by Richard Burnett
Montreal Gazette
When my boozing buddy Jamie and I made our entrance at the absolutely packed, internationally-famed annual Stevie Nicks drag queen rock’n’roll tribute Night of a Thousand Stevies in New York City some years ago, New York hadn’t seen so much trash since the Teamsters’ citywide garbage strike of 1990.
No, I didn’t trip and slide face-first into the gutter like I did on Bourbon St. in New Orleans one Halloween, but I knew I was in deep trouble when my bartender told me she couldn’t serve me triple vodka-sodas because her glasses weren’t big enough.
Montreal Gazette
When my boozing buddy Jamie and I made our entrance at the absolutely packed, internationally-famed annual Stevie Nicks drag queen rock’n’roll tribute Night of a Thousand Stevies in New York City some years ago, New York hadn’t seen so much trash since the Teamsters’ citywide garbage strike of 1990.
No, I didn’t trip and slide face-first into the gutter like I did on Bourbon St. in New Orleans one Halloween, but I knew I was in deep trouble when my bartender told me she couldn’t serve me triple vodka-sodas because her glasses weren’t big enough.
As beautiful as the audience was – girls and boys everywhere dressed in Stevie’s trademark leather and lace – the real entertainment was on the stage. There were lip-syncing drag queens and kick-ass live performers. Then to close the show, Goon Squad – featuring Blondie’s Debbie Harry on lead vocals – destroyed the place with their balls-to-the-wall punk version of The Chain.
I have been to every major drag event in London, Sydney, Paris, New Orleans, Vegas and Montreal, and I’m telling you, NOTS is hands-down the most fun drag event I’ve ever been to. Revellers get dolled up à la Stevie, including past attendees Courtney Love, Cyndi Lauper and Boy George. Even I wore a blond wig.
“I hope next year maybe Stevie will come,” ab-fab NOTS co-hostess Hattie Hattaway (a.k.a. Brian Butterick), who produces NOTS with her fellow Jackie Factory NYC co-founders Johnny Dynell and Chi Chi Valenti, told me after the show.
Now flash-forward to Stevie’s new critically-hailed 2014 solo album 24 Karat Gold –Songs From The Vault, produced by Dave Stewart, Waddy Wachtel and Nicks, and recorded in Nashville and Los Angeles. The songs were written between 1969 and 1995, and the artwork for the CD includes never-before-seen Polaroid photos snapped by Nicks throughout her career. The album leads off with Starshine, for my money Stevie’s best rock number since Edge of Seventeen, and the emotional highlight is the country-soul of Blue Water, with backing vocals by Lady Antebellum.