Tuesday, May 10, 2022
STEVIE NICKS 'Bella Donna' Re-enters Billboard Charts
Saturday, May 07, 2022
STEVIE NICKS FIRST SHOW IN 3 YEARS - NEW ORLEANS REVIEW
Stevie Nicks made people cry as she topped a day heavy on female acts at Jazz Fest
Variance Magazine:
Stevie Nicks plays 'Landslide' in tribute to late Taylor Hawkins at Jazz Fest
Tuesday, April 26, 2022
STEVIE NICKS ADDS MORE SOLO TOUR DATES
4 more dates added to the list of shows for 2022. All in June. More dates to come. I suspect July and August dates will follow and likely on the east coast since Stevie is touring into September.
Pre-sale tickets go on sale April 27, 2022. General Public tickets on sale Friday.
Check out Stevie's official website for the links to buy.
Saturday, April 23, 2022
STEVIE NICKS 2022 CONCERT DATES
New Orleans Jazz & Heritage Festival
MAY 11, 2022 - Morrison, CO
Red Rocks Amphitheatre
MAY 14, 2022 - George, WA
The Gorge Amphitheatre
JUNE 19, 2022 - Manchester, TN
Bonnaroo
SEPT 2, 2022 - SEP 4, 2022 - Snowmass, CO
JAS Aspen Snowmass
with Chris Stapleton & Leon Bridges
SEPT 8 & 10 - Chicago, IL
The Ravinia Festival
SEPT 17, 2022 - Asbury Park, NJ
Sea Hear Now Festival
SEPT 24, 2022 - Bridgeport, CT
Sound on Sound Festival
Saturday, February 26, 2022
Stevie Nicks Bella Donna 2LP Set For Record Store Day 2022
BELLA DONNA DOUBLE VINYL SET FOR RELEASE ON RECORD STORE DAY APR 23, 2022
Tuesday, February 15, 2022
Stevie Nicks Is Still Living Her Dreams
The New Yorker Interview
Stevie Nicks Is Still Living Her Dreams
The rock-and-roll icon talks about style, spirits, and writing one of her best songs ever.
By Tavi Gevinson
I first met Stevie Nicks in 2013, when I was about to turn seventeen. At the time, I was editing Rookie, an online magazine for teen girls, and I had recently given a tedxTeen talk critiquing a trend of superficially “strong” female characters in pop culture. I am sure the video would embarrass me now, but I stand by its concluding line: “Just be Stevie Nicks.” A few months later, I heard from Nicks’s management team. Her cousin had sent her the video of my talk, and she wanted to invite me to a Fleetwood Mac show. At the concert, in Chicago, I bawled listening to Nicks sing her otherworldly songs, and was stunned when I heard the same voice dedicating her performance of “Landslide” to me. Backstage, Nicks gave me a gold moon-shaped necklace—a token she grants to those she’s taken under her wing. We kept up a friendship, and, in 2017, I interviewed her for Rookie’s podcast. Then the show’s production company shut down midseason, and the conversation never aired.n company shut down midseason, and the conversation never aired.
In the years since, Nicks’s appeal among younger generations has only grown. On TikTok, her songs provide a soundtrack to viral videos and fans pay tribute to her witchy aesthetic. Artists such as Harry Styles, Miley Cyrus, and Lana Del Rey have asked her to lend her voice to their songs, and she’s become “fairy godmother” to a wide circle of younger artists. For listeners, too, she has always acted as a kind of spiritual guide. In her music, loss is simultaneously earth-shattering and ordinary. Heartbreak is survivable, and possibly a key to self-knowledge. Many of her songs take place at night, in dreams or visions, “somewhere out in the back of your mind.” Her narrator frequently asks questions of herself and of some higher power, as if in constant conversation with her own intuition. When I said “Just be Stevie Nicks,” I was thinking of how her work had taught me to see such sensitivity as a source of strength. Nicks’s music is what you listen to when you need help listening to yourself.
Over two evenings last month, Nicks and I caught up over the phone. She was at her home in Santa Monica, where she has spent the pandemic keeping nocturnal hours and working on a TV series based on the Welsh myth of Rhiannon. When she apologized for asking to speak at 10:30 p.m. E.T., I assured her that I was on a similar schedule. “Good,” she said. “Then we are definitely friends of the night.” This interview has been adapted from our unpublished early conversation and our recent ones.