WOW! This is starting to get exciting.... Check out the new pics from Stevie's upcoming Soundstage on PBS!
Stevie-Nicks.info posted these along with a link to the Iowa PBS station previewing the pics....
Very nice!
Starting around the middle of July, this 2 part Soundstage performance should start airing all over PBS networks in the US. In September, it's scheduled to be released as a DVD/CD package.
Monday, June 23, 2008
Stevie Nicks and Soundstage
Labels:
Stevie Nicks
Stevie Still Enchanting (Boston Review)
Rock goddess Stevie still as enchanting as ever at 60
By Lauren Carter
Monday, June 23, 2008
Rock’s resident goddess doesn’t appear ready to give up her title anytime soon.
Fleetwood Mac member and solo star Stevie Nicks rocked the Bank of America Pavilion last night with a verve that belied her 60 years: A roar of “Let’s go” before the ethereal “Outside the Rain” set the tone for the night, and a variety of fist pumps, wails, coos and a flick of the microphone any moody hard rocker would be proud of made it clear that Nicks’ signature intensity is still going strong.
After 25 years onstage touring solo, certain elements of Nicks’ show remain comfortably predictable: the hard-rocking opener, “Stand Back,” the ruffled black dresses and multiple shawls, the microphone draped in jewels and scarves, the flowing blond hair, and the enchanting twirls that crowds go wild for.
But amidst the signature atmosphere and a lineup of classic solo and Mac hits, there were a couple of new additions during Nicks’ 90-minutes-plus onstage, including the pleasant surprise of Dave Matthews Band’s “Crash.”
Vocally, Nicks warmed up throughout the night, her voice a soothing medium on “Dreams” and a sandpaper flame on “Rhiannon,” “Gold Dust Woman” and the bluesy “How Still My Love.”
With help from a tight band anchored by guitarist and longtime musical director Waddy Wachtel, she took on the multiple personalities her songs demand, from the poignant “Landslide” to the hard-driving “Edge of Seventeen.”
How similar Nicks really is to the otherwordly enchantress she plays onstage, we may never know. But a show is still a chance to step inside her temporary world - a world of white-winged doves, billowing clouds, snow dreams and mysterious painted women, a world of intense love and loss, where shawls are used to create metaphors and unicorns frolic in an onscreen enchanted forest.
Even as the years pass, the trip remains worth it.
Nicks is known for bringing along young female singer-songwriters as opening acts, and this time around, Mandy Moore got the call. The once-teen-pop starlet showed off a decidedly folkier side last night with a stripped-down set that put her voice front and center.
Looking eerily like a young Nicks, Moore was especially powerful on the wistful “Wild Hope,” but hasn’t completely closed the door on her past - she ended with a rootsy rendition of her breakout hit “Candy,” albeit with a few self-deprecating chuckles along the way.
By Lauren Carter
Monday, June 23, 2008
Rock’s resident goddess doesn’t appear ready to give up her title anytime soon.
Fleetwood Mac member and solo star Stevie Nicks rocked the Bank of America Pavilion last night with a verve that belied her 60 years: A roar of “Let’s go” before the ethereal “Outside the Rain” set the tone for the night, and a variety of fist pumps, wails, coos and a flick of the microphone any moody hard rocker would be proud of made it clear that Nicks’ signature intensity is still going strong.
After 25 years onstage touring solo, certain elements of Nicks’ show remain comfortably predictable: the hard-rocking opener, “Stand Back,” the ruffled black dresses and multiple shawls, the microphone draped in jewels and scarves, the flowing blond hair, and the enchanting twirls that crowds go wild for.
But amidst the signature atmosphere and a lineup of classic solo and Mac hits, there were a couple of new additions during Nicks’ 90-minutes-plus onstage, including the pleasant surprise of Dave Matthews Band’s “Crash.”
Vocally, Nicks warmed up throughout the night, her voice a soothing medium on “Dreams” and a sandpaper flame on “Rhiannon,” “Gold Dust Woman” and the bluesy “How Still My Love.”
With help from a tight band anchored by guitarist and longtime musical director Waddy Wachtel, she took on the multiple personalities her songs demand, from the poignant “Landslide” to the hard-driving “Edge of Seventeen.”
How similar Nicks really is to the otherwordly enchantress she plays onstage, we may never know. But a show is still a chance to step inside her temporary world - a world of white-winged doves, billowing clouds, snow dreams and mysterious painted women, a world of intense love and loss, where shawls are used to create metaphors and unicorns frolic in an onscreen enchanted forest.
Even as the years pass, the trip remains worth it.
Nicks is known for bringing along young female singer-songwriters as opening acts, and this time around, Mandy Moore got the call. The once-teen-pop starlet showed off a decidedly folkier side last night with a stripped-down set that put her voice front and center.
Looking eerily like a young Nicks, Moore was especially powerful on the wistful “Wild Hope,” but hasn’t completely closed the door on her past - she ended with a rootsy rendition of her breakout hit “Candy,” albeit with a few self-deprecating chuckles along the way.
Labels:
Stevie Nicks
Sunday, June 22, 2008
Stevie Nicks Never Seems To Change
Stevie Nicks: The rock goddess appears in the Toledo Zoo Concert Series Wednesday
By DAN FIRESTONE
BLADE STAFF WRITER
Article published Sunday, June 22, 2008
Stevie Nicks never seems to change.
Legends don’t have to.
The rock and roll gypsy has twirled her way through a career of dreams, mesmerizing her faithful fans for more than 30 years now.
With flowing chiffon and lace and a leathery voice, Nicks has pretty much kept her style throughout her time with supergroup Fleetwood Mac and a successful solo career that is being highlighted on her current tour.
Nicks spins her way here for an appearance at the Toledo Zoo Concert Series at 7:30 p.m. Wednesday, in a show that will focus on solo material, with a few of her Mac classics tossed in. At 60, she seems to always be on tour — alone, with Fleetwood Mac, or even, as she did a few years back, with Eagles member Don Henley.
She rose to fame in the 1970s when she and then-boyfriend Lindsey Buckingham, whom she met in high school in California, joined the British-based band Fleetwood Mac.
Mick Fleetwood, the band’s drummer and leader, heard the two on a demo tape, and without even an audition asked them to join himself, bassist John McVie and singer-keyboardist Christine McVie.
The band made history with the 1977 release of “Rumours,” which stayed at No. 1 on Billboard’s charts for 31 weeks. It became the biggest selling album in history at that time, with sales of 19 million in the United States and 30 million worldwide. It won a Grammy for album of the year and included “Dreams,” a Nicks classic which also hit No. 1.
“Rumours” was a follow-up to Fleetwood Mac’s 1975 self-titled album that also topped the charts, thanks largely in part to Nicks’ hit single “Rhiannon,” and her unforgettable “Landslide.”
In the process, she created mysterious rock goddess persona on stage in the pre-MTV days. She was aloof and sexy and rarely gave interviews.
She was dubbed “Queen of Rock” by Rolling Stone magazine, causing friction among Mac’s members that resulted in brilliant songwriting but the end of relationships.
“Lindsey and I both loved each other, not just because we loved Lindsey and Stevie, but because we loved what Lindsey and Stevie did,” Nicks recently told the British magazine Telegraph. “And that is definitely what kept Lindsey and me together for as long as we did stay together. It’s not that he’s not a great love — he is a great love.
And I write songs about him to this day. I don’t know why. But whenever we’re together we fight — to this day.”
Nicks and Buckingham had actually achieved some mild success as a duo before joining Fleetwood Mac. The sounds that drove the early success of the group can be heard on the cult classic 1973 “Buckingham Nicks” album.
“I think, in Lindsey’s heart, he thinks if we hadn’t joined Fleetwood Mac, we would still have become famous, and we probably would have gotten married and probably would have had kids and probably would have lived in San Francisco, his hometown, and our lives would have been very different and we probably would have never done drugs. It’s possible,” she told Q Magazine in Great Britain.
Through all the fighting and broken relationships – Nicks and Buckingham split, the McVies divorced – the band continued on with tremendous success. But in 1981, Nicks launched her solo career, which was immediately successful.
“Bella Donna,” her debut album, sold 5 million copies, hitting No. 1 and spawning the hits “Edge of Seventeen,” “Stop Draggin’ My Heart Around” (with Tom Petty), and “Leather and Lace,” (with Henley) — all still staples on classic rock radio.
It didn’t spell the end to Fleetwood Mac, however, as Nicks has weaved her creativeness between both ventures while becoming one of the biggest influences on a generation of female rockers, actually writing more hits as a solo act than she did for the band.
Including greatest hits packages, she’s released nine solo albums and had major hits in the ’80s like “Stand Back,” while still cranking out timeless songs for FM like “Sara” and “Gypsy.”
Her songs stand the test of time, a clash of mystical poetry with a raw rock sound that appeals to both her male and female fans.
“I was only doing my solo career to have another vehicle for my songs,” Nicks told Q. “When you’re in a band with three writers [including Buckingham and Christine McVie] and you do a record every two or three years and there’s 12 songs on an album, that’s not much for somebody that writes as much as me. I adored being in Fleetwood Mac.”
She was back touring with Mac most recently in 2003 when the band (without Christine McVie) launched “Say You Will,” its first studio album in 13 years. Still oil and water off stage, Nicks and Buckingham remain magical together on stage.
Her personal history has been told over and over — battles with drugs, a soap-opera love life that included Buckingham, Fleetwood, and her record-producer Jimmy Iovine, as well as Henley and fellow Eagle Joe Walsh.
Except for a very brief marriage to the widower of her best friend from childhood, Nicks has remained single and never had children.
When VH1 made its century-ending list of greatest women of rock in 1999, Nicks was on it at No. 14. Of course, viewers had another opinion, ranking her No. 1.
In recent days, Nicks has devoted herself to causes such as support for wounded soldiers at Walter Reed Army Hospital in Washington, aiming to use music in the rehabilitation of soldiers wounded in Iraq and Afghanistan. She gives hundreds of iPods away on her frequent visits.
Last year she released another greatest hits package, but hasn’t done a studio album since “Trouble in Shangri-La” in 2001.
Perhaps life on the road led to the recent selling of her mansion near Phoenix in a “downsizing” effort, Nicks said. She spends more time away, even now, than she does at home.
She’s still Stevie, still a rock-and-roll gypsy.
Stevie Nicks performs at 7:30 p.m. Wednesday in the Toledo Zoo Amphitheater. Tickets are $99.50, $75, and $49.50, and are available from Ticketmaster outlets or by calling 419-474-1333, or at www.livenation.com. Tickets at some prices are available at the zoo box office.
By DAN FIRESTONE
BLADE STAFF WRITER
Article published Sunday, June 22, 2008
Stevie Nicks never seems to change.
Legends don’t have to.
The rock and roll gypsy has twirled her way through a career of dreams, mesmerizing her faithful fans for more than 30 years now.
With flowing chiffon and lace and a leathery voice, Nicks has pretty much kept her style throughout her time with supergroup Fleetwood Mac and a successful solo career that is being highlighted on her current tour.
Nicks spins her way here for an appearance at the Toledo Zoo Concert Series at 7:30 p.m. Wednesday, in a show that will focus on solo material, with a few of her Mac classics tossed in. At 60, she seems to always be on tour — alone, with Fleetwood Mac, or even, as she did a few years back, with Eagles member Don Henley.
She rose to fame in the 1970s when she and then-boyfriend Lindsey Buckingham, whom she met in high school in California, joined the British-based band Fleetwood Mac.
Mick Fleetwood, the band’s drummer and leader, heard the two on a demo tape, and without even an audition asked them to join himself, bassist John McVie and singer-keyboardist Christine McVie.
The band made history with the 1977 release of “Rumours,” which stayed at No. 1 on Billboard’s charts for 31 weeks. It became the biggest selling album in history at that time, with sales of 19 million in the United States and 30 million worldwide. It won a Grammy for album of the year and included “Dreams,” a Nicks classic which also hit No. 1.
“Rumours” was a follow-up to Fleetwood Mac’s 1975 self-titled album that also topped the charts, thanks largely in part to Nicks’ hit single “Rhiannon,” and her unforgettable “Landslide.”
In the process, she created mysterious rock goddess persona on stage in the pre-MTV days. She was aloof and sexy and rarely gave interviews.
She was dubbed “Queen of Rock” by Rolling Stone magazine, causing friction among Mac’s members that resulted in brilliant songwriting but the end of relationships.
“Lindsey and I both loved each other, not just because we loved Lindsey and Stevie, but because we loved what Lindsey and Stevie did,” Nicks recently told the British magazine Telegraph. “And that is definitely what kept Lindsey and me together for as long as we did stay together. It’s not that he’s not a great love — he is a great love.
And I write songs about him to this day. I don’t know why. But whenever we’re together we fight — to this day.”
Nicks and Buckingham had actually achieved some mild success as a duo before joining Fleetwood Mac. The sounds that drove the early success of the group can be heard on the cult classic 1973 “Buckingham Nicks” album.
“I think, in Lindsey’s heart, he thinks if we hadn’t joined Fleetwood Mac, we would still have become famous, and we probably would have gotten married and probably would have had kids and probably would have lived in San Francisco, his hometown, and our lives would have been very different and we probably would have never done drugs. It’s possible,” she told Q Magazine in Great Britain.
Through all the fighting and broken relationships – Nicks and Buckingham split, the McVies divorced – the band continued on with tremendous success. But in 1981, Nicks launched her solo career, which was immediately successful.
“Bella Donna,” her debut album, sold 5 million copies, hitting No. 1 and spawning the hits “Edge of Seventeen,” “Stop Draggin’ My Heart Around” (with Tom Petty), and “Leather and Lace,” (with Henley) — all still staples on classic rock radio.
It didn’t spell the end to Fleetwood Mac, however, as Nicks has weaved her creativeness between both ventures while becoming one of the biggest influences on a generation of female rockers, actually writing more hits as a solo act than she did for the band.
Including greatest hits packages, she’s released nine solo albums and had major hits in the ’80s like “Stand Back,” while still cranking out timeless songs for FM like “Sara” and “Gypsy.”
Her songs stand the test of time, a clash of mystical poetry with a raw rock sound that appeals to both her male and female fans.
“I was only doing my solo career to have another vehicle for my songs,” Nicks told Q. “When you’re in a band with three writers [including Buckingham and Christine McVie] and you do a record every two or three years and there’s 12 songs on an album, that’s not much for somebody that writes as much as me. I adored being in Fleetwood Mac.”
She was back touring with Mac most recently in 2003 when the band (without Christine McVie) launched “Say You Will,” its first studio album in 13 years. Still oil and water off stage, Nicks and Buckingham remain magical together on stage.
Her personal history has been told over and over — battles with drugs, a soap-opera love life that included Buckingham, Fleetwood, and her record-producer Jimmy Iovine, as well as Henley and fellow Eagle Joe Walsh.
Except for a very brief marriage to the widower of her best friend from childhood, Nicks has remained single and never had children.
When VH1 made its century-ending list of greatest women of rock in 1999, Nicks was on it at No. 14. Of course, viewers had another opinion, ranking her No. 1.
In recent days, Nicks has devoted herself to causes such as support for wounded soldiers at Walter Reed Army Hospital in Washington, aiming to use music in the rehabilitation of soldiers wounded in Iraq and Afghanistan. She gives hundreds of iPods away on her frequent visits.
Last year she released another greatest hits package, but hasn’t done a studio album since “Trouble in Shangri-La” in 2001.
Perhaps life on the road led to the recent selling of her mansion near Phoenix in a “downsizing” effort, Nicks said. She spends more time away, even now, than she does at home.
She’s still Stevie, still a rock-and-roll gypsy.
Stevie Nicks performs at 7:30 p.m. Wednesday in the Toledo Zoo Amphitheater. Tickets are $99.50, $75, and $49.50, and are available from Ticketmaster outlets or by calling 419-474-1333, or at www.livenation.com. Tickets at some prices are available at the zoo box office.
Labels:
Stevie Nicks
Saturday, June 21, 2008
Lindsey at Humphreys in San Diego - Sept, 2008
Another Lindsey tour date has popped up:
Humphreys Concerts by the Bay
Lindsey Buckingham
San Diego, CA
Tuesday, September 16, 2008
Show Time: 8:00PM
Tickets: $50
Humphreys Concerts by the Bay
Lindsey Buckingham
San Diego, CA
Tuesday, September 16, 2008
Show Time: 8:00PM
Tickets: $50
Labels:
Lindsey Buckingham
Friday, June 20, 2008
Stevie Nicks at Alcatraz
Anyone wanna hedge a guess as to approximately when this was taken? I found it on Flickr and it apparently was taken at Alcatraz.
Labels:
Stevie Nicks
Thursday, June 19, 2008
MICK FLEETWOOD TO ANSWER YOUR QUESTIONS!
MICK FLEETWOOD TO ANSWER YOUR QUESTIONS!
The Mick Fleetwood Band
What do you want to know about the tallest drummer in rock?
Mick Fleetwood is taking part in Uncut's regular 'Audience With' feature. So what do you want to know about the tallest drummer in rock?
The Mick Fleetwood Band
What do you want to know about the tallest drummer in rock?
Mick Fleetwood is taking part in Uncut's regular 'Audience With' feature. So what do you want to know about the tallest drummer in rock?
- How did you feel when your blues band got hijacked by the Yanks?
- Can he still speak Norwegian?
- After having played an Antedean dignitary in Star Trek, are there any other alien species he fancies playing?
Send your questions by Noon on Friday, June 27 to uncutaudiencewith@ipcmedia.com
The best questions, and Mick's answers will feature in a future edition of the magazine!
Casino Rama June 18, 2008
Legendary singer and songwriter Stevie Nicks performs a night of incredible hit music at Casino Rama in Canada June 18, 2008.
Labels:
Stevie Nicks
Tuesday, June 17, 2008
Edge of Seventeen...
Edge of Seventeen... I don't know what show this is from, but it's kinda cool... Stevie is filmed from a distance so you get to see the stage and back drop...
edge of seventeen
edge of seventeen
Labels:
Stevie Nicks
Stevie Nicks fits in all the right grooves
Stevie Nicks fits in all the right grooves; Colvin keeps opener short, sweet
06/17/2008, 9:15 am
By Andy Argyrakis
The Daily Journal correspondent
CHICAGO -- She may have first found fame through Fleetwood Mac, but after the opening synthesizer and cymbal crashes of "Stand Back" Saturday night at the lakefront's breathtaking Charter One Pavilion, Stevie Nicks showed her solo star is burning brightly.
Last year, she released the retrospective "Crystal Visions" and, Sept. 9, PBS' "Soundstage" will present a television special that will also hit CD and DVD.
Saturday, her seven-piece band and three background singers demonstrated over two hours, that there was plenty to celebrate beyond a catalogue crammed with hits. Fleetwood Mac's "Dreams" showcased her 1970s soft pop roots, while the keyboard drenched "If Anyone Falls In Love" was steeped in shimmering '80s-style production.
But Nicks wasn't afraid to try contemporary style, putting her sultry stamp on the Dave Matthews' "Crash." She also gave a rugged interpretation to Bob Seger's 2006 track "Face the Promise."
Nicks also dusted off the mystical "Sorcerer," which was co-written with Mac mate Lindsey Buckingham a year before they joined the band. The group's "Landslide," showcased the lacier side of her vocal register, while a psychedelic stab at Led Zeppelin's "Rock and Roll" was leather all the way.
Amidst the highlight reel, Nicks squelched some of her momentum by changing outfits or shawls several times, leaving her band to stall with instrumental solos. One of the more patience-trying moments came from a five-minute percussion rant leading up to the infamous "Edge of Seventeen."
Shawn Colvin
Opener Shawn Colvin was a stark contrast to Nicks given her acoustic framework and introspective storytelling, which included a reference to her time at college in Carbondale. The veteran troubadour demonstrated a folk undercurrent (think Emmylou Harris), while also addressing her pop side via 1998's double Grammy Award-winning "Sunny Came Home."
Yet the tunesmith made sure to keep her set short and to the point, admitting how excited she was to see Nicks.
Andy Argyrakis is a Chicago based writer/photographer. E-mail him at andy@andyargyrakis.com">andy@andyargyrakis.com.
06/17/2008, 9:15 am
By Andy Argyrakis
The Daily Journal correspondent
CHICAGO -- She may have first found fame through Fleetwood Mac, but after the opening synthesizer and cymbal crashes of "Stand Back" Saturday night at the lakefront's breathtaking Charter One Pavilion, Stevie Nicks showed her solo star is burning brightly.
Last year, she released the retrospective "Crystal Visions" and, Sept. 9, PBS' "Soundstage" will present a television special that will also hit CD and DVD.
Saturday, her seven-piece band and three background singers demonstrated over two hours, that there was plenty to celebrate beyond a catalogue crammed with hits. Fleetwood Mac's "Dreams" showcased her 1970s soft pop roots, while the keyboard drenched "If Anyone Falls In Love" was steeped in shimmering '80s-style production.
But Nicks wasn't afraid to try contemporary style, putting her sultry stamp on the Dave Matthews' "Crash." She also gave a rugged interpretation to Bob Seger's 2006 track "Face the Promise."
Nicks also dusted off the mystical "Sorcerer," which was co-written with Mac mate Lindsey Buckingham a year before they joined the band. The group's "Landslide," showcased the lacier side of her vocal register, while a psychedelic stab at Led Zeppelin's "Rock and Roll" was leather all the way.
Amidst the highlight reel, Nicks squelched some of her momentum by changing outfits or shawls several times, leaving her band to stall with instrumental solos. One of the more patience-trying moments came from a five-minute percussion rant leading up to the infamous "Edge of Seventeen."
Shawn Colvin
Opener Shawn Colvin was a stark contrast to Nicks given her acoustic framework and introspective storytelling, which included a reference to her time at college in Carbondale. The veteran troubadour demonstrated a folk undercurrent (think Emmylou Harris), while also addressing her pop side via 1998's double Grammy Award-winning "Sunny Came Home."
Yet the tunesmith made sure to keep her set short and to the point, admitting how excited she was to see Nicks.
Andy Argyrakis is a Chicago based writer/photographer. E-mail him at andy@andyargyrakis.com">andy@andyargyrakis.com.
Labels:
Stevie Nicks
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