Review Stevie Nicks Live in Vancouver Dec 9, 2016

How Stevie Nicks Blinded You With Nostalgia
by KRIS MCDERMOTT
Vancouver Weekly

Two years ago Stevie Nicks released her eighth solo album 24 Karat Gold: Songs From The Vault, to critical and commercial success. Online music database All Music dubbed the re-recorded set of demo songs ‘the best sounding record she (Nicks) has made since 1983’s The Wild At Heart’.

Fast forward to October of this year, where Nicks alongside her band and talented friends Waddy Wachtel (whom she met in the pre-Fleetwood Mac days of 1973) and backup singers Sharon Celani and Lori Perry (backup singer for Nicks since 1981) embarked on a 27 date 24 Karat Gold Tour in support of the album by the same name.

Now in the final stretch of the 24 Karat Gold Tour, Nicks found herself in Vancouver’s very own Roger’s Arena. Entering the converted hockey arena wearing a flowing but subdued black dress, Nicks let her accessory scarves do the flashy work for her on round one of her ever-shifting stage attire. The 68 years young Nicks has had no problem maintaining a legion of fans since her Fleetwood Mac debut 41 years ago alongside then partner Lindsey Buckingham, and this latest stop-off in Vancouver was no different.

As with all of her prior 24 Karat Gold Tour stop offs, Nicks’ opened the night with “Gold & Braid”, “If Anyone Falls”, and “Stop Draggin’ My Heart Around”, respectively.  

The tambourine-wielding Nicks was joined on stage by The Pretenders front-person Chrissie Hinde for “Stop Draggin’ My Heart Around”, as she has nightly this tour.Whatever nostalgia felt by the crowd for having witnessed Hinde open the night with The Pretenders followed by Nicks headlining the very same stage was trumped by the sight of the two powerhouses of rock sharing the spotlight at the same time.  It can be argued that the career of the 1998 Rock n’ Roll Hall of Fame inductee Nicks has nothing left to prove. Though looking at Friday’s show as a snapshot, ignoring the over 40 top 50 hits, or the 140 million records sold Nicks was at times underwhelming.

The same fans that would sell Friday’s Stevie Nicks show as being ‘timeless’ or ‘flawless’ were among the many frequently checking their watches and peering about disinterested.

Though social media has largely dusted golden praise over the ‘reigning queen of rock ‘n roll’, what has widely gone underreported was the audio quality at Roger’s Arena Friday night. Early in the performance, the unaddressed concern about an audio mix saw long-time friend, touring guitarist, and backup singer Waddy Wachtel’s vocals overpower the conventionally (thought of as) powerful voice of Nicks. Tough to ignore for some, perhaps due to nostalgia many fans in the building seemingly did just that. However, it was not just a poor mix in the building responsible for a repetitive vocal tone that one wouldn’t quickly attribute to the legend had they not been there to see Nicks live.

Was fan-nostalgia to blame for the level of absurdity that came with the overjoyed cheering Nicks received simply for twirling in a circle? A move the artist has no doubt mastered since she could only pronounce her own name as ‘Tee Dee’, the origin of how Stephanie became ‘Stevie’ Nicks. Does this same overjoyed audience react with similar vigour when their three-year-old spins in the living room?

At the age of 68 and nearing the successful completion of an impressive tour, Nicks should be afforded some grace. The twirl move that was once saved for the crescendo of “Rhiannon” was in the defence of Nicks, resurrected due in part to her role as the White Witch on FX Network’s American Horror Story: Coven. Moreover, the move was often emulated by fan favourite character Misty Day, who played by Lily Rabe was infatuated with Nicks in the show.

After all, the public perception of Nicks has always been the rumoured witch’s most powerful spell. Numerous adulterous relationships, marrying her recently deceased best friend’s husband, multiple addictions and interband dramas have been the catalyst(s) to many an artist’s demise professionally; at least a dissolve in public opinion; not so, however for Stevie Nicks.

As evidenced Friday night, Nicks can twirl into the environmentally superconscious city of Vancouver wearing a fur jacket from head to toe, and not a peep of recreational outrage is heard out of the usually aghast (at such behaviour) Lotus Land.

The verbose and often erroneous explanations resulting in very little new information that took place between songs would be considered by any other artist to be the ramblings of a musician seeking relevance in the twilight of their career. With Stevie Nicks such long-winded loquacious tails were merely regarded as charming anecdotes.  

What can never be taken away, however, is the ability of Nicks to write masterpieces both lyrically and musically in her songs. The pursuit for relevance need not extend beyond the innate ability Nicks has to write beautifully accessible music. With the sensitivity of Nicks to capture emotion even decades after having originally penned (the piece), the integrity of her song writing was never once lost Friday Night in Vancouver.

Whether the Reigning Queen of Rock n Roll continues to go her own way post 24 Karat Gold Tour, or she picks up the pieces to go home; the landscape of music will forever be changed for the better thanks to the enigmatic sorcery of Stevie Nicks.

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Photos - Stevie Nicks with The Pretenders Live in San Jose - December 14, 2016

Stevie Nicks & the Pretenders – San Jose (PHOTOS)

Fleetwood Mac’s Stevie Nicks came through San Jose to perform at the SAP Center (commonly known as the Shark Tank), bringing with her Chrissie Hynde and the Pretenders. The “Musical Journey” as Stevie called the show, brought some great tunes and some great stories as Nicks reflected on her work over the years.

Photos by Clayton Lancaster - View Gallery

Review Stevie Nicks Live in Sacramento with The Pretenders - December 13, 2016

Stevie Nicks and the Pretenders: rock 'n' roll's leading ladies at Golden 1 Center
by Paul Piazza
Newsreview.com - View Photos

Two of rock ‘n’ roll’s longtime leading ladies held court at the Golden 1 Center earlier this week. Stevie Nicks of Fleetwood Mac fame and Chrissie Hynde of the Pretenders put on an epic rock show that showcased the enduring uniqueness of each of these women as songwriters and performers.

Midway through the raucous opening set by the Pretenders, Hynde paused and showed love to the locals when she said that she really enjoyed the “pretty view of all the trees outside [her] hotel window.”

“It reminds me of a place I grew up in the ‘50s,” she continued. With that, she and the band dramatically bounced into the familiar bass groove of the band’s iconic “My City was Gone.”

Naturally, the crowd knew the words to that song’s familiar refrain (“Ay, oh, way to go Ohio”), as well as the majority of the songs the band played. In fact, the audience, who mostly ranged in age from 45-75, seemed to have the majority of the Pretenders setlist embedded in their DNA. This is not ironic since most of the band’s biggest hits came out during the Reagan years, yet have more than endured the test of time with their wry socio-political-environmental bent that could easily be applied to the times we are about to enter.

Hynde, who turned 65 in September, reminded everyone why she has long been known as a badass as she strutted the stage with attitude and defiance. She blasted a group of cell phone wielding fans early in the show for ignoring her request for no video. When they put down their devices, some hard, punk-style dancing erupted on the floor as drummer Martin Chambers pounded out some hard-hitting beats.

While Hynde preferred to let her music do the talking, Nicks took a storyteller’s approach during her lengthy set. Among the many interesting anecdotes the 68-year-old told was a story about hearing Prince’s “Little Red Corvette” for the first time while driving down the highway as a newlywed. It inspired her to write the song “Stand Back” that same day. Later, when she called the Purple One to ask if he wanted to hear it, he came down to the studio and ended up playing an uncredited synth part that is essentially the catchy glue that propels the song.

Later, during “Edge of Seventeen,” images of Prince were shown on the backdrop. Nicks, 69, also had interesting tales about writing “Gold Dust Woman” as a teen in Arizona and also had a few about collaborating with Tom Petty. But perhaps her most amazing accomplishment that night was being able to twirl and do her signature scarf dance while wearing high heeled boots.

Hynde returned during Nicks’ set for the Petty-penned tune “Stop Draggin’ My Heart Around,” a fitting moment as the pair belted out the tune side by side and further cemented their place as two perpetual paragons of rock ‘n’ roll in a year when many of the great ones of their era have fallen.

Convince Stevie Nicks To Make One Final Album With Fleetwood Mac

Fleetwood Mac is one of the most important bands in the history of modern music. When Christine McVie left many years ago fans gave up hope of the classic line-up reuniting.  What an amazing surprise when McVie rejoined the fold in 2014.

It is widely known that four out of the five members of Fleetwood Mac are on board to record one final album with the classic line-up.  The only person holding out is Stevie Nicks.  In recent interviews Stevie stated how being in the studio could be very tense and how touring was more fun.  She also stated that since records don't sell like they used to then what's the point of a new album?

Let's send the message - as fans - how meaningful it would be to us to have one final volume of new music from these five people whose art we cherish so very much.  While there is already a legendary body of work featuring albums such as RUMOURS, TUSK, and TANGO IN THE NIGHT we sincerely ask Stevie, for the love of history and the fans of Fleetwood Mac, to take one final one for the team and help them finish this record.

It would mean the world to all of us.

- Jeremy Gloff

If you are interested... Please sign the petition HERE.

Thanks!

Reviews Stevie Nicks Live in Vancouver December 9, 2016

Most reviews so far on this tour have been favorable... Some reviewers get it... some reviewers don't, and that's totally fine, it's basically their personal opinion.

The unbreakable Stevie Nicks casts a spell on Vancouver (PHOTOS)
by Rob Feller
Dailyhive.com

Photo: Rob Feller - Click Through To View More

Roughly 5,000 classic rock fans braved a snowstorm to catch a “landslide” on Friday night, as the incomparable Stevie Nicks brought her 24 Karat Gold Tour to Rogers Arena.

The singer, whose raspy voice and crazy vibrato dominated radio during the second half of the Seventies, recently released 24 Karat Gold: Songs From the Vault, a stunning compilation of shelved demos that spans her five decade-long career. And even though she has a tremendous catalogue of songs to choose from, Nicks kept her canvas relatively small on Friday, mostly concentrating on her work as a solo artist.

After opening with a lovely take on 1981’s “Gold & Braid”, she warned us that the evening would be unlike any other Stevie Nicks concert we’d previously witnessed. After finishing two back-to-back Fleetwood Mac tours, “I really needed to do something else,” she explained. “I needed to break out.”

So armed with what she called her “dark, mystical, gothic trunk full of songs”, Nicks proceeded to take Vancouver on what she called “a journey…through the snow.” Fans expecting a Fleetwood Mac retrospective were forced to make do with just a handful of Mac tracks (“Gypsy” and “Rhiannon” both made the cut), but the gold dust diva’s repertoire is so huge that it was easy to forgive a setlist omission here and there.

Nicks’ performance was punctuated with lots and lots (and lots) of stories from her storied career. Some of them were fascinating, like how she wrote “Stand Back” as a companion piece to Prince’s “Little Red Corvette” and somehow convinced the Purple One to play most of the instruments on the song. But a lot of Nicks’ schtick fell flat, and one excruciatingly long monologue that involved a pregnancy, a dirt road, and an upright piano sent many fans to the bar for a break.

When it came to the music however, the singer captivated the crowd with her haunting vocals and heartbreaking lyrics. Highlights included “Edge of Seventeen” and encore “Landslide”, and although she doesn’t try to hit high notes of the original composition anymore, her smoky, husky tone nicely complemented the song’s world-weary lyrics.

Rock & Roll Hall of Famers The Pretenders opened the show and managed to run through 15 classic hits and album cuts in just under an hour. Fiery frontwoman Chrissie Hynde dedicated her set, which included a kickass version of “Brass In Pocket”, to her friend Nicks and said that performing with her “is like being on tour with Elizabeth Taylor, except she can sing.”

And like her touring buddy, Hynde was also a fan of the Vancity Blizzard of 2017. “My guitar has some cracks in it from the cold weather,” she said. “But I’m glad that it has some scars from Vancouver!” Hynde later surprised fans by joining Nicks onstage for a duet of “Stop Dragging My Heart Around” which probably sounded cool on the tour bus but was a hot mess when we saw it.

They missed notes, botched lyrics, and broke out into a full-on private conversation mid-song while their backup singers carried on without them. But the Vancouver crowd was so hot and bothered by the sight of two rock goddesses sharing one mic that they turned a blind eye (and a deaf ear) to the shaky performance.

Review: Pretenders Get Real while Stevie Nicks Drags in Vancouver
by Robert Collins
CTVNews

On paper, last night’s double-header of Stevie Nicks and Chrissie Hynde’s Pretenders at Vancouver’s Rogers Arena seemed like a match made in Queens of Rock heaven. The reality, as is often the case, proved different.

The party pooper, it turned out, was Stevie Nicks. Promising a new type of set, featuring not just hits but personal favourites she’d unearthed and rerecorded for her most recent “24 Karat Gold: Songs from the Vault” album, the issue wasn’t the choice of songs, but the way she went about her performance.

It all started so promising. Nicks was accompanied by Chrissie Hynde singing the Tom Petty parts for “Stop Draggin’ My Heart Around,” the Pretenders’ frontwoman unable to get all her words out after descending into giggles almost immediately. Hynde’s laughter was a rare moment of spontaneity. Instead Nicks chose to punctuate every song with a lengthy, egotistical and over-rehearsed anecdote about its creation. The music, when it eventually arrived, was well sung and polished; “Gypsy,” “Stand Back” and the timeless “Gold Dust Woman” all standing out. But by insisting on eating up endless minutes by trawling out irrelevant tales from her charmed life, what could have been a party often felt more like a series of history lectures.

“I’m not wasting your time, am I?” she asked audaciously midway through introducing her band, a process conducted in a musical vacuum sucking up time that should have been spent playing at least two songs. The Vancouver crowd, polite to a fault, mumbled “No,” but they were thinking otherwise.

It’s not that Stevie Nicks didn’t have an example of how it should be done. Two hours earlier Chrissie Hynde (still looking like she’d been poured into her jeans at 66) had stepped on stage, strapped on her Telecaster and ripped into a set effortlessly mixing high-octane recent tracks like “Alone” with new wave classics like “Message of Love,” “Private Life” and “Middle of the Road.”

There’s no substitute for authentic cool; a quality Hynde revealed in everything from how she wore her guitar to her ad-libs on sharing a stage with Stevie Nicks: “It’s like being on tour with Elizabeth Taylor.”

The songs were the stars. The chiming powerpop of “Back on the Chain Gang” (seriously, what a great song) was followed by ballsy ballad “I’ll Stand By You” and the dreamy Kinks cover “Stop Your Sobbing.” The delivery was relentless.  Resistance was futile.

“Have we got time from one more?” asked Hynde at the show’s end.

She didn’t wait for a reply, launching immediately into “Brass in Pocket,” a perfect finale to a great rock and roll set. No stories. No narcissism. All killer, no filler.