9 Amazing Shots of Lindsey Buckingham by Photographer Scott Wade

LINDSEY BUCKINGHAM LIVE

August 22, 2012 Austin, TX - Antone's

GALLERY

Photo by Scott Wade

REVIEW: Lindsey Buckingham - Cendera Center, Fort Worth, TX

Lindsey Buckingham  - Cendera Center, Fort Wort, TX August 24, 2012
By Ron Dempesmeier
Classic Rock Revisited

When you are a voice and a songwriter inside a big machine like Fleetwood Mac, you must feel somewhat anxious to stretch out and impress the world with your own voice. Lindsey Buckingham may have felt like an equal, but he’s been the first among equals when it comes to his influence on the production and arrangements of the mighty Mac. Although his former paramour Stevie Nicks has had the far more popular solo career, the more experimental and technically impressive songs have graced Buckingham’s solo albums.

Appearing in a black leather jacket, black v-neck shirt and dark blue jeans with his still unruly hair (although higher on the forehead), Mr. Buckingham’s lean physique was practically wired as he unleashed cascading torrents of arpeggios and searing solos on the more aggressive songs. There was nearly a standing ovation after each song – the audience at the Cendera Center was into his music and his instrumental and vocal prowess.

His set featured a lot of recent selections from his later solo albums like 2006’s “Under the Skin” or last year’s home recorded “Seeds We Sow”. “Cast Away Dreams” started the evening off peacefully enough with delicate finger picking and yearning lyrics. “Bleed to Love Her” ended with a very long solo that got the audience primed to rock. When Buckingam performed “Not Too Late” his constant picking pattern became almost a pure glissando as he ruminated about his solo career in comparison to belonging to Fleetwood Mac.

Continue to the full review

Setlist:

• Cast Away Dreams
• Bleed to Love Her
• Not Too Late
• Stephanie
• Come
• Shut Us Down
• Go Insane
• Never Going Back Again
• Big Love
• I'm So Afraid
• Go Your Own Way

Encore:

• Trouble
• Rock Away Blind
• Seeds We Sow

Review: Lindsey Buckingham Live in Green Bay, WI 8/28

Lindsey Buckingham Live - Meyer Theatre, Green Bay, WI 8/28
Yellowdogpatrol.com

"It takes a lot to awe me.  Celebrities don't impress me.  They never have.  But tonight, I was awed.  Hearing Buckingham's screams above the mic made me realize that this was Lindsey Buckingham in our little town.  Lindsey Buckingham!  The man that wrote all of those songs, produced all of those albums, and cranked out what has turned out to be a soundtrack that has played in the background for a good chunk of my life. Wow."

Continue to the full review

STEVIE NICKS booked to perform at Women's Guild Cedars-Sinai Gala Nov 13th

Women’s Guild Cedars-Sinai celebrates 55 years! Taking place at the Beverly Wilshire Hotel, the star-studded event features a cocktail reception, dinner + special performance by Stevie Nicks! Honorees include Wendy + Leonard Goldberg (“Hollywood Icon” Award) + six Women’s Guild past presidents who will be honored with Legacy Awards. Proceeds from the gala will help fund its $20 million dollar pledge to the Women's Guild Lung Institute, the largest facility of its kind in the Western U.S.

Date:  November 13, 2012
Place: Beverly Wilshire Hotel, Beverly Hills, CA
Host: LL Cool J
Performance by: Stevie Nicks
Tickets: Starting price $750, Call (323) 904-4400. www.womensguildcs.org.

Lindsey Buckingham Walked a Thin Line in Chicago + Fort Worth Recap

Lindsey Buckingham sells out McKinney Performing Arts Center August 23, 2012
By Allen Rich
North Texas E-News
Aug 28, 2012

McKinney -- Every seat in McKinney Performing Arts Center was filled August 23, and for a very good reason. Lindsey Buckingham, the driving force behind Fleetwood Mac was in town for a solo performance.

Buckingham, a member of The Rock and Roll Hall of Fame, is on Rolling Stone's Top 100 Guitarists of All Time and the audience in McKinney had an intimate glimpse at the unique finger-picking style that has become this man's calling card.

This wasn't a Fleetwood Mac concert, replete with soft piano and subtle harmonies. This was the sheer unleashed genius of Lindsey Buckingham, one of the most innovative forces in rock and roll in the period between Jimi Hendrix and Kurt Kobain. None of that was lost on the standing-room-only crowd at McKinney Performing Arts Center as an appreciative audience showered Buckingham with standing ovations throughout the concert.

Continue to the full review


Lindsey Buckingham Live in Fort Worth, TX August 24, 2012
at Cendera Center

No reviews for this show... But Lindsey slid in "Rock Away Blind" to the set (by audience request) saying "they keep asking me to play this damn song!"  Even though he was reluctant and unprepared to play the song - it sounded great!

11 Photos by Cendera Center - Facebook

Lindsey Buckingham Live in Chicago August 26 & 27, 2012

Lindsey walked a thin line during the second show at City Winery in Chicago last night (August 27th). Not one, but two requests were fulfilled by Lindsey playing a few lines of the Tusk song "Walk a Thin Line" - which from the short video clip I've seen, sounded really amazing!  Even though it was only a couple of lines from the song, I think this was the first time its ever been played live!  PLUS he played "Rock Away Blind" at the second show.

WALK A THIN LINE CLIP

ROCK AWAY BLIND

Photo by @Cind75

Review: Lindsey Buckingham @ Chicago's City Winery 
By Dan Snedigar
Gapers Block

The Chicago outpost of New York's City Winery has sort of been slowly rolling out the welcome mat over the past three weeks with a flurry of soft-opening and press events, a week's worth of Lewis Black shows, and a few musical acts to break in the venue. Last night, the second of two sold-out shows by legendary guitarist Lindsey Buckingham provided a great opportunity to really see how the new venue is settling into Chicago's musical landscape.

Buckingham, who will always be inextricably known for his contributions to Fleetwood Mac, opened his show talking about balance, and the contrast between what he called "the big machine" (Fleetwood Mac) and "the small machine", that being his solo efforts, and ultimately, this truly solo tour with just him and guitar in the stage lights. While it's easy to roll your eyes at a "small machine" that still apparently needs to employ no less than a dozen guitars, nine amps and cabinets and a dedicated guitar tech, ultimately, Buckingham has a point. Buckingham is responsible for many of Fleetwood Mac's biggest hits, and his solo performances offer a chance to see these songs, as well as those from other periods of his musical life, in an elemental state, absent most of Fleetwood Mac's accumulated baggage and any stadium bombast. Buckingham can rightfully claim to be one of rock's greatest guitarists, employing a truly singular finger-picking technique that gives him an extremely unique sound. On most of the night's songs, such as "Bleed to Love Her" and "Go Your Own Way," Buckingham's finger picking-style drove the songs, offering well-crafted, straightforward takes. Only occasionally did he seem the arena rock star, as on "Come" where he created an extended loop, then deftly segued into a solo over the playback, or on "I'm So Afraid" where he employed a backing track and launched into a lengthy jam. Clearly, there were some die-hard fans in attendance, and the hushed and reasonably sedate crowd proved the perfect audience, and Buckingham's solo show the perfect act, for City Winery's set up.

Full article at Gapers Block

City Winery, Lindsey Buckingham highlight both sides
By Thomas Conner
Chicago Sun Times

There are two ways of looking at Chicago's new West Loop restaurant and music venue, City Winery, just as there are two ways of looking at the fact that Fleetwood Mac's Lindsey Buckingham performed there this week.

Seeing Buckingham in this setting was similarly both worrying and revelatory.

At first, it screamed cautionary tale. As he himself admitted Monday, the second of a two-night stand at City Winery, his now-lengthy chain of solo tours have whittled down from a 10-piece band to just this current incarnation: Lindsey alone, with just a rack of guitars, a few occasional backing tracks and his many O-faces for company. Watching this mega-selling mega-talent take such an intimate stage -- surrounded by people eating paella balls and sipping cab franc -- was at first like discovering a great actor reduced to doing dinner theater in Florida.

But, as in our interview last year, Buckingham on Monday sermonized from the stage about the relative virtues of the "big machine" (Fleetwood Mac, which is making noise about another reunion next year) and the "small machine" (the eponymous albums and tours). He referred to the latter as a "strange little experiment," despite the fact he's managed to produce three solo albums (plus two live sets) in the last six years -- without the band's trademark hijacking of his material. He still worries about "feeling unseen" ("Not Too Late"), but he's determined to keep powering the little machine until it makes a noise that can at least be heard above the grinding gears of his bread-and-butter factory.

Read the full review at Chicago Sun Times

Lindsey Buckingham at City Winery Chicago | Review and photos
by Joshua Klein
Time Out Chicago

With the massive success of Fleetwood Mac hovering over his head, it took a couple of decades for Lindsey Buckingham’s status as an honest to goodness grade-A auteur to sink in. Sure, he always earned and deserved credit for revitalizing the British blues band as a Cali rock force, but despite the considerable talents of his cohorts, somewhere along the line Buckingham became the least expendable member of the bunch, his vision vital to keeping the group focused even when it sometimes seemed to be sending it off track. That’s one reason why the wayward but wondrous Tusk (with its curious “special thanks from the band to Lindsey Buckingham” credit) has become many fans’ dark horse favorite: What was once misread as indulgence turned out to be innovation, and Buckingham hasn’t really taken the safe route since.

Admittedly, Buckingham’s perfectionist tendencies do a great job disguising, if not suppressing, the strange, which is why catching him live is a unique opportunity to see his numerous hits, misses and never-had-a-shots stripped down to their essence, often remodulated by the master outside of their more familiar studio contexts. Indeed, watching Lindsey Buckingham—tan, fit and in strong voice at 62—perform a solo set at the City Winery Sunday night, the first of two shows, it was remarkable how much he was able to bring across with just his voice and guitar, minus most of the fussy (albeit cool) Baroque ornamentation that has marked Buckingham’s work both within and without Fleetwood Mac. 

Continue to the full review


Concert and Venue Review: Lindsey Buckingham Live at City Winery (Sunday, 8/26/12 in Chicago)
By JimRyan
Chicago Now

Starting out the show, Buckingham took a moment to offer a few words on why this show would be different from what he dubbed "The Big Machine" (AKA Fleetwood Mac).  On Sunday, "The Small Machine" consisted of Buckingham, a bevy of guitars, the occasional drum machine loop and a tech that earned his keep tuning guitars at a frantic pace at the foot of the stage, trading them off to Buckingham following literally every song of the seventy-five minute set.  I lost track of whether Lindsey actually played a different guitar on every song...  But he definitely switched guitars following every song.  Solid body acoustics, electric acoustics... you name it and it was probably played by Lindsey Buckingham Sunday night.

As what I've always considered to be the true creative force behind Fleetwood Mac's finest moments, Buckingham somehow remains an extremely underrated guitarist.  He's one of my all-time favorite players and his finger-picking skills were on full display at City Winery.

There are times during a solo Lindsey Buckingham set where you could close your eyes and envision about three guitarists performing in front of you.  And yet, you open them to find only one man responsible for the rhythm, melody and notes enveloping your senses. 

Continue to the full review

Fleetwood Mac's "25 Years - The Chain" box set goes Top 5 in New Zealand!

 NEW ZEALAND - Week ending August 27, 2012
Fleetwood Mac's newly re-released boxset "25 Years - The chain" released again in New Zealand on August 10th entering the charts at #29 on August 20th explodes this week moving up to #5.  This gives Fleetwood Mac it's 11th top 10 album in New Zealand since Rumours

TOP 40 ALBUMS CHART 
# 5 (29) Fleetwood Mac - 25 Years - The chain (box set)

AUSTRALIA - Week ending August 27, 2012
TOP 100 ALBUMS CHART 
# 85 (73) Fleetwood Mac – The Very Best Of Fleetwood Mac

TOP 40 MUSIC DVD CHART
# 10 (6) Fleetwood Mac - The Dance

TOP 50 CATALOGUE CHART
# 13 (11) Fleetwood Mac - Greatest Hits
# 17 (15) Fleetwood Mac - The Very Best Of Fleetwood Mac

UK - Week of September 1, 2012

Fleetwood Mac's box set "25 Years - The Chain" hangs on for it's 11th week on the UK chart moving down to #99.

TOP 100 ALBUMS CHART

# 99 (85) Fleetwood Mac - 25 Years - The chain (box set)

IRELAND - Week ending August 23, 2012 

TOP 100 ALBUMS CHART 

# 63 (59) Fleetwood Mac - Greatest Hits

# 83 (60) Fleetwood Mac - Rumours

FLEETWOOD MAC FRIDAY on New Zealand's The Sound 8/31

The Sound (New Zealand)

Join The Sound all day this Friday, August 31, 2012 as they spotlight Fleetwood Mac - a band regarded as one of the greatest in rock history - they're also giving you the chance to win the newly re-released 4 CD Box Set – “25 Years - The Chain”.

Warner Music Catalogue releases a re-formatted version of Fleetwood Mac 25 Years: The Chain. The boxed set includes four CDs covering the history of the band from its formation in 1967 up to 1992 and features studio tracks, remixes and live recordings from the band's first 25 years together; including the massive hits Dreams, Everywhere, Go Your Own Way, Rhiannon, Sara, The Chain, Little Lies and Don't Stop.

The package will feature the same artwork and audio as the original release but the new format will be a fatpack, with a high gloss slipcase, 4CDs and a 68 page booklet.

ENTER HERE