Saturday, June 24, 2023
Philadelphia Review Stevie Nicks’ singing was on another level and her banter was fun and bubbly
Sunday, December 11, 2022
Christine McVie believed in true love, but she also believed in Fleetwood Mac
Wednesday, November 30, 2022
Christine McVie, Fleetwood Mac's biggest hitmaker dies, she was 79
Monday, October 26, 2020
STEVIE NICKS PLANS SOLO TOUR WHEN THE WORLD GETS BACK TO NORMAL
Stevie Nicks on Her New Concert Film, the ‘Crazy’ Resurgence of ‘Dreams’ and Staying in Touch With the Spirits of Prince and Tom Petty
In a wide-ranging Q&A, the singer discusses everything from a life-changing moment seeing the "Woodstock" movie at a drive-in to having her own new "24 Karat Gold: The Concert" film play at outdoor and indoor theaters.
By Chris Willman - Variety
Not that it ever was far from rock fans’ consciousness, but Stevie Nicks’ voice is suddenly a ubiquitous part of popular culture again, thanks to a viral video of a skateboarding man singing along to Fleetwood Mac’s “Dreams” that has become the feel-good hit of a feel-bad fall season. Naturally, the snippet of it has made a hungry world ready again to consume more of “Dreams” than can fit in a TikTok video, which is why “Dreams” and the “Rumours” album have both returned to the top 10, 43 years later.
But if the resurgence has led you to want to hear not just “Dreams” but two hours and 10 minutes of unexpurgated Stevie, the universe has conspired to accommodate that. Sunday night, Nicks’ film, “24 Karat Gold: The Movie,” will be playing at theaters and drive-ins across the country. It’ll be followed Friday by the release of a full soundtrack on CD (as a Target exclusive), on vinyl (at Barnes & Noble) and for download, further capturing a 2017 show in Pittsburgh that found Nicks at what she considers her well-oiled performing peak. Its rendering of something that seems impossible now — an arena gig — really does feel like a dream.
Nicks got on the phone with Variety earlier this month, just as the “Dreams” phenomenon was starting to take off, to discuss the making of the new concert movie, a new studio single (“Show Them the Way”), her Rock and Roll Hall of Fame induction last year, feeling like she’s still in touch with Tom Petty and Prince, how the “Woodstock” film changed her life, hopes and fears about the coronavirus crisis, and the importance of suede boots on the ground.
VARIETY: One of the songs in this concert film is “Dreams.” As you know, there’s this whole TikTok video tie-in, and suddenly “Dreams” is on the chart again.
NICKS: From the skateboarder? I know. How crazy is that? My assistant showed it to me — he’s drinking his juice and just skateboarding along and just filming himself and singing “Dreams.” It’s so funny, and so great, because “Dreams” is a fun song to sing. I’m thrilled that people still love it, and that it does still make people happy. And who knows even why? But it does. But “Dreams” came out how many years ago? Like in 1975, right? [Editor’s note: early 1977.] My assistant just told me there’s a lot of young kids who don’t even know the song, but they like it, and its streaming is massive. It’s fantastic.
Saturday, October 24, 2020
Returning to her 2017 live shows proved to be a godsend for Stevie Nicks
Stevie Nicks Can’t Wait for the Magic to Come Back
Nicks discusses her ’24 Karat Gold Concert Film’ and returning to live shows in new interview
In another life, Stevie Nicks would have been a music-film editor. “I think I’m really good at it,” she says one Friday evening, calling from her home in Los Angeles. Her canine companion Lily is begging for her attention with a toy as Nicks reflects on her second life. “I can only say this about a few things.”
She’s had plenty of experience, working closely with director Joe Thomas on concert films for Fleetwood Mac (2004’s Live in Boston), her late friend Tom Petty (2006’s Live From Gainesville), and most recently, Stevie Nicks 24 Karat Gold Concert Film. Recorded during her 2017 tour stops in Indianapolis and Pittsburgh, the film is getting a special release this month and being screened at select drive-ins, theaters, and exhibition spaces on October 21st through 25th. The set lists featured classic solo and Nicks-led Fleetwood Mac songs along with tracks off her 2014 album, 24 Karat Gold: Songs From the Vault. For the music fans desperately missing live shows in the time of Covid-19, the film perfectly encapsulates the tambourine-banging, shawl-twirling, story-spinning magic that only Nicks can deliver.
Putting the project together with Thomas became one of two pandemic projects for the rock goddess (the other being her new song “Show Them the Way”). She flew out to Chicago in May with her assistant on a “full-on, fogged-out, Covid-free private plane” and lived in a house on a golf course that no one had been in since before lockdown had begun. Nicks would go to Thomas’ studio, masked up alongside everyone else (“I felt imprisoned by the mask, but I love the mask — I felt safe”), and got to work, diligently assessing the footage captured by all 12 cameras from shows in the two cities.
“I’m really the second editor,” she says of her uncredited job. “The fact is that if I don’t like a shot, it’s not going in.” She learned, as she had in past editing-room experiences, that men see women differently.
Friday, October 16, 2020
Nothing will slow Stevie Nicks down.
By Greg Wetherall 15th October 2020 - NME
Nothing will slow Stevie Nicks down. When Fleetwood Mac concluded their year-long world tour at the end of 2019, the 72-year-old singer songwriter decamped to her Santa Monica home with the intention of taking the year off from touring. Like the rest of us, she didn’t expect to be holed-up for quite so long. “I’ve been quarantined solid since March,” Nicks tells NME. “I figured that I’d probably do about ten gigs and then I was just going to work on a miniseries for Rhiannon but then the door slams and we have a pandemic.”
Out of these dark days, Nicks has kept a busy schedule. ‘Show Them The Way’, worked upon remotely with the help of Dave Grohl, is her first single in six years. She has also helped produce 24 Karat Gold The Concert, a spellbinding concert film from the 2016/7 tour of the same name, which in cinemas for two nights later this month featuring staples such as ‘Edge of Seventeen’ and ‘Stop Draggin’ My Heart Around’ alongside unreleased gems and deep cuts.
Whilst a viral TikTok video may have drawn headlines and pushed her song ‘Dreams’ back into the charts recently, the two-time Rock and Roll Hall of Famer had other things on her mind when we caught up with her, including her issues with Trump, the lost ‘Buckingham Nicks’ album and why she is fatalistic if ‘Rumours’–era Fleetwood Mac are to never play together again.
Your first single for six years and the 24 Karat Gold The Concert film – this is turning into a very busy time for you…
“In a million years, I never thought I’d have two projects coming out within two weeks of each other. It’s been a lot of work over the last two months, let me tell you. I’m pretty excited and really proud of everything. I think the film is the closest anyone is going to get to a real, serious concert until the pandemic is over. And I think the song is ‘right now’ with what’s going on in our country. Our country is so divisive. We have gone back so far. It is very sad and very scary.”
You have been openly critical of the US administration’s response to COVID-19. You tweeted that ‘Nobody is leading us. Nobody has a plan.’ You called it ‘a tragedy’ and ‘a real American Horror Story’.
“You know that our President and his wife contracted the virus? It’s like, ‘wear your mask’, you know? It’s a simple thing to ask. Just wear your mask. Especially if you’re the President of the United States. It’s pretty simple. We’ve been told again and again and again that it’s incredibly contagious. I don’t take any chances. Nobody in my world does. For me, as a singer, if I get it and I get that terrible cough that never goes away; if it attacks my lungs and I don’t have my lung power anymore it would kill me. It would destroy my career.”
Do you feel that Trump been irresponsible?
“I think if you don’t wear a mask you’re irresponsible. I’m very sorry that he got it – I’m not saying anything like that – but he never wears a mask. Nobody in his circle does. And now they’ve all got it. It really proves something to the people in the US who view it as some political thing. Well, guess what? It’s not political. It’s dangerous and it’s contagious. But he [Trump] had to get it to know that? He couldn’t listen to the science? He couldn’t listen to all the doctors who probably said in private, ‘you need to take care of yourself and wear your mask’?”
Why do you think he hasn’t listened to the scientists?
“I think he just thinks he knows better. But what is he going to say now? This is like telling your children to be careful when they go out and then they don’t come home one night. All you can do is tell people and whether they listen or not is up to them. But that’s not my problem. I’m very sorry that they got it. But they knew better.”
You have a reputation for being forthcoming and open in interviews. I presume this is what you’re like in all aspects of your life?
“It’s the only way I can really be. I know that comes from my mum. I just am who I am. I know that sometimes my honesty is a lot for people and that it pushes some away, but if you can’t hear the truth then I can’t really hang out with you!”
In 24 Karat Gold The Concert, you detail difficulties you had making 1983’s ‘The Wild Heart’. You say you were ‘arrogant’ and ‘less of a team player’ than you were on your solo debut, ‘Bella Donna’. Why so?
“‘Bella Donna’ took three months to make. It was the first record in a solo career and I was not stupid enough to waste time and spend too much money. No self-indulgence. Then, after ‘Bella Donna’, I made ‘Mirage’ with Fleetwood Mac. That took a year and we went on tour for about another year. ‘Mirage’ was a big record and had a tonne of singles on it and so, when I came back, I was different. I could not consider myself a cleaning lady and a waitress anymore.”
How did this affect the recording of ‘The Wild Heart’?
“When I walked into the studio I was much more confident. I can call it arrogance or I can call it confidence. It was somewhere in between the two. I was much stronger in my ideas. For example, I wanted to produce. I just wanted to be more involved than I was during the first album. When I look back on that now, that was just me growing as an artist. I didn’t want it all done for me. ‘The Wild Heart’ was different. It needed to be different. Much like how, after ‘Rumours’, we [Fleetwood Mac] made ‘Tusk’ because we didn’t want to do ‘Rumours’ over. Even though the record company said we needed to, we just said, ‘We can’t do it.’”
Was your second album a personal turning point?
“‘Bella Donna’ kicked off my solo career but as I walked away from ‘The Wild Heart’ everybody knew that I had arrived as a solo artist. I was not going to just say, ‘That was fun’ and go back to Fleetwood Mac. I was going to be able to handle being in both bands. When Fleetwood Mac took vacations, I could go and make a solo album and tour. And then go back again. It worked out great for a Gemini: I had two worlds. Never a boring moment.”
Were you ever conflicted about offering songs to Fleetwood Mac rather than keeping them for yourself?
“No, I was never selfish with the songs. If I had ten songs that I had written, I would sit at the piano and play all ten for Fleetwood Mac. I would let them choose because if they chose the songs then they were going to be good. If I tried to shove songs down their throat, they weren’t going to be good. Who they go to is fine by me. It’s never been a problem. It kinda works itself out. The songs that are supposed to be on the record that you’re doing at the time jump out. And the ones that aren’t right for that particular time don’t.”
Thinking of the revelations springing from the #MeToo movement, did you ever experience any difficulties of that kind over the years?
“Honestly… in Fleetwood Mac, Christine [McVie] and I were a force of nature. In the first two months I was in the band, Chris and I made a pact that we would never be in a room full of famous English or American guitar players and be treated like second class citizens. If we weren’t respected, we would say, ‘this party’s over.’ We have stayed true to that our entire career.
In my own career, I didn’t have Christine but I had Lori Nicks and Sharon Celani. My [backing] singers and my best friends. We wanted to be Crosby, Stills and Nash! Sometime we would try not to make my voice louder than theirs, so that we could have that three-part [harmony] going on. I had my girls: the three of us. They were my sound. Together, we were also very much like, ‘don’t mess with us, because we’re really good, we’re talented and we’re really nice women. If you don’t treat us the way we feel that we should be treated we won’t work with you.’”
Was the need for a pact, or strength in numbers, necessary because you witnessed mistreatment, or worse, directly?
“Sometimes I saw women treated in a way that I didn’t think was great. At 72 years old, I am totally behind MeToo. I support all those women, totally. I joined a famous band in 1975. I didn’t have to move to Los Angeles by myself and try to find a job in a band or try to find something to do with music all alone. I didn’t have to do what women who move to LA to be an actress have to do. I had a team behind me immediately. When I was with Lindsey [Buckingham], I had him. I was never out there alone having to talk to producers or men who were going to try and take advantage of me. I’m really lucky. It’s really unfortunate that most women in showbusiness do experience that, but I seem to have skated through it.”
The film features ‘Cryin’ in the Night’ from 1973’s ‘Buckingham Nicks’. This album has never been released in the CD era and beyond. Due to your fall-out are we further away than ever from a release?
“I don’t know. I think it should be released. It should just be polished up a little bit. I don’t think it should be remixed. I think it should just go out the way it was mixed when we released it. I hope it happens. Owning ‘Buckingham Nicks’ between me and Lindsey is like owning an old Mercedes. One person says, ‘let’s release it!’ and the other person goes, ‘I don’t wanna let it go.’ And then three years later it’s the other way around. That’s what’s been happening with ‘Buckingham Nicks’ since 1975!”
Have you heard back from Lindsey since you sent him a note following his heart attack last year?
“The heart attack was serious. All of us in Fleetwood Mac wrote to him and told him that he’d better get well. Being an ex-girlfriend, I wrote more than that. I said, ‘you’d better stay well and you’d take care of yourself’. The same old thing, right? But we haven’t had any communication. It’s OK. If it’s ever meant to happen, it will. If we’re meant to communicate ever again, we will. It’s not happening right now.”
Did he acknowledge the letter though?
“He’s acknowledged it, yeah. He wrote a kind of group letter to us all. None of us have had any communication with him since. You know, it lasted 43 years, so we had a really, really good run.”
Stevie Nicks 24 Karat Gold The Concert will be in cinemas on 21 Oct. Find your screening at stevienicksfilm.com. The 2CD & digital/streaming releases will be available on 30 Oct.
Sunday, October 11, 2020
"This song is a prayer for people to unite" - Stevie Nicks
On edge of 72, Stevie Nicks just wants to sing a song live
By MESFIN FEKADU - Associated Press
NEW YORK (AP) — It’s Saturday at 9:30 p.m. and Stevie Nicks is singing on the phone.
The rock icon is at her Los Angeles home, where she’s been cooped up since December after wrapping the “An Evening with Fleetwood Mac” tour. She arrived there at first to relax after spending a year on the road and to celebrate the holidays. But then the coronavirus pandemic hit.
Stuck at the house is both good and bad for Nicks. The good news? Her house is a creative oasis where all her favorite musical instruments live. It’s where she spent a year recording her 2011 album “In Your Dreams” with Dave Stewart and Glen Ballard.
Her current 10-month stint — and counting — at home even fueled her to record the new single “Show Them the Way,” out on Friday.
“It’s beautiful,” she says after singing the song’s chorus at the end of a 90-minute-plus interview, where Nicks excitedly discussed everything from her admiration for late icons and pals Tom Petty and Prince to her relationships with Harry Styles and Beyoncé.
The bad news? Nicks is 72 and doesn’t want to be homebound when she prefers to be singing live on the road.
“This pandemic is more than just a pandemic for me. This is stealing what I consider to be my last youthful years,” Nicks told The Associated Press. “I don’t have just 10 years to hang around and wait for this thing to go away. I have places to go, people to sing for, another album to make. With every day that goes by, it’s like taking this time away from me. That I think is the hardest thing for me.”
“I have a lot of friends that are 60 and they’re going, ‘Oh I’m so old, I’m 60.’ I’m like, ‘You know what, the violins of the world are playing for you. You’re going to really appreciate 60 when you turn 72,’” she continued. “I don’t feel like the whole world is really getting behind getting this to go away. I feel like people are just thinking it really is just magically going away. All it takes is a few people that don’t wear a mask to spread. Just let one person catch it from you and there it goes — it’s like the never-ending story. That worries me because I’m going, ’Will it really be gone by the end of 2021?
“Will it be safe next year for us to walk into Madison Square Garden?’ I don’t know that it will,” she said.
Nicks is hoping to satisfy fans she would typically see in-person on tour with the new concert film “Stevie Nicks 24 Karat Gold The Concert.” It was recorded over two nights during her 2016-17 “24 Karat Gold” tour and will be available at select theaters and drive-ins on Oct. 21 and 25. A CD and digital album of the concert will be released Oct. 30.
“As we started to understand that this COVID thing was not a joke, I started going to myself, ‘Well, you know what? This may be the closest to going to a big, big concert that’s actually not from 1977 that is new,’” Nicks said. “It’s brand new and it’s fantastic.”
The only time she left her West Coast home was to edit the film in Chicago. She took a private jet to the home on a golf course that had been vacant for some time, spending a month there and editing down hours of footage to create the 140-minute film.
“They can’t do it without me. I won’t allow it,” Nicks said. “We got it all done. It was really fun. We were really safe.”
But at the end of the trip, Nicks tripped in the snow and fractured her knee: “I was like screaming as I went through the air and saw the gravel driveway coming toward my face and just made a quick turn. So, I didn’t fall face down and caught myself. Because of my strong, tambourine arms, I was able to stop myself from crashing even worse. It was a really bad fall, but it’s OK.
“It’s had a hard time getting better,” she continued. “I hurt this knee really bad, my left knee, before, years ago. I had been dealing with it and fixed it. ...I had just really gotten it to be to the place where it was totally better, then I fractured it. So now it’s almost better,” she said.
Apart from producing her concert film and recording “Show Them the Way,” Nicks has been busy in the home where she’s been creative in the past: “Another famous rock ‘n’ roll star, who will not be mentioned, sent me a song that he wants me to sing on,” she revealed.
Though “Show Them the Way” arrives Friday, Nicks said the song came to her in a dream in 2008 when Barack Obama and Hillary Clinton were competing for the Democratic Party nomination for president. In the dream Nicks is performing at a political benefit where attendees include Dr. Martin Luther King Jr., John Lennon, John Lewis, John F. Kennedy and Bobby Kennedy.
Dave Grohl plays drums on the new song, which was produced by Greg Kurstin (Sia, Adele, Beck). Cameron Crowe is directing the music video.
“This song really is a prayer. This song is a prayer for people to unite. A prayer for people to get together,” Nicks said.
“I didn’t really realize that until just the last few days. The chorus was written a week or so later,” she continued.
“The chorus, and I can sing it for you, it goes, ‘Please God show them the way/Please God on this day/Spirits all give us strength/Peace will come if you really want it/I think we’re just in time to save it/Please God, oh please God, show them the way.’”
Monday, August 12, 2019
Fleetwood Mac "Man of the World" Live in Perth, Australia August 11, 2019
Band also brings out 1975 deep cut “Blue Letter,” which they hadn’t played since 1990
By ANDY GREENE
Rollingstone
Sunday, February 03, 2013
Fleetwood Mac Rumours Re-Enters UK Top 100 at #3 | Irelands Top 100 at #12 | Netherlands Top 100 at #7
Fleetwood Mac's Rumours debuts at #3 in the UK. The reissue is their highest UK chart peak in more than 20 years after 1990's Behind The Mask reached No. 1 in 1990.
# 3 (NEW) Fleetwood Mac - Rumours 35th Anniversary Edition
Ireland Top 100 Albums Chart - Week ending January 31, 2013
Rumours is new on the chart this week in Ireland as well re-entering at #12. Greatest hits has been back on the chart a few weeks and moves into the Top 20 at #19.
# 12 (NEW) Fleetwood Mac - Rumours 35th Anniversary Edition
# 19 (33) Fleetwood Mac - Greatest Hits
The Netherlands Top 100 Albums Chart - February 2, 2013
Rumours is new on the charts in The Netherlands on the Dutch Charts entering in the Top 10 at #7.
# 7 (NEW) Fleetwood Mac - Rumours 35th Anniversary Deluxe Edition Box
Belgium Top 100 Albums Chart - February 2, 2013
Rumours is new on the Top 100 Album Charts in Belgium at #72.
# 72 (NEW) Fleetwood Mac - Rumours 35th Anniversary Deluxe Edition Box
Australia Top 50 Catalogue Charts - February 4, 2013
The Rumours reissue was just released on February 1st in Australia, so will likely appear on next weeks charts. In the meantime "Greatest Hits" and "The Very Best Of" have been enjoying some renewed interest linguring around the Catalogue Charts for the last few weeks. Also, new on the Top 40 DVD Chart is the re-entery of Fleetwood Mac's "The Dance".
# 14 (12) Fleetwood Mac - The Very Best Of
# 21 (30) Fleetwood Mac - Greatest Hits
Top 40 Music DVD Chart
# 31 (R/E) Fleetwood Mac - The Dance
USA Billboard Top 200 Albums Chart - Feb 2, 2013
# 156 (195) Greatest Hits, Fleetwood Mac
Second week for Fleetwood Mac's Greatest Hits back on Billboard's Top 200 Album Chart. Sales for the week ending January 20th = 2,754 up 12% from 2,465 units sold in the US the previous week in which the disc re-entered the chart at #195 on a 66% sales boost. Sales for the week prior to its re-entery were 1,482 units. Sales for the last 3 weeks for this album alone were: 6,700. Total US sales to day (Since Nov, 1991) = 4,614,926.
Sales and Rank:
2,754 - #156 Billboard Chart
2,465 - #195 Billboard Chart
1,482 - Not charting
Billboard Top 200 Catalog Albums Chart - Feb 2, 2013
# 31 (44) - Greatest Hits, Fleetwood Mac - 473 weeks on chart accumulated
On the Top 200 Catalogue Chart, Greatest Hits moves up 13 spots to #31 from #44 the previous week.
Greatest Hits has subsequently dropped out of the Top 200 Albums Chart on billboard for the February 9th issue... Fully expect the re-issue of "Rumours" to enter next weeks chart... Where it will re-enter is anyones guess.
Sunday, June 17, 2012
Chart Updates: Fleetwood Mac's 25 Years The Chain Hits UK Top 10
USA
Week Ending June 3, 2012 - Chart date: June 16, 2012
# 85 ( 94) Fleetwood Mac - Rumours
# 116 (123) Fleetwood Mac - Greatest Hits
USA
Week Ending June 10, 2012 - Chart date: June 23, 2012
Fleetwood Mac's Top 10 albums in the UK:
# 4 Fleetwood Mac - Fleetwood Mac (1968)
# 10 Fleetwood Mac - Mr. Wonderful (1968)
# 6 Fleetwood Mac - Then Play On (1969)
# 1 Fleetwood Mac - Rumours (1977)
# 1 Fleetwood Mac - Tusk (1979)
# 5 Fleetwood Mac - Mirage (1982)
# 1 Fleetwood Mac - Tango In The Night (1987)
# 3 Fleetwood Mac - Greatest Hits (1988)
# 1 Fleetwood Mac - Behind The Mask (1990)
# 6 Fleetwood Mac - The Very Best Of (2002)
# 6 Fleetwood Mac - Say You Will (2003)
# 9 Fleetwood Mac - 25 Years - The Chain (1992/2012)
IRELAND
Week Ending June 14, 2012
Monday, March 05, 2012
Former Fleetwood Mac member Billy Burnette sends "Rock N Roll With It" To Triple A
Album Available Here:
Here's Billy live in action with Fleetwood Mac at the Cow Palace in San Francisco on the Tango In The Night Tour.
Tuesday, May 11, 2010
STEVIE NICKS BOOKS TAHOE GIG IN AUGUST
Her last solo album of original material, Trouble in Shangri-La, earned her a Grammy nomination and she just performed over 80 dates in 2009 with Fleetwood Mac. Last year she also released an amazing live DVD & CD compilation entitled, Live In Chicago.
Sunday, April 04, 2010
FLEETWOOD MAC.... IT ALL HAPPENED IN APRIL
ALBUMS:
4.01.1977 - Rumours certified gold (50,000 units) and platinum (100,000 units) in Canada
4.02.1977 - Rumours reached #1 on Billboards Top 200 Albums Chart for the first time
4.05.2009 - Stevie Nicks Live in Chicago DVD debuts at #5 on the UK Music Video Charts
4.06.1998 - Rumours certified 18x Platinum in the US
4.07.1999 - Stevie Nicks Enchanted Boxed Set certified gold in the US
4.08.1987 - Tango In The Night certified gold and silver in the UK
4.09.1990 - Behind The Mask released in the UK
4.11.1977 - Rumours reaches #1 on the Australian Albums Chart
4.13.1987 - Tango In The Night released in the UK
4.14.2007 - Stevie Nicks Crystal Visions debuts at #21 on Billboards Top 200
4.14.2007 - Stevie Nicks Crystal Visions debuts at #2 on Billboards Top Music Videos Chart
4.18.2009 - Stevie Nicks Live in Chicago DVD debuts at #1 on Billboard Top Video Charts
4.18.2009 - Stevie Nicks The Soundstage Sessions debuts at #47 on Billboards Top 200
4.15.2003 - Say You Will is released in North America
4.21.1990 - Behind The Mask debuts on the UK Charts at #1
4.22.1972 - Bare Trees debuts on the Top 200 Albums Chart
4.22.1988 - Tango In The Night certified 4x platinum in the UK
4.22.1990 - Behind The Mask peaks at #9 on the Austalian Albums Chart
4.23.2003 - Say You Will debuts on the Canadian Albums Chart at #8 selling 8,600 copies
4.25.1987 - Tango In The Night debuted on the UK Charts at #7
4.28.1973 - Penguin debuts on the Top 200 Albums Chart peaking at #49
4.28.1990 - Behind The Mask debuted on the Top 200 Albums Chart peaking at #18
4.28.1998 - Stevie Nicks Enchanted Boxed Set released
4.28.2003 - Say You Will released in the UK
OFFICIAL SINGLES / RADIO SINGLES:
4.01.1974 - Albatross (single) certified Silver in the UK (200,000 units sold)
4.02.1988 - Family Man debuts on Billboards Hot 100 & peaks at #90
4.02.1987 - Everywhere debuts on the UK Charts at #29 & peaks at #4
4.03.1988 - Everywhere debuts on the Ireland Singles Chart at #29 & peaks at #2
4.04.1987 - Big Love debuts on the UK Charts at #70 & peaks at #9
4.04.2009 - The Chain debuts on the UK Charts at #94 spending one week on the chart
4.05.1980 - Think About Me debuts on Billboard Adult Contemporary Chart & peaks at #28
4.07.1990 - Save Me debuts on Billboards Hot 100 & peaks at #33
4.07.1990 - Save Me debut on Billboard Adult Contemporary Chart & peaks at #6
4.07.1990 - Save Me debuts on Billboard Mainstream Rock Tracks Chart & peaks at #3
4.09.1983 - Oh Diane debuts on Billboard Adult Contemporary Chart & peaks at #35
4.09.1988 - Family Man debuts on Billboard Adult Contemporary Chart & peaks at #23
4.11.1981 - Fire Flies debuts on Billboard Mainstream Rock Tracks Chart & peaks at #59
4.12.1987 - Big Love debuts on Ireland Singles Chart at #27 & peaks at #8
4.13.1987 - Big Love peaks at #16 on Australian Singles Chart
4.13.1968 - Black Magic Woman debuts on the UK Singles Chart at #50 & peaks at #37
4.16.1973 - Albatross (single) released in the UK
4.16.1977 - Dreams debuts on Billboard Hot 100 & peaks at #1
4.16.1986 - Stevie Nicks' "I Can't Wait" peaks at #16 on Billboard Hot 100
4.17.1982 - Stevie Nicks' "Edge of Seventeen peaks at #11 on Billboard Hot 100
4.17.1982 - Stevie Nicks' "Edge of Seventeen peaks at #5 on the Canadian Singles Chart
4.19.1968 - Man of the World debuts on the UK Charts at #21 & peaks at #2
4.20.2006 - Deep Dish "Dreams" w/Stevie Nicks debuts at #22 on Irelands Top 50
4.21.1989 - Stevie Nicks' "Rooms on Fire" single Released
4.23.1983 - Can't Go Back debuts on UK Charts at #83 spending 1 week on the chart
4.24.2006 - Deep Dish "Dreams" w/Stevie Nicks debuts at #6 on Finlands Top 20
4.24.2006 - Deep Dish "Dreams" w/Stevie Nicks debuts at #14 on the UK Top 75
4.25.1987 - Big Love debuts on Billboard Adult Contemporary Chart & peaks at #23
4.25.1987 - Seven Wonders debuts on Billboard Mainstream Rock Tracks Chart & peaks at #2
4.28.1990 - Love is Dangerous debuts on Billboard Mainstream Rock Tracks Chart peaks at #7
4.30.1977 - Dreams debuts on Billboard Adult Contemporary Chart & peaking at #11
4.30.1977 - Don't Stop debuts on the UK Singles Chart at #42 & peaks at #32
4.30.1982 - Stevie Nicks' "After The Glitter Fades" single released