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Sunday, October 11, 2020

"This song is a prayer for people to unite" - Stevie Nicks

On edge of 72, Stevie Nicks just wants to sing a song live

By MESFIN FEKADU - Associated Press


NEW YORK (AP) — It’s Saturday at 9:30 p.m. and Stevie Nicks is singing on the phone.

The rock icon is at her Los Angeles home, where she’s been cooped up since December after wrapping the “An Evening with Fleetwood Mac” tour. She arrived there at first to relax after spending a year on the road and to celebrate the holidays. But then the coronavirus pandemic hit.

Stuck at the house is both good and bad for Nicks. The good news? Her house is a creative oasis where all her favorite musical instruments live. It’s where she spent a year recording her 2011 album “In Your Dreams” with Dave Stewart and Glen Ballard.

Her current 10-month stint — and counting — at home even fueled her to record the new single “Show Them the Way,” out on Friday.

“It’s beautiful,” she says after singing the song’s chorus at the end of a 90-minute-plus interview, where Nicks excitedly discussed everything from her admiration for late icons and pals Tom Petty and Prince to her relationships with Harry Styles and BeyoncĂ©.

The bad news? Nicks is 72 and doesn’t want to be homebound when she prefers to be singing live on the road.

“This pandemic is more than just a pandemic for me. This is stealing what I consider to be my last youthful years,” Nicks told The Associated Press. “I don’t have just 10 years to hang around and wait for this thing to go away. I have places to go, people to sing for, another album to make. With every day that goes by, it’s like taking this time away from me. That I think is the hardest thing for me.”

“I have a lot of friends that are 60 and they’re going, ‘Oh I’m so old, I’m 60.’ I’m like, ‘You know what, the violins of the world are playing for you. You’re going to really appreciate 60 when you turn 72,’” she continued. “I don’t feel like the whole world is really getting behind getting this to go away. I feel like people are just thinking it really is just magically going away. All it takes is a few people that don’t wear a mask to spread. Just let one person catch it from you and there it goes — it’s like the never-ending story. That worries me because I’m going, ’Will it really be gone by the end of 2021?

“Will it be safe next year for us to walk into Madison Square Garden?’ I don’t know that it will,” she said.

Nicks is hoping to satisfy fans she would typically see in-person on tour with the new concert film “Stevie Nicks 24 Karat Gold The Concert.” It was recorded over two nights during her 2016-17 “24 Karat Gold” tour and will be available at select theaters and drive-ins on Oct. 21 and 25. A CD and digital album of the concert will be released Oct. 30.

“As we started to understand that this COVID thing was not a joke, I started going to myself, ‘Well, you know what? This may be the closest to going to a big, big concert that’s actually not from 1977 that is new,’” Nicks said. “It’s brand new and it’s fantastic.”

The only time she left her West Coast home was to edit the film in Chicago. She took a private jet to the home on a golf course that had been vacant for some time, spending a month there and editing down hours of footage to create the 140-minute film.

“They can’t do it without me. I won’t allow it,” Nicks said. “We got it all done. It was really fun. We were really safe.”

But at the end of the trip, Nicks tripped in the snow and fractured her knee: “I was like screaming as I went through the air and saw the gravel driveway coming toward my face and just made a quick turn. So, I didn’t fall face down and caught myself. Because of my strong, tambourine arms, I was able to stop myself from crashing even worse. It was a really bad fall, but it’s OK.

“It’s had a hard time getting better,” she continued. “I hurt this knee really bad, my left knee, before, years ago. I had been dealing with it and fixed it. ...I had just really gotten it to be to the place where it was totally better, then I fractured it. So now it’s almost better,” she said.

Apart from producing her concert film and recording “Show Them the Way,” Nicks has been busy in the home where she’s been creative in the past: “Another famous rock ‘n’ roll star, who will not be mentioned, sent me a song that he wants me to sing on,” she revealed.

Though “Show Them the Way” arrives Friday, Nicks said the song came to her in a dream in 2008 when Barack Obama and Hillary Clinton were competing for the Democratic Party nomination for president. In the dream Nicks is performing at a political benefit where attendees include Dr. Martin Luther King Jr., John Lennon, John Lewis, John F. Kennedy and Bobby Kennedy.

Dave Grohl plays drums on the new song, which was produced by Greg Kurstin (Sia, Adele, Beck). Cameron Crowe is directing the music video.

“This song really is a prayer. This song is a prayer for people to unite. A prayer for people to get together,” Nicks said.

“I didn’t really realize that until just the last few days. The chorus was written a week or so later,” she continued.

“The chorus, and I can sing it for you, it goes, ‘Please God show them the way/Please God on this day/Spirits all give us strength/Peace will come if you really want it/I think we’re just in time to save it/Please God, oh please God, show them the way.’”


Saturday, June 24, 2023

Philadelphia Review Stevie Nicks’ singing was on another level and her banter was fun and bubbly

A stadium-sized singalong with Billy Joel and Stevie Nicks at The Linc

Two songwriting legends gave stellar performances in Philly on Friday, June 16, 2023.



Photo: nikkejones85 on Instagram
By Maureen Walsh and John Vettese

It’s easy to understand why a double-header of pop songwriting icons Billy Joel and Stevie Nicks drew a capacity crowd to Lincoln Financial Field on Friday night. Both artists have been active since the late 60s; both are behind an array of hit songs stretching into the 90s, and their popularity extends to present day, with a strong cross-generational appeal. The Philadelphia crowd was made up of life-long fans who probably first heard both artists on WIOQ 40 years ago; younger fans experiencing Nicks and Joel for the first time; and the crossover of parents in collective rapture with their children. And for the performers’ part, both artists sounded stellar, were backed by exemplary bands, played a robust mix of hits and deep cuts, and put their lively personalities on full display.

Nicks opened her set with “Outside the Rain” — appropriate given the thunderstorm forecast and tornado warnings we spent all day monitoring on our Accuweather apps — followed by its sister song “Dreams.” The crowd was pleasantly surprised by the Fleetwood Mac classic turned Tik Tok sensation appearing so early in the set, but that was not the only surprise. We soon were regaled with tourmate Billy Joel’s presence on “Stop Dragging My Heart Around;” he took the stage in a party mask, singing Tom Petty’s verse before revealing his face for the chorus. Nicks’ set continued with even more unexpected moments. There were deep cuts such as “If Anyone Falls,” and Rock A Little‘s “I Sing For the Things,” a song Nicks is playing live for the first time on this tour. She also sang a few covers, the highlight being a heartfelt and powerful cover “Free Fallin'” looking up to the sky and her old friend Petty towards the end.

Nicks couldn’t leave out the hits, of course. “Landslide,” was gorgeous, “Edge of Seventeen,” was explosive with smoking solos courtesy of longtime guitarist Waddy Wachtel.  “Stand Back,” was taken to the stratosphere thanks to backing vocals by Sharon Celani and Marilyn Martin, and an epic jam on “Gold Dust Woman” was a set centerpiece, with intentionally disorienting camerawork on the big screens adding to the song’s psychedelic feeling.

Nicks’ singing was on another level and her banter was fun and bubbly, talking issues with men and offering life lessons about staying true to yourself. She donned a different shawl for nearly every song, including the very one she wore on the back cover of her solo debut Bella Donna. It was a memorable set of music and her and her band left the crowd wanting more even after her encore.


Billy Joel pays tribute to Tina Turner, Stevie Nicks enchants at co-headlining concert
Melissa Ruggieri



As with recent performances, Nicks took the stage at sunset for about an hour and 45 minutes and Joel closed the night with two hours of radio fodder and fan favorites (hi, “Captain Jack”).

Though no one expects – or wants – any drastic deviations from their adroitly crafted setlists, a couple of spotlight moments emerged.

Joel, 74, offered Tom Petty-esque vocals to counter Nicks, 75, on “Stop Draggin’ My Heart Around” (it wasn’t the tidiest of duets as Joel missed his cue to start singing and then his microphone blanked for several seconds). And during Joel’s percussive “River of Dreams,” he and his exemplary band swung into Tina Turner's “River Deep, Mountain High,” with the multifaceted Crystal Taliefero belting and brass masters Mark Rivera and Carl Fischer coating the tribute with spiky horns.

Stevie Nicks conjures spirits, expels emotions

Nicks, looking resplendent in layers of black, her crimped blond hair flowing halfway down her back, offered her comforting warble on both solo and Fleetwood Mac treasures.

The overlooked “If Anyone Falls” paired with “Gypsy,” allowing Nicks’ two backup singers to add plushness to the choruses.

Nicks’ songs are as layered as her chiffon skirts, their melody and meaning requiring hours of dissection. The poetry in the title tracks of her early solo releases, “Bella Donna” (1981) and “The Wild Heart” (1983), coupled with the galloping beat powering “Stand Back” and urgent guitar riffing in “Edge of Seventeen” reminded of Nicks’ unique song styling.

Her hand-fluttering bows and dramatic dips, too, are all distinctively Stevie.

Nicks is also always expelling emotion, whether playing air drums and conjuring the spirits during the ominously thumping “Gold Dust Woman” or quietly singing the pensive rumination on aging, “Landslide.” During that final song, photos of Nicks and her beloved bandmate, the late Christine McVie, scrolled one of the three screens looming above the stage, making an already wistful moment heartbreaking.

Nicks felt it, too, as she stammered at song’s end, “Can’t speak,” and blew the crowd a kiss before smiling and stating a simple, “Thank you.”

Monday, March 05, 2012

Former Fleetwood Mac member Billy Burnette sends "Rock N Roll With It" To Triple A

Billy Burnette (former Fleetwood Mac member '87 to '95) has released a new album titled "Rock N Roll With It".  His latest single, the album title track, has recently been released to 100's of Triple A stations around the US.  Check out the Rockabillyblues website for an extensive listing of stations sent the track and if one happens to be in your area - request they play the song.

Billy's history with Fleetwood Mac goes way back even before he joined the band officially.  He first joined Mick Fleetwood's "The Zoo" in the early 80's and released one album "Shaking The Cage" with them.  He wrote "So Excited" with Christine McVie which appeared on her 2nd solo album in 1984 and also appeared with Christine live on the taping of "Christine McVie The Video Album".  He backed up Lindsey Buckingham during his Saturday Night Live appearance in the early 80's plus did a duet with Stevie on "Are You Mine".  He officially joined Fleetwood Mac in 1987, prior to the "Tango In The Night" world tour.  With Billy in the band they released "Greatest Hits" in 1988 "Behind The Mask" in 1990" and "Time" in 1995 - all of which Billy appeared on.  He also contributed to John McVie's only solo album in 1992 "John McVie's Gotta Band".

Here's a recent interview with Billy.  He talks about the all the artists he's played with + how his involvement with Fleetwood Mac came to be. Rockabillyblues

Album Available Here:
Rock & Roll With It - Album - iTunes | Amazon
Rock & Roll With It - Single - Amazon
Billy's Official Site
"Rock & Roll With It" Album EPK


Here's Billy live in action with Fleetwood Mac at the Cow Palace in San Francisco on the Tango In The Night Tour.