"Tonight, I've got Lindsey Buckingham's girlfriend," said Grohl when Introducing Stevie Nicks

Dave Grohl's Sound City Players Debut at Sundance Film Festival 
Spin.com 

And then Stevie. Oh, Stevie. As cooky as you are with your sunglasses on inside of this low-lit venue on this blackest of ice-kissed nights, your voice is heart-melting mana. Grohl agreed. Before she came out, he explained her Sound City story, in which Mick Fleetwood asks the studio boss for Lindsey Buckingham's info so he can offer him a place in the Mac, and the boss explains that he'll have to let LB's GF in the band as well. "Tonight, I've got Lindsey Buckingham's girlfriend," said Grohl before trading lines with her on "Stop Draggin' My Heart Around." Her bewitching quaver brought the room up a few degrees — we noted at least two coat removals during their insanely smooth rendition of "Dreams" — and though the darkly droning Johannes-assisted version of "Gold Dust Woman" was a triumph, the show's greatest moment came just before that resonant close. Suddenly the 12 people onstage became two, and Grohl picked up the night's first acoustic guitar to accompany Nicks on her first big hit, Fleetwood Mac's wistful, weather-appropriate "Landslide." Their duet nearly silenced the rowdy crowd, now four hours deep into their drinks, and even inspired the bathroom attendant to abandon his post and film with his phone. The lines about getting older could've felt literal, but Grohl's era-spanning musical circus of badassery and general excellence made the point that good music: a) is timeless, b) defies genre, and c) is always waiting in the wings — as each of his headliners were at one point or another — for fresh context and a new crowd. CHRIS MARTINS 

 Full show review at Spin.com

 More photos by clicking 'Continue Reading...'

Concert Review: Dave Grohl's 'Sound City' Players at Sundance with Stevie Nicks

 by David Burger at Salt Lake Tribune

No fewer than 38 different songs were performed during the concert, in which Dave Grohl was the only musician to be onstage for each one of those 38.

It was the rare concert that only got better the longer it went on, with a set by John Fogerty and then a set from Stevie Nicks closing the show (with Foo Fighters backing them up as primarily the house band for the evening, with several line-up changes).

Stevie's Setlist:

• Stop Draggin My Heart Around
• You Can't Fix This (New song from the movie soundtrack)
• Dreams
• Landslide
• Gold Dust Woman

The finale came when Steve Nicks came onstage, with one of the strongest connections to the Los Angeles studio that Grohl has immortalized in his film. (She and Lindsey Buckingham recored as a duo at the studio before they joined Fleetwood Mac, whose "Rumours" was recorded at the studio.) Along with a new song destined for the "Sound City" soundtrack, she sang breath-taking versions of "Gold Dust Woman" (which closed the night, with 11 musicians on stage) and "Dreams," both off of the landmark album "Rumours." But best of all was when all of the other musicians except for Grohl left the stage, and he accompanied her on acoustic guitar as she sang "Landslide." Everyone in the audience who has an iPhone captured the performance (and it seemed as if every audience member owned the smart phone).

Besides being a party to celebrate the film, the night underscored the message of the film: that people making music with other people (as opposed to making music on a computer) is the only way to create magic, and there was magic throughout the evening.

Full Review by David Burger at Salt Lake Tribune

Photos by @coultin | @jonathanfuhrman | @c_sutter

RollingStone Review
Dave Grohl Debuts Supergroup at 'Sound City' Sundance Premiere
Director takes the stage with Stevie Nicks, John Fogerty and other musicians featured in his studio documentary

MTV.Com Review

Did Dave Grohl Put On The Greatest Sundance Show Ever?
The Foo Fighters joined former members of Nirvana and Stevie Nicks for an epic Sound City Players performance in Park City, UT.

The crowd played favorites for the final performer of the night: Stevie Nicks. Introduced by Grohl as the "Queen of Rock and Roll," the Fleetwood Mac star was greeted by a sea of camera flashes and a new surge from the crowd. Nicks debuted a new song from the "Sound City" soundtrack about the death of her godson, a stalwart, octave-driven anthem called "You Can't Fix This." Nicks and the Foos then launched into a set of Fleetwood Mac hits, with Nicks bringing the night full circle by going back to her roots, citing "Landslide" as the song that made her the songwriter and performer that she is today.

Video: Women's Guild's Cedars Sinai 55th Anniversary Gala 2012 Feat. STEVIE NICKS

Women's Guild's Cedars Sinai 55th Anniversary Gala 2012

Beverly Wilshire Hotel, November 13, 2012
FEATURING STEVIE NICKS

New Video captures Stevie performing Rhiannon, Landslide, Gold Dust Woman, Stand Back and Edge of Seventeen.

Photos: Stevie Nicks with Dave Grohl - Sound City Movie Premiere at Sundance

Red carpet arrivals at the Premiere of Sound City the movie today in Park City, UT.  Stevie performs tonight at Park City Live with Dave Grohl and the Sound City Players!

Sound City - Interview with Stevie Nicks on the... by HitFix

All Photos Above by Lucas Jackson

Above Two Photos by Anna Webber

Photo by Chris Pizzello

Get Free Tickets to see STEVIE NICKS and LADY ANTEBELLUM for an All-New Episode of Crossroads

STEVIE NICKS AND LADY ANTEBELLUM JOIN FOR AN ALL-NEW EPISODE OF THE CRITICALLY ACCLAIMED SERIES ‘CMT CROSSROADS’

Rock and roll icon Stevie Nicks will share the stage with country superstars Lady Antebellum when CMT presents an all-new episode of CMT CROSSROADS.  Meeting and collaborating for the first time on the CMT CROSSROADS stage in Los Angeles, Nicks and Lady Antebellum will share harmonies and stories

CMT CROSSROADS: STEVIE NICKS AND LADY ANTEBELLUM premiering later this year on CMT.

Not quite sure how this works, but through 1iota you can request free tickets:

• CMT Crossroads:     Stevie Nicks and Lady Antebellum
• When:                      Tuesday, January 29th at 6:30 PM
• Where:                     Culver City, CA
• Age:                         18+
• Guests:                    Stevie Nicks, Lady Antebellum

Details: 1iota.com

TWITTER SWEEPSTAKES

The "CMT Crossroads: Stevie Nicks and Lady Antebellum Taping Tickets" Sweepstakes

NO PURCHASE NECESSARY TO ENTER OR WIN A PRIZE. A PURCHASE WILL NOT INCREASE YOUR CHANCES OF WINNING. VOID WHERE PROHIBITED OR RESTRICTED BY LAW.

1. Entry Period: The "CMT Crossroads: Stevie Nicks and Lady Antebellum Taping Tickets" Sweepstakes (the "Sweepstakes") commences at 12:00:01 PM Central Time ("CT") on January 18, 2013 and ends at 11:59:59 PM (CT) on January 22, 2013 (the "Sweepstakes Period"). All entries must be received by 11:59:59 PM (CT) on January 22, 2013. Odds of winning depend on the total number of eligible entries received for the Sweepstakes.
2. Eligibility: The Sweepstakes is open to individuals who are: (a) legal residents of one (1) of the fifty (50) United States or the District of Columbia; (b) are at least eighteen (18) years of age or older at the time of entry; and (iii) have a www.twitter.com account to enter. Entrants who have not yet reached the age of majority in the jurisdiction in which they reside will need to obtain permission from their parents/legal guardians in order to be declared a Grand Prize Winner (as defined herein). Employees and their immediate families (i.e., parents, spouse, children, siblings, grandparents, step parents, step children and step siblings) of Country Music Television, Inc. ("CMT"), Viacom Media Networks, a division of Viacom International Inc. ("VMN", together with CMT, collectively referred to herein as the "Sponsor"), CMT Crossroads, the series, including, without limitation, the performers, the production crew, and anyone else affiliated with the creation thereof (collectively, "Crossroads"), (Crossroads, together with Sponsor are collectively referred to herein as the "Sweepstakes Entities"), Stevie Nicks ("Stevie Nicks"), Warner Bros. Records ("WBR"), Dave Haywood, Charles Kelley and Hillary Scott (professionally known and collectively referred to herein as, "Lady Antebellum"), Capitol Records Nashville ("Capitol"), Twitter, Inc. ("Twitter"), each of their respective parent companies, affiliated companies, sponsors, subsidiaries, advertising agencies, third party fulfillment agencies, respective agents, employees, officers, directors, members, successors and assigns (together with Twitter, Capitol, Lady Antebellum, WBR, Stevie Nicks and Sweepstakes Entities, collectively referred to herein as the "Released Parties"), and any person who has won a CMT contest or sweepstakes in the preceding six (6) month period, are not eligible to enter this Sweepstakes. By participating in this Sweepstakes, entrants: (a) agree to be bound by these Official Rules and by the interpretations of these Official Rules by the Sponsor, and by the decisions of the Sponsor, which are final in all matters relating to this Sweepstakes; (b) release and hold harmless the Released Parties against any and all claims, injury or damage arising out of or relating to participation in this Sweepstakes and/or use or misuse or redemption of a Grand Prize (as hereinafter defined); and (c) acknowledge compliance with these Official Rules.
3. To Enter: During the Sweepstakes Period, go to http://www.twitter.com, and from your Twitter account, follow the @CMT account and retweet the following message:
4. RT TO ENTER: 4 tix to #CMTcrossroads: Stevie Nicks & @LadyAntebellum for 1 winner! MUST be in Los Angeles on Jan 29. http://at.cmt.com/gW33E (the "Tweet").

Full Details at CMT.com

Review: Fleetwood Mac 'Rumours' Super Deluxe Re-issue ★★★★/5

FLEETWOOD MAC 'RUMOURS' Re-issue
Bernard Zuel
SMH.com

"If you're already sold on the album, you may be wondering if it's worth getting the extras. Although it has some decent crunch at times and includes Rhiannon, Nicks's hit from Rumours' self-titled predecessor, I don't think much is to be gained from the live disc. For committed fans, there are more rewards in the rarities/demo material. The demo of The Chain has an eerie, foreboding element to it that suggests it could have been a completely different song; likewise an early version of Silver Springs is lower, less optimistic and intriguing. And for those who doubted at the time, Nicks's compelling and stark Planets of the Universe - a demo not released until 2004 - will convince you there was a lot more than scarves and witchy stuff going on there."

Much more to this review at SMH.com

NEW Date: Fleetwood Mac Live at the New Orleans Jazz Festival May 4th

Fleetwood Mac will be performing at the New Orleans Jazz Festival on Saturday, May 4, 2013

Also set to perform: Billy Joel, Dave Matthews Band, Maroon 5, The Black Keys, John Mayer, Widespread Panic, Daryl Hall and John Oates, Phoenix, B.B. King, Frank Ocean, Earth, Wind & Fire, Willie Nelson and hundreds more.

Tickets on sale now!

Ticketmaster

Single day ticket price:

General Admission Standing Room ONLY!
US $45.00 Ticket + US $9.10 Fees = $54.10

Christine McVie May Visit Mick & John prior to Fleetwood Mac Rehearsals

Christine McVie - January, 1993
Photo: Neal Preston

Fleetwood Mac will kick-off their 2013 tour in Columbus on April 4th, and fans should expect to see a foursome on the stage comprised of Stevie Nicks, Lindsey Buckingham, John McVie and Mick Fleetwood.

The group did not reach out to Christine McVie for the upcoming tour, knowing that she would turn down the offer. Christine retired in 1998 and currently lives in England. McVie, who wrote and sang “Say You Love Me,” “Over My Head,” “You Make Loving Fun,” “Think About Me,” “Hold Me,” “Little Lies,” and of course, “Don’t Stop”, left the band after their reunion tour promoting 1997′s The Dance.

Mick Fleetwood told Premiere Radio that Christine McVie might visit him and her ex-husband (John McVie) as they prep for the tour. “We are hearing that Christine is going to come out — she doesn’t like flying very much at all — and that was part of, one of the reasons was why she had had enough of touring. But she’s coming out to visit me and John in early February, just before we start rehearsing.”

Carl Harp, 98.5 WNCX

Interesting if this is the case!  Rehearsals would be in L.A.... What on earth would Christine be doing in L.A.? She couldn't possibly just be going to visit Mick and John on the rehearsal set! (no offence Mick). England to L.A. is a pretty fair distance to travel.  Hmmm... Makes you wonder.

[ edit: Here's audio of the interview where Mick says Christine is coming to visit... I suspect it is Hawaii like someone mentioned in the comments where she's going to meet up with Mick and John.  Still great to hear they'll be together.  Maybe they can talk her into contributing to some new music, since flying/touring is out of the question... I believe most fans would agree that appearing on new music and then not touring would be just fine with us... Agree or disagree? ]

Reviews: Fleetwood Mac: Rumours (35th Anniversary Edition)

Fleetwood Mac: Rumours 
(35th Anniversary Edition)

Reviewed by: Scott McLennan
Rip It Up

Infamously recorded amid a blur of incestuous bandmate rooting and powder caches to rival Guy Fawkes’ stash, Rumours’ remarkable tracks outshine the tumultuous tales of their creation even 35 years on.

Rumours sits firmly in the top 10 selling albums of all time for good reason. Despite its familiarity, each track remains as magnificent as a full moon setting over a lake. Many of the tunes have been reimagined, recontextualised or granted new life by entertainers as diverse as Hole (post-Kurt), Bill Clinton (post-election victory) and Eva Cassidy (post-mortem) over the last three decades, but none can recreate the divergent conflagrations that rage on the original.

Whether fuelled by the wisdom of Christine McVie, the ethereal gossamer whirls of Stevie Nicks or the vengeful snarl of Lindsey Buckingham, the power of The Chain, Go Your Own Way and Songbird remain staggering. Although the live disc here offers little in the way of divergence to pique the senses (save a hint of the then-forthcoming Tusk and a few flat vocals from Nicks on Don’t Stop), the lost tracks deliver raw insight.

A pivotal counterpoint to the punk forces brewing on the other side of the Atlantic, Rumours remains a multi-faceted snapshot of the ‘70s – equal parts dreamy Hollywood Boulevard flair and crumbling Sunset Boulevard tragedy.

Rating: 4.5/5

Fleetwood Mac: Rumours - Super Deluxe Edition (LP 2013)

Reviewed by: Jason Strange
The AU Review

Before I talk about the record, I have to ask this question. This iconic album has been re released a number of times. Digitally remastered, bonus tracks, demo tracks, live tracks, everything possible. So what more can they squeeze out with a "Super Deluxe Edition" that we haven't heard already? And is this just another example of a record label milking a cash cow dry?

But let's focus on the actual album itself. Rumours is by far one of the most talked about records in Fleetwood Mac's career. We know about the internal turmoil going through the band during the time of the writing and recording of this album. The love affairs, the fights, the massive drug addictions and of course the talented musicians that were lost in the haze of their personal lives. We know that when Rumours was released, it was one of those landmark albums that is still highly regarded today some 35 years after its release. All of those combustible elements internally led to a great record. And isn't that always the case. Adversity leads to the best music.

Rumours is centred around two massive singles. 'Don't Stop' and 'Go Your Own Way'. While the bands chief lyricists, Stevie Nicks, Christine McVie and Lindsey Buckingham worked independently on the lyrics for the songs not realising that they all shared a common theme of love gone wrong and moving on. It's the tracks that didn't receive the initial radio air play (which wasn't many as half the album were released as singles in the end) that are the most telling on that period of time. A song like 'Second Hand News' which relates to finding out second hand that a loved one is messing around or 'I Don't Want To Know' where you can hear the pain that the band members were feeling internally come out through the music. The band only wrote one song together on the album, the track 'The Chain', which I find to be the weakest of the tracks as it lacks the deep seeded emotion hidden in the other tracks. Nonetheless, the reason why this album worked so well was behind the seriousness of the themes, the music was glorious examples of pop inspired folk with upbeat major chords and a real positive flow in the music alone. A complete juxpostion to the lyrical content.

So how have they milked this one compared to the other re issues? A live set from the Rumours tour in 1978 plus out takes, demos and instrumentals from the recording session. Sadly nothing you couldn't have tracked down before or if not, you wouldn't have wanted to. The live set is of great quality and listening to it I got a touch of a feeling that if the reunion lasts and comes down to Australia, it will be truly amazing. The demos from the original recordings were nothing special and only hardcore fans might get something out of it but its just a marketing ploy to make you pay another $30 for an album you may already have. I'd save the money and just relistening to the Rumours album next month when this is released.

Rating - original album 8.5/10
Rating - live album 7/10
Rating - demos 4/10

Both the 3CD and Super Deluxe editions are available for pre-order via Amazon or iTune.