends streaming, sales, and airplay across the band’s full discography, suggests a broad resurgence in attention. Rumours also climbs across key format charts:
No. 29 on Top Album Sales,
No. 27 on Streaming Albums, and
No. 9 on Vinyl Albums, its highest vinyl position since spring.
On the genre charts, Rumours sits firmly in the upper tier at No. 5 on Rock & Alternative Albums and No. 4 on Rock Albums, while Greatest Hits continues at No. 21 on both lists.
The enduring Rumours renaissance continues to be powered by “Dreams,” which edges up again to No. 30 on the Top 50 Streaming Songs, still benefitting from playlists and social virality.
Meanwhile, the Buckingham Nicks reissue keeps its niche momentum alive, holding No. 10 on the Indie Store Album Sales Chart, while Rumours makes a surprise re-entry there at No. 17, evidence that vinyl and boutique retailers are once again championing the Mac catalog.
In Canada, an intriguing reversal occurs as Greatest Hits leaps from No. 91 to No. 13, while Rumours slides to No. 89, marking a rotation in consumer attention toward compilation buyers and new vinyl adopters. I also think this has to do with streaming and where the sales are directed each week. The last couple of weeks they've been flip flopping, which is odd.
Rest of the World – Continental Resilience and a Nordic Plateau
Fleetwood Mac’s global endurance remains extraordinary. Across Europe, Rumours continues to chart almost everywhere, often holding its ground or even regaining spots despite little promotion.
In the Netherlands, Rumours remains a Top 10 staple at No. 10, while Tango in the Night exits after a brief cameo.
In Germany, the album edges up to No. 71 after last week’s rebound into the Top 100.
Norway remains steady at No. 20, its best 2025 standing since early summer.
Sweden holds at No. 31, while “Everywhere” and “Dreams” continue to linger on streaming lists there.
In Ireland, 50 Years – Don’t Stop slips just one place to No. 7, while Rumours follows at No. 17. On the singles front, “Dreams” falls slightly to No. 52, “The Chain” stays even at No. 63, and “Landslide” makes a re-entry at No. 75, an echo of Stevie Nicks’ enduring solo resonance.
Conclusion – Half a Century On, the Story Still Plays
What’s remarkable about Fleetwood Mac’s October chart performance is not just longevity but balance. Rumours sells in every measurable format, from streaming and physical to vinyl, indie, and digital. “The Chain” and “Dreams” persist as evergreen singles that behave like modern hits. And Buckingham Nicks, half a century after its original release, now moves units in both the United States and the United Kingdom simultaneously.
Few artists from the classic rock era have achieved such cross-generational stability. For Fleetwood Mac, it is less a comeback than a continued conversation, one that began in 1977 and still resonates with the same emotional clarity today.
As Rumours approaches its 50th anniversary in 2027, the numbers keep proving what fans have always known: some records never grow old. They just find new listeners to believe in them.
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