Showing posts with label Fleetwood Mac 2014. Show all posts
Showing posts with label Fleetwood Mac 2014. Show all posts

Thursday, December 11, 2014

Review: Fleetwood Mac Live in Phoenix December 10, 2014

Review: Fleetwood Mac celebrate Christine McVie's return
by Ed Masley

"Our songbird has returned," Mick Fleetwood told the sold-out crowd at US Airways Center Wednesday night before the reunited "Rumours" lineup treated the fans to an encore performance of "Don't Stop" that featured the songbird in question, Christine McVie, taking a turn on lead vocals and contributing a rollicking piano solo.

This is McVie's first tour with Fleetwood Mac since 1998. And Fleetwood was far from alone in viewing her return as cause for celebration, reuniting as it does the soft-rock icons' most successful lineup. The crowd responded with enthusiasm when she took her first lead vocal, two songs in, on "You Make Loving Fun," which was followed by a heartfelt tribute to McVie by Stevie Nicks.

McVie herself talked about "what a thrill it is for me to be standing on this stage singing with these amazing musicians and friends" before taking another lead vocal on "Everywhere."

Photos by: Johanna Dupuy - VIEW GALLERY (33 photos)
Lindsey Buckingham shared his thoughts on how "the return of the beautiful Christine" had signaled a new chapter in their history.

And the second encore started with McVie alone on piano and vocals for two verses and a chorus of an understated "Songbird" before Buckingham joined in on lead guitar.

That was it for the music, but Nicks returned to share a charming anecdote about a phone call she got last October in Italy, imitating McVie's British accent to ask, "What would you think if I decided to come back to the band?," ending her speech with "We so wanted her to come back. And we're so happy to have our girl back."

They did a lot of talking in the course of their nearly three-hour performance. Buckingham talked about how thrilled he was to be in Phoenix, where he and Nicks had spent a lot of time, saying "It kind of feels like a second home." He gave a lengthy monologue before tearing it up on a solo acoustic performance of "Big Love," talking about how although that "Tango in the Night" track is actually newer than much of the material in Wednesday's set, it feels like it came from "a whole different lifetime," before he "pulled back and made a few adjustments." The song began, he explained, as "a kind of contemplation on alienation perhaps" but had become "more a meditation on the power and the importance of change."

Several songs from the show, including full songs of Landslide, Go Your Own Way, and Silver Springs

Monday, December 08, 2014

Photos | Video: Fleetwood Mac Live in Anaheim, CA December 7, 2014

Fleetwood Mac Live
Anaheim, CA  - December 7, 2014
Honda Center

Fleetwood Mac's Tearful Tribute to Local Cancer Patient
By Scott Feinblatt

If there's one nostalgic rock band the world needed to see reunite this year, it was Fleetwood Mac. And more specifically, it's millenials who seemed to need them the most. Aside from their noted influence on artists of the last decade, they've become one of the top rediscovered acts among the bohemian hipster set over the last couple years. Add that to the sheer brilliance of their performance as the band's immortal members hit the back end of their 60s, and you have a recipe for an amazing show at the Honda Center last night.

The show was a veritable kaleidoscope of entertainment. It consisted of a great set, terrific performances, a narrative thread of song introductions, a very impressive backing film, and the homecoming of Christine McVie. McVie's rejoining of bandmates Lindsey Buckingham, Mick Fleetwood, John McVie, and Stevie Nicks, after a 16 year absence, provided the centerpiece of the show's nostalgic feeling.

The band's introductions for some of the songs acknowledged the ways in which Fleetwood Mac music has become interwoven with current pop culture. For example, Stevie Nicks expressed her appreciation for the way in which the television series American Horror Story has featured some of Mac's songs (one of the characters in the show is obsessed with Nicks). However, the inspirational dedication Nicks provided for the song "Landslide" won the award for best introduction of the evening. The song was dedicated to local teen Cecilia Bellissimo, whom Nicks explained had fought long and hard to defeat overwhelming odds and survive cancer. Bellissimo was in attendance.

Continue to the full review at the OC Weekly


Sunday, December 07, 2014

Review: Fleetwood Mac Returns to Portland with Original Crew and Beloved Songs

Fleetwood Mac returns impressively with original crew and beloved songs
by Albert Rodriguez - SGN A&E Writer
Seattle Gay News


Not that any tour delivering Fleetwood Mac to the Northwest isn't special, but their latest venture, which included stops at the Tacoma Dome and Portland's Moda Center recently, were especially momentous because it reunited the full band with the return of Christine McVie. This marked the first time in 16 years that the keyboardist-vocalist played a succession of live dates with the supergroup - and boy, did they make up for lost time! 

The show began, as it has in previous outings, with the strumming chords of 'The Chain,' from Fleetwood Mac's seminal recording Rumours, which to date has sold over 45 million copies worldwide, firmly staking its position on the list of all-time best-selling albums. Nine of the eleven tracks from the Grammy-winning record were performed at the concert, which was attended by a capacity crowd that ranged from teenagers to twentysomethings to gray-haired grandparents. 

It didn't take long for McVie to get back into the mix, diving into the second number, 'You Make Loving Fun.' But as much as we love McVie, it's Stevie Nicks who we adore and worship - the centerpiece of this nostalgic five-piece act. The spirited singer-songwriter wove her magic on a pair of Mac classics, 'Dreams' and 'Rhiannon,' drawing an invisible heart by her microphone at the end of the former, twirling in a circle during the latter. Dressed from head to toe in all black - in a form-fitting dress with ruffly bottom, overcoat, tights, ankle-length boots - Nicks looked exquisite, at times shaking a tambourine, other moments in her own little universe, as we expect and want her to be. 

Lindsey Buckingham, still devilishly handsome and brilliant on guitar, spoke sincerely to the audience, thanking us for sticking with Fleetwood Mac as it grew and persevered through the good times and the bad. 

Review | Photos | Video: Fleetwood Mac Live in L.A.

Fleetwood Mac Live in Los Angeles
December 6, 2014
The Forum


LA Weekly
By Andy Hermann

On Saturday, Fleetwood Mac played their last of three sold-out shows at the Forum. And who cares, right? Reunion tours at the Inglewood arena are as plentiful as scarves on Stevie Nicks' mic stand.

But in the 16 years since a Fleetwood Mac tour featured the entire Rumors lineup, something notable happened: The band, long a favorite among baby boomers and Gen X'ers, got discovered by a new generation of fans, many of whom are themselves making emotionally dramatic pop music laced with lush harmonies and fiery guitar parts.

Tame Impala, Haim, the Entrance Band, even Miley Cyrus: all have worshiped at the altar of the Mac. Foxygen told L.A. Weekly that they recorded their new album while listening to Tusk on repeat, and Best Coast's Bethany Cosentino breathlessly tweeted out "Fleetwood Mac is honestly THE most important band in my entire life" after one of the band's first two Forum shows.

So Saturday's show — not their last in L.A., as we had originally described it, since they announced an additional Forum date next April just a few days ago — felt important. With the return of singer/keyboardist Christine McVie, Fleetwood Mac are now the biggest band of their era whose "classic" lineup remains intact. And they've become, arguably, the most influential.

The importance of McVie's return can't be overstated. Though far less flashy than her fellow lead singers, Lindsey Buckingham and Stevie Nicks, her cool alto, underrated piano skills and flair for an irresistible pop hook provided the perfect foil to Buckingham's histrionics and Nicks' witchy balladry. She wrote the first and last hit singles of the quintet's remarkable 12-year run ("Over My Head" and "Everywhere," respectively) as well as their signature anthem, "Don't Stop." More than once, her bandmates expressed elation over her return — though no words could convey more than the ear-to-ear grin Buckingham wore for much of "Say You Love Me," one of Christine's most indelible tunes and perhaps the evening's best showcase of the band's pinpoint harmonies.

Though the night in many ways belonged to McVie, Buckingham and Nicks still provided most of the highlights. After nearly 40 years, Buckingham remains the band's wild card, a guitarist so brilliant — and so clearly enamored of his own brilliance — that his admittedly jaw-dropping solos at times threatened to hijack the whole show. The shrieking cascades of notes pouring forth from his signature Renaissance Model One guitar earned their fair share of cheers from the crowd — but no moment of the show got a bigger cheer than Stevie Nicks' first twirl during "Rhiannon."

It is Nicks, more than any other member of the Mac, who has captured the imagination of a younger generation of fans. During her songs "Dreams," "Gypsy" and especially "Landslide," women who clearly weren't even born when Rumors came out could be seen throughout the crowd, singing along rapturously with every word.

Wisely and graciously, the band let Christine McVie have the last word, rolling out a baby grand piano on which she delivered a haunting rendition of "Songbird," the prettiest song on Rumors, accompanied only by some admirably restrained acoustic guitar by Buckingham. 

Afterward, when the band came out to take their final bows, Stevie Nicks credited Fleetwood Mac's fans for McVie's return. "You made this happen. You're magic! You have magical powers," Nicks declared. And maybe she's right, but our magical powers pale in comparison to those of a reunited Fleetwood Mac.

Overheard in the crowd, after Stevie Nicks' twirling performance of "Rhiannon": "She knows how to work a shawl."

Random notebook dump: The giant floating Lindsey head on the projection screen during "I Know I'm Not Wrong" is freaking me out. It's like his ego made manifest.

Photos by: Lisa Wellik - View Gallery





Saturday, December 06, 2014

WIN Fleetwood Mac Tickets: Denver, Los Angeles, Vancouver, Oklahoma City

Fleetwood Mac: 5-4-3-2-1
Play 'My 3 Songs' with Ginger all week for your chance to get tickets in the first five rows.

All this week, (Monday, December 8 - Friday, December 12), score tickets in the first 5 rows to Fleetwood Mac at Pepsi Center on December 12, during My 3 Songs with Ginger.

KBCO is going 5-4-3-2-1, with tickets in the fifth row on Monday, up to the first row on Friday.

Listen to Win Fleetwood Mac Tickets

Fleetwood Mac is coming to Pepsi Center on Friday, December 12. Did you miss your chance to get tickets? Is one of your Dreams to see Fleetwood Mac in concert?

What is we told you that we had some tickets to give away? We aren't telling any Little Lies here. We have some tickets to Fleetwood Mac to give you starting Monday Morning.

How to Win 
It's easy to win your tickets!

All you have to do is listen during the Woody & Wilcox show on 107.9 The Bear starting Monday, December 8. When you hear the cue to call, be the 10th caller in The Chain to 221-1079, and you will Say You Love Me (or us) when you get your tickets!

If you don't win on Monday, Don't Stop trying to win. We'll have chances to win everyday until Friday morning!

Want to get a hint when we'll play the cue to call? Join us on Facebook  and Twitter @1079thebear. We might post a hint or two when you might hear the cue.

Fleetwood Mac 7:30am Giveaway

Fleetwood Mac concerts keep selling out!  Lucky for you, they’ve added another concert date on April 10th at the fabulous Forum.

Christine McVie is back, and they’re sounding great, selling out everywhere.  Listen at 7:30 am every morning this week (week of December 8, 2014 - December 12, 2014) for Uncle Joe to give you the cue, then if you’re not driving, text “Forum” to the number 21003, and he will put you in the drawing.

Standard messaging and data rates apply.  That’s “Forum” to 21003.  Good Luck!
Each day’s winner will receive a Pair of tickets to see Fleetwood Mac at the Forum on April 10th!

Tickets on-sale Saturday, December 13th at 10am

Win Tickets To See Fleetwood Mac! 

The rumours are true Vancouver, Fleetwood Mac will be performing at Rogers Arena on Saturday April 4th, 2015!

Listen in from Monday, December 8th to Wednesday, December 10th during Middays with Olivia Jones and Afternoons with Ray Grover for your chance to win a pair of Beat The Box Office Tickets!

You also have a chance to win 1 of 4 pairs of tickets online! Enter HERE!

Online Contest ends 11:59pm PT December 14, 2014.

The Eagle Fleetwood Mac Contest
Register to win a pair of tickets to see Fleetwood Mac live at the Chesapeake Energy Arena on March 12, 2015.

Contest closes Monday, March 9, 2015 at 12PM.

Interview: Mick Fleetwood is as thrilled as anyone to see the soft-rock dream team back together

Mick Fleetwood on photography, Fleetwood Mac
by Ed Masley

The Fleetwood Mac lineup that gave the world "Rumours" is headed to Phoenix on Wednesday, Dec. 10, with Christine McVie back on board for her first tour of duty since her 1998 departure. And Mick Fleetwood is as thrilled as anyone to see the soft-rock dream team back together — something no one in that dream team thought would happen.

"But she came back and we are now very complete," Fleetwood says. "The chemistry is how it should be. It's truly amazing. I consider it a real pinnacle in this band's history, and thus the people in it, including me. I'm overjoyed that we're doing what we're doing. We are intact."

Having said that, what he'd really like to talk about is the exhibition of his photographs at DeRubeis Fine Art of Metal in Scottsdale, where Fleetwood is hosting a private reception from 6 to 9 p.m. Tuesday, Dec. 9.

The drummer credits his father with having piqued his interest in photography.

Thursday, December 04, 2014

Review: Fleetwood Mac Oakland, CA December 3, 2014

Fleetwood Mac Leads a Loaded Reunion at Oracle Arena
Posted By Emma Silvers
Photo by: Noah Graham
Fleetwood Mac
Wednesday, December 3, 2014
Oracle Arena

Better than: listening to a cassette tape of Rumours on repeat on a long drive down I-5.

Stevie Nicks is going for it. She's been dressed in all black all night — a confusing, drapey, sequined and, yes, Stevie Nicks-esque shawl over a dress, whose shimmering tendrils she seems to be handling like rosary beads — but for "Gold Dust Woman" she's brought out a sheer gold shawl, and she is putting it to work. With her back to the crowd at Oracle Arena, she spreads her arms out wide before bringing both hands to her blonde head for something that looks like the marriage of headbanging and the gesture one performs when experiencing a migraine; the midway point between rocking the fuck out and being in severe pain.

Which is, really, the main thrust of the mood at a Fleetwood Mac show — at least, at the first Fleetwood Mac show in a decade in a half that includes the original '70s lineup: Christine McVie, notably fresh-faced behind the keyboard after 16 years away; Lindsey Buckingham, whose virtuoso fingerpicking on the electric guitar is rendered nearly unfair when combined with the fact that he apparently doesn't age at all; John McVie, perhaps the only member of Fleetwood Mac who could reasonably be described as understated, despite providing the crucial bass heartbeat to so many hit songs; Nicks, whose stage presence alone makes Lady Gaga seem like John Kerry; and drummer Mick Fleetwood himself, who — dressed in short pants and red sneakers, wispy sideburn hair a-flying, taking indulgent solos — was quite possibly having more fun than anyone in the room, letting out animalistic yelps between taps of the hi-hat and punctuating his between-song banter with a gesture recognizable as the universal sign for "I am on Splash Mountain and we have just started going downhill."

In short, emotions ran high last night. From Nicks dedicating "Landslide" to her first real boyfriend at Atherton High School, to Fleetwood's assertion that things get crazy when you let the drummer up front (his headset mic failed to work at some point, and briefly holding court at the tip of the stage seemed to make many people very happy), the whole thing felt loaded.

This is, of course, difficult to separate from the soap opera that is Fleetwood Mac's history, the romantic entanglements and illicit affairs and buckets upon buckets of cocaine that somehow went up people's noses and came back out transformed into songs as sunny as "Don't Stop Thinking About Tomorrow." There's a theatrically implied underbelly to nearly everything they do, and no matter how much you've painted Stevie Nicks into some kind of fantasy-mom corner — and no matter what percentage of the 19,000 people around you appear to be squeaky-clean retirees with varying degrees of former hippiedom in their pasts, all cutting loose with widely varying degrees of rhythm — there's the ever-present knowledge that yeah, she partied way, way harder than you ever will, and the same probably goes for a lot of these old-school fans. Lived to tell the tale, too.

Which is why you indulge Nicks when she starts telling the same story, verbatim, that she apparently told last week in L.A.: About being a poor student at San Jose State University (crowd: "woooooo!") and driving up to San Francisco to shop at the Velvet Underground, which was the coolest and most expensive rock star store in the world, as evidenced by having Janis Joplin and Grace Slick as customers. About how she couldn't afford anything, but she stood there in that store and she knew she'd be able to someday. Cue a curtsy, plus exaggerated fondling of her sequined outfit. Cue "Gypsy," with the opening lines "So I'm back, to the Velvet Underground..."

Can you blame her if it's cheesy? You can't. You can't blame any of them, especially not Christine McVie, her alto and perfect hair seemingly untouched by the ravages of time, when she launches into "Say You Love Me," or sits down at the piano for "Little Lies," and you realize that half the Fleetwood Mac songs you hear so often they've become background music (in the best possible way) are driven by that almost unnervingly sweet, easy voice.

This requires ignoring the weird background visuals — gold dust for "Gold Dust Woman," strange, unnecessary combinations of water droplets and psychedelic swirls of color for nearly everything else. It also requires removing yourself from the reality of, say, things that actually happened earlier in the day, back in 2014, like the grand jury's decision in the horrifying choking death of Eric Garner at the hands of plainclothes police officer in New York. It requires shutting off your brain for long enough to live inside a year when Ronald Reagan was a great hope for a great many people.

This will, you see, help with getting into the proper headspace for receiving Nicks' lines about how Christine McVie came back to the band in January of 2014 — less than two years after Nicks told Rolling Stone that was about as likely as “an asteroid hitting the earth” -— because "when you put something out into the universe, it comes true, and you Fleetwood Mac fans all woke up one day and wanted that. You have magic powers. If you want something bad enough, dreams come true."

If nothing else, it requires believing that Fleetwood Mac believes those things. And last night, there were absolutely zero doubts to be had about that.

Critic's Notebook

— They played for a solid three-plus hours, with minimal breaks. Wide, wide grins all around.

— Three backup vocalists, though tucked at the back of the stage, added a layer of epicness to the most bombastic choruses. Bonus: One of them was Nicks's red-haired sister, Lori Nicks.

Photos by Gloomboy - View Gallery on Flickr


Wednesday, December 03, 2014

Review: Fleetwood Mac Live in San Diego, CA December 2, 2014

Fleetwood Mac's concert reunion a triumph

With Christine McVie back in the fold after a 16-year hiatus, the Anglo-American band begins a welcome new chapter by looking back to its heyday.

by George Varga
Photos by: John Gastaldo
View Gallery

If Mick Fleetwood’s shout-out to his own band in San Diego Tuesday night simply (and loudly) stated the obvious, well, he’s surely earned the right to crow a bit.

“The Mac is definitely back!” the towering, 6-foot-5-inch drummer proudly declared. The sold-out audience of nearly 10,000 fans at SDSU’s Viejas Arena cheered loudly in return, just as it had through nearly all of the 2½-hour-plus show.

For the record, apart from a hiatus of a few years in the 1990s, this legendary rock act has never been away. Fleetwood is the only member to have performed in each of the band’s many lineups since its inception in 1967, including the one that performed here last year at Viejas Arena.

But Tuesday’s concert was especially memorable because it found this veteran ensemble taking a major step forward by taking a major step back. After a 16-year hiatus — a period of time far longer than the entire careers of many rock bands — singer, keyboardist and songwriter Christine McVie this year rejoined Fleetwood Mac for her first tour with the group since 1999.

Her welcome return is both exhilarating and liberating. This holds true both for the band and its multigenerational fans, many of whom remained standing and often sang along for much of Tuesday’s show.

Or, as Fleetwood put it after “World Turning,” the first of four encore selections: “Having this wonderful lady share the stage, making us complete, our songbird has returned.”

At 71, McVie is the oldest member of Fleetwood Mac, which was a three-year-old English blues-rock band when she came on board in 1970. Her return has bolstered the group in several key ways.

Down to earth and free of even a hint of affectation, she provides a welcome counterbalance to singer Stevie Nicks and singer-guitarist Lindsey Buckingham. The two American musicians joined Fleetwood Mac in 1975 and helped propel it to international pop-rock superstardom with the classic 1977 album, “Rumours.”

McVie sang lead on nearly a third of the 24 songs performed Tuesday, nearly all of which had been deferentially shelved by the band when she retired in 1999. It was a treat to hear her rustic, fuss-free lead vocals on “You Make Loving Fun,” “Little Lies,” “Say You Love Me” and the concert-concluding “Songbird.”

It was equally enjoyable hearing her harmonize again with Nicks and Buckingham, who clearly relished having their longtime collaborator back in the fold. So did drummer Fleetwood, 67, and bassist John McVie, 69, Christine’s former husband, who sounded and appeared none the worse after starting treatment last fall for cancer. (The band was tastefully augmented by three female backing singers and two male auxiliary musicians, who also supplied periodic vocal support.)

Christine McVie’s return also means Nicks and Buckingham no longer each have to handle 50 percent of the lead vocals. As a result, both were able to tackle such classics as “Dreams,” “Rhiannon,” “Second Hand News” and “Tusk” with renewed energy and enthusiasm. They also beamed broadly as they harmonized with McVie on “Don’t Stop,” “Go Your Own Way” and other decades-old gems that still sound fresh and vital.

Buckingham delivered a number of inspired guitar solos that showcased his finger-picking prowess. His rippling lines on "I Know I'm Not Wrong," "Big Love" and the Wishbone Ash-inspired "I'm So Afraid" were highlights. Ditto Nicks' deeply moving singing on "Landslide," and "Gold Dust Woman," which turned into a rare (at least for the current iteration of Fleetwood Mac) extended jam.

Fleetwood and John McVie provided a rock-solid foundation throughout. Their tirelessly robust playing in no way indicated the two, both of whom are longtime U.S. residents, qualified for Social Security several years ago.

Alas, the pacing of the concert sagged in places, including a rousing, but overly extended, Buckingham solo segment that seemed designed to give his band mates an extended offstage break. Fleetwood’s 5-minute drum solo on “World Turning,” while an undeniable crowd-pleaser, overstayed its welcome. Conversely, Nicks' introduction to "Gold Dust Woman" was as long as some of the songs performed, but she reminisced about her years as a young aspiring musician with more than enough infectious verve to compensate.

And when everything clicked, which was often, time almost stood still — even as Buckingham, 65, boyishly bounded across the stage and Nicks, 66, did her witchy woman twirls. Don’t stop, indeed.

GOLD DUST WOMAN (Stevie was on fire!)

Sunday, November 30, 2014

Reviews: Fleetwood Mac Live in Los Angeles "Fleetwood Mac is having a moment."

Fleetwood Mac at the Forum: A band reunited, team spirit intact
by Mikael Wood
LA Times

Fleetwood Mac is having a moment.

Decades after its late-1970s commercial peak, the band can still fill arenas around the world with fans eager to relive memories indelibly linked to old hits like “Dreams” and “Go Your Own Way.”

Yet Fleetwood Mac’s polished pop-rock has also become a touchstone for younger, hipper acts such as Jenny Lewis and One Direction. In 2011, the television show “Glee” built an episode around the group’s music; the next year it was the subject of a high-profile tribute album.

So it’s not hard to understand Christine McVie’s decision, announced in January, to rejoin the band after retiring in 1998.

She helped create the legend -- shouldn’t she enjoy the glory?

Fleetwood Mac’s tour with McVie, whose presence restores the lineup that made the gazillion-selling “Rumours,” stopped at the Forum for two concerts over the weekend. (It will return for a third on Dec. 6.)

But if the cheers that greeted McVie on Saturday confirmed her reasoning, the singer’s participation also reminded you that, despite its huge success, this is a deeply weird rock group, with three songwriters – McVie, Lindsey Buckingham and Stevie Nicks – whose approaches hardly seem compatible.

Backed by the stalwart rhythm section of drummer Mick Fleetwood and bassist John McVie (to whom she was married until 1977), Christine McVie was warm and trusting in “You Make Loving Fun” and the buoyant “Everywhere.” The cheerful optimism – and the propulsive groove – of “Don’t Stop” inspired thousands in the audience to sing along.

And though “Little Lies” hinted at the romantic deception that famously runs through Fleetwood Mac’s history, the tune’s sweet melody neutralized any sense of real desperation.

Buckingham offered no such protection as he growled the lyrics of “Big Love,” about the cold comfort of material fortune, over harsh finger-picked guitar. He was similarly intense in the stomping “Tusk” and a long, raw rendition of the bluesy “I’m So Afraid.”

“Second Hand News” was catchier but still anxious, its crisp tempo a promise of escape from the turmoil the song describes.

Then there was Nicks, who set aside her bandmates’ realism in favor of imagery rooted in history and mythology: “Rhiannon,” “Sisters of the Moon,” “Seven Wonders,” the last of which, she told the audience, had made it back into Fleetwood Mac’s set list after the song appeared in a recent episode of “American Horror Story.”

That quasi-mystical vibe is a big part of what’s endeared Nicks in particular to a new generation of musicians, including the sisters of L.A.’s Haim, to whom she dedicated “Landslide” on Saturday. (The Haim sisters weren’t the only admirers who turned up to pay their respects: According to a tweet from the Forum, Harry Styles of One Direction took in Friday’s show.)

Twirling in one of her trademark shawls during “Gypsy,” Nicks drew a wildly enthusiastic response from the crowd. And fans seemed untroubled by the adjustments she made to the melody of “Dreams,” a song whose high notes are now presumably out of her reach.

Yet that adulation hasn’t led, as it does with so many stars, to an unquenchable need for more.

Here Nicks appeared happy -- even relieved, perhaps -- to share the spotlight she grew accustomed to filling while McVie was away, and it was that sense of camaraderie that held Fleetwood Mac’s internal contradictions together.

“Once you come back, you can’t leave again,” Nicks recalled telling McVie in a rambling monologue about the reunion. That she meant it was clear when McVie, singing her ballad “Songbird,” closed the show.

Fleetwood Mac Returns to the Forum Intact: Concert Review
by Craig Rosen
The Hollywood Reporter

In a recent interview with Mojo magazine, Fleetwood Mac drummer and co-namesake Mick Fleetwood admitted the band had been a bit "one-legged" in the 16 years it carried on without keyboardist/vocalist Christine McVie. If that was the case, Fleetwood Mac was back on two legs, standing tall at the Forum on Black Friday for what was — according to a photo montage from its '70s heyday proudly displayed in the Forum Club — its 13th appearance at the now remodeled venue.

Given that this was the group's first date back in L.A. with Christine McVie and its history with the building, Friday's show had all the trappings of a special event and Fleetwood Mac didn't disappoint.
Opening with "The Chain," the only song on the band's 1977 blockbuster Rumours written by all five members, Fleetwood Mac at first celebrated its unity before turning the spotlight on the returning McVie, who sang lead on the even bigger Rumours era hit, "You Make Loving Fun."

With all due respect to Fleetwood, we'd argue that Fleetwood Mac was more like a three-legged dog without Christine McVie, with frontwoman Stevie Nicks and frontman and guitarist Lindsey Buckingham holding up the front end while Fleetwood and fellow original member, bassist John McVie, together, supporting part of back. At the Forum, it was clear just how crucial Christine McVie's role is, not only providing keyboards (although the band was supplemented by an additional keyboardist/guitarist and guitarist) and backing vocals for Nicks and Buckingham (the band was also assisted by three female backing vocalists), but providing an earthy lead vocal presence to counter Nicks' sometimes out-three gypsy visions and Buckingham's hyper emotionalism. And, it was that variety that made Friday's show such a joy.

Christine McVie's initial run in the spotlight was followed by Nicks' turn on "Dreams," then Buckingham on "Second Hand News," back to Nicks with "Rhiannon," extended with the singer altering her phrasing from the recorded version, proving this was no mere carbon copy of the record. The Tusk album track "I Know I'm Not Wrong" was a brief interlude from the hit parade before the title track, complete with video of the USC Marching Band performing the song on the video screen, for which Christine McVie added accordion and Buckingham replicated the elephant walk with guitar in tow.

The first third of the show was stacked so heavily with classic hits, it made you wonder if the band could sustain the momentum for the remainder of the gig, but that proved not to be a problem, as it used different configurations and vocalists to keep it interesting.

And the hits kept coming, as well, including McVie's "Say That You Love Me," the band's first-ever top 40 hit after the veteran British blues band was revitalized with the addition of Nicks and Buckingham. After Nicks sang "Seven Wonders," she gave a shout out to American Horror Story, which last season featured her in a cameo and the song, prompting the band to add it to the set.

Emotional highlights were natural to Buckingham and Nicks sharing the stage, Buckingham offering a startling acoustic reading of "Big Love," after noting how the song's meaning has changed over the years and then Nicks dedicating the ballad "Landslide" to "her fairy goddaughters" before the Forum's roof sparkled as she sang.

Nicks also took the spotlight in "Gypsy" and "Gold Dust Woman." The former was proceeded by a story about her early years in the Bay Area and remaining true to your dreams, while the latter had her donning a gold shawl and offering a freeform dance as she teetered on her high heels while the band provided a psychedelic interlude.

Towards the end of the set, the monster hit "Go Your Own Way" came off as a celebratory jam, with Nicks and Buckingham facing the drum kit and Fleetwood responding with a devilish grin.

During the encore, "World Turning" was punctuated with the hoariest of all arena-rock clich├ęs — the drum solo. Yet Fleetwood made it tolerable by turning it into a call-and-response exercise with the audience, spouting gibberish and sporting wacky facial expressions between mercilessly pounding his kit.

"Don't Stop" had all three main voices joining in unison and also seemed to be a theme for the two-and-half hour show and this 2014 tour. After Nicks took it down with "Silver Springs" and Buckingham (on piano) accompanied McVie on "Songbird," Nicks returned to offer the story of Christine McVie's return to the band. Then Fleetwood returned with his two young daughters in tow to once again thank the crowd and return the love. It was almost as if they didn't want to stop.

Fleetwood Mac At The Forum
As they should be.

by Bob Lefsetz
The Lefsetz Letter

Once upon a time our bands graduated to the arenas where the basketball teams played, now we’ve got our OWN PLACE!

That’s right, music lives at the Forum. And if you’ve never been, get in your automobile and make a pilgrimage to where there’s no scoreboard, no sports paraphernalia, only music. Where you can partake of the elixir that once was.

That’s right.

There may be screens, but this is positively a pre-MTV experience. Back when it was all about the music.

And it was all about the music last night.

It brought tears to my eyes. A hole has been filled. As Mick Fleetwood indicated, the circle is now complete. With Christine McVie back in the band the ship is righted, the Lindsey/Stevie show has a counterweight, and the balance is such that your baby boomer heart will thump and you’ll remember what once was and hopefully will yet be.

Listen to the wind blow
Watch the sun rise

Opening cut side two. We all bought the second album of this configuration of the band without being implored to do so but because we had to, the same way a kid today lines up for an iPhone.

That’s right, we’re sitting in the darkened arena and the band is singing about an unbreakable chain with Christine doing harmonies for the first time in sixteen years and Mick pounds the skins and John holds down the bass and Lindsey picks the notes and Stevie emphatically sings and you just cannot believe that this is happening. It’s not quite the Beatles coming together, but it’s close.

It was like hell freezing over and the Eagles reuniting but at a point in time where you could see the end in sight.

That’s right, even children get older, and I’m getting older too.

How did this happen?

Continue to the full article at The Lefsetz Letter

Dreams (Nov 28, 2014)

Fleetwood Mac are raking in the dough!

With only 6 shows reported so far to Billboard's Boxscore it's clear that the On With The Show Tour will be massive when all is said and done in terms of overall gross ticket sales and attendance. Fleetwood Mac will surely land in the top 10 grossing tours of the latter half of 2014. 

If you calculate the 29 shows they've performed so far by the average gross they've been achieving so far, except bringing it down to 1.6 million average per show to factor in the smaller grosses in the smaller cities they've been to, this puts the tour at between 40-50 million so far. The full 40 dates in 2014 at the same average gives you about 65 million.  Huge numbers!

Saturday, November 29, 2014

Reviews | Photos | Video: Fleetwood Mac Live in Los Angeles November 28, 2014

Fleetwood Mac Live
Los Angeles, CA - November 28, 2014
The Forum

Fleetwood Mac performed the first of 3 shows at The Forum in Inglewood, CA last night. They perform again tonight (Nov 29th) and a third show is scheduled for December 6th.

Fleetwood Mac Celebrates the Return of Christine McVie at the Forum
By Yuri Shimoda
Live Out Loud Los Angeles

“Our ‘Songbird’ has returned,” happily proclaimed Fleetwood Mac drummer and co-founder Mick Fleetwood last night, the first of the Hall of Fame-inducted band’s three dates at the Forum, as he introduced Christine McVie. The keyboardist/vocalist had left Fleetwood Mac 16 years ago but decided to rejoin the group who launched this On with the Show tour in celebration.

Everyone in the packed arena shared their enthusiasm over McVie’s return. Those on the floor stood the entire time, beginning with the first three songs (“The Chain,” “You Make Loving Fun” and “Dreams”) that were all off the band’s 1977 hit album, Rumours. McVie admitted that since the Fleetwood Mac was once based in Los Angeles, she really loves it here and was happy to be back before transitioning into “Everywhere.”

While McVie’s musicianship and vocals shone on that song, as well as “Say You Love Me” and “Little Lies,” all of the other members were showcased as well. Lindsey Buckingham showed that the years haven’t affected his smooth vocals or guitar prowess, although he jokingly feigned stiff fingers before “Big Love.” He mesmerized with his finger picking on “Never Going Back Again,” delivered a searing solo during “I’m So Afraid” and led the entire audience in sing-alongs of “Go Your Own Way” and “Don’t Stop.”

And there are really no words adequate enough to express the magic of Stevie Nicks. Her performances were memorable each time she stepped to the mic to sing or tell a story and danced around the stage. From the beautifully haunting “Rhiannon,” “Gypsy” and “Sisters of the Moon” to “Seven Wonders” (after which she gave a shout out to “American Horror Story” for giving the song new life), “Gold Dust Woman” (when she draped herself in a shimmering gold shawl) and the legendary “Landslide,” dedicated to her three goddaughters and featuring little white lights set in the ceiling to resemble twinkling stars.

Bassist John McVie proved he is the backbone of every song, while Fleetwood matched his beats with thunder from his drum kit during “Tusk,” featuring video footage of USC’s Trojan Marching Band. Fleetwood also delivered a heart-pumping solo in “World Turning,” the first song of the encore section of the evening, eliciting crowd participation by repeatedly saying, “Don’t be shy now!”

Fully reunited Fleetwood Mac wows the Forum, headed to O.C.
By Kelly A. Swift
Orange County Register

Leave it to Stevie Nicks, ever the mystical muse of Fleetwood Mac, to let us in on the secret – some combination of cosmic vibes, love and magic, and a simple cell phone call – that made the legendary band whole again some 16 years after singer and keyboard player Christine McVie retired from touring.

Yes, McVie picked up the phone and called Nicks in October 2013 to ask if she could come back to the band that had soldiered on with four-fifths of its classic lineup of Nicks, guitarist Lindsey Buckingham, bassist John McVie and drummer Mick Fleetwood. And of course Nicks told her she was welcome whenever and for always.

But that was just the product of deeper machinations in the universe, Nicks said at the close of the band’s sold-out show at the Forum on Friday, the first of four Southern California dates that includes a stop at Honda Center in Anaheim on Sunday, Dec. 7.

“I think that last year at some point in October there was there was some magical thing that went out from all our fans saying, ‘It’s time for Christine to come back,’ ” Nicks said. “We are so thrilled that we got our girl back – you have magical powers.”

Above Photos by: Daniel Knighton
That the feeling was mutual – all that love and magic, natch – was clear from the start of Fleetwood Mac’s two-and-a-half hour show and a set that in its 24 songs included many written and sung by McVie that fans here hadn’t heard since a 1997 tour that included three nights at the then-Irvine Meadows and one at the Hollywood Bowl.

Though this On With The Show tour has run for 20-some shows so far the opening number, “The Chain,” seemed a little rough at the start, the harmonies of Buckingham, Nicks and Christine McVie not quite meshing as smoothly as they should. All felt better though by the opening keyboard bit of the next song, “You Make Loving Fun,” a Christine McVie number that drew tremendous cheers as the crowd welcomed her back into the fold.

This is a band whose fights and fractures were legendary during the height of their fame. Nicks and Buckingham and the McVies each were couples, and then were not. Drug addictions and interband rivalries caused rifts even as Fleetwood Mac made some of the best albums of the era, from the self-titled “White Album” to “Rumours” and “Tusk.”

That they survived all that then is a minor miracle; that they perform as well as they do when they’re all between the ages of 65 to 71 years old must be an even sweeter success.
The show largely unfolded with the three singers taking turns on the songs they wrote and sang lead on. Early in the set that found Nicks singing “Dreams” and “Rhiannon,” the latter of which found her all a-twirl in her gauzy black shawl, bowing deeply to acknowledge the cheers at the end.

Buckingham’s “Second Hand News” and “Tusk” put a spotlight on his high-energy vocals and still-dazzling guitar work, but throughout the night it was the McVie spotlights such as “Everywhere” and “Say You Love Me” that felt just a bit more special given her absence on stage for so many years.

Given how well-known these songs all are you’d be forgiven for thinking there’d be few moments of genuine surprise or deeper emotional connection, but throughout the night many of these older tunes felt fresh in the context of the gang getting back together again.
This was the case even when it was only Buckingham on stage by himself, singing “Big Love” and talking about how the feelings of alienation he felt with the band when he wrote it have faded to meditation now, or later when Nicks joined him for a beautiful take on the always lovely “Landslide.”

Nicks was her usual endearingly hippy-dippy self, at one point giving a shout-out to the TV series “American Horror Story” for featuring the song “Seven Wonders” earlier this year and thus getting it back into their set. She later told a long and rambling anecdote about her earliest days as a singer in San Francisco pre-Fleetwood Mac and how a visit to the lady rock star clothing store later inspired the song “Gypsy.”

Highlights in the final stretch of the main set included McVie’s “Little Lies,” a take on “Gold Dust Woman” that from the ominous guitar line and cowbell opening through Nicks’ gold-shawl-twirling performance was perhaps the tour de force of the show. They closed with “Go Your Own Way” with Buckingham taking the lead vocals but both Nicks and McVie joining in as it built to the finish.

The encore opened with “World Turning,” which featured Fleetwood on an old-fashioned drawn-out drum solo that you didn’t really mind given how animated and happy he seemed, then “Don’t Stop,” which had most of the Forum singing along.

After one more break, McVie returned alone to a piano at center stage, singing “Songbird,” the nickname Fleetwood gave her during the band introductions, alone for a moment, then joined by Buckingham on guitar. A fitting final spotlight for the prodigal daughter now back in the fold.

Above two photos by: Paul A. Hebert (Forum Photos)

SAMPLE FROM EACH OF: The Chain | You Make Loving Fun | Dreams | Second Hand News | Rhiannon | Everywhere | Tusk | Say You Love Me | Seven Wonders | Big Love

SAMPLE FROM EACH OF: Landslide | Never Going Back Again | Over My Head

Over My Head

Gold Dust Woman



Wednesday, November 26, 2014

Review | Photos: Fleetwood Mac Live in San Jose, CA November 25, 2014

Fleetwood Mac, Christine McVie delight fans in San Jose
by Jim Harrington
Inside Bay Area News

Photos: Josie Lepe San Jose Mercury News VIEW GALLERY (12 PHOTOS)

What a difference a McVie makes.

Christine McVie's long-awaited return to Fleetwood Mac, following a 16-year absence, paid huge dividends during the Rock and Roll Hall of Fame act's sold-out concert on Tuesday at the SAP Center in San Jose.

It allowed the band to fully recall its commercial and artistic peak of the '70s, when the voices of McVie, Stevie Nicks and Lindsey Buckingham combined to make Fleetwood Mac one of the world's biggest bands.

Sure, Nicks has typically received the lioness' share of attention, with Buckingham hogging much of what was left over. Yet, anyone who doubts the importance of McVie's musical contributions, both on vocals and keyboards, probably didn't catch the band's three previous road shows -- all of which were solid, but not nearly as fulfilling as what Bay Area fans witnessed with the current On with the Show Tour.

Whether you're a longtime fan or a newcomer to the fold, this is definitely the right time to see Fleetwood Mac. Locals will have another shot when the Mac -- Nicks, Buckingham, Christine McVie, drummer Mick Fleetwood and bassist John McVie -- perform Dec. 3 at Oracle Arena in Oakland. Show time is 8 p.m. and tickets are $49.50-$199.50,

The tour -- the band's first with Christine McVie since 1997's The Dance trek -- is all about the hits. Fans get to hear most of the band's best-known songs, minus the pre-Nicks/Buckingham material of the late '60s and early '70s, during a mostly well-paced set that stretches over 2 ½ hours.

Continue to the full review


Tuesday, November 25, 2014

Photos: Fleetwood Mac Live in Portland, OR November 22, 2014

Fleetwood Mac Live in Portland, OR
Moda Center - November 22, 2014
Photos by Jeff McCalib

View Gallery (22 Photos)

Review: Fleetwood Mac Live in Tacoma "A Romantic Journey Down Musical Memory Lane"

Photo John Lill
Fleetwood Mac is Back and Better Than Ever at T-Dome
by Greg Roth
Photo John Lill
Seattle Music Insider

It was interesting that Mick Fleetwood waited until the completion of Fleetwood Mac’s brilliant, Tacoma Dome performance to proclaim, “The Mac was back!” It was as if Fleetwood was spiking a metaphorical football in the end zone after scoring a game winning touch down. He let the legendary group’s music and highly energized performance do the talking first.

Longtime fans know that the band was formed in 1967 by Peter Green and the group’s lone original member Mick Fleetwood, later to be joined by then husband and wife, John and Christine McVie. But it wasn’t until when the singer and songwriting duo of Lindsey Buckingham and Stevie Nicks joined that group that Fleetwood Mac went from just the critics darlings, to critic darlings and mega-hit makers.

The house lights went down and the subtle sound of Mick Fleetwood’s chimes came up through the speakers and the band launched into the haunting and romantic angst ridden “The Chain.” Juxtaposed by the band’s second number “You Make Loving Fun” sung by the prodigal sister, McVie, the endless stream of hits just kept on coming one after another over the course of the next couple hours.

Fleetwood Mac was in vintage form. Stevie Nicks one of a kind vocal delivery coupled with Buckingham’s heart felt free-fingered guitar styling, brought greater energy and intensity to the bands overall sound. Of course McVie and Fleetwood, (who may be one of rock’s best rhythm sections next to the likes of Cream’s Ginger Baker / Jack Bruce  and Led Zeppelins’ John Bonham / John Paul Jones), provided a solid foundation for the band who was also backed by an additional guitarist, keyboardist, percussionist and 3 piece vocal section.

Nicks, wearing her trademark black flowing dress, effortlessly glided across the stage and commanded attention with her bewitching style while performing “Rhiannon” and “Gold Dust Woman.” Buckingham poured every ounce of his soul into each solo like a man possessed on tracks like “Big Love.”

Continue to the full review (plus 17 photos) at Seattle Music Insider

Review: Fleetwood Mac Live in Sacramento, CA November 24, 2014

Fleetwood Mac Live in Sacramento 
Sleep Train Arena 
November 24, 2014
Photo by Paul Kitagaki Jr.

View Gallery (15 Photos)

With Christine McVie back, Fleetwood Mac feels complete
By Carla Meyer

Fleetwood Mac played without an asterisk Monday during a sold-out show at Sacramento's Sleep Train Arena.

The superstar band offered all its hits and all its lead singers, with Christine McVie having returned to the road after a 16-year absence.

McVie was elegant and unassuming Monday, just as she was during the band's "Rumours" heyday. Chic in black jeans and a leather jacket, the 71-year-old singer/keyboard player seemed happy to be back, whether she was in the spotlight or assuming a utility role by playing accordion on "Tusk," the still-wild-and-weird title single from Fleetwood Mac's 1979 album.

McVie was not so unassuming that you did not notice, when the band kicked into the McVie-led "You Make Loving Fun" as its second song of the night, that an intact Mac beats the four-fifths crew that toured in her absence.

The band's 1970s and '80s success lay in its musical diversity. In how it made room for McVie's graceful melodies, Stevie Nicks' airy poetry and Lindsey Buckingham's more coiled, intense songwriting, then joined those styles in a signature sound cemented by three-part harmonies.

Mac minus McVie still entertained in concert, with Nicks tapping her distinctive, raspy vocals, witchy-woman vibe and giant-rock-star stage presence, Buckingham quick-picking his guitar and exploiting his own considerable charisma, and Mick Fleetwood going mad on drums.

But those shows never felt like complete Mac. Not like the Mac that killed it Monday night on the band's McVie-led 1987 hit "Little Lies." A harmony bonanza, the song sounds edgier live than on record.

No one looked happier to see McVie than Buckingham, the band's creative engine and biggest champion. McVie's return, Buckingham said, marked a new period for the band that appeared likely to be "poetic" and "prolific."

For a 65-year-old to be mapping out a rock 'n' roll future with a 71-year-old (and with Nicks, 66, Mick Fleetwood, 67, and bassist John McVie, who turns 69 Wednesday) is inspiring. It also speaks to why the group endures, 37 years after "Rumours" and its surrounding excess and romantic strife. It's through Buckingham's sheer will.

Christine McVie's road rustiness showed at times Monday, especially during the ballad "Songbird," during which she clearly had trouble hitting notes. But even at these moments, the band was better with her than without her. The notes might not all still be there, but the reassuring, husky quality of her voice is.

McVie seemed shy as she thanked her bandmates and fans for their support. Nicks was not shy at any point. Not when turning "Gold Dust Woman" into a welcome bit of performance art involving a sparkly shawl, or when regaling the audience with a story from her days as a Bay Area rock baby.

She was in a band with Buckingham that once opened for acts such as Jimi Hendrix and Janis Joplin. After Nicks discovered all the famous San Francisco rock women shopped at a boutique called Velvet Underground (which Nicks name checks in "Gypsy"), she visited the store.

She couldn't afford anything in it, Nicks told the crowd. But she had an epiphany while there, that one day she would be famous and play for big crowds. It happened, Nicks said, gesturing toward the 15,000 people watching her in Sleep Train Arena.

You gotta love Nicks for barely bothering with the "humble" part of humble bragging. But why bother with humility? Nicks has been an icon for decades.

"Icon" gets used too often. But add up Nicks' one-of-a-kind, nasal-yet-pleasant singing voice, shawls, scarves, all-summer-long boots and the creation, last year, of an "American Horror Story: Coven" witch character who worshipped the singer, and there it is: icon.

Now that you know to whom the term legitimately can be applied, don't go calling Taylor Swift an icon.


Monday, November 24, 2014

Review: Fleetwood Mac Live in Portland "I Know I'm Not Wrong easily the most amusing song of the night visually"

Live Review: Fleetwood Mac at Moda Center
Portland, Oregon - November 22, 2014
by Michael Mannheimer
Willamette Week

Growing up, I hated Fleetwood Mac. Maybe part of the problem was I usually lumped them in with the Eagles, a band that is truly terrible, or with my general distaste for classic rock dinosaurs, borne from a childhood spent listening to Phil Collins and Sting greatest hit tapes on every single family roadtrip. Nirvana and Pearl Jam and Hole hit right when I got my first Discman, and soon after, my older next-door neighbor was giving me Radiohead and Built to Spill albums. Fleetwood Mac weren’t just uncool: They were the bloated, overwrought excess of everything a young indie-rock fan and Spin subscriber stood against. But then in college, a close friend lent me a copy of Tusk, saying it was their White Album and also the one where the band’s drug use was a little too intense. I grew older, went through a few breakups, and grew to truly love my former enemies.

Fleetwood Mac have been touring a lot the past few years (including an appearance at the Moda Center just last year), but the big news here is the return of Christine McVie after a 16-year absence. Though billed as the “On with the Show” tour, there was nothing resigned about the performance Saturday night, except the few moments when the New Age-y visuals recalled a Cialis commercial. Snark aside, this really was a wonderful show. The whole band seemed genuinely stoked to have McVie back in the fold, as most of the pre-song banter featured Stevie Nicks and Lindsey Buckingham or even Mick Fleetwood gushing about being able to play with her again. Fleetwood Mac has played most of these songs hundreds of times but they were still loose and nimble onstage, occasionally stretching out a song but never indulging in that classic rock trope of just jamming forever, man.

The hits from Rumours—”Dreams,” “Go Your Own Way,” “Gold Dust Woman”—naturally got the biggest responses, and the band smiled its way through through every moment. They were augmented by three backup singers and two sidemen on guitar and keyboards, but the mix was always light, centering on Nicks’ husky voice, Buckingham’s exciting guitar playing and the subtle backbone of the rhythm section, which just kept on beating amidst a sea of 20,000 people singing along to every single word.

But for me, the real pleasure was when the band dived deeper into their back catalogue, dusting off gems like “Tusk” and Tango in the Night’s “Little Lies” and “Big Love,” which Buckingham performed solo while showing off his incredible fingerpicked guitar playing. I nearly died when he played “I Know I’m Not Wrong,” my favorite song off Tusk and easily the most amusing song of the night visually, with his dismembered floating head projected on the screen behind the band mouthing the words through a sea of colorful clouds. Buckingham really is an amazing performer—at 65 years old, rocking skinny jeans and a tight black v-neck, he seems much younger than most of his contemporaries. Though not usually recognized as a guitar hero, his solos were revelatory, never overshadowing the song but pushing each hit to new heights.

During the encore, I realized this might be the first show I’ve ever seen without an opening band. I mean, who could realistically open for Fleetwood Mac? When Mick launched into a call-and-response drum solo during “World Turning,” I initially wanted to hate on the showmanship, but I actually found it rather endearing, just like when he came out front to play a smaller kit during a nice late set stretch of songs that included “Over My Head.” Sure, it was a little cheesy. But sometimes, we have to know when we are wrong, and just embrace the kitsch.  

I Know I'm Not Wrong (Edmonton, AB Canada - Nov 15, 2014)