Thursday, September 18, 2008

A Collection of Gift of Screws Reviews

Lindsey Buckingham’s long-in-the-works fifth solo album isn’t a huge departure for the Fleetwood Mac guitarist/vocalist, all skittering, fingerpicked guitar work and vocal overdubs by the Tusk-load.

by Julie Seabaugh
Thu, Sep 18, 2008
Las Vegas Weekly
3.5 Stars


The overdubbed acoustic and Spanish guitars in Time Precious Time are meant to affect a waterfall, and they do a marvelous job. Indeed, the guitar work here is stunning.

by Bill Robertson
The StarPhoenix
Thursday, September 18, 2008
Rating 3 1/2


“Gift of Screws” still showcases plenty of Buckingham’s mesmerizing acoustic finger-picking but there’s also plenty of thump as well, no doubt in part to the guest contributions from his FM mates Mick Fleetwood and John McVie.

by Kevin O’Hare
The Springfield Republican
Thursday September 18, 2008


It’s a bravura performance, one in which Buckingham revels in all of his many skills. Those who love him for his studio wizardry will get a kick out of the wicked-cool opening track, “Great Day,” a seamless blending of muffled percussion, kitschy keyboards, spry acoustic fingerpicking, distorted vocals, and a pair of raging electric guitar solos; he’s practically a one-man symphony.

The Hurst Review
September 18, 2998


Don’t let Buckingham’s wasted, sleep-deprived look on the cover mislead you. On this rocking companion piece to his last studio album, the low-key Under the Skin, Fleetwood Mac’s guitarist and visionary has never sounded more alive.

BERNARD PERUSSE
Montreal Gazette
September 18, 2008


This is probably Lindsey Buckingham’s finest effort since the heyday of Fleetwood Mac. There’s plenty of nifty hooks and blistering guitar solos here that will send people running for their old copies of Rumours.

Graham Rockingham
Metronews.ca Vancouver
September 18, 2008


Standouts include the lush, reverb-drenched “Underground,” piercing guitar riff-driven “Wait for You,” a jubilant “Right Place to Fade” (think “Second Hand News”; it’s another of the studio wiz’s layered voice extravaganzas), chiming “Did You Miss Me” and the spare, almost gospel-tinged closer “Treason.”

George A. Paul
Inland Empire Weekly
September 18, 2008

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