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A new date has been added to the Crystal Visions Tour:
Thursday - July 26th - Paso Robles , CA - Mid-state Fair
Thursday - July 26th - Paso Robles , CA - Mid-state Fair
Sunday, June 03, 2007
Wednesday, May 30, 2007
Stevie Nicks - Red Rocks Review (Denver Post)
In Nicks of time, Isaak pulls double bill into 2007
By Ricardo Baca
Denver Post Pop Music Critic
The Denver Post
Article Last Updated:05/30/2007 03:21:09 PM MDT
By Ricardo Baca
Denver Post Pop Music Critic
The Denver Post
Article Last Updated:05/30/2007 03:21:09 PM MDT
Stevie Nicks - the rock star of few facial expressions - is nowhere near her prime.
The singer-songwriter who gained fame via Fleetwood Mac and furthered her career through a successful solo outing can't help being a little bit of an anachronism.
She's a legend from another decade, and while some of her music stands the test of time, most of it falls into the category of so-1980s. It doesn't help that her witchy wardrobe, including the free-flowing, black get-up she wore Monday night at Red Rocks, looks like something out of an episode of "Electric Company" or "Charmed."
While Nicks has refused to conform to many modern trends, don't ever let her rabid fans hear you call her anything but a goddess. Her fan base is one of those notorious groups - not all that unlike Jimmy Buffet's "Parrotheads" - known for their unconditional love. And as they applauded and worshiped their way through Nicks' co-headlining set Monday night, they failed to recognize the singer's main fault, which is her inability to move into the contemporary realm.
Nicks was one of the great American songwriters, but then she failed to evolve. Songs like "Landslide" and "Stand Back" remain powerful tracks. But as she sang "Stand Back" at the beginning of her set Monday night, the song's aged sentiment was obvious. About an hour into her set, "Landslide" encouraged an impressive singalong, but it was the only song of the night that resonated with any honesty in 2007.
And even then, it was obvious she was just going through the motions.
More entertaining was the always-effervescent Chris Isaak, who co-headlined the evening. His songs "Wicked Game" and "Somebody's Cryin"' were thoughtful meditations on love in the 21st century.
He later covered Cheap Trick's "I Want You To Want Me" and Elvis Presley's "Don't Be Cruel," but they weren't nearly as exciting as his own "Bad Bad Thing" and the humor that littered his set. Isaak, sporting a hot-pink suit and later a mirror suit on Monday, stole the show with his very modern charm and affability.
Nicks, with a ribbony mic stand that looked as if it had been through a long Mardi Gras weekend, was left telling stories about the early '80s. The most modern element of her time on stage was the set-opening intro of a Destiny's Child song that heavily sampled "Edge of Seventeen." That actual song ended up unimpressively closing her set.
Contact pop music critic Ricardo Baca at 303-954-1394 or rbaca@denverpost.com.
The singer-songwriter who gained fame via Fleetwood Mac and furthered her career through a successful solo outing can't help being a little bit of an anachronism.
She's a legend from another decade, and while some of her music stands the test of time, most of it falls into the category of so-1980s. It doesn't help that her witchy wardrobe, including the free-flowing, black get-up she wore Monday night at Red Rocks, looks like something out of an episode of "Electric Company" or "Charmed."
While Nicks has refused to conform to many modern trends, don't ever let her rabid fans hear you call her anything but a goddess. Her fan base is one of those notorious groups - not all that unlike Jimmy Buffet's "Parrotheads" - known for their unconditional love. And as they applauded and worshiped their way through Nicks' co-headlining set Monday night, they failed to recognize the singer's main fault, which is her inability to move into the contemporary realm.
Nicks was one of the great American songwriters, but then she failed to evolve. Songs like "Landslide" and "Stand Back" remain powerful tracks. But as she sang "Stand Back" at the beginning of her set Monday night, the song's aged sentiment was obvious. About an hour into her set, "Landslide" encouraged an impressive singalong, but it was the only song of the night that resonated with any honesty in 2007.
And even then, it was obvious she was just going through the motions.
More entertaining was the always-effervescent Chris Isaak, who co-headlined the evening. His songs "Wicked Game" and "Somebody's Cryin"' were thoughtful meditations on love in the 21st century.He later covered Cheap Trick's "I Want You To Want Me" and Elvis Presley's "Don't Be Cruel," but they weren't nearly as exciting as his own "Bad Bad Thing" and the humor that littered his set. Isaak, sporting a hot-pink suit and later a mirror suit on Monday, stole the show with his very modern charm and affability.
Nicks, with a ribbony mic stand that looked as if it had been through a long Mardi Gras weekend, was left telling stories about the early '80s. The most modern element of her time on stage was the set-opening intro of a Destiny's Child song that heavily sampled "Edge of Seventeen." That actual song ended up unimpressively closing her set.
Contact pop music critic Ricardo Baca at 303-954-1394 or rbaca@denverpost.com.
Tuesday, May 29, 2007
Crystal Visions Sales To Date
Date / Chart # / Sales / Total Sales
04/14/07 #21 - 33,944
04/21/07 #52 - 20,884 = 54,828
04/28/07 #49 - 13,384 = 68,212
05/05/07 #71 - 9,687 = 77,899
05/12/07 #73 - 9,531 = 87,430
05/19/07 #91 - 7,829 = 95,259
05/26/07 #116 - 7,421 = 102,680
06/02/07 #138 - 5,535 = 108,215
06/09/07 #131 - 5,705 = 113,920
04/14/07 #21 - 33,944
04/21/07 #52 - 20,884 = 54,828
04/28/07 #49 - 13,384 = 68,212
05/05/07 #71 - 9,687 = 77,899
05/12/07 #73 - 9,531 = 87,430
05/19/07 #91 - 7,829 = 95,259
05/26/07 #116 - 7,421 = 102,680
06/02/07 #138 - 5,535 = 108,215
06/09/07 #131 - 5,705 = 113,920
Stand Back Morgan Page Vocal Mix
Here is Track #6 from the promo disc: Stand Back - Morgan Page Vocal Mix. I like this one although the vocals on it seem a little to upfront from the music.
Saturday, May 26, 2007
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