Showing posts with label Lindsey Buckingham. Show all posts
Showing posts with label Lindsey Buckingham. Show all posts

Tuesday, June 08, 2021

LINDSEY BUCKINGHAM NEW ALBUM OUT SEPT 17, NEW SINGLE "I DON'T MIND" OUT NOW



Today, Lindsey Buckingham has announced his forthcoming self-titled LP due out September 17, 2021 on Reprise, alongside the first single, “I Don’t Mind.” Lindsey Buckingham is his first solo release since 2011’s Seeds We Sow and follows his departure from Fleetwood Mac. As with the seven studio and three live albums he has released as a solo artist beginning with 1981’s Law and Order, the new project showcases Buckingham’s instinct for melody and his singular fingerpicking guitar style, reaffirming his status as one of the most inventive and electrifying musicians of his generation. Written, produced and recorded by Buckingham at his home studio in Los Angeles, CA, the album will be released via vinyl, CD and on all digital and streaming services. A limited-edition blue vinyl version is also available for pre-order via www.lindseybuckingham.com.

Pre-order Lindsey Buckingham HERE. Listen to “I Don’t Mind” HERE.

Says Buckingham of the meaning of the single, “‘I Don’t Mind,’ like many of the songs on my new album, is about the challenges couples face in long-term relationships.” He continues, “Over time, two people inevitably find the need to augment their initial dynamic with one of flexibility, an acceptance of each others’ flaws and a willingness to continually work on issues; it is the essence of a good long term relationship. This song celebrates that spirit and discipline.”

The new album is a welcome display of Buckingham’s instantly recognizable guitar work and vocal layering, particularly on songs such as “Power Down,” “Scream” and “Swan Song.” Elsewhere, Buckingham pays homage to ‘60s folk group the Pozo-Seco Singers’ hit single “Time,” a song he’s admired since he was a teenager and has long intended to cover. “I wanted to make a pop album, but I also wanted to make stops along the way with songs that resemble art more than pop,” he says. “As you age, hopefully you keep getting a little more grounded in the craft of what you’re doing. For me, getting older has probably helped to reinforce the innocence and the idealism that hopefully was always there.”

Buckingham will be returning to the stage with a 30-city 2021 U.S. tour, marking his first in-person shows following a life-saving open-heart surgery in 2019. He’ll kick off the extensive run of shows at Milwaukee’s Pabst Theatre on September 1st, with stops at The Town Hall in NYC, The Theatre at Ace Hotel in LA and more. Tickets go on sale June 11th at 10:00AM local time. Visit www.lindseybuckingham.com for more info. 

Over the last four decades, Buckingham has developed a radical sense of experimentation and an unrivaled savvy as a producer. He first honed these skills as a singer, guitarist, songwriter, producer and the musical visionary of Fleetwood Mac, for which he wrote and produced several Top Ten hits, including “Go Your Own Way,” “Tusk” and “Big Love.” Under Buckingham’s direction, Fleetwood Mac became one of the best-selling and most beloved rock groups of all time. As a solo artist, Buckingham often plays nearly every instrument himself; his complex arrangements and inventive production choices make his solo work thrilling to experience. Earlier this year, he appeared on “Caution,” the newest single from the Killers. He remains a highly sought-after collaborator, a maverick and a visionary.


US TOUR DATES:

SEPTEMBER 2021

9/1/2021 The Pabst Theater – Milwaukee, WI 
9/3/2021 Mystic Lake – Mystic Showroom – Prior Lake, MN
9/4/2021 Four Winds Casino Resort / Silver Creek Event Center – New Buffalo, MI 
9/7/2021 Carnegie of Homestead Music Hall – Munhall, PA 
9/8/2021 Riviera Theatre – North Tonawanda, NY
9/9/2021 The Academy of Music – Northampton, MA 
9/11/2021 The Chevalier Theater – Medford, MA 
9/12/2021 The Music Hall – Portsmouth, NH 
9/14/2021 Warner Theatre – Washington, DC 
9/16/2021 The Town Hall – New York, NY 
9/18/2021 Tropicana Casino & Resort – Atlantic City, NJ 
9/19/2021 Santander Performing Arts Center – Reading, PA 
9/21/2021 Knight Theatre – Charlotte, NC 
9/22/2021 Woodruff Arts Center – Symphony Hall – Atlanta, GA 
9/24/2021 Bijou Theatre – Knoxville, TN 
9/26/2021 Ponte Vedra Concert Hall – Ponte Vedra Beach, FL 
9/27/2021 Ruth Eckerd Hall – Clearwater, FL 
9/29/2021 King Center for the Performing Arts – Melbourne, FL 
9/30/2021 Parker Playhouse – Fort Lauderdale, FL 

DECEMBER 2021

12/2/2021 The Theatre at Ace Hotel – Los Angeles, CA 
12/3/2021 Magnolia Performing Arts Center – El Cajon, CA 
12/5/2021 Fox Tucson Theatre – Tucson, AZ 
12/8/2021 The Paramount Theatre For the Performing arts – Austin, TX 
12/9/2021 Majestic Theatre – Dallas, TX 
12/11/2021 Smart Financial Centre – Sugar Land, TX 
12/13/2021 Von Braun Center – Mars Music Hall – Huntsville, AL 
12/15/2021 Uptown Theater – Kansas City, MO 
12/17/2021 The Criterion – Oklahoma City, OK 
12/18/2021 Orpheum Theatre – Wichita, KS 
12/20/2021 Boulder Theater – Boulder, CO




Thursday, March 25, 2021

Lindsey Buckingham reinterprets his intricate solo masterpiece “Never Going Back Again”

Watch Lindsey Buckingham Perform New Version of “Never Going Back Again” In Fender’s New Re-Creation Series


Lindsey Buckingham reinterprets his intricate solo masterpiece “Never Going Back Again” using the newly released Fender Acoustasonic Jazzmaster in Fender’s Re-Creation video series.

The gorgeously filmed performance spends a lot of quality time focused on Lindsey’s left and right hand, giving guitarists a clear view of his alternate Travis picking technique. He adds a nice, improvised melodic interlude in the song’s middle section, using his classic ‘solo while holding down the rhythm’ style.

And the sounds! Let’s say this video, the first in Fender’s new series, may well win over anyone who wasn’t sure of the Acoustasonic’s acoustic tonal capabilities.

“Even though I’ve only been with this new Jazzmaster for a short time, I can see that it would have a lot of uses in the studio. I’m excited to give it more time to get to know it a little better.”

“Acoustic guitar has always been my soulmate and alter ego; it got me to a place where I guess I had my own style,” Buckingham said. “Anytime I can take that orchestral approach, I have. The American Acoustasonic Jazzmaster allows you to do just that.”

American Songwriter

Tuesday, March 02, 2021

MICK FLEETWOOD “I would love the elements that are not healed to be healed”

Mick Fleetwood Open to Reunion With Lindsey Buckingham, Imagines Fleetwood Mac Farewell Tour


“Fleetwood Mac is such a strange story,” says the drummer. “I would love the elements that are not healed to be healed”

By ANDY GREENE
Rollingstone

With the concert industry shut down for the foreseeable future and his bandmates spread to various spots around the planet, Mick Fleetwood truly doesn’t know what the future holds for Fleetwood Mac. But that hasn’t stopped the drummer from looking ahead and sketching out a possible farewell tour in his mind.

“I’m very aware that we’ve never played that card,” he tells Rolling Stone on the phone from his Hawaii home. “I think the vision for me, and I think it would be hugely appropriate, is that we actually say ‘this is goodbye’ and go out and actually do that. That has always been my vision and I’m a flatly confident that we can do that. We owe it to the fans.”

The comments appear to contradict Christine McVie’s recent statements to the BBC where she said that bassist John McVie was “a little bit frail” and no longer had “the heart for it.” She also said, “If we do it, it’ll be without John and without Stevie [Nicks], I think…I’m getting a bit old for it now. I don’t know if I can get myself back into it.”

McVie later walked back the comments, and Fleetwood says they shouldn’t be taken literally. “I think she got out of bed on the wrong side that day,” he says with a laugh. “She meant to say, ‘We’ve done so much. I don’t know whether or not we can keep going.’ Anything other than that, she can speak for herself. But I can assure you we are alive and well. And she has no regrets. She just got caught up in whatever she was saying and she also felt she had been misunderstood.”

Christine McVie also said that John McVie was focused largely on sailing the world on his boat, but Fleetwood says that’s never once stopped him from participating in band activities. “He’s always more interested in going sailing until you put it in front of his face,” he says. “He’s so not caught up in the drama of the workings of the band. That has always been my world. I’ve never not known John to answer the call and say, ‘Show me the gig and I’ll plug my bass in.'”

There hasn’t been any reason for McVie to plug his bass in since Fleetwood Mac ended their last world tour in November 2019. It was their first tour since parting ways with Lindsey Buckingham and bringing in Neil Finn of Crowded House and Mike Campbell of Tom Petty and the Heartbreakers to fill the void. “It was a massive, really lovely world tour that was beyond successful in every way,” says Fleetwood. “And a happy tour.”

They initially planned on booking about eight stadium shows with other big artists the following year, but the pandemic made that impossible. Last July, Fleetwood Mac founding guitarist Peter Green died just months after Fleetwood staged a massive tribute concert in his honor at London’s Palladium.

It was a devastating blow to Fleetwood, but it also caused him to get back in touch with Buckingham after two years of bitter estrangement. “I’ve really enjoyed being re-connected with Lindsey, which has been gracious and open,” says Fleetwood. “And both of us have been beautifully honest about who we are and how we got to where we were.”

The reconciliation leads to an obvious question: Might Buckingham come back into Fleetwood Mac for the farewell tour that Fleetwood is plotting out in his mind? “Strange things can happen,” says Fleetwood. “I look at Fleetwood Mac as a huge family. Everyone plays an important role in our history, even someone like [early Seventies] guitarist Bob Welch, who was huge and sometimes gets forgotten. Lindsey’s position in Fleetwood Mac will, for obvious reasons, never been forgotten, as it should never be forgotten.”

“My vision of things happening in the future is really far-reaching,” he continues. “Would I love to think that [reunion] could happen? Yeah. I’d love to think that all of us could be healed, and also respect the people who are in the band, Neil Finn and Michael Campbell.”

The major impediment to a reunion with Buckingham is his relationship with Stevie Nicks, which had been strained for decades and finally reached a breaking point in early 2018. No reunion tour can proceed without the two of them arriving at some sort of detente. “I can’t speak for the dynamic with Stevie and him,” says Fleetwood. “I don’t even need to protect it. It’s so known that they’re chalk and cheese in so many ways, and yet not.”

For now, Fleetwood is just happy he’s back on speaking terms with Buckingham. “I know for a fact that I intend to make music and play again with Lindsey,” he says. “I would love that. It doesn’t have to be in Fleetwood Mac. And Fleetwood Mac is such a strange story. All the players in the play are able to talk and speak for themselves. Somehow, I would love the elements that are not healed to be healed. I love the fantasy that we could cross that bridge and everyone could leave with creative, holistic energy, and everyone could be healed with grace and dignity.”


Saturday, February 20, 2021

Lindsey Buckingham is raising money for UK stage crews affected by the pandemic


In aid of Stagehand's #ILoveLive campaign, Lindsey Buckingham is raising money for UK stage crew affected by the pandemic. Donate now at this link for a chance to win his rare Lane Moller guitar!

Deadline March 17th

"During my many years of touring, I long ago came to understand that the real heroes of rock shows are not the artists, but rather the crews. Everyone involved in putting together a show - tour management, technicians, sound, lighting, and drivers -are all hugely invested in doing their part to contribute to putting on the best possible presentation every night, and they perform their duties with consistency and integrity, all for the benefit of the artists. In fact, artists could not succeed without the spirit, the love, and the craft their road crews bring to a tour. This is why I’m pleased that I can contribute in a small way to helping those who have been adversely impacted in the last year, and am proud to be aligned with Stagehand, which is bringing the music community together to help offset the adversity experienced by so many in our ranks." - Lindsey Buckingham

Thursday, January 14, 2021

LINDSEY BUCKINGHAM SELLS HIS SONG CATALOG TO HIPNOSIS

HIPGNOSIS FULLY ACQUIRES LINDSEY BUCKINGHAM SONG CATALOG, INCLUDING 100% WRITER AND PUBLISHER SHARE OF FLEETWOOD MAC HITS


Just one day after it announced the acquisition of Jimmy Iovine’s production royalties, the Merck Mercuriadis-led entity has confirmed yet another major rights buyout.

This time, Hipgnosis has acquired 100% of Lindsey Buckingham’s publishing rights, including both his publishing and writer’s share, across 161 songs.

Those songs include an array of hits that Buckingham wrote and/or co-wrote for Fleetwood Mac, including Go Your Own Way and The Chain.

Hipgnosis previously acquired a 25% stake in Buckingham’s song catalog via its buyout of a publishing portfolio from Kobalt for $323m in September (announced in November).

As part of its new agreement with Buckingham, announced today (January 5), Hipgnosis also acquires a 50% share of any unreleased compositions.

Today’s news means that the majority of publishing rights for songs penned by two of Fleetwood Mac’s biggest songwriters – Lindsey Buckingham and Stevie Nicks – are now owned by modern, highly acquisitive, rights management firms. (Nicks sold 80% of her publishing rights last year to Hipgnosis rival Primary Wave for around $80m.)

Merck Mercuriadis, founder of Hipgnosis Songs Fund Limited, said: “Lindsey Buckingham is one of the greatest guitarists, songwriters and producers of all time yet is still so underrated. His work with Fleetwood Mac has brought the world unparalleled joy over the last 45 years and he belongs in any discussion featuring Brian Wilson and Paul McCartney. It’s wonderful to welcome him and his iconic songs both as a solo artist and with Fleetwood Mac to the Hipgnosis family”.

Lindsey Buckingham said: “Prior to arriving at an agreement with Hipgnosis, I had wonderful long conversations with Merck Mercuriadis. I was pleased to find a kindred spirit, someone who’s a big fan of my work in Fleetwood Mac, and an even bigger fan of my solo efforts.

“I look forward to working with Merck and the whole Hipgnosis team going into the future, and am confident that my body of work will be curated with great heart and insight.”

Lindsey Buckingham was represented by managers Matt Sadie and Simon White at C3 Management, his attorney, David Altschul, of Altschul Olin & Vandergast LLP, and his business manager, Rick Mozenter of Gelfand, Rennert & Feldman.

Lindsey Buckingham released his debut album Buckingham Nicks in 1973 with his then partner, Stevie Nicks. The duo then joined Mick Fleetwood, John McVie and Christine McVie as Fleetwood Mac.

Buckingham’s second album with Fleetwood Mac, Rumours, was released in 1977 and has sold over 45 million copies worldwide, making it one of the nine bestselling albums of all time. It won Album of the Year at the 1978 Grammy Awards, containing Go Your Own Way, written by Buckingham, and The Chain, co-written by Buckingham. Buckingham also wrote Second Hand News and Never Going Back Again on Rumours.

Buckingham’s four songs from Rumours have collectively been streamed more than 1 billion times on Spotify alone.

In 1979, Fleetwood Mac released the multi-platinum album Tusk, whose title track was written by Buckingham. He also wrote the likes of What Makes You Think You’re The One, Save Me A Place, Walk A Thin Line, Not That Funny and I Know I’m Not Wrong on the record.

Buckingham released his first solo album Law and Order in 1981, which included the Top 10 single Trouble. He then returned to Fleetwood Mac to record the UK No.1 and multi-platinum album Mirage which sold over 4 million copies.

In 1987, Fleetwood Mac released Tango in the Night which sold over 15 million copies worldwide. The LP featured four US Top 20 hits including Big Love, which was written by Buckingham and reached the Top 10 in both the US and the UK.

In 2003, Buckingham and Fleetwood Mac released the album Say You Will which sold more than 2 million copies worldwide and featured the hit single Peacekeeper written by Buckingham.

As a member of Fleetwood Mac, Buckingham was inducted into the Rock and Roll Hall of Fame in 1998 and in 2011 was listed in Rolling Stone Magazine’s ‘100 Greatest Guitarists of All Time’.

In addition to his work with Fleetwood Mac, Buckingham has released five solo albums including Out of the Cradle, Under the Skin, Gift of Screws and Seeds We Sow.

In 2017, Buckingham and his Fleetwood Mac bandmate Christine McVie released the UK Top 5 and certified silver album Lindsey Buckingham Christine McVie.

UK-listed Hipgnosis Songs Fund owned (or owned cuts in) 57,836 songs in its portfolio as of the end of September 2020, when its market cap value stood at circa $1.7bn.

Music Business Worldwide

Friday, November 13, 2020

LINDSEY BUCKINGHAM LIVE AT HOME DEC 5TH (livestream)


AT HOME WITH LINDSEY BUCKINGHAM LIVESTREAM ON 12/5 ANNOUNCED

Lindsey Buckingham has announced an intimate livestream show. On Saturday, December 5th at 5:30PM PST / 8:30PM EST, Lindsey will deliver a completely live performance from his home studio in Los Angeles, featuring hits from across his iconic catalog. Fans from around the world will also have access to purchase Q&A VIP packages for the show, along with exclusive merchandise. Tickets are priced at $15 and go on sale on Friday, November 13th at 7am PST.

Not able to make this show? No problem, Lindsey’s performance will remain exclusively available to ticket purchasers for 48 hours post show.

GET TICKETS

Tuesday, October 13, 2020

MICK FLEETWOOD AND LINDSEY BUCKINGHAM RECONNECTED RECENTLY OVER PETER GREEN

Mick Fleetwood on viral video and whether Lindsey Buckingham will return 

By Nicki Gostin 

Mick Fleetwood thinks it’s “cool” that his band’s classic tune “Dreams” is climbing the charts again.

Last month, Nathan Apodaca posted a TikTok video of himself skateboarding and chugging cranberry juice while lip-syncing to the Fleetwood Mac 1977 hit “Dreams.” The clip has been viewed over 30 million times, resulting in Apodaca being gifted a cranberry-hued truck from Ocean Spray and the Stevie Nicks penned song gaining over 8 million on-demand streams last week.

Fleetwood, 73, even made his own TikTok copying Apodaca and the two met up via a Zoom chat.

The British-born musician is humble about the video’s success chalking it up to a “moment of connectivity” that “just resonated.”

“It was a reach out with a smile,” he told Page Six from his home in Hawaii. “Here I am and here we go. It’s so what we need right now. And how cool is that?”

“It was sort of a huge accident. This is hugely gratifying and it’s fantastic,” he said.

Fleetwood Mac are as famous for their songs that defined the ’70s as much as their internecine squabbling, which has led to members leaving and returning.

The most recent was in 2018 when guitarist Lindsey Buckingham was fired.

Fleetwood, who says he spoke to Buckingham recently, “has no idea” if Buckingham will ever return.


He explained in a not very clear or succinct way: “I think the reality is without going into huge detail, one of the things I always say is that the disconnect happened and there were emotions that were somewhat not removable and there are personal things within the band and Lindsey’s world.

“All I can say is really openly is that Lindsey Buckingham and the work he has done with the band is never going to go away and we have a functioning band with the changes that we made. You know time heals and it was lovely to be able to talk with him.”

Fleetwood said the two spoke by phone after Fleetwood Mac founder Peter Green passed away age 73 in July.

“Lindsey said, ‘I know you’re really sad and of course, I was.’ And that’s what reconnected me and Lindsey. We had the greatest talk. It was like we’d just spoken five minutes ago.”

The drummer  is looking forward to a post-COVID time where he can perform again and “there has to be a positive outcome of stories to be told by all of us.”

 

Tuesday, November 20, 2018

REVIEW Lindsey Buckingham Ann Arbor November 17, 2018

Lindsey Buckingham Goes His Own Way, Revisits Fleetwood Mac On Stage In Ann Arbor
by Jim Ryan
Forbes
Photo Philamonjaro Studio



2018 was a year featuring highs and lows for Lindsey Buckingham.

While word didn’t start to trickle out publicly until April, Buckingham was fired from Fleetwood Mac in January, making his performance with the group on January 26th at a MusiCares benefit his final one. It marks his second departure from the group he joined in 1975 following a sabbatical from 1987 to 1997.

On October 5th, Rhino released Buckingham’s first ever Solo Anthology, featuring material from all six of his solo studio albums, plus a pair of unreleased tracks and one cut from his 2017 album with Fleetwood Mac’s Christine McVie.

But not even a week removed from that release, it was reported Buckingham was suing his former band for breach of fiduciary duty, breach of oral contract and more.


One of the issues reportedly at the center of the acrimonious split was his desire to book solo shows on off nights of the Fleetwood Mac arena tour.

Buckingham brought that solo tour, what he’s often dubbed “the small machine,” to Ann Arbor at the Michigan Theatre, where he was backed by a four-piece band Saturday night.

“We are here for… a couple of reasons,” said Buckingham on stage Saturday, tongue-in-cheek, addressing the crowd with a pause for emphasis near the start of the show. “The important one is that Warner Brothers has put out an anthology of my solo work. The whole process of curating it was a catharsis. In celebrating this package, we get to celebrate some material that has never been performed on stage,” he said, before heading into “Surrender the Rain,” from his 1992 album Out of the Cradle.

From his 1981 solo debut, “Trouble” provided a terrific example of just how great Buckingham’s deliberate finger picking remains as he headed toward a full band take of “I Must Go,” featuring wonderful backing vocals from both his bassist and keyboard player.

Buckingham remains in terrific voice and “Street of Dreams” was an early highlight Saturday in Michigan as he moved to the acoustic-electric for a solo take on the track in the theater setting.

“We are making a new start,” said the guitarist in another general nod to his Fleetwood Mac departure, both a situation and band that, amidst litigation, he’d never directly reference. “It’s very important to have you here at the beginning of something new. We have lots more down the line,” he continued, addressing his future obliquely.

Those words acted as Buckingham’s introduction to a solo rendition of “Shut Us Down.” But “Oh you and I we sure can dream / of conversations that might have been,” are the lyrics that actually begin the song. For Buckingham, who claims he was never given a reason for his Fleetwood Mac firing by any of his bandmates, despite inquiries, the placement of that song, at that particular point in the set, following said introduction, was probably not coincidental.

It was a point further driven home with a solo take on Fleetwood Mac’s “Never Going Back Again” immediately following.

At that point, the show began to hit its stride. Buckingham’s band is tight but the best moments Saturday in Michigan were those which placed the greatest emphasis on his delicate playing and introspective lyrics in a far more intimate setting than Fleetwood Mac fans are generally accustomed.

While he may have never directly addressed his former band, he had no problem diving into that catalog, as the solo portion of the show continued with his stunning take on Fleetwood Mac’s “Big Love.”

From 1987’s Tango in the Night, the song’s glossy production on that record hasn’t aged well. But treated as the Buckingham solo spectacle that it often was during Fleetwood Mac tours, “Big Love” was every bit as engaging in a small theater as it was many nights in an arena, with Buckingham’s classical picking of the acoustic guitar stealing the show Saturday night in Ann Arbor.

As the band made its way back to the stage, Buckingham appeared not just energized but comfortable, interacting with his keyboard/acoustic guitar player during “Slow Dancing” and jovially messing around with his bassist.

But the biggest smiles were saved for a seasonally appropriate rendition of “Holiday Road,” the solo Buckingham cut most well-known for its placement in the 1983 Chevy Chase film National Lampoon’s Vacation and subsequent sequels. The guitarist laughed and kicked throughout, drawing the crowd to its feet, as the show headed for the close of the main set with rollicking takes on Fleetwood Mac classics like “Tusk” and “Go Your Own Way.”

“Thank you so much,” said Lindsey Buckingham Saturday in Michigan. “We’re making a new album next year and we’ll be back. We love you all so much for being a part of this so early on,” he continued, making the most of his unexpected new chapter.

Kenyan singer songwriter J.S. Ondara opened the show with a rousing, self-deprecating, solo acoustic set Saturday night.

“If I play something and you recognize it, just stop me,” he joked, referencing the upcoming February 1 release of his debut solo album Tales of America. “When the record comes out, I’m gonna come back and quiz you,” he continued.

Songs like “My Heart is Never on Time” and closer “Saying Goodbye” set the stage beautifully Saturday in Ann Arbor not just for a headlining set by Lindsey Buckingham but for Ondara’s new record as well.

“If you’re concerned that this next song is going to be sad, it’s ok because the next show is a rock show,” observed Ondara. “It’s a nice lyrical contrast.”
GO YOUR OWN WAY
I MUST GO

Sunday, November 18, 2018

REVIEW Lindsey Buckingham Live in Ann Arbor November 17, 2018

Lindsey Buckingham displays big life after Fleetwood Mac in Ann Arbor
By Gary Graff
The Oakland Press



ANN ARBOR -- One door closed on Lindsey Buckingham this year -- and hit him on the butt on the way out.

Now he's ready to open another one.

That was the message of the Rock and Roll Hall of Famer's concert Saturday night, Nov. 18, at the Michigan Theater. Fired by Fleetwood Mac earlier in the year, he's responded not only with a lawsuit against the band but a purposeful renewal of his solo career, including a compilation of what's come before, and promises of much more to come. "You are here at the beginning of something new," Buckingham told the Ann Arbor crowd mid-show. "We have lots more down the line...We're looking forward to having time to do all that."

Though he played some of the group's material, Buckingham did not mention the turmoil with Fleetwood Mac -- who he spent 42 off-and-on years of multi-platinum success with -- or even the band superficially during the nearly two-hour, 21-song show; The closest he came was while discussing the "Solo Anthology: The Best of Lindsey Buckingham," when he noted that he "likes looking ahead and not behind -- that's certainly served me well this year." But his song choices were clearly statements of purpose, including a solo acoustic pairing of "Shut Us Down" and Mac's "Never Going Back Again."

And he ended the night with the pointed and potent choice of his 2008 solo track "Treason," whose chorus declared, "Deep down there's freedom...We will rise from this treason."

Mostly, however, Buckingham and his tight four-piece band gave every reason to anticipate good things to come from his new path. Saturday's show offered an insightful and, to some, revelatory showcase for the creative inventiveness and even quirkiness that's made him one of the standout pop auteurs of the past four decades. For guitar fans in particular it was a festival of finger-picking dexterity as Buckingham -- in his trademark black jacket, black T-shirt and blue jeans -- simultaneously played leads and rhythms on both acoustic and electric, driving songs such as "Go Insane" and a solo acoustic "Big Love" into frenetic fury. Fleetwood Mac's "I'm So Afraid" was its usual epic discourse, with Buckingham slapping his guitar and mugging for ebullient fans who lined the front of the stage.

And the Mac's "Go Your Own Way" was a soaring, triumphant anthem with an extended solo at the end.

The show also let Buckingham dig deep into his solo catalog for songs he noted were seldom played, including shimmering gems such as "Surrender the Rain," "Not Too Late" and "Soul Drifter," the stomping angst of "Doing What I Can" and the gentle, bluesy "Street of Dreams" and the disco-flavored "Slow Dancing." "Holiday Road" from the "National Lampoon's Vacation" series was a roaring rockabilly set-up for a spirited romp through the Mac's "Tusk," while "Turn It Down" nodded to New Wavey pop.

During his comments Buckingham promised a new album and vowed to "see you again next year." And with Saturday's show he gave every reason to anxiously await both.

Wednesday, November 14, 2018

REVIEW Lindsey Buckingham Live in Birmingham, Alabama November 12, 2018

Is Lindsey Buckingham’s solo show a declaration of independence from Fleetwood Mac?
By Mary Colurso
Photos By Joe Songer - View Gallery (27 photos)
AL.com


Lindsey Buckingham has always been an intriguing artist, an exacting craftsman, a compelling performer … and a guy who likes to be in charge of his destiny.

Plays well with others? Sure, but not always. The history of his most famous band, Fleetwood Mac, is fraught with tensions — both personal and professional — that have been a creative spur for some enduring, and truly wonderful, pop-rock music.

Buckingham comes with baggage, in other words.

It’s interesting baggage, and it doesn’t prevent him from excelling on stage. But longtime fans have to wonder how Buckingham is feeling these days, after his ouster from Fleetwood Mac earlier this year and his exclusion from the band’s 2018-2019 tour. (It comes to Birmingham on Feb. 13.)

We know that Buckingham is suing Fleetwood Mac for breach of fiduciary duty, breach of oral contract and more. (An October story by Rolling Stone includes a copy of the legal complaint.) But is he hurt? Angry? Frustrated? Determinedly pushing past the rift to focus on his future?

About 750 people in Birmingham have an inkling, after seeing Buckingham perform with his solo band on Monday at the Lyric Theatre. The singer-guitarist, 69, was large and in charge at this sold-out show, delivering nearly two hours of music with passion and intensity.

Buckingham’s 9 p.m. setlist, 21 songs full, reached into the past, pulled from his hit list and offered listeners a mini-retrospective of his solo career. His work with Fleetwood Mac was part of the mix — ticketholders likely would rebel if Buckingham ignored that — but the primary emphasis was on his very own catalog.


Buckingham’s selections included “Trouble” (a standout on his first solo album, 1981’s “Law and Order”), “Go Insane” (the title track from his 1984 record and a top 40 single) and “Holiday Road” (featured in the 1983 movie “National Lampoon’s Vacation”). The artist also chose lesser-known but equally effective tunes such as “I Must Go,” “Doing What I Can,” “Don’t Look Down,” “Turn it On,” “Down on Rodeo” and “Treason.”

His skills as a guitarist were abundantly on display, via percussive picking and sinewy solos, and Buckingham displayed a certain amount of stage swagger. He became playful during at least one of his interactions with the band — was that a modified duckwalk? — and Buckingham’s voice, although not consistently strong, rang out with clarity and conviction throughout much of the show.

Buckingham’s confidence in front of a crowd is a given. His outsize talent is, too, and it served him well here in 2012, during a one-man show at the Alys Stephens Center. On that occasion, Buckingham came off as stellar but rather severe, keeping himself at a distance from the crowd. This time, though, he seemed to have something to prove: Buckingham tried harder, played longer, talked more, smiled often and made a concerted effort to show his appreciation for the audience.

Although you’d never call him emotionally vulnerable, Buckingham let his reserve melt and he opened up a bit, telling listeners that he was beginning a new chapter with this four-man band. He said it several times, in fact, mentioning an album that’s in the works as part of his “new start."

In this context, some of the songs on Buckingham’s agenda — “Shut Us Down,” “Go Your Own Way,” “Never Going Back Again” — could be interpreted as mission statements, declaring his final independence from Fleetwood Mac and his resolution to thrive on his own.

“I love all of you for being here,” Buckingham said. And it was easy to believe that he meant it.

The affection went both ways, of course. Birmingham’s love affair with Buckingham dates back to 1975, when he and Stevie Nicks performed at Municipal Auditorium (now called Boutwell Auditorium) to promote their self-titled debut album, “Buckingham Nicks.”

Thanks to airplay on a local radio station, the record was wholeheartedly embraced here, and Birmingham was one of a few cities where fans turned out in force for the duo. Buckingham and Nicks, who were shortly to join Fleetwood Mac, have said the Birmingham concert provided their first taste of stardom.

Buckingham made sure to acknowledge that connection during Monday’s appearance, reminiscing about the Buckingham Nicks show and paying gracious tribute to those long-ago ticketholders.

“There are people here who saw Stevie and me back then,” Buckingham said. “And it’s great. It’s so circular.”

At this point in his career, Buckingham certainly has no need to court an audience, but it was gratifying — and kind of refreshing — to see him do so at the Lyric. In a way, Buckingham was asking listeners to stick with him, Fleetwood Mac or no Fleetwood Mac.

With a standing ovation, shouts and cheers, Birmingham fans responded with a resounding yes.





Tuesday, November 06, 2018

REVIEW Lindsey Buckingham Live in Austin, TX Nov 5, 2018

Lindsey Buckingham goes his own way with Paramount performance
By Peter Blackstock
Austin360

Photo Suzanne Cordeiro
VIEW THE PHOTO GALLERY 

“We are here for a couple of reasons,” Lindsey Buckingham announced a couple of songs into his performance Monday night at the Paramount Theatre, quickly addressing the 800-pound gorilla in the room. After the obligatory but kind assurance that one reason was because “we love Austin,” he got to the point: “Another is that we’re not out with Fleetwood Mac. So I guess we don’t love them.”

The masterful guitarist, songwriter and producer’s dismissal from that Rock and Roll Hall of Fame band earlier this year inevitably is a big part of the context for his current tour. Bitterness turned into litigation last month when Buckingham filed suit against his former bandmates, who are also on tour right now with new members Mike Campbell and Neil Finn and will play Austin’s Erwin Center in February.

Still, the music was far too good on Monday for the melodrama to be the only focus of the night. Buckingham was always the strongest creative force in Fleetwood Mac, and as such, he’s the musician most worth hearing on his own. A nearly two-hour set with plenty of highlights and an adept four-piece backing band testified to that.

Buckingham smartly honed in on his 1992 masterpiece “Out of the Cradle,” playing six songs from that album (even while skipping its best single, “Countdown”). Exquisite mood pieces “Street of Dreams” and “Surrender the Rain” showcased the more delicate side of Buckingham’s artistry, and the sweetly swinging “Soul Drifter” sounded so enchanting that it was hard to believe it didn’t become a massive hit 25 years ago.

“Trouble,” the lone song played from Buckingham’s 1981 solo debut “Law & Order,” remains the only top-10 single he’s ever had on his own. But he’s released six solo studio albums, and he drew from each of them on this night, with three standouts from 2006′s “Under the Skin” suggesting it may be the second-best album of his career.

Saturday, October 27, 2018

PHOTOS Lindsey Buckingham Live in Clearwater, FL October 26, 2018

Photos of Lindsey Buckingham playing Clearwater’s Ruth Eckerd Hall

Fans might not be able to see Lindsey Buckingham on Fleetwood Mac's upcoming tour (which hits Tampa's Amalie Arena in February), but they did get a chance to see the revered rock and roll guitarist and songwriter play a solo set at Clearwater's Ruth Eckerd Hall. Caesar was there and has these photos to share.

Photos by Caesar Carbajal Click through to Creative Loafing for more.


Thursday, October 25, 2018

REVIEW Lindsey Buckingham Live in Washington, DC October 19, 2018

Lindsey Buckingham at National Theatre
“We love you, Lindsey!”

“Fleetwood who!?

“I’ll have all your babies!”

Check out the photo gallery at OnTapOnline
Although Lindsey Buckingham’s show at the Warner Theatre on October 19 wasn’t quite sold out, those in attendance showered love and support for Fleetwood Mac’s former singer, songwriter and lead guitarist extraordinaire. Performing songs from a catalog going back 35 years, both from solo work as well as his days with Fleetwood Mac, Buckingham turned in a stellar and moving performance.

The concert opened quickly with “Don’t Look Down,” “Go Insane” and “Surrender in the Rain.” But soon enough, Buckingham addressed the matter on everybody’s mind: his recent, and untimely, ousting from Fleetwood Mac, saying slyly “one of the reasons” for this tour was because Warner Brothers had asked him to put together a compilation of his solo work.

“Although I’ve never been one to look back, this was an opportunity to examine a body of work that’s stood up pretty well, and perform some songs we’ve never done live.”

Most fans are now well aware of the controversial and acrimonious aspects of Buckingham’s departure from his former band, but he was in a generous and contemplative mood, saying the situation should be viewed with compassion.

For the man who wrote, arguably, the angriest break-up song ever, “Go Your Own Way,” I found Buckingham’s philosophical attitude revealing, and something to aspire to. Addressing the break-up early on may also have been Buckingham’s way of getting the “unpleasantness,” out of the way so we could concentrate on the music.

After years of performing, Buckingham is an expert at pacing a concert. The first third of the 22-song set was generally fast-paced, up-tempo material culminating with the mega-hit, “Trouble,” from his 1981 debut solo album Law and Order.

The concert’s middle section began with a few solo acoustic numbers before seguing back to lesser known, quirkier pop tunes, including the evening’s first Fleetwood Mac songs.

The slower music demonstrated the breadth and width of Buckingham’s songwriting abilities. Contrasting light melody “Slow Dancing,” with the stunning, deep and dark “Street of Dreams,” the artist’s songwriting mastery was obvious.

“Tusk,” signaled the final third of the performance, its heavy percussion urging the audience to its feet. The Fleetwood Mac slow-burner “I’m So Afraid,” climaxed in a jaw-dropping Buckingham guitar solo. He has a truly unique guitar playing style that uses a combination of finger picking and strumming to perform his solos, a technique that affords incredible range, versatility and intensity.

The finale, “Go Your Own Way,” with its incredible guitar solo, was the one song many of us, including me, was there to hear, and it was awesome.

The three-song encore began with “Turn it On,” followed by a stunning “Down on Rodeo.” The surprise, spontaneous final encore, a sublime “Rockaway Blind,” was performed solo acoustic for a “few friends” in the crowd. After profusely thanking the audience, as he’d done repeatedly throughout the night, Buckingham was finished, and the adoring audience went home, deliriously happy. Photos/write-up: Mark Caicedo - OnTapOnline

Sunday, October 21, 2018

Lindsey Buckingham Performs Rockaway Blind by Request in Washington, DC

Lindsey Buckingham Live in Washington, DC
October 19, 2018

Rockaway Blind... First time performed on this tour... By special request :)  So cool!!


Thursday, October 18, 2018

REVIEW / PHOTOS Lindsey Buckingham Live in Chicago Oct 17, 2018

Lindsey Buckingham
Athenaeum Theatre, Chicago
Wednesday, October 17, 2018

View the Photo Gallery


The first time Lindsey Buckingham left Fleetwood Mac, it was on his own accord, though by all indications including a very public lawsuit, the latest round was a result of being asked to leave. But one band’s loss is another man’s gain, at least as far as the singer/songwriter/guitar slinger’s Solo Anthology Tour through the intimate Athenaeum Theatre was concerned when the Rock and Roll Hall of Famer was able to expand well beyond the commercially-minded limitations of the arena-filling juggernaut into decidedly experimental, eccentric and personal territory.

Even so, Buckingham never lost his knack for an infectious hook, launching the almost two-hour concert with the jangly, jittery “Don’t Look Down” and barely taking a breather before diving unflinchingly into the unshakable eeriness of “Go Insane.” For the entire front half of the full band offering, the 69-year-old who remains at the top of his game stuck entirely to solo contexts (“Not Too Late,” “Trouble,” “Street Of Dreams”), but after unplugging all by himself with the fittingly-named “Shut Us Down,” he cast fresh light on FM’s “Never Going Back Again” and completely deconstructed “Big Love” (much like the version from The Dance).

His four kick butt backers returned for “In Our Own Time,” “Slow Dancing” and “Soul Drifter,” then Buckingham took a rare but entirely welcome trip down the “Holiday Road” from National Lampoon’s Vacation. Granted, that cut may have been a bit of a soundtrack novelty compared to strictly following an artistic compass, but it was a front to back dog-barking blast and opened the door for a trio of other big Macs (who the headliner insists he still loves while reaching a point of acceptance that “everything happens for a reason”).

In other words, none of the “Second Hand News” that’s been floating around the gossip circles stopped him from tearing into the stomping “Tusk” with gritty abandon, keeping the raw emotion building with “I’m So Afraid” and unfurling an onslaught of guitar pyrotechnics during “Go Your Own Way.” The encore of less familiar but no less satisfying tunes such as “Turn It On” could be considered either an epilogue to this specific concert or a hint of what might be coming – which probably won’t reach the masses to the degree of a Fleetwood Mac undertaking, but may prove even more rewarding and fulfilling for a restless creative who seems ready for the challenge.

-Review and photos by Andy Argyrakis


REVIEW and PHOTOS Lindsey Buckingham Live in Chicago Oct 17, 2018

Lindsey Buckingham at Chicago’s Athenaeum Theatre
By William Fanelli
Eponymous Review


Photos by Laurie Fanelli
Photo Gallery

Fans flocked to the Athenaeum Theatre last night for a solo performance by legendary singer-guitarist Lindsey Buckingham. The Oct. 17 show took place less than two weeks after his fellow (and now former) Fleetwood Mac bandmates took the stage at Chicago’s United Center but band differences (and a subsequent lawsuit) couldn’t hold Buckingham back and, in fact, there was a feeling of freedom in the air as the artist explored the boundaries of rock with an expansive, well-rounded setlist packed with inspired tunes, youthful energy and dazzling musicianship.

The setlist, which Buckingham called “cathartic to curate,” spanned the artist’s expansive catalogue, weaving together an eclectic yet cohesive concert experience for listeners. The bulk of the artist’s solo records were represented over the course of the evening, some of which amounted to the night’s most engaging moments. Lynchian lullaby “Street Of Dreams” creeped quietly through the venue while “Shut Us Down” packed a powerful punch with its driving vocals, impressive fingerpicking and a bit of interpretive handiwork from Buckingham.



Buckingham inarguably came to play last night. His guitar work was in top form, as were his vocals… utterly guttural one moment, vulnerably tender the next. High energy renditions of Fleetwood fan favorites like “Tusk” and “Go Your Own Way” — the latter which saw the singer enlist folks in the front row to help strum his guitar — had the crowd dancing and singing along, while softer tracks like the goosebump-inducing “Never Going Back Again” entranced the theater in waves of introspection.

The intense and noisy rendition of “I’m So Afraid,” one of the many highlights of the night, built slowly before peaking with a mind-blowing, deceptively-effortless solo by Buckingham while the playful National Lampoon’s Vacation theme “Holiday Road” offered a lighter juxtaposition to the night’s more serious material. Other notable moments included the ultra-primal performance of “Big Love,” which saw the frontman crafting more distinct sounds with a single strum of the guitar than thought humanly possible.

Last night’s midwest performance — part of a larger solo tour spanning the U.S. from now until late December — was in support of Buckingham’s newly-released Solo Anthology: The Best of Lindsey Buckingham. The singer expressed his unbridled enthusiasm for the new album, noting the exciting opportunity it presented for him and his band to perform some of the songs that previously never really got a chance to shine in a live setting. “Surrender The Rain” and the title track from 1984’s Go Insane, both of which were a big hit with fans, come to mind.

Buckingham continues his U.S. Tour with a show tonight at Carnegie of Homestead Music Hall in Homestead, PA. And while some of us are already mourning Fleetwood Mac as we knew it, “you have to accept,” said Buckingham. “Look at things in a positive light. I still love those people.”



Videos at the link below


PHOTOS Lindsey Buckingham Live at the Boulder Theater Oct. 15, 2018

Lindsey Buckingham Live at the Boulder Theater Oct. 15, 2018
Photos by Nancy Isaac (Nancy Isaac Photography)



REVIEW Lindsey Buckingham Live in San Diego Oct 13, 2018

Lindsey Buckingham Shines in Concert: Review
by Thomas K. Arnold
The Classic Bands



Lindsey Buckingham is making headlines with his lawsuit against Fleetwood Mac for firing him, and for launching his own solo tour at the same time as his former bandmates, who are out on the road with new members Neil Finn (of Crowded House) on guitar and vocals and Mike Campbell (from Tom Petty and the Heartbreakers) on guitar.

But judging from his Oct. 13 show at San Diego’s historic Spreckels Theater, the man who, for more than 40 years, reimagined the venerable British blues band into a power-pop hit machine (with a little help from musical partner Stevie Nicks, of course) has emerged a compelling and commanding solo performer. Buckingham’s flair for innovation and delicious finger-picking guitar work are more than worthy of a turn in the spotlight.

Indeed, Buckingham needed neither the band nor Christine McVie, with whom he toured last year, to shine. Much like Brian Wilson, one of his idols, the essence of Lindsey Buckingham is easier to digest, and appreciate, when he’s out on stage on his own.

There, the artistry of his songwriting truly becomes apparent. The carefully crafted pop songs, the often unconventional structures and clever melodies—it’s a musical show-and-tell from an artist who throughout his career has been stretching the limits of conventional pop music, as he did on Fleetwood Mac’s famed Tusk, for which he was soundly criticized for straying from the “formula” perfected on predecessor Rumours, which went on to sell more than 40 million copies.

Touring for just two months in support of the newly issued compilation Solo Anthology – The Best of Lindsey Buckingham, Buckingham from the stage of the Spreckels performed more than 20 songs spanning his career, from his early days with Fleetwood Mac through half a dozen solo albums. It made for an eclectic, and electric, evening of musical expressionism. Buckingham and his first-rate band had the crowd on its feet as he sang Mac hits like “Go Your Own Way,” “Never Going Back Again” and “I’m So Afraid.”

His solo rendition of “Tusk” surprised in that it sounded remarkably like the record. So did all his versions of the Fleetwood Mac hits he played, and one was left with the feeling that his firing is more the band’s loss than anyone else’s.

But the evening’s true delight was the assortment of songs from his various solo efforts. Fondly remembered hits like 1981’s mischievous “Trouble,” the feel-good 1983 “Holiday Road,” written for the National Lampoon’s Vacation movies, and 1984’s vindictive “Go Insane” were clear crowd pleasers.

So was the 1984 near-hit “Slow Dancing,” which he’d reportedly never performed live before this tour.

Some of the newer, less familiar songs showed Buckingham’s musical progression over the years, a path oddly similar to Brian Wilson’s, who also pushed further and further against conventional boundaries in his body of post-Beach Boys work. “In Our Time,” from 2011’s  Seeds We Sow, is a remarkable song that defies categorization and truly showcases the brilliance and dexterity of Buckingham’s signature finger-picking. And “Treason,” the final song of Buckingham’s three-tune encore, from 2008’s Gift of Screws, is a haunting tale of betrayal and redemption that could easily have been directed at his former bandmates in Fleetwood Mac:

Deep down there’s freedom
Deep down there will be a reason
At the end of the season
We will rise from this treason

Videos at the link below

Saturday, October 13, 2018

REVIEW Why losing Lindsey Buckingham will haunt Fleetwood Mac for years

Why losing Lindsey Buckingham will haunt Fleetwood Mac for years
By JIM HARRINGTON
The Mercury News
Check Out The Photo Gallery... Photos by: Nhat V. Meyer


SAN FRANCISCO — Lindsey Buckingham is definitely still on top of his game — even though the game has changed for this Rock and Roll Hall of Famer.

Most notably, the man standing before us on Oct. 9 at San Francisco’s Palace of Fine Arts Theatre is no longer a member of Fleetwood Mac. He was fired from that band in April for convoluted reasons that might, possibly, maybe have something to do with Buckingham not wanting to tour with Mac this year.

Perhaps.

Whatever the back story — which is apparently as complicated as pretty much everything else about Fleetwood Mac — the result is that Buckingham is now a full-time solo artist playing intimate theaters, instead of the big sports arenas.

And the change seems to suit him very well.

The Bay Area native’s sold-out show at the Palace of Fine Arts Theatre, which holds just under 1,000 people, served as a brilliant summary of all that Fleetwood Mac lost with Buckingham’s departure. He sounded great on vocals and even better on guitar, as he thoughtfully and skillfully moved through ballads, mid-tempo numbers and real rockers.

Sure, Fleetwood Mac has lined up some pretty amazing replacements — including Mike Campbell of Tom Petty and the Heartbreakers fame, and Neil Finn of Crowded House — for its upcoming tour, which touches down Nov. 21 at San Jose’s SAP Center, Nov. 23 at Sacramento’s Golden 1 Center and Nov. 24 at Oakland’s Oracle Arena. (See www.ticketmaster.com for more information on those shows.)

But there’s no real replacing Buckingham, not when it comes to Fleetwood Mac. There’s just something about his sheer musical intensity, especially on the frets, that lifts that band up to places it could never have originally reached without him. And the firing of Buckingham — who grew up in Atherton — will likely haunt Fleetwood Mac for years to come.

Backed by a solid four-piece band, the singer-songwriter-guitarist came to town in support of the generous new career retrospective, “Solo Anthology: The Best of Lindsey Buckingham,” released by the Rhino Records label.

Like the “Anthology” itself, the nearly 2-hour set was a real treat for big Buckingham fans, covering a broad range of material and including many tunes that the star hasn’t regularly played in recent years. There were a few rough edges to the performance, which shouldn’t surprise anyone since this was only the second show of the tour, but they really didn’t detract much from the overall enjoyment of the 21-song show.

He opened the show with “Don’t Look Down,” one of a half-dozen numbers chosen from his third solo album, 1992’s “Out of the Cradle,” and then followed with strong takes on “Go Insane” and the rarity “Surrender the Rain.”

Some of the best moments of the night came during a solo spotlight, as the rest of the band left the stage and the star of the evening finger-picked his way through stellar versions of “Shut Us Down” and the Fleetwood Mac tunes “Never Going Back Again” and “Big Love.” Buckingham’s playing was jaw-dropping, somehow making his one guitar sound like three as he knitted through one complex rhythm after another.

Of course, the Fleetwood Mac numbers drew big reactions from the crowd, but his solo material held up quite nicely in the mix as well.

The main set closed with a flurry of highlights, starting with “Holiday Road,” the catchy theme to the Chevy Chase vehicle, “National Lampoon’s Vacation,” and then continuing through three straight Fleetwood Mac offerings — “Tusk,” “I’m So Afraid” and “Go Your Own Way.”

It was Buckingham’s second appearance in San Francisco in a five-day period. He also took the stage during Chris Thile’s set at the Hardly Strictly Bluegrass festival in Golden Gate Park on Oct. 5.


Set list:
1. “Don’t Look Down”
2. “Go Insane”
3. “Surrender the Rain”
4. “Not Too Late”
5. “Doing What I Can”
6. “Trouble”
7. “I Must Go”
8. “Street of Dreams”
9. “Shut Us Down”
10. “Never Going Back Again”
11. “Big Love”
12. “In Our Own Time”
13. “Slow Dancing”
14. “Soul Drifter”
15. “Holiday Road”
16. “Tusk”
17. “I’m So Afraid”
18. “Go Your Own Way”
Encore:
19. “Turn It On”
20. “Down on Rodeo”
21. “Treason”

Friday, October 12, 2018

REVIEW Lindsey Buckingham Live in San Francisco Oct 9, 2018

San Francisco greets Lindsey Buckingham with a heart-warming reception at his sold out show
MUSIC JUNKIE PRESS



You couldn’t have asked for a more beautiful night as Lindsey Buckingham returned to San Francisco for a stop on his solo tour. It was the second night of his North American Tour in support of his Solo Anthology and to catch him on his hometown show was a special treat.  The show was held at the Palace of Fine Arts Theatre which is the perfect venue to capture the energy and charisma that Lindsey and his band brings to the stage.

The night kicked off with an entertaining set from Nairobi folk artist J.S. Ondara. He is set to release his first album and entertained the crowd with his new songs. A true highlight was when he put down his guitar and delivered a commanding acapella performance that brought cheers from the crowd.

The crowd was anxiously awaiting the arrival of Lindsey Buckingham and when he hit the stage, he was greeted with a standing ovation, one of many throughout the night.  The enthusiasm grew with each song as he performed a variety of his songs as well as a few Fleetwood Mac hits.  Lindsey’s incendiary performance was one that will not be forgotten. Whether it is his impeccable guitar playing or his embracing voice that drew you in, you were kept in awe from start to finish.

The band flowed with precision and delivered an unwavering passion for the music. Lindsey took to performing several songs on his own and the crowd cheered in appreciation with more standing ovations. The fans sang along, danced in the aisles and had their hearts filled with the gift of music. It was an absolute magical evening. Check out some photos of the night by our Rockin Ryan: HERE