Friday, October 23, 2009

GENTLEMAN REG TO COVER STEVIE NICKS' "Wild Heart"

Gentleman Reg will release a new EP dubbed Heavy Head with individual songs coming out in staggered sets beforehand.


The first two tracks, which are covers of Chris Isaak's "Wicked Game" and Stevie Nicks' "Wild Heart," will come out Nov. 10. The next two songs, which are B-sides, will be out the following week, and remixes of Jet Black's "We're In A Thunderstorm" and "How We Exit" will be the final tracks released on Nov. 24. The entire EP will be put out in one package on Dec. 1 through Arts and Crafts.

Any fans that attend Reg's upcoming shows with The Hidden Cameras beginning Oct. 29 and concluding Dec. 5 will be able to buy a limited edition download card that will give them the opportunity to get Heavy Head in advance.

You can check out Reg's videos for the catchy tune "How We Exit" here.

THIS IS CUTE!

This is what Fleetwood Mac can do [G]

(REVIEW) "CAN FLEETWOOD MAC STILL THRILL" (GLASGOW)

Can Fleetwood Mac still thrill without the chemical and emotional charges of old? Rating: * *

SECC - Glasgow
By Matthew Magee

Fleetwood Mac are almost as famous for the bed-hopping, powder-sniffing emotional trauma they have inflicted on each other over the years as they are for their era-defining monster hits. But with their heydays now 20 and 30 years behind them, can the music still thrill without the chemical and emotional charges of old?

In their most famous incarnation, featuring Lyndsey Buckingham and Stevie Nicks, Fleetwood Mac were million-selling megastars of soft rock in the 1970s and masters of airy synth anthems in the 1980s.

Nicks, Buckingham and rhythm section stalwarts Mick Fleetwood and John McVie are back on the road touting a greatest hits tour with no distracting new album to promote. “Yet,” said Buckingham, teasing. The expected roar of anticipation petered out almost before it had begun.
The crowd in Glasgow was a muted mirror of the band themselves, reflecting back what they were given. In the many long, baggy, drawn-out echoes of songs that peppered a flabby set they were silent in their thousands, still and mooning at the stage, clapping politely between numbers. But on the few occasions when the band came to life the crowd went off like firecrackers.

Buckingham’s maudlin posturing and hammy vocal theatrics had many on their feet and cheering, while the sudden liveliness of Tusk or the let-rip relief of the bluesy Oh Well brought roars of delight. The likes of Don’t Stop, The Chain and Go Your Own Way were full of real energy.

But for every one of those tracks there was a Sara or a Landslide, in which a listless and heavy-lidded Nicks struggled to push much range or power from her voice. Or an I’m So Afraid, with a bland and seemingly never-ending guitar solo.

The musical star of the night was Fleetwood, whose drumming lent every song dynamics, energy and, in Tusk and the last section of World Turning, some unexpected groove. He looked as if he was having a riot throughout.

It’s a shame his enthusiasm wasn’t more infectious – this canny dinosaur of a band had the good sense and good grace to snap into focus for arresting performances of the landmark songs, but its brio was too often short-lived.

GLASGOW SECC PHOTOS 10.22.09


Photos by: Ross Gilmore (Gettyimages)

NO SILVER SPRINGS IN GLASGOW???

Wow! No Silver Springs in Glasgow last night!
What's up with that?!... Were there time restraints on the show - like maybe they couldn't play past 11pm or something? Odd... She's been knocking that one out of the ballpark recently... and with two days off prior to Glasgow, you would think Stevie's voice would be rested up.

I hope it's just an isolated situation.. It's such a great tune live!

PHOTOS: Fleetwood Mac Live in Copenhagen October 8, 2009

FLEETWOOD MAC
LIVE IN COPENHAGEN
OCTOBER 8, 2009
Photos by: Henrik Madsen (link to gallery)

A really nice collection of clear up-close shots of the band

GLASGOW BLOG REVIEWS - FLEETWOOD MAC LIVE AT SECC

Thank you for the music

"Stevie Nicks, voice just the same, dripping smoke and honeyed gravel around the room.... Lindsey Buckingham as the perfect foil."

Full Review at CRIVENS, JINGS AND HELP MA BLOG

Fleetwood Mac

"Fantastic, glorious concert that I am thrilled to have seen. But... too much Stevie/Lindsey and not enough John/Mick."

Full Review at POLLIANICUS

Thursday, October 22, 2009

(REVIEW) FLEETWOOD MAC - GLASGOW, SCOTLAND

Don’t stop ... 
Fleetwood Mac wow fans
at SECC
Catriona Stewart

To bow out gracefully or to keep trading on long-since earned laurels.

That must surely be a dilemma for the spate of ageing rockers re-emerging to tour their 30-year-old reputations.

But Fleetwood Mac have put such thoughts to one side and are now in the middle of a world tour, the dates for which would make a younger band exhausted to contemplate.

Having played America and mainland Europe, the group kicked off the UK leg of their tour last night at Glasgow’s SECC, their only Scottish date.

The band are different in that they are not reforming. Fleetwood Mac never broke up but instead worked their way through a remarkably fluid line-up that saw them lose two guitarists to mental institutions and one to a cult.

Their current incarnation includes four from the 1977 Rumours tour; Bassist John McVie, Mick Fleetwood on drums, guitarist Lindsey Buckingham and Stevie Nicks minus singer Christine McVie, who has chosen retirement rather than touring with her ex-husband.

They are rowdy, they are enthusiastic and they convincingly vow to get the party started. However, they still look, and there is no way of phrasing this delicately, old.

Fleetwood’s grey beard and Nicks’ witchy dark frock aside, the group performed a slew of hits with energy belying their years and played with powerful conviction.

Nicks’ ethereal tones have dimmed slightly with age but the years have not withered Fleetwood’s drums.

Fans no doubt turn out, not only for the music, but also to see whether the legendary tensions in the group still exist. From the on-stage rapport and affection between Buckingham and Nicks, it would seem not. However, the emotion of the songs is what gives them their edge and stops the re-emergence of Fleetwood Mac from being jaded.

The crowd, who mainly matched the band in years, were beyond delighted with a fast-paced The Chain, an ethereal Rhiannon and a spine-tingling Big Love.

And surely that’s reason enough to keep rolling out those greatest hits.

REVIEW:
Fleetwood Mac at the SECC

by Catriona Stewart
Evening Times

IT'S been six years since their last world tour but it was like Fleetwood Mac had never been away as they rocked a packed SECC Glasgow.

The foursome are in the middle of a world tour which sees them travel to enough countries to make a band half their age exhausted.

Last night, their only Scottish date among seven UK stops, the band played a slew of greatest hits with energy defying their years.

During their history spanning more than 40 years, Mac have worked their way through an ever-changing line-up that saw them lose two guitarists to mental institutions and one to a cult.

Their current incarnation includes four members from 1977's Rumours tour; John McVie, drummer Mick Fleetwood, vocalist Stevie Nicks and guitarist Lindsey Buckingham.

Singer Christine McVie is the only one missing, having chosen retirement rather than touring with her ex-husband.

The group, now aged in their 60s, vowed they'd get the party started but they look (there's no nice way of putting it) old.

Nicks was in a witch-like lace dress while Mick Fleetwood's grey beard and ponytail make him look like a badly-ageing rocker.

Appearances aside, Fleetwood's drums are as powerful as ever and he even rocked out a 10-minute solo.

They were notorious for their rock'n'roll band bad behaviour in the 70s but when Linsey and Nicks took the stage holding hands it seemed old rivalries had gone.

But the emotional edge to their songs gives the hits their enduring power and stops Fleetwood Mac becoming jaded.

The crowd, who match the band in years, are beyond delighted with a fast-paced The Chain, an ethereal Rhiannon and a spine-tingling Big Love.

After a rousing version of Go Your Own Way, satisfied fans headed off into the night after a thrilling evening.

(REVIEW) FLEETWOOD MAC - GLASGOW, SCOTLAND "THE SCOTSMAN"

Gig review: Fleetwood Mac
By DAVID POLLOCK
SECC, GLASGOW
****
Photo by: Ross Gilmore

THE subtitle of this reunion tour claims we can expect Fleetwood Mac Unleashed, but it might just as easily be considered Fleetwood Mac Lashed Back Together. Few bands have been through such interpersonal upheaval and still managed to take to a stage together some 40 years after their formation. Gratifyingly, old enmities and possible past mistakes weren't just glossed over with a few platitudes.

"(The album] Rumours was recorded when we were going through such emotional turmoil," notes Lindsay Buckingham diplomatically. "So yes, there was a lot of aggression in this song." The following Second Hand News was one of the night's more impassioned tracks, regardless of the band's seeming newfound comfort with one another.

Buckingham, guitarist and often the lone singer, and singer Stevie Nicks still appear to be the kind of polar opposites you'd never normally place together. Nicks is a loveable Bohemian in shawls and floaty floor-length dresses, and bleached-blonde soft focus on the big screens.

Buckingham's thousand-yard stare and gritted teeth give a certain frightening perspective to the fact that he says Big Love described the person he was in the Eighties and that he's now merely an echo of that man. Performed solo, the song is roared, lascivious, almost confrontational.

Next to such huge personalities, Mick Fleetwood and John McVie form a prosaic backlines. Yet they switch with accomplishment between the two Fleetwood Macs on display here: the folksy, sweet feminine pop of Nicks, which runs through songs like Gypsy, Sara, Rhiannon and I Have Always Been a Storm – unplayed before this tour – and Buckingham's gruff, alpha-male rock.

Whichever of the pair is singing, large swathes of pop songwriting excellence eclipse infrequent sections of dated MOR. Before the closing Don't Stop, Fleetwood announces: "We'll see you next time". Once more, we look forward to it.