Stevie Tapes TV Show in LA

Stevie Nicks was in LA on Saturday October 11th where she supposedly taped a tv show she's appearing on. The show is rumoured to be Chris Isaak's new talk show on The Bio Channel called "The Chris Isaak Hour". From what I gather they are taping shows now to start airing later this fall or early winter.

Mick Appears on "The One Show"

Mick Fleetwood along with Art Garfunkel were interviewed on "the ONE show" a UK TV show broadcast on the BBC. Mick is out promoting his upcoming live dates in Europe this fall along with his new live blues album "Blue Again".

Mick Fleetwood Blues Band hitting the road

To celebrate the Mick Fleetwood Blues Band hitting the road, the man himself picks his crop of the finest blues tunes harvested straight from the Mississippi delta

Mick Fleetwood is about to hit the road with the Mick Fleetwood Blues Band, returning to the music he made during 1967-1970. "It's the first time I've revisited this period," he says. "It's my boot camp, my training ground really. But the blues has always been part of me whatever I've done - I've never walked away from the blues."

So what better way for him to show off his knowledge than an exclusive
playlist made up entirely of techno-ragga tracks. Only joking, here's
five tracks that have really got the blues ...

Bobby Bland - Turn on Your Love Light
Van Morrison turned me on to this track. I remember him telling me to
listen to this and it blew me away instantly. Bobby Bland's still around and I find this track so inspiring. My template for most songs is "Is this inspiring?" and with the blues it so often is. To me, the blues is an infection. I don't think it's necessarily a melancholy thing, the blues can be really positive and I think I think anyone and everyone can have a place for the blues. It need not always a woeful, sorrowful thing. It's more reflective, it reminds you to feel. And that feeling could be anything, from sadness to joy and inspiration. So long as it triggers a passion, a feeling.

John Lee Hooker - Boom Boom
I listened to this track a lot in the early days of Fleetwood Mac. It was really overplayed in all the blues clubs, all the places on Eel Pie Island. Even clubs not playing the blues would play this track. John Lee Hooker became a friend of mine and I love all of his work. He was truly an icon. He lived the life. I miss him.

Howlin' Wolf - Back Door Man
This song totally became a major influence on my music, and a major influence on a huge number of British bands. In fact, Howlin' Wolf was a real leader among British bands, as proved by the fact Led Zeppelin had a huge hit with a mutant version of this song (Whole Lotta Love).

Otis Rush - Double Trouble
It's a haunting track, and I think Otis had one of the greatest voices on earth. He was a really great guitar player as well. I know he had a huge influence on Peter Green, so he must have had a huge influence on me too. I've actually re-recorded two of Peter Green's instrumentals on a new EP. We've done Supernatural and Albatross, which were pivotal in our career at the time. I think instrumentals are really a lost art nowadays, so it was great to do that.

Bo Diddley - Hey Bo Diddley
Between Buddy Holly and him, they've both had a big influence on my
drumming. It was all about the Bo Diddley beat.

Tour Dates for The Mick Fleetwood Blues Band

• 10/14/08 Bonn, GER Bruckenforum
• 10/15/08 Zurich, SWI Kaufleuten
• 10/17/08 Zoetermeer, NET Boerderij
• 10/18/08 Krefeld, GER Kulturfabrik Krefeld e.V.
• 10/19/08 Greve, DEN Portalen
• 10/21/08 Bremen, GER Glocke
• 10/22/08 Hannover, GER Capitol
• 10/24/08 Peterborough, UK The Broadway
• 10/25/08 Canterbury, UK Marlowe Theatre
• 10/26/08 Southampton, UK The Mayflower
• 10/28/08 Liverpool, UK Philharmonic Hall
• 10/31/08 Holmfirth, UK Picturedrome
• 11/01/08 Ipswich, UK Ipswich Regent Theatre
• 11/02/08 Croydon, UK Fairfield
• 11/03/08 Saint Albans, UK The Arena

Runnin' Down a Dream (2 DVD Disc Set)

"Runnin' Down a Dream: Tom Petty and The Heartbreakers" Critically Acclaimed Peter Bogdanovich Film Available as a Two DVD Disc Set with New Bonus Features on Oct 28th.

BURBANK, Calif., Oct 13, 2008 (BUSINESS WIRE) -- Warner Bros. Records will release cinema legend Peter Bogdanovich's film Runnin' Down A Dream: Tom Petty and The Heartbreakers as a two-disc DVD, complete with previously unreleased bonus performances, on October 28th. Formally sold as a four-disc package exclusively at Best Buy, this newly released two-disc package of the film will be available everywhere in the U.S. and Canada.

Premiered to unanimous praise at the 2007 New York Film Festival, Runnin' Down A Dream brings Tom Petty and The Heartbreakers full circle, from their humble Gainesville, Florida beginnings to their emotional hometown 30th Anniversary Concert. The film is a vivid portrait of a band that has created a body of work considered one of the richest catalogs in American musical history.
Upon its original release in October 2007, the Houston Chronicle said Runnin' Down A Dream is "destined to be a classic" and the New York Daily News described the film as "a godsend for music lovers." Rolling Stone called the film "rock and roll purity with poetic gravitas."

The two-disc set will contain the entire four-hour film plus three bonus performances.

The Bonus Performances:

1. Too Much Ain't Enough, recorded Live At The Santa Monica Civic Auditorium, December 31, 1978- Santa Monica, CA. Directed by Michael K. Mannes.


2. The Waiting (featuring Eddie Vedder), recorded Live At Pepsi Center, July 3, 2006- Denver, CO. Directed by Michael Drumm and edited by Martyn Atkins and William Bullen.


3. Mystic Eyes (Van Morrison), recorded Live At The Greek Theatre, October 27, 2006- Berkeley, CA. Directed by Adria Petty.
   

The film, two years in the making, features extensive interviews with Tom Petty and The Heartbreakers and the band's fellow musicians, friends, and collaborators past and present. Among the participants are Stevie Nicks, Eddie Vedder, Dave Grohl, Jackson Browne, Roger McGuinn, Dave Stewart, Jeff Lynne, Rick Rubin, Jimmy Lovine, and Johnny Depp. The film includes rare archival footage, much of which has never been seen before. In addition, Runnin' Down A Dream captures Tom Petty with his Traveling Wilburys bandmates, Bob Dylan, Jeff Lynne, George Harrison, and Roy Orbison.

The 4 DVD Disc version that Stevie also appears on is also. This version includes the "30th Anniversary Concert" Tackslist: Listen To Her Heart, Mary Jane's Last Dance, I Won't Back Down, Free Fallin', Saving Grace, I'm A Man, Oh Well, Handle With Care, Stop Draggin' My Heart Around (with Stevie Nicks), I Need To Know (with Stevie Nicks), It's Good To Be King, Down South, Southern Accents, Insider (with Stevie Nicks), Learning To Fly, Don't Come Around Here No More, Runnin' Down A Dream, You Wreck Me, Mystic Eyes, American Girl.

REVIEW: On his own, Lindsey Buckingham’s style still evolving

CONCERT REVIEW:
By Jon Fassnacht
Reading Eagle

For two hours Friday night, the Sovereign Performing Arts Center could have been called Buckingham’s Palace.

Lindsey Buckingham, best known as Fleetwood Mac’s guitarist and male voice, shared a love fest with a fiesty crowd in Reading.

There were standing ovations following nearly every song. Many were moved to stand up and dance in front of their seats. And there was one gentleman who bellowed “We love yoooooooouu!” about 50 times during the evening.

Buckingham recently celebrated his 60th birthday, but he doesn’t look or sound anywhere near that old. His guitar playing continues to evolve, a unique style that melds delicate finger-picking with the amplification and noisy chords of electric guitars.

He and his three-piece backing band are promoting his new album, “Gift of Screws,” a title that Buckingham said isn’t as nasty as it sounds, coming from an Emily Dickinson poem.

He played a healthy selections of songs from the new album, and all of them were very well-received. It was clear that those who attended weren’t there to just to hear some Fleetwood Mac songs.

But Buckingham was more than happy to delve into his more-popular and lucrative gig as one-fifth of one of the most popular bands in history.

About half of the set’s 19 selections were songs Buckingham wrote for and performed with Fleetwood Mac. Save for acoustic renditions of “Never Going Back Again” and “Big Love,” the songs were aggressive, loud and fresh, climaxing during the final three songs of the main set.

“World Turning” started slowly before building to its forceful conclusion, which led to an Alfredo Reyes drum solo, during which he did his best John Bonham/Animal impersonation, playing everything with his hands. “I’m So Afraid” followed, featuring a mammoth Buckingham solo, leading into “Go Your Own Way.”

Buckingham said the group of musicians has been touring together for only a few years.

“As we keep touring, things keep evolving and it just keeps getting better and better for me,” Buckingham said.

The guitarist clearly was enjoying his time here, frequently mugging for the crowd and saying multiple times that he’ll be back.

“We should set up a residency here,” Buckingham said. “The Reading tour.”

PHOTOS: Lindsey Buckingham Birds Eye View of Salt Lake City Show

Seriously, these photos are up there with some of the best live shots taken of Lindsey Buckingham on this tour that I've seen - and quite possibly the last tour as well! Well done!!

View tons more here: Neeta Lind

Stevie Live in Detroit - October 25th - MotorCity Casino

SOUND BOARD Continues Blockbuster Entertainment Lineup with Stevie Nicks on Saturday, October 25th

DETROIT, Oct 10, 2008 /PRNewswire via COMTEX/ -- SOUND BOARD, an intimate live entertainment venue at MotorCity Casino Hotel, proudly welcomes legendary Rock and Roll Hall of Famer, Stevie Nicks, to complete its opening lineup with a one night only performance on Saturday October 25, 2008 at 8pm.

Ms. Nicks, who is ranked #14 on VH1's 100 Greatest Women of Rock and Roll, is known for her ethereal visual style and symbolic lyrics. Her enchanting stage presence and signature intensity will undoubtedly provide an unforgettable event as the continuation of the official SOUND BOARD opening weekend.

SOUND BOARD is conveniently located inside the MotorCity Casino Hotel conference center. Unique to the area, the theater was designed as a working musician's theater and is equipped with state-of-the-art digital video and light distribution systems, which include a d&b line array speaker system; DiGiDesign consoles; Hog Lighting Controls and over 40 moving lights. It also features four bars and several private suites that are available to create an unforgettable entertainment event.

Tickets ($125, $100 and $80) go on sale Saturday, October 11th at 10:00 a.m., and may be purchased at all Ticketmaster locations. To charge tickets by phone, call (248) 645-6666.

For more information about MotorCity Casino Hotel or to make a hotel reservation please call 1-866-STAY-MCC or visit http://www.motorcitycasino.com/ .

SOURCE MotorCity Casino Hotel http://www.motorcitycasino.com/

REVIEW: Lindsey Buckingham once again affirmed his guitar hero status - Live in Chicago

LINDSEY BUCKINGHAM LIVE 
CHICAGO - OCTOBER 2, 2008 - HOUSE OF BLUES

Paste MagazineBy Joshua Klein
Photos by Laura G

Gift Of Screws is Lindsey Buckingham's second solo album in two years following a nearly 15-year gap, and he didn't shy away from showcasing the new material at the House Of Blues on Thursday night, even if most of the attendees were likely expecting his Fleetwood Mac hits (and even if many minds were perhaps preoccupied by the concurrent Cubs playoff game and VP debates, no doubt to blame for the less-than-capacity crowd).

As leader of Fleetwood Mac, Lindsey Buckingham sold millions of records, but has seen less commercial success on his own. Artistically, though, his solo work has never really struck a wrong note, and all of his records have been exceedingly adventurous. Still, at this point one must assume his cult solo status comes largely by choice: He could easily fit most of his solo tracks to suit Fleetwood Mac, and has in the past. Indeed, much of Gift Of Screws dates back to the time when Fleetwood Mac's Say You Will convinced Buckingham to sideline his solo career and cannibalize several works in progress for the sake of the group.

Still, in a live setting, the likes of "Love Runs Deeper" and the new album's title track proved to be energized rockers with the rough edges left thankfully intact (as much as the control-freak in Buckingham leaves any edges rough). The latter was deliriously unhinged and the former easily on par with past Buckingham pop nuggets such as "Go Insane" and "Trouble," performed that night back-to-back. When Buckingham did dip into the Mac catalog, he chose the unlikely avenue of "Tusk" and "I Know I'm Not Wrong" rather than the most obvious songs-- though he eventually did some of those, too, including "Never Going Back Again" through the crowd-pleasing "World Turning" and "Go Your Own Way."

Throughout the night, Buckingham once again affirmed his guitar hero status, his idiosyncratic finger-picking style one of the many things that set his go-for-broke solos apart from the usual suspects. Though he demonstrated flash to spare, watching him play was akin to watching someone weave, his fingers gracefully dancing across and around the strings with an ease sometimes at odds with the jagged sonic shrapnel coming from his instrument. Buckingham could likely afford to add an extra player or two to the tried-and-true trio that has been accompanying him as of late, but the quartet did remarkably well with his equally composed and crazy arrangements-- frenetic, fussy and just as often beautiful in one fell swoop.

REVIEW: Lindsey Buckingham Live in Chicago - Gift of Screws Tour

Lindsey Buckingham Live in Chicago October 2, 2008
by Vern Hester

Windy City Times

When Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac in 1974, nobody could expect much. Doe-eyed, fresh-faced and hippiefied Buckingham/Nicks had already released an album that went nowhere while the Mac—a British blues band— was seemingly on its last legs. The success of Nicks' witchy Rhiannon caught everyone by surprise but the sleeper 1975 smash Fleetwood Mac prepared no one for the monster 1977 album Rumours. The rest is history ( including breakups, diva attitudes, drugs, divorce, infidelities, booze, jealousy, and an unbroken string of sellout tours and multi-platinum albums ) , but a distinct history nonetheless. In retrospect, no one has had the legs that the Mac has had, and now that Nicks' charm has curdled into schtick it's as plain as day how much Buckingham brought to the table of L.A. rock. After one listen to ‘79's Tusk or his out-there rave-ups on ‘80's Live, it was obvious that the man was a demented wizard or possessed by aliens from another galaxy ... or both.

Part ferocious bluesman, part nutty professor and part post-summer Beach Boy, Buckingham was the wild card that gave the Mac its idyosyncratic flavor and bite. While Nicks kept a higher profile, Buckingham—the other dominant personality in the band and, by far, the most creative—released solo albums of such wayward personality and oddball charisma that he seemed at times, well, nutty. Granted, Go Insane had the clicking heart of Oz's tin man, but Buckingham's studio tinkering took years and could only be called obsessive. ( If the idea of a grown man, albeit a very rich one, tapping out the percussion for a song with two pencils on a box of Kleenex on his bathroom floor with a $20,000 mircrophone dosen't strike you as “obsessive,” I don't know what will. ) As a result, there's a certain closed-in quality on his projects that feels airtight and joyless. A decade of happy matrimony and a brood of his own kids seem to have put some rosiness back in his cheeks and opened up his music by degrees.

His new Gift of Screws, like his four previous solo efforts, is bullish on personality, shot through with a punchy eccentricity, but surprisingly quirk free and emotionally direct. The tone of Screws is a regret-free wistfulness that sounds almost nostalgic. The opener, Great Day, is equal parts syncopated percussion and clenched vocals spiked with jagged guitar blasts. Love Runs Deeper and Gift of Screws have an even bigger assault—there's no way that the Mac could contain this fury. The obvious gem here is Did You Miss Me?—a lilting valentine of such fragmented aching that it sounds like the oncoming of autumn.

Buckingham's packed Oct. 2 show at House of Blues put Screws and all of his music in a different context. Without the safe confines of a cushy studio, Trouble, Did You Miss Me? and Big Love were more plaintive and earthbound. Mac staples Never Going Back Again and World Turning got reworked and turned on their heads—the latter even flipped backwards and almost unrecognizable. A positively fierce Tusk shook the rafters in a way that the Mac never could muster but I'm So Afraid tipped the show in another direction. Buckingham sank into it with a steady conviction, but where the Live version was a weighed-down snarling affair of shrieking pain and fury, his guitar solo here was nimble, fleet and even transcendent. Shorn of its danger and pain, he turned it into something almost hallucinatory and light.

If Buckingham can live through the uber-fame of the Mac's ongoing existence, live a new life and do it without the bitterness and artistic slop that tends to cling to rock megastars, then I guess there's hope for all of us.

REVIEW: Lindsey Buckingham goes beyond the big Mac

Buckingham goes beyond the big Mac
BRAD WHEELER

Globe and Mail
October 8, 2008

"It's often better to be in chains than to be free." - Franz Kafka

"Chain, keep us together" - Stevie Nicks

'Probably I would never make Fleetwood Mac albums at all," says Lindsey Buckingham, before adopting an Al Pacino Godfather III rasp, "but it's like 'You're dragging me back into it.' " The Go Your Own Way singer, in town for a concert last night in Hamilton and a sold-out one this evening at The Music Hall, is speaking of the push and pull between his dual careers as a solo artist and the Fleetwood Mac front man. Or maybe that's not what he's referring to. Because as Buckingham points out, not in any prickly way mind you, he's being asked a good number of Fleetwood Mac questions. "It's okay, though" he says, "you fall back on what you know."

Speaking to the man with regard to his latest solo album, Gift of Screws, it's hard not to think about the band that still occupies a fair bit of his time. Fleetwood Mac, a complicated group of Brit bluesers and So-Cal pop-rockers (including Buckingham's scarf-wearing former lover Stevie Nicks) are regrouping for the first time since 2004, with rehearsals likely to begin early next year for a spring go-round. "We'll see how that goes," Buckingham shrugs, "and we'll probably make another album at some point."

And yes, a few songs from Gift of Screws, unlike 2006's acoustic Under the Skin, have that familiar bouncy Mac style. In fact, three of them (the bluesy Wait for You, The Right Place to Fade and the title track) originate from recording sessions with group namesakes Mick Fleetwood and John McVie in the 1990s. Other material from those sessions ended up on Fleetwood Mac's last album, 2003's Say You Will.

But in addition to the familiar sound of the songs, the lyrics often address the confusing rock-star life that Buckingham led while in a band he first left in 1987. The trickling acoustic Bel Air Rain has the candid reflection, "In my younger days, I was mistaken for a whore/ I guess you can say I lived in shame."

Buckingham, greying but fighting-weight thin at the age of 59, protests (a little bit) that the songs are just generally about success and the pressure to repeat it, but he does admits that Bel Air Rain refers to the stressed post-Rumours period of the late 1970s and 1980s. "They want to put a name brand on you and a set of labels," he explains, referring to record companies. "They want you to adhere to that, and not to go outside of that. That was very clear to me."

Buckingham's artistic reaction to the pressure - we won't go into the pharmaceutical response - was to make Fleetwood Mac's Tusk, an extravagant epic from 1979 that was in many ways a Buckingham solo album. "There were so many things that were exciting me," he says, perking up. "Let's take some risks, let's challenge people." (And, let's rent Dodger Stadium and hire the University of Southern California marching band to play on the title track.) After Tusk, Buckingham eventually began living two musical lives: one, that of the rock icon, for Fleetwood Mac projects; the other, the idiosyncratic cult hero, for his more "esoteric" solo albums. The "big machine" allows for the "little machine" to plug along. "You go through all these things in order to try and walk the line that you want to walk," he says. "With my solo albums, I'm not doing it for somebody else's expectations. You have no expectations of what's going to happen with it, beyond turning it in."

Buckingham is fine with the intermittent tugs from his loose Fleetwood Mac shackles. "It's good," he says, enthusiastically enough. "It's nice to know that that's there." And while he allows that the band members are miles apart in so many conflicting ways, there's something to be said for occasional incompatibility. "There's synergy in diversity."

That kind of mature realization is reflected in Gift of Screws, an album sounding a little like Fleetwood Mac, but from a man wiser for the time without the band. "It's about anybody who ever has to go through that level of success," he says, referring again to Bel Air Rain, "and still try to come out knowing who you are."

REVIEW: Lindsey Buckingham Live in Toronto "Music Hall turns into Buckingham Palace"

Music Hall turns into Buckingham Palace
By JANE STEVENSON
Toronto Sun

Lindsey Buckingham's career is two halves of the same whole.

There's the singer-songwriter-guitarist with the more "commercial venture," as he called legendary rock band Fleetwood Mac last night during a solo show at The Music Hall.

And then there's his more "esoteric, left side of the palette" solo career -- again his words -- whose discography was most recently expanded by the mid-September release of the rock-oriented Gift of Screws, which actually boasts a catchy first single in the form of Did You Miss Me which was included in his set list.

The 59-year-old guitar virtuoso managed to show off both sides of his impressive 35-year-plus career in equal and crowd pleasing measure during a lively two-hour show which saw him backed by a crack three piece of bass-keyboards-guitar (Brett Tuttle), guitar (Neale Heywood) and drums (Alfredo Reyes). Opening with the new songs, Great Day and Love Runs Deeper, Buckingham hit his stride vocally with the older solo tracks, Trouble, and Go Insane, but it was the Fleetwood Mac songs, Tusk (complete with blue strobe lights) and I Know I'm Not Wrong, that really kicked the show up another notch and standing ovation after standing ovation started to come his way.

The singer-guitarist was also an engaging solo performer during a standout acoustic set made up of the beautiful Never Going Back Again, the dramatic Big Love and the intense Shut Us Down.

Often Buckingham stood with his head back, his eyes closed and his mouth wide open while he played, seemingly lost in his own world while he freely exposed his emotions.

As Tuttle described him: "He's a champion of music and a champion of songs."

And when he talked about the tumultuous time in his life that he wrote Big Love, just before he left Fleetwood Mac for a time in the '80s "to get my sanity back," he admitted the lyrics of "looking out for love," have now been put firmly in the past after meeting his wife eleven years ago with whom he now has three kids.

The biggest applause often came for Fleetwood Mac songs like World Turning -- which featured one of the strangest drum solos I've ever seen by the nonetheless talented Reyes -- Come (not a great song but completely elevated by Buckingham's awesome playing), I'm So Afraid, Go Your Own Way and Second Hand News, the last two which saw people finally streaming to the front of the stage to clap and sing along and even touch Buckingham's guitar strings.

And when Buckingham did his long band introductions, it was clear he had a genuine affection for the trio, particularly Heywood who he's known since his "crazy Malibu days."

"I'm having flashbacks of Gary Busey and Nick Nolte -- it's a strange crowd there," joked the slim and youthful looking Buckingham, dressed in a black leather jacket, black shirt, jeans, and black cowboy boots.

LINDSEY BUCKINGHAM
The Music Hall
October 8, 2008
Sun Rating: 4 out of 5

Bob and Tom Interview

LINDSEY BUCKINGHAM
ON THE BOB AND TOM SHOW
OCTOBER 6, 2008

- 45 MINUTE INTERVIEW

- TWO LIVE TUNES PLAYED

"DID YOU MISS ME" AND "BIG LOVE"