Wednesday, May 15, 2013
REVIEW | PHOTOS: Fleetwood Mac Live in Saskatoon "Buckingham was the straw that stirred the drink"
MAY 14, 2013 - CREDIT UNION CENTRE
SASKATOON, SK
FAN PHOTOS
Fleetwood Mac dispel bad rumours
By Cam Fuller
There have been more than a few rumours of its demise since it formed more than 45 years ago, but Fleetwood Mac has survived it all: a foggy pre-history in British blues, unmanageable success, divorce, breakups, reunions, flops, side projects and rehab.
They're touring the world again, just like they did 35 years ago when the Rumours album made history with all of its No. 1 singles and sales of some 50 million.
Home to about 16 musicians at one time or another, the band's current lineup (but for the absence of the retired and missed Christine McVie) is the one everybody cares about the most: Mick Fleetwood on drums, John McVie on Bass,
Lindsey Buckingham on guitars and Stevie Nicks playing tambourine (and, yes, doing some singing!)
To remind us of its greatness, the band - with backing players and singers - started Tuesday's show at Credit Union Centre with indelible Rumours monster hits like Second Hand News, The Chain and Dreams. They could have played the whole album, in order, without a complaint.
Buckingham was the straw that stirred the drink throughout the concert. He pogoed and did guitar faces during the new song Sad Angel, he asserted his guitar mastery on Big Love, playing expansively, flawlessly and fast. For Never Going Back Again, also on acoustic, he looked like a classical guitarist who moonlights as a rocker. He was lathered up in his leather by then. "Make note that he's sexy," said an advice-giver in the crowd. Uh, no.
Nicks, in her velvet, layered skirt and platformed booties, moved with difficulty when she walked. She seemed so fragile, like a Victorian porcelain doll. The line in Landslide, "I'm getting older too," was extra poignant. But she's still Stevie Nicks, dammit, and despite the fact her high end is gone, she makes you remember her as the cool, aloof girl that's too too.
After reportedly just showing up the last time they were here, the band worked like mad to impress, and they did. It is kind of mind blowing that the same band that did the simple, sad Landslide also turned out the coolest weird song ever in Tusk. This was an early show stopper, done real savage-like with images of teeth and totems on the screen and faded old video of the UCLA marching band.
At well over two hours, fans got most of the best, relived more than a few youthful memories and got to see part of what rock history is made of.
FAN PHOTOS
Above 2 photos by Shleemaan
6 Photos above by: Adrien Begrand
Above photo by Karin Yeske |
Above Photos by Dakota Miller |
REVIEW: "After all of these years, it’s only right that Stevie Nicks should play it the way she feels it.
Stevie Nicks – In Your Dreams (2013)
by Nick DeRiso
Something Else Reviews
by Nick DeRiso
Something Else Reviews
Looking back, it seemed preordained. Stevie Nicks met Dave Stewart years ago, and had a good feeling about him. “Maybe,” Stevie Nicks says toward the end of the film In Your Dreams, “this played out for a reason.”
That, of course, hadn't always been so clear.
The rock-umentary (arriving exclusively today on iTunes) begins, as these often things do, with a quick-cut series of gushing fans — but even here, there is something more complex happening. As each, one after another, professes their undying fealty to Nicks and every witchy-woman scarf she ever twirled, there is this sense of disconnect — like something of great portent is just around the bend.
Perhaps that’s because it has always been thus. Nicks’ career path has been marked by precipitous highs and just as dizzying lows, and that very history is probably to blame for the weird dissonance that greets her seeming so, well, happy.
Instead, what happens as In Your Dreams unfolds is the maybe the most surprising, most light-filled, most anthematically inspirational thing of all: Stevie Nicks, right before your eyes, becomes Stevie Nicks again.
"After all of these years, it’s only right that Stevie Nicks should play it the way she feels it. And she is, finally, again."
Tuesday, May 14, 2013
A quick-hitting EP simply cannot contain the songwriting force that is Buckingham/Nicks/McVie
Album Review: Fleetwood Mac – Extended Play EP
BY JON HADUSEK
Consequence of Sound
3/5 Stars
Fleetwood Mac are restless. After dozens of songs, albums, tours, and RIAA certifications, you’d think they would’ve reached a point of satisfied complacency, like when a star athlete hits the twilight of his or her career and admits, “I’ve done it all it’s time to retire.” Maybe Fleetwood Mac did, in fact, reach such a point after 2003’s Say You Will. The band announced an indefinite hiatus — its members diverting their concentration to their personal lives and solo endeavors. The Mac’s future was in question…
But if Michael Jordan wearing a Washington Wizards jersey taught us anything, it’s that you can’t keep The Best at bay while they still have the ability to play … and make lots of money. So in 2009, Fleetwood Mac reunited for a tour (which — just like Jordan on the Wizards — put asses in seats and made tons o’ cash). During the tour, Lindsey Buckingham dropped this nugget: “The time is right to go back to the studio.”
But for three years that promise went unfulfilled as Fleetwood Mac rode the nostalgia train all the way to the bank. Another world tour, TV appearances, and album reissues — no new music.
Until now.
Full Review at Consequence of Sound
Labels:
Fleetwood Mac 2013 Extended Play
Fleetwood Mac Live in Winnipeg: "Age is just a number, so don't count love out "
Fleetwood Mac Experience
Live in Winnipeg
May 12, 2013
by Gordon Sinclair Jr.
Winnipeg Free Press (full article on-line)
Monday, May 13, 2013
INTERVIEW: Lindsey Buckingham on new Fleetwood Mac Album, Co-Writing w/ Stevie Nicks + Australia
Great interview with Lindsey... Lots of information to dig into!
- Lindsey acknowledges that to get a new Fleetwood Mac album together, Stevie needs to bring some written material of her own to the table.... OR take some of what Lindsey has in raw form (music) and he suggests they do some co-writing together on the songs.
- He talks about the potential to do more touring after the first of the year (2014) whether a new album accompanies it or not... and there's the potential that another EP could be released if a full album doesn't work out. He also mentions that the 2014 touring would would happen after they get back from Australia... So basically that kind of confirms Australia will happen before the end of this year.
- Would still love if Christine came up on stage for "Don't Stop" in the UK, or anything she would like to do... (This will likely happen).
Fleetwood Mac's Lindsey Buckingham on his 'mythology' with Stevie Nicks
What is holding up a new album and the latest on Christine McVie
by: Melinda Newman
HitFix
Fleetwood Mac is having tremendous success on its current sold-out tour. The band is playing its classic hits with verve and enthusiasm, plus, since the recent release of 4-song EP, "Extended Play," the quartet has new material to sink its teeth into. Guitarist Lindsey Buckingham spoke to HitFix about the current state of Fleetwood Mac, the delight he takes in his still dynamic connection to Stevie Nicks, the latest on a full album from the band, and if Christine McVie will join her former band mates when they play London in the fall.
I saw the band two weekends ago at Jazz Fest in New Orleans and it seemed like you were on fire. The band was playing in daylight without any of the bells and whistles of an indoor arena show and no one missed them at all.
There’s a lesson there. We’ve all come to feel that we need to rely on the constructions of quite elaborate set design and the backdrop that changes from song to song and, really, this band, because we are a band of musicians and a great singer, we could go up there and with a couple of spotlights prevail probably just as well. It should be about the music first and, of course, with us, it is.
“Extended Play,” a four-song EP with your first new music in 10 years, came out on April 30 and landed in iTunes top 10. How gratifying was it that people were so eager to hear new music?
I haven’t paid too much attention to how things are going with it because, really, Mick [Fleetwood] and John [McVie] and I got together last year and we cut a bunch of tracks and then Stevie came to the table later. Even early on, Mick and John and I felt that the songs that we were doing were some of the best stuff we’d done in quite a while.
I am also happy with what it represents with the subject matter. The dialogues to Stevie that are, miraculously, still going on back and forth between Stevie and myself after all these years, I find that to be quite touching and somewhat surprising— something that neither one of us would have predicted years and years ago that we’d still somehow be driving each other’s motivation from a distance, and so I’m very happy with the way the EP turned out and it’s great to be doing some new things on stage.
You wrote one of the new songs, “Sad Angel,” for Stevie. What was her reaction when she first heard it?
Sunday, May 12, 2013
REVIEW | PHOTOS: Fleetwood Mac Live in Winnipeg 5/12/13
Fleetwood Mac fans never stop believing
By: Randal King
Winnipeg Free Press
"You would think after all this time, there would be nothing left to discover ... "
By: Randal King
Winnipeg Free Press
"You would think after all this time, there would be nothing left to discover ... "
So said singer-guitarist Lindsey Buckingham to the 11,500 people who constituted a nearly sold-out crowd at the Fleetwood Mac concert Sunday night at the MTS Centre.
Buckingham suggested more discovery was imminent, with some justification. Fleetwood Mac is a band that evolved more than most, starting in 1967 as a raw blues entity, and morphing into a sophisticated pop sound in the early ’70s.
All that was before the Fleetwood Mac everyone knows — the incarnation of their monumental 1977 hit album Rumours. Of that lineup at the MTS Centre: original drummer Mick Fleetwood, bassist John McVie, singer/guitarist Buckingham, and ephemeral singer Stevie Nicks. (No Christine McVie on this tour, which means most McVie-penned tunes were also absent.) The band was rounded out by two backup vocalists. The question of their continuing evolution was not a big concern for the baby boomer majority at the MTS Centre Sunday evening who would have been cheerfully resigned to be stuck in the ’70s, if it meant all Rumours all the time on Mac’s impressive two hour plus set list, without intermission.
At 8:20 p.m., the band seemed to deliver on that promise, starting off with Second Hand News, the first track on that venerable 45 million-seller. Next song: The Chain (first song on Side Two), a song that demonstrates Fleetwood’s driving drum style.
The song Dreams saw Nicks take her place, dressed dramatically in black with her de rigueur scarf. These days, Nicks avoids the higher notes so easily scaled in her youth, though it retains its inimitable single-malt texture. (No robotic Cher-esque auto-tuning for 64-year old Nicks. Respect.)
Preventing the song Second Hand News from being prophetic, Buckingham introduced a new song, Sad Angel, from their newly-released four-song EP Extended Play, which elicited cheers (to Buckingham’s evident delight), largely on the power of the virtuoso guitarist’s close-enough-to-classic riffs.
They quickly returned to one familiar hit — Rhiannon — before the leather jacket-clad Buckingham returned to offer his own kind of guided tour to the band’s history recalling their effort to deviate from the expected. This of course was by way of introduction to songs from their experimental 1979 concept album, Tusk, including the punk-flavoured Not That Funny and the epic Tusk (alas, the only marching band was on the video screen, unlike past performances of that song). Nicks unleashed her pagan self with Sisters of the Moon, and followed with her comparatively plaintive ballad Sara.
Buckingham went solo and acoustic for Big Love from the 1987 Tango in the Night, demonstrating his astonishing fretwork. Nicks drolly dedicated Landslide (from the 1975 album Fleetwood Mac) to the Winnipeg audience, courtesy of the line "snow-covered hills," but scored a curiously timed cheer for the lyric "I’m getting older too."
Call it an acknowledgement of the inevitable, but the band demonstrated a potent case for not going quietly, with energetic and fully engaged performances of Gold Dust Woman and Stand Back, climaxing with (back to Rumours) Go Your Own Way.
The crowd wasn’t taking the hint, cheering the band back for an encore including World Turning (featuring a Mick Fleetwood drum solo that didn’t seem gratuitous) and a climactic performance of Don’t Stop, which had the audience on its feet and singing along.
A second encore included a song with a history: Silver Springs was a Nicks tune intended for Rumours that ended up as a B-side for Go Your Own Way. After the last song of the evening, the downbeat confessional Say Goodbye, the audience took the hint, but left inspired.
We are, after all, getting older too.
GYPSY
TUSK
RHIANNON
GO YOUR OWN WAY
FAN PHOTOS (click the link below)
GYPSY
FAN PHOTOS (click the link below)
Saturday, May 11, 2013
Fleetwood Mac Dig Deep: Lindsey Buckingham Breaks Down The Hits, Rarities and New Tunes
Rolling Stone Magazine - May 23, 2013
(with The Rolling Stones on the cover).
It's been exactly a decade since Fleetwood Mac released an album, but that hasn't stopped a new generation of fans from discovering the band. "We're ding the best business we've done in 20 years!" says guitarist Lindsey buckingham, a few hours before the Tulsa, Oklahoma, stop on the Mac's latest world tour. "There's been a lot more young people in the crowd than three years ago. Maybe it's a generational thing." Buckingham called from his Tulsa hotel room to explain how they're choosing the set lists for this tour - mixing up the hits with plenty of deep cuts and tunes frm their new EP, Extended Play. - Andy Greene
Fleetwood Mac Return To The Concert Stage This Sunday in Canada
FLEETWOOD MAC IN CANADA
After a week long break from their current 2013 World Tour, Fleetwood Mac are set to land in Winnipeg, Manitoba, Canada at MTS Centre on Sunday May 12th for their 3rd Canadian date of the tour. Previous Canadian dates were Toronto and Ottawa in mid-April.
The next week through next Sunday will be dedicated to entertaining Canadian fans across western Canada with dates scheduled in Saskatoon Tuesday, May 14th, Edmonton May 15th, Calgary May 17th and Vancouver May 19th. The 8th and final Canadian date doesn't take place until June when they hit Montreal on June 18th.
A few tickets left for each show at Ticketmaster.
STEVIE NICKS "IN YOUR DREAMS"
Mother's Day 2 For 1:
On Sunday in Edmonton... Bring someone's mother and they get in FREE!
The new documentary from Stevie Nicks and Dave Stewart titled "In Your Dreams" chronicling the making of Stevie's last solo album "In Your Dreams" follows the Fleetwood Mac tour across Canada with it's first theatre screenings coming up in Edmonton on Sunday, May 12th at Metro Cinema, with Saskatoon, Regina, Calgary, and Vancouver to follow. Tickets available at the box office, or in advance if available. Complete list of Canadian screenings listed below.
Mother's Day 2 For 1:
On Sunday in Edmonton... Bring someone's mother and they get in FREE!
Friday, May 10, 2013
via @billboard Fleetwood Mac: Releasing More New Songs a 'Matter of How and When'
Fleetwood Mac: Releasing More New Songs a 'Matter of How
and When'
by Gary Graff, Billboard
and When'
by Gary Graff, Billboard
Lindsey Buckingham says the group has five more unreleased tracks. "The whole thing is just kind of wide open now, and it really is tantalizing to be able to put together just a few things, three or four songs on an EP"
Lindsey Buckingham says there's more where Fleetwood Mac's new "Extended Play" came from.
Buckingham tells Billboard that he, drummer Mick Fleetwood and bassist John McVie "cut eight songs" with producer Mitchell Froom last year after Fleetwood Mac decided it would be touring this year. Three of those -- "Sad Angel," "It Takes Time" and "Miss Fantasy" -- are part of the "Extended Play" digital release that came out May 6, joined by "Without You," resurrected by Stevie Nicks from the Buckingham Nicks days before they joined Fleetwood Mac in 1975.
Labels:
Fleetwood Mac 2013,
Lindsey Buckingham
Album Review | Fleetwood Mac, 'Extended Play'
by Jeffrey Lee Puckett
Courier-Journal
Courier-Journal
Fleetwood Mac chose to release “Extended Play,” the band’s first new recordings in a decade, with a minimum of fanfare, as if too much hype might raise too many expectations. Good move.
The four-song EP is a nice little Lindsey Buckingham record, without a single moment that screams Fleetwood Mac. Fleetwood Mac is certainly suggested, albeit gently, and that’s a pretty serious miscue after 10 years of silence.
Still, Buckingham records are always pretty solid, especially in small doses, and “Extended Play” has some fine moments. “Sad Angel” is the kind of adult pop that Buckingham does so well, with an insistent chorus that lifts off with a wistful rush and harmonies from Stevie Nicks that almost, but not quite, get us there.
“Without You” is an old Buckingham-Nicks track, pre-Fleetwood Mac, that sounds pretty enough but lacks the band’s famous drama. Even prettier is “It Takes Time,” a piano ballad that’s pure Buckingham (with a healthy dose of Eric Carmen’s sugary pathos).
The last song didn’t even register, and with a four-song record, that’s not good.
Labels:
Fleetwood Mac 2013 Extended Play
Subscribe to:
Posts (Atom)