PHOTOS: Fleetwood Mac Live in Philadelphia April 15, 2009

Nicely done shots of the April 15, 2009 show in Philadelphia
Photos by: dadapix (click for more)

This is an excellent shot of Lindsey and the fan hands.

Photo by: hejiranyc (click for a couple more)

REVIEW: Fleetwood Mac Hot and Cold in Philadelphia

Fleetwood Mac hot and cold in Philly stop of greatest hits tour

By Katherine Reinhard

The Morning Call

Perhaps it was because they had been on break for a few weeks. But there seemed to be two distinct Fleetwood Mac bands on stage at the Wachovia Center in Philadelphia last night.

The first took up more than half of the two-hour plus show featuring greatest hits from the band's mid-1970s incarnation.

Sure, there was the trimmed down Stevie Nicks in a flowing gypsy black dress, killer boots and a mike stand draped in black scarves. Yes, the first three songs - "Monday Morning," "Chain" and "Dreams" - are among their best and could easily have filled out the end of the show.

But the performance was flat. You could barely hear Nicks, Lindsey Buckingham seemed to be trying too hard. Group founders Mick Fleetwood and John McVie were little more than wallpaper. And the back-up band and singers may as well been on another stage.

Ten songs in I was so bored that I seriously contemplated going to the bar area to watch the Flyers get hammered by Pittsburgh.

But then the second Fleetwood Mac band showed up when Fleetwood, McVie and the backup band and singers left the stage. It was just Buckingham and Nicks up there, like their pre-Mac days with Buckingham on acoustic guitar. Now dressed in a claret dress, Nicks' voice finally kicked in. It was a bit deeper than her early years, but it was still there. The duo performed "Landslide." The lyrics were not lost on the mostly older audience. "Children get older," Nicks sang.. "... I'm getting older, too." The crowd ate it up.

From then on it was a really good show. Fleetwood, McVie and the others returned to the stage. Fleetwood moved up to a small drum kit at the front of stage. When Nicks sang "Gold Dust Woman" it was as though she had moved into a different astral plane. Buckingham took on Peter Green's part in "Oh Well," the only song from the pre-Buckingham-Nicks day, and proved he still can play guitar like a '60s rock star.

By the time the band closed the show, playing "World Turning" and "Don't Stop," I wanted to stand up and demand a redo of the first half. I guess I'll have to wait for the next tour.

(Photo by Brian Hineline, Special to The Morning Call)

SUPERGROUP FLEETWOOD MAC IS TOURING TO PROMOTE RUMOURS REISSUE

Catch reunited Fleetwood Mac on Thursday in Sunrise
SUN-SENTINEL.COM
By Sean Piccoli | Pop Music Writer

If yesterday's gone, as Fleetwood Mac once sang, what's up with yesterday's bands? They don't appear to be going anywhere.

Some tour ad infinitum, letting a generation lapse between albums ( the Eagles). Others emerge from situational exile (Guns N' Roses) or return as aging comeback kids ( New Kids on the Block). Call it 20th Century Village — a community of acts that hit their pop-culture peaks in previous decades but survive on varying combinations of musical relevance and audience nostalgia.

Where along that spectrum does one put Fleetwood Mac? The "Unleashed" tour that comes to BankAtlantic Center in Sunrise on Thursday is timed not to new music but a deluxe reissue of 1977's Rumours. But this quintessentially '70s band — known for its tuneful pop-rock songcraft and congenial, co-ed sound — hasn't ruled out making new music. Just not now.

"This is the first time that we've gone on the road without an album," drummer and band co-founder Mick Fleetwood, told entertainment writers on a conference call in February. Fleetwood seemed relieved to be touring on that basis, calling it "truly a new experience for Fleetwood Mac to go out and ... play songs that we believe and hope that people are really going to be familiar with."

As for another album, which would be the first since 2003's Say You Will, Fleetwood sounded hopeful but hardly definitive.

"There have been discussions, for sure," he said. "And I think it's really down to the whole sort of biorhythms of how everyone is feeling and what's appropriate. We have careers and families and whole different sort of perspectives from what it would have been, you know, 20, 30 years ago ... I think the feeling is, and the consensus is, that we would love to be challenged to go out and do, in a couple of years, something with some new songs."

The point or value of another Fleetwood Mac album is something he and the remaining band members — Stevie Nicks, Lindsey Buckingham and John McVie — will have to decide for themselves.

What's not in doubt is the appeal of the existing songs. Many have become standards, covered by stars and bar bands alike, and played at proms and other life-affirming rituals.

At some point, a band becomes much smaller than its music. Enjoyment of the songs supersedes interest in the personalities behind the microphone. But Fleetwood Mac's history still holds some intrigue. Their best-known work arose in part from romantic entanglements among band mates. John and Christine McVie divorced in 1976. At the same time, Lindsey Buckingham and Stevie Nicks were coming undone as a couple but still collaborating as songwriters. Rumours, one of the best-selling albums of all time, is rife with those tensions.

"We are a group of great contradictions," guitarist and singer Buckingham said. "The members don't necessarily have any business being in a band together because the range of sensibilities is disparate. But that's in fact what makes Fleetwood Mac what it is. It's the whole being greater than the sum of the parts. It's the kind of energy that is created from that kind of contrast in personalities."

To hear Buckingham tell it, those contrasts got the better of the band last time out. "When we rehearsed for [the] Say You Will [tour], we had come off almost a year in the studio and we were tired," he said. "And there was a certain amount of tension from that experience, and there was a certain amount of anxiety in terms of working things out that were new, and how it was all going to fit together. And I think there was even a kind of novelty of going out without Christine McVie for the first time."

Nicks said the collective mood this time around is much improved thanks to Buckingham's good spirits. "When he's happy, everybody is happy," she said.

Buckingham said that time away, during which he released two solo albums, eased his return to the fold. "We've been down this road — a long, long road together," he said. "And in some ways we know each other better than we know anybody else. We share things with each other that we've never shared with other people. And I think that we all want to dignify the road we've been down. If you talk about Stevie in particular, I've known Stevie since I was in high school. And I just think we all want to get to a place where we all feel ... that unity is sort of waiting in the wings. And it's not that we're not unified. But it is still a work in progress."

PHOTOS: Fleetwood Mac Live in Philadelpha April 15, 2009

Photo by JTRamsay

WEEK 2 BILLBOARD TOP 200

Week 2 for "The Soundstage Sessions" on Billboards Top 200 Album chart suffered a 62% drop in sales landing at #146 with 4,908 in sales for the week.  Accumulated total = 18,038.

"Live in Chicago" the DVD drops one place to #2.  (Sales information to follow).

$47 - PREMIUM FLEETWOOD MAC TIX - St. Louis, Reg. $148*

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FLEETWOOD MAC IN ST. LOUIS, MO

AT THE SCOTTRADE CENTER - Tuesday, May 5 at 8PM

The following seating level is available for the May 5 show only:

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You must book by April 30, but these seats will likely sell out at this price sooner.

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When ready to purchase, select "Find Tickets." Enter the code [B]TRAVEL [/B]in the box marked "Travelzoo Ticket Offer" and use the drop-down menu to select the number of seats you would like. Click "Find Tickets" to see your seats. Note: Ticket fees are an additional $11.50 per ticket.

SWEEPSTAKES WITH FLEETWOOD MAC

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- $300 for ground transportation

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Not too shabby… eh? So what are you waiting for?
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(Open to US citizens only)

MICK FLEETWOOD ON HIS TWO LOVES

Rollingstone - Rock n Roll Daily

Mick Fleetwood on His Two Loves: Music and Wine

In an interview with the Associated Press last week, Stevie Nicks proudly declared herself a technophobe, admitting she doesn’t own a cell phone or a computer and rarely uses her iPod. Turns out, when it comes to Fleetwood Mac, she’s not alone. “Almost everyone else in the band can hardly turn on a computer,” drummer Mick Fleetwood confessed to Rock Daily. With one exception: “John McVie; He’s the only person who’s technologically literate. The rest of us, we’ve never made the transition.” (For more on Nicks, check back tomorrow when we’ll have highlights from Rolling Stone’s recent lunch with the singer.)

Which may explain why Fleetwood has taken to a decidedly old world side-project: wine producer. On Monday night, Fleetwood hosted a private dinner for 60 at Fleming’s Steakhouse in Woodland Hills, California, in part to promote his now eight-year-old label, Mick Fleetwood Private Cellar. Curiously, in a down economy, sales of fine wine often go up. “It’s understandable,” he said after polishing off a three-course meal and several glasses of Merlot. “Whether it’s a glass of wine or a night out, people need a break.”

Of course, not everybody can turn their passions into profit quite like Fleetwood, who, after this California pit-stop, rejoins his Mac bandmates in Philadelphia for their 2009 Hits: Unleashed tour. It’s a modern-day reality that’s not lost on the 61-year-old. “The music business has obviously been great for me, but I wouldn’t want to be starting a band right now,” he said. “No one knows what the rules are. And while wine is certainly as competitive as music, the boundaries are clearer, and it’s probably a healthier business, ultimately.” Not that he’s planning to put down the sticks anytime soon. “The older I get, the more I enjoy and pay tribute to playing,” he said. “And to be on the road now with Fleetwood Mac, it’s a huge compliment that people are coming out to see us.”

PHOTOS: Fleetwood Mac Live in Ottawa March 23, 2009

Some nice Fleetwood Mac live shots from Ottawa, Canada on March 23rd - Scotiabank Place.

Photos by: Silver Springs (click for more)

LUNCH WITH STEVIE NICKS

ROLLINGSTONE.COM

If we had a single regret about going to Australia with the Kings of Leon (for RS's current cover story), it would be that we missed Fleetwood Mac performing at Madison Square Garden. But, when we returned, we had the pleasure of lunching with Ms. Stevie Nicks, who was in New York to promote her new live CD-DVD, The Soundstage Sessions: Live in Chicago, a collection featuring some of her biggest hits and baddest rarities. We chatted about the first time she met Lindsey Buckingham (at a Mormon Party), and that time she unceremoniously dumped Don Henley.

But it was truly awesome to rap about "Silver Springs," an amazing track that was left off Rumours. The song is about her breakup with Buckingham -- "I'll follow you down till the sound of my voice will haunt you," she sings. "It was me realizing that Lindsey was going to haunt me for the rest of my life," she says. "And he has."

When she performs "Silver Springs" these days -- it's the final number on Fleetwood Mac's current tour -- Nicks resists the opportunity to get up in Lindsey's face: "I don't want fans to walk away in the middle of our argument."

NICKS STILL HAS WHAT IT TAKES TO PUT ON KILLER LIVE SHOW

Stevie Nicks “The Soundstage Sessions” and “Live in Chicago”

By Valerie Hill
The Current Writer

"LIVE IN CHICAGO" IS A FLAWLESS PRESENTATION OF TREASURED CLASSICS

Stevie Nicks - Live In Chicago
by Winnie McCroy
EDGE Contributor

Both as a solo artist and as a member of Fleetwood Mac, Stevie Nicks has earned her reputation as a legendary rock and roll diva. Now, the gold dust woman secures that legacy with Stevie Nicks: Live in Chicago.

"This is the first time since 1985 that I have had one of my live shows filmed and recorded," said Nicks, noting that she spent three years perfecting the show since it opened in Las Vegas in October 2007.

Nick’s first solo project was the 1981 multi-platinum hit, "Bella Donna." In the nearly 30 years since, she has churned out hit after hit, the best of which she performs on this DVD.

She opens strong with, "Stand Back," and moves on to a beautiful rendition of "Enchanted." Nicks has a natural rapport with the audience as she shares the stories behind her songs, from the off-the-cuff remark about love that inspired "If Anyone Falls in Love," to the dark time that evoked "Sorcerer."

The mood is haunting as Nicks, clad in a top hat and black shawl, launches into "Rhiannon." Should one question whether Nicks is truly the queen of rock, her passionate performance of "Gold Dust Woman," from the Fleetwood Mac breakout album Rumours, puts all doubts to rest. Her voice soars on "Sara" and "Landslide," sung in memory of her father. Calling it, "the meanest song I’ve ever written," she tears into "Fall From Grace." Nicks even dons the rouched lace to rock "Edge of Seventeen."

She also tackles several covers, including the Dave Matthews hit, "Crash Into Me," Tom Petty’s, "I Need to Know," and a no-holds-barred finale of Led Zeppelin’s, "Rock and Roll." Nicks brings Vanessa Carlton onstage for her song, "The One," and later, Bonnie Raitt’s "The Circle Dance."

Nicks’ battle with drug addiction may be in the past, but her high drama still has the ability to transport one back to the hedonistic days of rock and roll. "Stevie Nicks: Live in Chicago" is a flawless presentation of treasured classics.