Fleetwood Mac Log First Billboard Hot 100 Debut in 23 Years!

Fleetwood Mac’s ‘Landslide’ Debuts on Hot 100 More Than 50 Years After Its Release

BY XANDER ZELLNER

Billboard

Fleetwood Mac’s classic studio version of “Landslide,” released in 1975, reaches the Billboard Hot 100 at last, debuting at No. 41 on the Jan. 17-dated chart.

The song hits the Hot 100 following its placement in the series finale of Netflix’s Stranger Things, released Dec. 31. It generated 7 million official U.S. streams (up 43% week over week), 888,000 radio audience impressions (up 10%) and 1,000 downloads sold (up 15%) Jan. 2-8, according to Luminate.

Fleetwood Mac first released “Landslide” in July 1975 on its self-titled 10th studio album — the group’s first project featuring Stevie Nicks as a vocalist and Lindsey Buckingham as a guitarist. Nicks solely wrote the song and delivers its lead vocals.

Despite becoming one of the band’s most enduring compositions, “Landslide” was never issued as an official single during its original run. Still, it remained a staple of Fleetwood Mac’s live performances, as well as Nicks’ solo tours. A live version was released as a single in 1997, following its inclusion on the band’s album The Dance. That rendition debuted on the Hot 100 in July 1998 and peaked at No. 51 that August, while also reaching No. 10 on Adult Contemporary and No. 26 on Adult Pop Airplay.

Several covers of “Landslide” by other acts have charted over the years. The Chicks’ version climbed to No. 7 on the Hot 100 in March 2003, while the Glee cast’s take, featuring Gwyneth Paltrow, hit No. 23 in 2011. More notable remakes found success across other charts: Smashing Pumpkins’ cover reached No. 3 on Alternative Airplay and No. 30 on Radio Songs in 1994; Kat Perkins’ version hit No. 35 on Hot Rock & Alternative Songs in 2014 after her performance on NBC’s The Voice; and Chloe Kohanski’s interpretation peaked at No. 26 on the same chart also after a performance on The Voice.

With the entrance of “Landslide,” Fleetwood Mac logs its 26th career entry on the Hot 100 and first debut in 23 years, since “Peacekeeper” debuted at No. 93 in March 2003 (before peaking at No. 80 that May).

The group’s most recent Hot 100 appearance came earlier this decade. In 2020, its 1977 No. 1 hit “Dreams” re-entered after a viral TikTok featuring Nathan Apodaca skateboarding while sipping Ocean Spray Cran-Raspberry juice sparked a massive streaming resurgence. The clip’s popularity resulted in recreations from several members of Fleetwood Mac, including Nicks and Mick Fleetwood. The song rebounded to No. 12 in October 2020.

Thanks to “Landslide,” Fleetwood Mac has now debuted on the Hot 100 in five different decades: the ‘70s, ‘80s, ‘90s, 2000s and ‘20s. The band joins a select list of groups with debuts on the chart in at least five decades, a landmark last attained by The Beatles when “Now and Then” launched in the top 10 in November 2023. Other groups with at least five decades of Hot 100 debuts include The Isley Brothers (six), The Rolling Stones and Santana (five each).

Full list of Billboard Chart entries below

Stevie Nicks Rock a Little (180g 45RPM 2LP)

New Pre-Sale Available on Amazon

Stevie Nicks Rock a Little (180g 45RPM 2LP)

Mastered at MoFi's California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning.

Pre-order at Amazon - Expected Release Date: January 16, 2026

USA - Amazon

UK - Amazon

JAPAN - Amazon

MoFi.com

Side One:

1. I Can't Wait
2. Rock a Little (Go Ahead Lily)

Side Two:

1. Sister Honey
2. I Sing for the Things
3. Imperial Hotel

Side Three:

1. Some Become Strangers
2. Talk to Me
3. The Nightmare

Side Four:

1. If I Were You
2. No Spoken Word
3. Has Anyone Ever Written Anything for You

This week belongs squarely to Fleetwood Mac

UK Charts: 9 January 2026 | US Billboard Charts: 10 January 2026

This week belongs squarely to Fleetwood Mac, as Stranger Things delivers one of the most remarkable catalogue revivals in modern chart history.

UK: “Landslide” Finally Charts — 50 Years Later

Fleetwood Mac’s Landslide makes its first-ever appearance on the Official UK Singles Chart this week — an astonishing 50 years after its original release on the band’s self-titled 1975 album.

• No. 20 on the UK Top 100 Singles Chart
• 13,715 sales, the highest new entry of the week

Driven by its emotional placement in the Stranger Things finale

Despite its legendary status, this marks the first time the original Fleetwood Mac recording has charted in the UK. Previous versions had modest runs — The Chicks peaked at No. 55 in 2003, while the Glee cast reached No. 52 in 2011 — but neither matched the scale or cultural impact of this moment.

It’s a powerful reminder of how streaming-era exposure can rewrite chart history decades later.

Albums Surge: 50 Years – Don’t Stop Sets a New Peak

The ripple effect of “Landslide” extends across Fleetwood Mac’s catalogue, most notably lifting their 2018 compilation 50 Years – Don’t Stop to a new all-time peak:

• UK Top 100 Albums: No. 3 (new peak)
• 8,393 sales
• 125th week in the UK Top 10
• 373rd week inside the Top 75

Having already equalled its previous best at No. 4 last week, the album now climbs higher, powered directly by renewed interest in “Landslide.”

Meanwhile, Rumours continues its extraordinary evergreen run across every major format.

UK Chart Highlights (Selected)

Albums

Top 100 Albums:

• No. 3 – 50 Years – Don’t Stop
• No. 11 – Rumours

Streaming Albums:

• No. 2 – 50 Years – Don’t Stop
• No. 17 – Rumours

Physical Albums:

• No. 3 – Rumours

Vinyl Albums:

• No. 2 – Rumours

Singles

Top 100 Singles:

• No. 20 – Landslide
• No. 53 – Dreams
• No. 69 – Everywhere

Multiple re-entries across streaming, downloads, and sales charts underline how deep cuts and classic singles are being rediscovered simultaneously.
US: Streaming Explosion After Stranger Things

In the United States, the Stranger Things finale triggered an immediate and dramatic response:

• “Landslide” streams jumped 61%
• Nearly 4 million on-demand streams in just four days (Jan 2–5)

That surge feeds directly into Fleetwood Mac’s album performance stateside.

US Chart Momentum

Albums

Billboard 200:
No. 15 – Rumours (up from No. 39)

Top 50 Album Sales:
No. 13 – Rumours

Top 25 Vinyl Albums:
No. 6 – Rumours

Top Rock & Alternative Albums:
No. 2 – Rumours

Songs

Rock Digital Song Sales:
No. 9 – Landslide (re-entry)
No. 8 – Silver Springs

Streaming Songs:
No. 23 – Dreams (re-entry)

This week’s charts show Fleetwood Mac operating on a level few artists ever reach:

A 50-year-old album track becomes a Top 20 UK hit for the first time
A compilation sets a new peak eight years after release
Rumours continues to dominate vinyl, streaming, sales, and rock charts simultaneously across multiple countries

In the streaming era, history isn’t just remembered, it’s actively rewritten. And this week, Fleetwood Mac prove once again that timeless music doesn’t age… it waits.

REVIEW Stevie Nicks • Bella Donna Ultradisc One-Step

Spins: Stevie Nicks • Bella Donna Ultradisc One-Step 2xLP

Stevie Nicks

Bella Donna Ultradisc One-Step 2xLP

(Mobile Fidelity)

– Jeff Elbel

9 of 10

Illinois Entertainer

2025 was a good year for devotees of audiophile vinyl and Mobile Fidelity Sound Lab followers. The label reissued pristine pressings of albums reviewed in Illinois Entertainer, including Rick James’ soul-funk classic, Street Songs, and Miles Davis’ genre-blending jazz standout, Sketches of Spain. Fans of the best ’80s rock and followers of Fleetwood Mac and Stevie Nicks herself will be thrilled by the quality of this reissue of Nicks’ 1981 solo debut, Bella Donna.

The album was meticulously recorded with the best technology of its day and has always sounded good, but it has never sounded this good on vinyl. This prestige-format release benefits from the label’s best mastering and highest-tier pressing process.

MoFi’s Ultradisc One-Step process reduces the generational loss experienced in the traditional three-step plating process by directly making a metal stamper from the lacquer. This results in greater detail retention, increased dynamics, and a lower noise floor. These qualities are evident in the new pressing of Bella Donna. The album is mastered for 45RPM playback, which requires the 10-song program to be split across two vinyl platters but also provides increased sonic fidelity compared to the original analog source tapes. Many who know the album from its eventual CD release in the ’80s will be impressed by this vinyl release’s depth, body, warmth, clarity, dynamic range, and spatial staging.

None of the technical work would matter if not for the performances and songs conveyed. Songs including the conversational duet with the Eagles’ Don Henley, “Leather and Lace,” remain among Nicks’ most beloved songs. The glistening acoustic love song used its titular fabrics as metaphors for the attraction of opposites. “Kind of Woman” is a haunting waltz reflecting on the repercussions of infidelity. E Street Band pianist Roy Bittan’s piano and Dan Dugmore’s weeping pedal steel ring through the countrified “After the Glitter Fades,” a melancholy portrait of a rock star’s hopes and fractured dreams in gilded Hollywood.

“Edge of Seventeen” is tense and restless, driven by a carpal tunnel syndrome-inducing Waddy Wachtel rhythm guitar part that echoes “Bring on the Night” by the Police. The coming-of-age song probes Nicks’ own mindset in the wake of loss and grief. Infused into the song’s imagery are the loss of John Lennon (a close friend of Bella Donna producer Jimmy Iovine) and the loss of Nicks’ beloved uncle Jonathan, who succumbed to cancer during the same week that Lennon was killed.

Brooding rocker “Stop Draggin’ My Heart Around” is steeped in the sound and songwriting of Tom Petty and the Heartbreakers. The song sprang from the same sessions that produced “The Insider” on the Heartbreakers’ Iovine-produced Hard Promises album. Nicks arguably got the most mileage out of the collaboration. “Stop Draggin’ My Heart Around” rose to #3 on the Billboard Hot 100 and has remained a mainstay in Nicks’ solo set lists. The Heartbreakers would revisit the song with Nicks on stage as well.

The album features first-call players from the era. Drummer Russ Kunkel propels most songs, often joined in the rhythm section by top bassist Bob Glaub. Duck Dunn from Booker T. & the M.G.’s guests with the Heartbreakers on “Stop Draggin’ My Heart Around.” Bill Payne from Little Feat plays piano on the stirring mid-tempo thriller “Think About It.” Heartbreakers keyboardist Benmont Tench plays Hammond shimmering organ throughout the album. Harmony vocalists Sharon Celani and Lori Perry are featured on many tracks, including the title cut. The pair continue to work with Nicks today. The players’ performances and Nicks’ own tremulous, inimitable vocals are rich, nuanced, and vivid on this One-Step pressing.

The price for this premium release is not cheap. With an MSRP of $125, this might be the most you spend for a new copy of an in-print domestic LP. For audiophiles who count Bella Donna among their favorite records and want the definitive vinyl experience, though, this reissue can’t be topped.

 

– Jeff Elbel

9 of 10

Available at Mobile Fidelity

Fleetwood Mac's 2018 Compilation 50 Years - Don't Stop Makes History

UK, Ireland & Scotland Chart Positions January 2, 2026

Fleetwood Mac’s career-spanning 2018 compilation 50 Years: Don’t Stop surges 6 - 4 on the UK Albums Chart, equalling the highest position of its chart career, previously reached 36, 34 and 30 weeks ago. The set logs 7,653 units, driven almost entirely by streaming with just 48 CDs and one digital download contributing to the total.

Its tally now stands at 124 weeks inside the UK Top 10, extending its record as the longest-running artist compilation in Top 10 history. This week’s jump also sees it move back ahead of Fleetwood Mac’s 1977 landmark album Rumours, which slips from last week’s 672-week high of No. 5 to No. 11 on sales of 5,827 units.

Despite sharing six tracks with the most expansive edition of 50 Years: Don’t Stop, Rumours continues to demonstrate a very different retail profile. Its latest breakdown includes 1,951 vinyl albums, alongside CDs, downloads and streams - reinforcing its dominance as the best-selling vinyl album of the 21st century with 350,719 copies sold. By contrast, 50 Years: Don’t Stop has accumulated just 2,721 vinyl sales, suggesting that a future vinyl reissue could easily propel it to an even higher chart peak.

Elsewhere, Fleetwood Mac’s catalogue makes a major impact across the UK singles chart, with Dreams, Everywhere, and The Chain all returning to the Top 100, underlining the band’s multi-generational appeal as 2026 gets underway.

Chart	Position	Title	Last Week
UK Top 100 Albums	No. 4	50 Years – Don’t Stop	6
	No. 11	Rumours	5
Top 100 Streaming Albums	No. 2	50 Years – Don’t Stop	3
	No. 18	Rumours	22
Top 100 Album Sales	No. 6	Rumours	4
	No. 99	Greatest Hits	63
Top 40 Vinyl Albums	No. 3	Rumours	2
UK Top 100 Singles	No. 63	Dreams	Re-entry
	No. 81	Everywhere	Re-entry
	No. 89	The Chain	Re-entry
Ireland Top 100 Albums	No. 5	50 Years – Don’t Stop	10
	No. 7	Rumours	6
Ireland Top 100 Singles	No. 52	Dreams	Re-entry
	No. 62	Silver Springs	Re-entry
	No. 68	Landslide	Re-entry
Scotland Top 100 Albums	No. 3	Rumours	2
	No. 71	Greatest Hits	51

US Chart Positions January 3, 2026

In the United States, Rumours continues to outperform expectations nearly five decades after its release, rising to No. 12 on Top Album Sales, climbing on the Vinyl Albums chart to No. 7, and improving to No. 6 on Indie Store Album Sales - a clear sign of sustained demand among physical buyers and core catalog consumers.

The album also holds firm near the top of Billboard’s genre charts, remaining No. 4 on Top Rock Albums and No. 5 on Top Rock & Alternative Albums, while Greatest Hits continues to register solid multi-format activity across the same charts.

On the songs side, Silver Springs remains a notable presence on Rock Digital Song Sales, landing at No. 10 after last week’s No. 2 peak. Its continued digital performance underscores the song’s enduring resonance and places it alongside contemporary rock releases - a rare feat for a deep-catalog track as 2026 begins.

Chart	Position	Title	Last Week
Billboard 200	No. 39	Rumours	33
	No. 100	Greatest Hits	77
Top 50 Album Sales	No. 12	Rumours	15
	No. 40	Greatest Hits	28
Top 25 Vinyl Albums	No. 7	Rumours	11
	No. 21	Greatest Hits	15
Top 25 Indie Store Album Sales	No. 6	Rumours	9
Top Rock & Alternative Albums	No. 5	Rumours	4
	No. 20	Greatest Hits	13
Top Rock Albums	No. 4	Rumours	4
	No. 16	Greatest Hits	11
Rock Digital Song Sales	No. 10	Silver Springs	2

Fleetwood Mac's Rumours Ranked 10th In 2025 Album Sales in US

Fleetwood Mac’s Rumours Ranks Among 2025’s Biggest Selling Albums, Physical Sales Propel Iconic Record Into Top 10

by Paul Cashmere 

Noise11.com

December 30, 2025

Fleetwood Mac’s 1977 classic Rumours has emphatically proven that great music endures, securing its place as one of the biggest selling albums of 2025 in the United States. According to year‑end sales tallies, Rumours finished 24th overall in album units across all formats for the year, and impressively ranked 10th in physical sales, the top echelon of CDs and vinyl, with 221,514 units sold. When streaming figures are included, the album’s total equivalent sales for 2025 reached 1,064,163.

Released on 4 February 1977 by Warner Bros. Records, Rumours remains one of the most celebrated and best‑selling albums in music history. Originally recorded largely in California during 1976 under the production of Fleetwood Mac with Ken Caillat and Richard Dashut, the album was shaped amid personal turmoil, inter‑band breakups and heavy drug use. Those emotional undercurrents, combined with an intent to craft “a pop album”, helped the record achieve a unique fusion of electric and acoustic instrumentation, distinctive harmonies and deeply personal lyrics.

Fleetwood Mac Closing out 2025 Riding High on The Charts

The Last Album Charts for 2025 in the UK and US

At its highest position for nearly 13 years after climbing 10–7 last week, Rumours continues its remarkable resurgence, rising again to No. 5 on the UK Albums Chart with 7,181 sales. That marks a 672-week high, underlining the album’s extraordinary longevity nearly five decades on.

Vinyl remains the dominant force behind the climb, contributing 3,405 sales this week and powering Rumours to No. 2 on the UK Vinyl Albums Chart, second only to Olivia Dean’s The Art Of Loving. The sustained demand highlights the album’s enduring appeal among collectors and new listeners alike.

Meanwhile, Fleetwood Mac’s 2018 compilation 50 Years – Don’t Stop also enjoys a strong showing, moving up to No. 6 on the UK Albums Chart with 7,155 units sold. Together, the two titles give Fleetwood Mac a rare and impressive double presence near the very top of the chart as 2025 draws to a close.

Chart	Position	Title	Last Week
UK Top 100 Albums	No. 5	Rumours	7
	No. 6	50 Years – Don’t Stop	9
Top 100 Streaming Albums	No. 3	50 Years – Don’t Stop	3
	No. 22	Rumours	21
Top 100 Album Sales	No. 4	Rumours	8
	No. 53	Buckingham Nicks	70
	No. 63	Greatest Hits	86
Top 100 Album Downloads	No. 83	Rumours	69
Top 100 Physical Albums	No. 4	Rumours	8
	No. 52	Buckingham Nicks	69
	No. 63	Greatest Hits	84
Top 40 Vinyl Albums	No. 2	Rumours	5
	No. 40	Greatest Hits	Re-entry
Official Top 40 Songs of 2025	No. 37	Dreams	—
Scotland Top 100 Albums	No. 2	Rumours	7
	No. 41	Buckingham Nicks	45
	No. 49	Greatest Hits	59
Ireland Top 100 Albums	No. 6	Rumours	10
	No. 10	50 Years – Don’t Stop	8
	No. 59	Greatest Hits	77

Billboard Last Charts of 2025

While Fleetwood Mac’s albums continue to post steady gains across Billboard’s album charts, the standout story this week belongs to Silver Springs, which is holding firm at No. 2 on the Rock Digital Song Sales chart — a massive achievement for a song first released nearly 50 years ago. 

 The track remains locked at No. 2 for a second consecutive week, while also maintaining strong positions on both the Hot Rock Songs chart (No. 12) and the Hot Rock & Alternative Songs chart (No. 13). Its sustained digital demand places Silver Springs alongside contemporary releases, underscoring its continued cultural and emotional resonance with modern audiences. 

 On the album side, Rumours rises on multiple U.S. sales-driven charts, including Top Album Sales, Vinyl Albums, and Indie Store Album Sales, while also maintaining a solid No. 4 ranking on the Top Rock & Alternative Albums chart. In Canada, Rumours returns to the Top 30 at No. 25, reinforcing Fleetwood Mac’s cross-border appeal as 2025 closes with renewed momentum.

Chart	Position	Title	Last Week
Billboard 200	No. 33	Rumours	31
	No. 77	Greatest Hits	100
Top 50 Album Sales	No. 15	Rumours	17
	No. 28	Greatest Hits	38
Top 25 Vinyl Albums	No. 11	Rumours	12
	No. 15	Greatest Hits	Re-entry
Top 25 Indie Store Album Sales	No. 9	Rumours	13
Hot Rock & Alternative Songs	No. 13	Silver Springs	13
Hot Rock Songs	No. 12	Silver Springs	12
Rock Digital Song Sales	No. 2	Silver Springs	2
Top Rock & Alternative Albums	No. 4	Rumours	4
	No. 13	Greatest Hits	18
Top Rock Albums	No. 4	Rumours	3
	No. 11	Greatest Hits	14
Canada Top 100 Albums	No. 25	Rumours	—
	No. 82	Greatest Hits	—

Stevie Nicks Lands at No.10 on Pollstar’s Global Concert Tours Ranking

Photo: Dawn Osborne

The Top 20 Global Concert Tours ranks artists by average box office gross per city and includes the average ticket price for shows Worldwide. The list is based on data provided to the trade publication Pollstar by concert promoters and venue managers up to December 19, 2025.

The Global Concert Pulse ranks artists by reported average boxoffice gross over last three months.

TOP 20 GLOBAL CONCERT TOURS

Rank	Artist	Avg Gross Revenue	Avg Attendance	Avg Ticket Price
1	Chris Brown	$7,024,683	42,902	$163.74
2	Eagles	$4,837,068	16,305	$296.65
3	Shakira	$4,626,236	38,717	$119.49
4	Lady Gaga	$4,391,070	23,694	$185.32
5	Imagine Dragons	$3,837,073	41,561	$92.32
6	Guns N’ Roses	$3,501,486	34,598	$101.20
7	SEVENTEEN	$3,059,420	17,278	$177.06
8	Dua Lipa	$2,903,066	21,505	$134.99
9	Billie Eilish	$2,599,091	17,111	$151.89
10	Stevie Nicks	$2,539,178	13,024	$194.95
11	Sabrina Carpenter	$2,027,445	13,442	$150.82
12	Tyler Childers	$1,836,384	19,246	$95.41
13	Chayanne	$1,679,614	11,736	$143.11
14	Hans Zimmer Live	$1,663,667	11,598	$143.44
15	Tate McRae	$1,643,918	13,276	$123.82
16	NBA YoungBoy	$1,638,205	13,030	$125.72
17	Junior H	$1,608,644	13,461	$119.50
18	Mumford & Sons	$1,438,910	13,120	$109.67
19	Lewis Capaldi	$1,419,381	14,667	$96.77
20	Benson Boone	$1,388,769	13,557	$102.43