On a wet, dreary day in Tampa, it was left to Stevie Nicks to bring us into the light.
And, boy, did she ever.
The hall of famer breezed onto the stage Sunday, mostly recovered from the fractured shoulder that delayed her Florida tour stops by 14 weeks.
Nicks’ primary instrument needed no mending — that unmatched, unmistakable breathe-only-through-your-mouth patented voice of hers.
At 77, she remains mesmerizing and enchanting. A total goddess, spreading goosebumps like fairy dust.
Some great singers can raise the hairs on your forearms every now and again. Try evoking that reaction from your audience five times a song. That’s the indelible Nicks quotient.
A packed house greeted her enthusiastically as she grabbed hold of a microphone stand wrapped in sequined scarves and launched into the 1950s classic “Not Fade Away.” How fitting that an icon such as Nicks, who has inspired so many modern-day singers for her style, stage presence and songwriting, would open with music from one of her early influences, the great Buddy Holly.
She wore high black boots, a long charcoal skirt and blonde hair permed like it could be 1980 all over again.
Nicks is not a prolific songwriter, but she manages to make them count. “When the rain washes you clean, you’ll know,” she crooned during a near flawless version of “Dreams,” the first of four Fleetwood Mac songs she would offer.
We’re half a century removed from when she joined Fleetwood Mac as her romantic partner Lindsey Buckingham’s plus one, before emerging as a primary focal point. Buckingham and Nicks had dropped out of college at San Jose State (my alma mater … go Spartans!!) before recording together one barely noticed album. But Mick Fleetwood had heard enough to recognize something special about Buckingham’s finger-picking guitar playing. He was recruited to replace Bob Welch. Buckingham agreed to come along — but only if the band took his girlfriend, too. The rest, as they say, is history.
Just a few months ago, Nicks and Buckingham signaled a thawing in their topsy-turvy relationship, jointly posting on social media about their 1973 album being remastered. Will they reunite on stage? One can only hope.
The audience Sunday skewed younger than you might have expected. Mothers brought their daughters — yards of capes and lace bridging the generations. The blend of ages decked in shawls, fishnet and bolo hats underscored Nicks’ timeless appeal.
The last time Nicks was on Channelside Drive six years ago, she appeared with Fleetwood Mac, sans Buckingham, who had been kicked out. The band performed Tom Petty’s “Free Fallin’” with former Heartbreakers lead guitarist Mike Campbell newly minted as a member of Fleetwood Mac. She reprised the song Sunday and also played “Stop Draggin’ My Heart Around” with her longtime collaborator Waddy Wachtel singing Petty’s part. When in Florida, you must bow down to Petty.
These are not grueling sets for Nicks. She plays the same 15 songs every three to five days. It’s a parade of hits — though “Leather and Lace,” “Sara” and “Silver Springs” were absent.
In their place, Nicks shared more personal anecdotes between songs — about music, relationships and life. I saw her in 1989 at the height of her powers, and she wasn’t nearly as engaged. As her career approaches an inevitable endpoint, she’s grown more reflective and introspective on stage. And it delighted the crowd.
She told one story that spanned more than four minutes about her first recording with Petty.
And she was the only one who didn’t seem to mind Sunday’s drenching.
“I made a fantastic video like about six minutes of the rain on my hotel window because it was so beautiful,” she told everyone. “I’m going to put it on loop, and I’m going to put it on when I’m going to sleep, and I’m going to sleep to that rain.”
Nicks has always projected a mystical aura — as someone who might actually twirl backstage around a boiling cauldron, tossing in crystals and eyes of newt. But in relaying her personal stories, she felt real and relatable.
Her set gained momentum in the home stretch, with “Stand Back,” “Gold Dust Woman,” “Gypsy” and “Edge of Seventeen” before concluding with impeccable encores, “Rhiannon” and “Landslide,” her anthem made all the more poignant as images of the late Christine McVie projected on the big screens. The entire arena sang along.
With the exception of “The Lighthouse,” recorded last year, every song was penned a lifetime ago. Nicks doesn’t need a lot of new music to stay relevant. Not when you’ve got that spellbinding voice.
And she’s still got it. I have the goosebumps to prove it.
Stevie Nicks is one of the most significant feminist icons in rock history. Her entire career is a testament to what it means to be an independent, complex, and powerful woman thriving in a hyper-masculine industry. I am endlessly inspired by her unwavering commitment to take control of her own narrative.
Despite a shoulder injury this summer that forced her to postpone her scheduled August 23rd date at Heritage Bank Center, the 77-year-old songstress, Stevie Nicks, returned to the spotlight, twirling in her signature shawls and delivering her classic hits. The evening at Heritage Bank Center was less a standard concert and more an immersive experience, part musical performance, part "An Evening With Stevie Nicks," where extended, sometimes self-deprecating, anecdotes formed the evening’s rich tapestry.
As the powerhouse singer-songwriter for Fleetwood Mac and a monumental solo artist, Nicks deliberately crafted her ethereal, bohemian stage persona, marked by flowing lace and iconic shawls, as an act of self-assertion. This look was a magnificent refusal to conform to the masculine or overly sexualized uniforms often demanded of women in music, instead choosing to articulate a deep, potent feminine power visually. She taught me that embracing your femininity is an act of strength.
Nicole Atkins opened the evening. Atkins delivered a performance she called the "best 30 minutes of my life," a truly remarkable feat given she received the call to open for Stevie Nicks just three days prior. A captivating old-school torch singer for the modern world, Atkins got the audience up on their feet to participate in a unique Ted Danson slow dance contest. The coveted prize for the winner? A picture of Ted Danson himself! Atkins is certainly no stranger to the spotlight, regularly earning high praise on year-end "best of" lists from major publications like Rolling Stone, NPR, and The New York Times. Her impressive list of collaborators spans musical giants such as Nick Cave & the Bad Seeds, David Byrne, Chris Isaak, Spoon, and Elvis Costello. Her performance perfectly showcased why she was chosen by Nicks to open the evening.
One of the evening’s many highlights for the Cincinnati audience was the thoughtful anecdotes Nicks shared before each song. A definite crowd favorite was her retelling of the story behind her classic duet with Tom Petty, "Stop Draggin' My Heart Around," which appeared on her 1981 debut solo album,Bella Donna.
Before playing the tune, Nicks recounted how her producer, Jimmy Iovine, delivered some difficult news when the album was complete: she didn't have a single. Nicks recalled the moment, stating, "There is nothing that anybody can ever say at the beginning of your solo career that can be worse than that, because writing a single is just not that easy.” To solve the problem, Iovine connected her with Tom Petty. Petty generously offered not only to give her a song but also to sing it with her.
She fondly remembered how she laughed about showing up “way overdressed,” she “dressed to the nines” for her first studio session with Petty. She was so nervous and then, of course, knocked the song out of the park in a single take. Nicks offered a heartfelt "Thank you, Tom," before launching into an energetic performance of the song. For the live rendition in Cincinnati, she was joined by her longtime guitarist and music director, Waddy Wachtel, who sang Petty's vocal parts
Later in the show, Nicks recounted recording at Abbey Road for the first time with Harry Styles, switching between memories she’s carried with her all these years. Her emotional tribute to Petty during “Free Fallin'" hit especially hard with the Cincinnati fans.
Nicks' iconic shawls were central to her stage presence and the stories she shared last night. She rotated through her original collection, letting them flow dramatically behind her as she twirled. Nicks has famously described these shawls as "magic." The power of these garments was clear; at one point, when it appeared she was handing one down to the audience, the way I almost dove down to grab it would have shocked you.
As she closed the night, speaking intimately to the Cincinnati crowd at Heritage Bank Center, Nicks acknowledged this profound connection: "As an entertainer, I try to entertain you, but it's like you are also entertaining me at the same time. I have loved being here... you were great, and I appreciate it so much, every minute of it." Offering a heartfelt sign-off that spoke to her timeless spirit, she urged the audience, "Stay well, stay warm, be careful, take care of yourselves. And hope for a new world. A happy world where we can all have fun and laugh and have music, and do all the things we love to do. And dance. Dancing is very important. If you dance, I swear to you that you won't get old."
This final, deeply personal benediction proved that the reigning Queen of Rock and Roll isn't just a legend; she's a luminous spirit still actively sharing her magic. Stevie Nicks is the embodiment of artistic integrity and self-possession, continually showing us all how to command the stage and "stand up and be counted" without compromise
Stevie Nicks wrote 'Landslide' when she was my age. Hearing it live changed me
Stevie Nicks has been making music longer than I've been alive, but she has single-handedly gotten me through the most pivotal moments of my life. It's only fitting I got to see the "Gold Dust Woman" herself after hitting my most recent pivotal moment yet...turning 26.
The 77-year-old singer and songwriter returned to Cincinnati, where she "feels very at home," for a sold-out show on Nov. 30 (four days after my birthday). Nicks was originally supposed to play at the Heritage Bank Center on Aug. 23, but the show was rescheduled after she fractured her shoulder.
"Me and my ex-broken shoulder are here to entertain you," she told the crowd. And she did exactly that.
Nicks had the arena spellbound from the moment she stepped onto the stage. Dressed in all-black with a flowy, lace skirt, Nicks glided and twirled across the stage as she sang hits like "Dreams," "Stand Back," "Rhiannon," my all-time favorite, "Edge of Seventeen."
Old or young, it didn't matter. Everyone in the crowd was dressed in Nicks' aesthetic: velvet, fringe, hats with veils and feathers, lace, long flowy skirts, crimped hair and, of course, shawls. It was like I had time-traveled back to the 1970s. Even Nicks' voice seemed to transcend age and capture the angst of her Fleetwood Mac and Bella Donna eras.
Nicks ended her nearly two-hour-long concert by reminding fans to dance because if you dance, you won't get old. Her words, much like her songs, struck me. Getting older is truly a mind trick. Your body ages, sure, and you might not be as quick as you once were, but you're moving, and that's keeping your spirit young, which is exactly what Nicks' concert embodied.
Stevie Nicks revisits classics, pays homage to friends
The "Gypsy" singer performed 13 songs, concluding the show with two encore songs, which happen to be among my favorites, "Rhiannon" and "Landslide."
During the show, she paid tribute to her old friends and musicians. She covered Tom Petty's "Free Fallin'" and performed their duet "Stop Draggin' My Heart Around." As she performed, a slideshow of Rock 'n' Roll's best played behind her. Images of Prince, Tom Petty, Jimi Hendrix, Bob Dylan and more danced across the screen
Although Nicks was playing for us, the concert felt like she was paying homage to her friends and collaborators, and it was evident during "Landslide."
I wasn't around when the song was released, but Nicks gave this performance and the entire concert her all. As she sang the final tune of the night, photos of Nicks and her longtime friend and former Fleetwood Mac bandmate Christine McVie cascaded across the screen (it was the third anniversary of McVie's passing), and I found myself thinking of all the women in my life, especially my mother's side of the family. I've always associated Nicks with them. They're always playing her music and have loads of Fleetwood Mac and Nicks' vinyls (which I now possess).
It doesn't matter what I'm doing, "Landslide" could come on and I will stop in my tracks. The song hits different for me and I'm sure it's a shared experince among most music listeners, especially women, but hearing it live was otherworldly.
It was honestly one of the most impactful moments of my life.
So, 'Can I handle the seasons of my life?'
"Well, I've been afraid of changing 'cause I've built my life around you." Those lyrics alone cause my throat to tighten and tears to well in my eyes. I listen to "Landslide" on my birthday every year as a reminder to embrace myself.
Every year, except this one.
So, it's perfect that the final song was none other than "Landslide," which Nicks famously told The New York Times she wrote in 1973 when she was just 27. Only a year older than I am today.
"I did already feel old in a lot of ways," Nicks told the outlet. "I'd been working as a waitress and a cleaning lady for years. I was tired."
I'm tired and getting older, too, and it seems like no matter what, whenever "Landslide" comes on, I stop. I listen (and most likely sob) and reflect on all that's changing and will change. There are a lot of uncertainties and changes in your 20s, and even though everyone says this is what these years are for, it is exhausting.
It's exhausting not knowing where you'll end up or where life will take you. But you must remind yourself to slow down. There was no particular reason why I didn't listen to "Landslide" on Nov. 26. It didn't happen on purpose, but it might be because this is the first year I felt like my life was bountiful and viewed it as something to be cherished, not discarded.
"Can I handle the seasons of my life?" Hearing these words leave Nicks' lips left me grappling with my own reality. I'm entering a new season of my life. Twenty-six is the age I'll get married, obtain my master's degree (and receive my own health insurance). It's a big change, and to me, this feels like the age adulthood truly begins.
I had grown quite comfortable with the life I was living, but if there's anything Nicks and her songs have taught me, it's that we must change to evolve, and like her, I, too, will not let a landslide stop me.
Fleetwood Mac, Stevie Nicks and Lindsey Buckingham Reissues of 2025 – A Landmark Year for Collectors (and What’s Coming in 2026)
2025 is shaping up to be one of the most important years ever for Fleetwood Mac collectors. Between anniversary editions, Rhino Reserve audiophile pressings, Start Your Ear Off Right exclusives, Mobile Fidelity half-speed masterings, Atmos Blu-Rays, and multiple retailer-exclusive colored vinyl pressings, fans are experiencing an unprecedented wave of archival activity. And with several high-profile titles already confirmed for 2026, the momentum shows no sign of slowing.
Below is a deep dive into each 2025 reissue, including background on the original album, what makes the new pressing special, and how each title fits into the broader resurgence of Fleetwood Mac’s catalog. Following that is a look ahead at the already-announced reissues for 2026.
FLEETWOOD MAC – 2025 REISSUES
Fleetwood Mac – Live at the Record Plant 1974
Rhino Start Your Ear Off Right – 2-LP Red Vinyl
Released: January 2025
Original recording date: December 15, 1974
Before Stevie Nicks and Lindsey Buckingham joined the band, Fleetwood Mac’s transitional early ’70s lineup delivered one of its tightest live performances at Sausalito’s Record Plant. Featuring Bob Welch, Christine McVie, Mick Fleetwood, and John McVie, this set captures the melodic, R&B-tinged direction the band was forging on Heroes Are Hard to Find.
The 2025 2-LP red vinyl edition, part of Rhino’s Start Your Ear Off Right campaign, marks the first time the concert receives a wide vinyl release. The pressing features improved mastering sourced from the original broadcast tapes, expanded liner notes, and upgraded packaging, a major upgrade from earlier bootleg-quality versions.
Fleetwood Mac – Mirage
Mobile Fidelity Sound Lab 45RPM 2-LP
Released: February 2025
Original album release: June 18, 1982
Fleetwood Mac’s early-’80s soft-rock masterpiece gets the Mobile Fidelity Sound Lab treatment in 2025. Originally released in 1982, Mirage brought the band back to a warmer, more California-pop sound after the ambitious Tusk.
MoFi’s 45RPM 2-LP edition offers greater sonic clarity, wider stereo imaging, and deeper low-end detail than any previous vinyl release. Cut from MoFi’s proprietary mastering chain, this edition is specifically designed to provide ultra-quiet surfaces, more dynamic range, and enhanced texture, especially noticeable on “Gypsy,” “Hold Me,” and “Love in Store.”
Fleetwood Mac – 1975–1987 Boxed Set
6-LP Crystal Clear Vinyl + Bonus 12-inch Single
Released: March 2025
This massive anthology compiles the band’s most commercially dominant era — from the 1975 self-titled album through Tango in the Night. Each LP comes pressed on crystal-clear vinyl, and the accompanying 12-inch single of "Go Your Own Way" and "Silver Springs" included in a limited edition was a cool inclusion.
Compared to past box sets, this edition uniquely focuses on audiophile transparency and limited-edition presentation, making it one of the most collectible package releases of the decade.
Fleetwood Mac – Fleetwood Mac (1975)
Record Store Day Picture Disc – 1-LP
Released: April 2025
Original album release: July 11, 1975
The album that introduced Stevie Nicks and Lindsey Buckingham gets the Record Store Day picture disc treatment. While this pressing focuses more on visual collectibility than audiophile quality, the artwork recreates the iconic 1975 cover on a glossy full-image disc.
This edition is distinct from the later August 2025 Rhino High Fidelity release, making 2025 remarkably rich in versions of the breakthrough album.
Fleetwood Mac – Greatest Hits (1988)
Walmart Exclusive Translucent Forest Green 1LP
Released: May 2025
Original album release: November 15, 1988
A staple of any classic-rock collection, Greatest Hits compiles the band’s biggest singles from the mid-’70s through Tango. This Walmart exclusive introduces a translucent forest-green pressing, celebrating the album’s enduring popularity—especially remarkable as it continues to chart weekly worldwide.
The packaging mirrors the original release but with updated hype stickers and a collector-focused color variant.
Fleetwood Mac - Fleetwood Mac
50th Anniversary Rhino High Fidelity 1-LP + 2 Bonus Singles
Released: August 8, 2025
For the album’s 50th anniversary, Rhino’s prestigious “High Fidelity” line delivers its highest-grade vinyl edition yet — AAA mastering, tip-on jacket, and a meticulously recreated analog soundstage. The two bonus 7-inch singles (limited edition) include faithful reproductions of the original U.S. releases for “Over My Head” and “Rhiannon,” offering a premium archival experience.
Dolby Atmos Blu-Ray Edition
Released: August 8,2025
Alongside the vinyl release, the Fleetwood Mac Atmos Blu-Ray brings immersive audio to the album for the first time. With swirling harmonies, isolated channels, and a full spatial remix, this edition gives fans a new way to experience the landmark 1975 LP.
Fleetwood Mac – Tango in the Night
Rhino Reserve 180g 1-LP
Released: August 2025
Original album release: April 13, 1987
One of the band’s most lushly produced albums returns on 180g audiophile vinyl through the limited-edition Rhino Reserve line. The lacquers on this version were cut from original analog masters (for the first time) by Matthew Lutthans at The Mastering Lab and pressed on premium vinyl with upgraded jackets and improved mastering. This 2025 reissue brings renewed clarity to the album’s shimmering digital-era production.
Fleetwood Mac – Bare Trees
Rhino Reserve / Rhino Rocktober 180g 1-LP
Released: October 2025
Original album release: March 1, 1972
The cult-favorite Bob Welch-era classic receives its most elegant reissue yet for Rocktober. Bare Trees sounds warmer and more atmospheric thanks to improved analog-sourced mastering, restoring the dreamy textures of “Sentimental Lady,” “Spare Me a Little,” and “Future Games.”
This edition is pressed on 180g vinyl with premium packaging, distinguishing it from earlier standard reissues.
Fleetwood Mac – Tusk
Rhino Rocktober – Cobalt Blue 2-LP
Released: October 2025
Original album release: October 12, 1979
The band’s wildly experimental double album returns in a bold cobalt-blue vinyl pressing. Though sourced from the same recent remasters as the 2015 deluxe editions, this variant is notable for its unique colorway and collectible presentation, appealing to vinyl completists, especially given Tusk’s growing critical appreciation.
Fleetwood Mac – Live 1975
Record Store Day Black Friday – 2-LP
Released: November 28, 2025
Recorded during the early days of the Buckingham–Nicks era, Live 1975 captures the band shortly after the breakout success of the 1975 album. This new RSD edition is mastered for vinyl, pressed on heavyweight LPs, and features expanded artwork.
It represents the earliest officially released full-length concert from the classic lineup.
Fleetwood Mac – Greatest Hits (1988)
Target Exclusive Translucent Purple 1-LP
Released: December 2025
Closing out the year is another color variant of Greatest Hits, this time in translucent purple, exclusive to Target. Collectors who enjoy variant-hunting will appreciate the contrast between this edition and the Walmart green pressing from earlier in the year.
WHAT’S COMING IN 2026 – Fleetwood Mac
Fleetwood Mac – Future Games
Rhino Reserve / Start Your Ear Off Right
Release Date: January 2, 2026
Original album release: September 3, 1971
A long-awaited audiophile reissue of one of the band’s most atmospheric early-’70s albums. Expect upgraded mastering, deluxe packaging, and special variant vinyl as part of SYEOR 2026.
With Future Games celebrating renewed critical interest, this release is poised to be one of the standout early-’70s reissues of the new year.
Fleetwood Mac – Fleetwood Mac (1975)
Mobile Fidelity 45RPM Ultradisc One-Step 2-LP and
Mobile Fidelity Hybrid SACD
Release Dates: TBA
Following MoFi’s Bella Donna expansion, the 1975 album will receive both the ultra-premium One-Step treatment and a new hybrid SACD edition. These will likely become the most sonically ambitious versions of the album ever issued, offering collectors multiple formats for the iconic LP.
STEVIE NICKS – 2025 REISSUES
Stevie Nicks – Bella Donna
Rhino High Fidelity 180g 1-LP
Release date: May, 2025
Original album release: July 27, 1981
Stevie Nicks’ solo debut—already considered one of the great albums of the early ’80s receives the RHF audiophile upgrade with all-analog mastering and premium print reproduction. The soundstage is warmer and more dynamic than typical reissues, highlighting the richness of her vocals and the layered production.
Stevie Nicks – Bella Donna
Mobile Fidelity Ultradisc One-Step 45RPM 2-LP and
Mobile Fidelity Hybrid SACD
Release date: November 2025
This 2-LP 45RPM One-Step edition represents MoFi’s highest-tier vinyl format, offering extreme clarity, superior dynamics, and minimal noise floor. It’s designed for audiophiles who want the definitive vinyl experience.
Mobile Fidelity Hybrid SACD – November 2025
The SACD edition is ideal for digital collectors, offering both high-resolution and Redbook layers with MoFi audiophile mastering.
STEVIE NICKS – WHAT’S COMING IN 2026
Stevie Nicks – Rock a Little (1985)
40th Anniversary Editions
Mobile Fidelity 180g 45RPM 2-LP Mobile Fidelity Hybrid SACD
Release Dates: TBA
2026 brings a major celebration for Rock a Little, which turns 40. Expect high-quality MoFi remastering, expanded artwork, and the first ultra-audiophile editions of this mid-’80s synth-driven classic.
Given the historical success of I Can’t Wait, and Talk to Me, these reissues will likely rank among the most anticipated Stevie Nicks releases of the decade.
Lindsey Buckingham – 20th Century Lindsey
Rhino Start Your Ear Off Right – 4-LP Box Set
Released: January 2025
Original boxset release date: June 14, 2024
Lindsey Buckingham’s 20th Century Lindsey 4-LP box set joins Rhino’s Start Your Ear Off Right 2025 campaign as one of the most anticipated solo projects from any Fleetwood Mac member. This collection spotlights Buckingham’s groundbreaking studio work from his prime creative years — stretching across his late-’70s, ’80s, and ’90s output — and showcases the evolution of his distinctive production style, guitar innovations, and experimental pop sensibilities.
20th Century Lindsey marks the first time his early solo era has been curated into a unified vinyl anthology. Each LP is pressed on high-quality vinyl with upgraded remastering designed to highlight the crisp fingerpicking, layered harmonies, and percussive textures that define his signature sound.
FINAL THOUGHTS
Between Fleetwood Mac, Stevie Nicks, and Lindsey Buckingham 2025 is arguably the most reissue-heavy year fans have ever seen. With top-tier audiophile labels, exclusive retail variants, anniversary editions, and long-lost live shows unearthed and restored, collectors have dozens of new pressing options and even more coming in 2026.
.png)
.png)
.png)