Sunday, October 18, 2009

REVIEW: FLEETWOOD MAC Live in Antwerpen "De zilveren lente van Fleetwood Mac"

FLEETWOOD MAC - ANTWERPEN, BELGIUM
October 14, 2009
De zilveren lente van Fleetwood Mac
REVIEWED BY: Shaketown

Het gezegende muzikale jaar 1977 wordt meestal herinnerd als het jaar van de doorbraak van The Sex Pistols, maar men mag niet vergeten dat het het album ‘Rumours’ van Fleetwood Mac was dat maandenlang (31 weken in Bilboard 200) de hitlijsten aanvoerde, zowel in The States als in Europa. Met 40 miljoen verkochte exemplaren behoort dit meesterwerk nog steeds tot de best verkopende platen allertijden. Na zo’n monstersucces kon het alleen maar bergaf gaan, wat ook min of meer gebeurde. Akkoord, de groep bracht gemiddeld nog om de vier jaar een nieuw album uit, waarvan er een paar de top van de charts haalden, maar de meeste andere platen flopten of werden op relatieve onverschilligheid onthaald. Live bleef de groep het echter uitstekend doen, getuige het succes van de ‘Say You Will’ wereldtour van 2003-2004, die de band wel naar Europa maar niet naar de Lage Landen bracht. Tweede vrouwenstem Christine McVie nam net als deze keer ook toen al niet meer deel aan de tournee, spijtig als men beseft dat zij toch tekende voor songs als ‘Songbird’, ‘Oh Daddy’ en ‘You Make Loving Fun’.

STEVIE NICKS IS GOING HER OWN WAY (Sunday Express UK Interview)

IN A frank interview, the Fleetwood Mac star tells CHARLOTTE HEATHCOTE about sex, drugs and rock 'n' roll and how, despite being battered by all three, she's emerged stronger than ever.

Fleetwood Mac are as famed for their in-fighting, feuds and messy, almost incestuous inter-band romances as for Go Your Own Way, Don’t Stop, Everywhere, The Chain and countless other adult-oriented rock songs that have seen them shift more than 100million records.

Stevie Nicks, however, makes absolutely no attempt to put a shiny PR gloss on the legendary tensions.

“We did our first tour and we were p***** off with each other then. We made another record [Rumours] and we were all angry with each other afterwards. We did Tusk and that was 13 months of anger. We did an 18-month tour and by the time that was done everyone was really not speaking...”

She’s half-weary, half-wry. “It’s really nothing new. It’s been happening since time began but if this was a bland, boring band we’d definitely not still be together.”

Stevie and her then-boyfriend Lindsey Buckingham brought a stability of sorts to the shape-shifting line-up of Fleetwood Mac in 1975, joining Mick Fleetwood, John and Christine McVie.

Christine left 11 years ago, ground down by relentless touring, and Stevie misses her ally “every day”.

The other four remain a unit, on the whole, which is especially miraculous when you consider that Stevie and Buckingham’s six-year relationship foundered during the recording of the drug-fuelled Rumours in 1976 (the McVies were splitting at the same time) and, shortly after the Rumours tour, Stevie fell for Fleetwood. They separated for the sake of the band.

By the time of Fleetwood Mac’s last tour, 2003’s Say You Will, Stevie’s relationship with Buckingham had become so fraught that, unless he treated her better this time around, she threatened to walk away “so fast that palm tree tops will fall on his head”.


Now, she says the underlying problem was how much she hated the Say You Will album.

“It was five years ago now so I can say I didn’t like it at all; I didn’t like making it, I didn’t like the songs, so that tour was very hard for me.”

On a Greatest Hits tour, however, there is no new material to quibble over.

“Doing all the very famous material is actually more fun,” insists this born entertainer. “It’s been a breath of fresh air for us to not have to worry about trying to sell [new] songs.”

With five platinum-selling solo records to her name, Stevie is easily the most successful member of Fleetwood Mac. Wasn’t she tempted to walk away during Say You Will?

“Well, I’m a peacemaker and I didn’t want us to break up because the music didn’t go my way. If I’ve learned nothing else in my 61 years it is that four years down the line you’re over it.” She sees the remaining foursome touring for another seven or eight years.

“I’m a performer and an entertainer, that’s what I live for. I would be dancing on tables in bars if I wasn’t in Fleetwood Mac, doing small shows all over the world, driving my van.”

Stevie’s passion for entertaining runs so deep, however, that she admits she has sacrificed all of her romantic relationships for the band but with no regrets.

“My love affair is with my work. I’ve had many wonderful relationships but I could never give up what I do for a relationship; in all of my relationships, at some point, that [prioritising] came up.

“Am I sad about the fact that I don’t have a relationship? No. I’m going to Europe to stay in the best hotels, to play huge shows, playing my music, to meet lots of interesting people. So I really don’t care.”

To Stevie’s amusement, her 81-year-old mother reckons she still hasn’t met Mr Right. She’s all too happy for her mother to be proved right but, to date, the love of her life is a member of the Eagles and not the one you’d expect.


After her split with Buckingham she spent 18 months with Don Henley but, of his bandmate Joe Walsh, she says: “He was the great love of my life. I fell in love with Joe in the same way that Lindsey fell in love with me.”


As their cocaine addiction spiralled out of control in the early Eighties, though, Walsh reluctantly left her for both of their sakes. Now she muses: “Maybe the people you can live best with aren’t the great love of your life; the men you love deeply, the calmer, more loving, more solid people but who you weren’t super passionately crazy in love with. The ones to marry aren’t the ones as crazy as you are.”

Her romance with Walsh was not the only fall-out of her drug addiction. Cocaine has left a hole in her septum, leaving her wishing her generation had not been told that cocaine was “safe, recreational and not a bigger deal than smoking pot or cigarettes”.

A bigger regret is that, after successful treatment for cocaine addiction, her friends persuaded her to see a psychiatrist, hoping this would ensure she avoided a relapse. The doctor prescribed the tranquilliser Klonopin.

“That took eight years out of my life,” she says.

“Those were my prime years, my 40s, when a lot of my heavy, creative activity was really happening. Klonopin grabbed hold of you and made you sit down on your couch and not get up.

“I just watched TV for eight years in a daze. I’m sorry I didn’t have a car crash on the way to seeing that doctor.”

So when Stevie finally got herself back on track, she needed to make up for lost time. “I made a decision a long time ago to follow my artistry. I decided that my mission here on this earth was to write songs for people and make them happy.”


● The UK leg of Fleetwood Mac’s Unleashed tour starts on Thursday and the double CD The Very Best of Fleetwood Mac is out tomorrow.

THE VERSUS - OPENING FOR FLEETWOOD MAC OFFER FREE DOWNLOAD

As confirmed earlier The Versus will be opening for Fleetwood Mac in Australia. They've recently signed with Warner in Australia, Fleetwood Mac's record company. They also have an EP coming out November 13th. The first single "Forever More" will hit radio in AU October 26th. They are offering the track as a free download from their website. I've downloaded it and it's pretty good - it has a retro 70's sound to it. They should be a nice fit for an opening act for Fleetwood Mac.

The Fleetwood Mac tour dates to catch The Versus:
1 & 2 December 2009 – Rod Laver Arena, Melbourne
5 December 2009 – Hope Estate Winery, Hunter Valley
7 December 2009 – Acer Arena, Sydney
11 & 12 December 2009 – Members Equity, Perth
15 & 16 December 2009 – Entertainment Centre, Brisbane

REVIEW: Fleetwood Mac Live in Paris


(Review) Fleetwood Mac 
Live in Paris 10.17.09


"The last song they played was one of their most enduring, Don't Stop. Unfortunately, the keyboard player ran into some technical problems, causing them to restart the song twice (after a technician came on stage to fix the problem), which prompted Stevie Nicks to lightheartedly say something like: "If this was an acoustic band, this wouldn't happen. But as soon as you plug something in, you have these kinds of problems."

Last night was our 6th concert in Paris: Fleetwood Mac at Le Zenith, which included Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, and John McVie.

Le Zenith is located in the 19th arrondissement, in the extreme northeast part of Paris on the grounds of La Villette park, the largest landscaped park in Paris.

The concert was scheduled to start at 8p but we (Amanda, Christina, Angela, Kent and myself) had dinner with Alex and Andrea (who had just returned from Japan) at Les Fountains near the Pantheon, not far from our apartment.

We figured if we left the restaurant at 7:30, we could get to the concert just in time.

We figured wrong.

I'm not sure it's possible to complete a meal for 7 people in 90 minutes in a decent restaurant in Paris. So, while the dinner and company were great, we didn't leave the restaurant until 8p and had a minimum 30 minute metro ride to the grounds of the concert.

Of course, as fate would have it, the metro line we chose ended prematurely, halfway to our destination. Apparently, all stops after Republique were inactive due to repair work so we had to disembark and re-route through a couple other lines which eventually got us to the park a little before 9p and it took us almost 15 minutes to find Le Zenith, where we had floor standing tickets.

I had 6 tickets but because one of Christina's friends couldn't make the trip to Paris, I had an extra which I thought I would sell at the arena but arriving late made that difficult. Fortunately, some lonely scalper offered me 10 EUR just as I arrived, which I quickly and happily scooped up. 10 EUR is better than nothing although the tickets were 45 EUR.

Le Zenith only holds 6,000 people which I thought absurdly small for a group the stature of Fleetwood Mac. Coldplay sold out 50,000 seats at Parc de Prince. Green Day sold out 20,000 at Bercy. Surely Fleetwood Mac has their status, no?

I mean I saw Fleetwood Mac in Charlotte in April at Time Warner Cable Arena, which holds almost 20,000. (By the way, do you think Amanda and I were the only two people to see Fleetwood Mac both in Charlotte and Paris?)

I guess Fleetwood Mac is just not that well-known or popular in France.

In any case, we arrived a little after 9p and the band was already playing. I didn't know if there was an opening act so I wasn't sure how long they had been on stage. However, from some of their remarks (Buckingham: "so glad to be back in Paris after 20 years", Nicks: "Last time I think we were drunk. I was coming back to Paris if I was going to stand on a street corner and sing"), it appeared they hadn't been playing long.

While we were at the back of the floor, we were still much closer than in Charlotte. Le Zenith was designed first and foremost as a concert arena so it has good sight lines and sound but it was still a little strange seeing Fleetwood Mac in such a small setting.

The stage set and lighting were minimal compared to the concert in Charlotte and the crowd was definitely older.

They played till almost 11p, including the encores, giving us almost 2 hours of music so I don't think we missed too much of the early part of the show. The last song they played was one of their most enduring, Don't Stop. Unfortunately, the keyboard player ran into some technical problems, causing them to restart the song twice (after a technician came on stage to fix the problem), which prompted Stevie Nicks to lightheartedly say something like: "If this was an acoustic band, this wouldn't happen. But as soon as you plug something in, you have these kinds of problems."

As was the case in Charlotte, Lindsey Buckingham was really the star although Nicks' voice is the signature of the band. It was their addition in 1975 that changed the band from blues to pop rock and launched their stardom when I was in high school!


All in all a good show but I was a little scattered due to the hectic schedule getting there and didn't feel too motivated to take a lot of pictures or record any audio/video as I've done with earlier shows so I mostly just enjoyed the show.

Saturday, October 17, 2009

BILL HADER ON SATURDAY NIGHT LIVE PLAYS LINDSEY BUCKINGHAM


In a segment on tonights Saturday Night Live with Guest host Gerard Butler called "What's Up With That" Bill Hader played Lindsey Buckingham on a panel of guests... His character had on a red t-shirt with a black leather jacket and jeans...

VIDEO: Fleetwood Mac "Landslide" Live in Paris Oct 17, 2009

Fleetwood Mac - Landslide - Paris, France 10.17.09

Stevie tells the audience that they weren't sure if they were going to make it to Paris or not, and that she told Lindsey "I'm going to sing in Paris if I have to go by myself and stand and sing on a street corner"..."I'm going to sing in Paris!"

She also mentions that she doesn't really remember when the last time it was that they were in Paris, probably 20 or more years ago - they were probably really drunk that last time and can't remember... Funny stuff!


REVIEW and PHOTOS: Fleetwood Mac Live at Zenith Paris Oct 17, 2009

A fans review of tonights Fleetwood Mac show in Paris - with some amazing snapshots of the band.
ROCKERPARIS (link)
(Reviewer of Concerts in Paris)


UK CERTIFIES FLEETWOOD MAC "THE VERY BEST OF" TRIPLE PLATINUM

On Friday October 16, 2009 Fleetwood Mac's 2002 single disc release of "The Very Best Of" was certified triple platinum in the UK representing 900,000 in sales according to the BPI.

FLEETWOOD MAC - THE VERY BEST OF
3 x Platinum Certification (Album) Friday, October 16, 2009
WARNER MUSIC (WSM)
Released Monday, October 14, 2002

(Platinum = 300,000 units)

REVIEW: FLEETWOOD MAC Live in Antwerpen October 14, 2009

(Translated Review)
No expiration date for Fleetwood Mac
Cutting Edge(click link for the original version)
by: Steven Raeman

The faithful concert-goer was a wrenching dilemma for Wednesday. While the legendary Pixies were in Vorst Nationaal, Fleetwood Mac came to the Sports Palace. For our younger readers: Fleetwood Mac is one of the most successful pop groups of all time. They have been more than forty years with varying occupation and that career is full of hits world, affairs, drugs, deep valleys and re-employed persons (sometimes with the help of U.S. presidents, is not it, Mr. Clinton?).

The Sports Palace was so - of course - completely sold out and occupied by an older crowd that looked expectantly to Mick Fleetwood, Jon McVie, Lindsey Buckingham and Stevie Nicks. In after Christine McVie, who has pulled out, the original lineup is responsible for one of the best albums of all time, "Rumors" in 1977. Many songs from this album took over the setlist Wednesday.

Unfortunately there was something wrong the first songs with the sound. The singing between Buckingham and Nicks Sat then frequently wrong. Fortunately this defect is repaired from "Second hand news". The pace here was irresistible and you heard back a worldwide group that hits at the time but had for the taking. The versions of "Rhiannon" and "Go Your Own Way" were swirling and were charged with extreme enthusiasm.

Stevie Nicks' voice is still as impressive raw but unfortunately you can in the dynamic on stage and not her appearance alongside the age look. Stevie is an old 'Gypsie' become female. The three men have stood the test of time are physically well. Buckingham was especially excited as a toddler to wallowing in our achievements with his guitar solos, which sometimes strange impression that the drummer and bassist Fleetwood Mac "McVie were just a begeleidinsband. If you are the surnames of these two together you know better, however. Fortunately that imbalance was restored during the encores.

The absolute highlight of the evening came when all of the stage and there was a series of calm songs played by the duo Buckingham / Nicks. In a completely reworked version of 'Big Love' from Lindsay Buckingham in 1987 led to his own goose bumps. The ingredients you will need? A nice explanatory introduction, an impressive guitar playing and charismatic appearance. The standing ovation was not extinct when a retained 'Landslide' followed. This number is also not retreaded by Smashing Pumpkins later, but here's Stevie Nicks gave passionate voice to many weak legs in public.

The undersigned has nevertheless also missed Christine McVie. Her voice is simply an essential ingredient in the Mac menu Fleedwood. A song like "Bird Song" was the icing on the cake was impossible but can be sung by someone else than by Mrs. McVie. The setlist is also what is respected. We had the best bass solo of all time, namely the mid Jon McVie 'The Chain', preferred not to hear the beginning of the concert, where a little lost in the noise problems. Also we were waiting in vain at our favorite Fleetwood Mac song 'Everywhere'.

But that is obviously critical personal edge. Fleetwood Mac and spoiled all the enthusiastic crowd with strikingly balding men in the front rows was moving to see. The group had also shown himself enjoyed the concert and made everyone clear that their musical testament has no expiration date.

REVIEW: Fleetwood Mac's Swedish Concert Reviewers... Reviewed!

(translated article)
Critical points
By Jan Gradvall
Expressen.se (Click this link for the original article)

During the Fleetwood Mac concert at the Globe reviewers looked at football. Jan Gradvall notes to the audience, in return, has the eyes of reviewers.

On Saturday, one could witness Scenes from a marriage of two different scenes in Stockholm. One idea was the Royal Dramatic Theater Small Stage with Jonas Karlsson, Livia Millhagen. The second show was at the Globe with Lindsey Buckingham and Stevie Nicks in the leading roles. Fleetwood Mac's Rumors album is rock music's equivalent of Scenes from a Marriage.

Like Ingmar Bergman's TV series and play, it is a work from the mid-70s, in which private experiences may be a general sense by a total mastery of the artistic expression.

What is interesting is how different these two similar shows watched by critics.
In the theater world is sitting critic concentrated in a darkened theater and wait until the show is described as final.

Within the rock critic world are today connected to the Internet throughout the show, handing out value judgments scene for scene, twittrar and write blogs.

That journalism today are using Twitter, Facebook and blogs as tools is a matter of course. Not least given that it is now on the web that the greatest number of readers there.

But it is obvious that the criticism would deal with it? What makes real-time monitoring of power to the criticism?

Customers in recent days has been on the net could see how readers rebelled against the four Stockholm-based newspapers disparaging reviews of Fleetwood Mac concert.

Many have been provoked by a picture blog where Expressen and Aftonbladet reviewers sit together and follow the football match, Denmark-Sweden in parallel with the marriage drama played out on stage.

The major events in Fleetwood Mac concert was - just about in Bergman's TV series and play - the smallest gestures.

The song "Sara" is about abortion. It is a complicated love drama, written by Stevie Nicks, which depicts the relationship between Stevie Nicks, drummer Mick Fleetwood, his wife Sara Fleetwood and Don Henley of the Eagles.

Text line "When you build your house / I'll come by" supposed to be all about Don Henley and Mick Fleetwood.

But during the concert on Saturday may be the song a new dimension. Midway track goes up to Stevie Nicks Lindsey Buckingham and gives him a long hug.

Is also the track on Stevie Nicks long relationship with Lindsey Buckingham? It was he who could become the father of the unborn child?

"Silver Springs" is one of rock history's bitterest and most powerful love songs. The song is about how Lindsey Buckingham Stevie Nicks left for another woman.

When band leader Mick Fleetwood decided that the song was rejected by Rumors on the basis of LP-disc limited playing time - the song ended up instead in the b-side of single "Go your own away - Stevie Nicks became so bitter in Mick Fleetwood that she threatened to leave the band.

During a concert in 1990 she changed the lyrics to "Gold Dust Woman". After looking towards Mick have sung "Take your silver springs and dig your grave!" She left the stage. And then left the band for several years.

On this tour ends Fleetwood Mac "Silver Springs" as the final encore.

Stevie Nicks, Lindsey Buckingham and Mick Fleetwood comes out on stage side by side. Stevie and Lindsey are looking for each other's hands before the song.

When Stevie Nicks then sings "I know I could have loved you / But you would not let me" is not just the band members' eyes that glisten.

The audience at the sold-out Globe Arena reminded about Dramaten than a typical rock concert.

Average age was somewhere around 57th And the average number of marriages per visitor somewhere around 1.7.

But the verdict from the reviewers days could be summed up: "maddeningly dull".

That concert-goers and readers are angry at reviewers are nothing new. But again is that social media has made that now even the reviewers will be watched and reviewed. And sometimes corrected.

Swedish Dagbladet's reviewer made fun of the Steve Nicks in his long, personal introduction to "Gypsy" - which turned out to be about her first time with Lindsey Buckingham - Confusing the 60's band when she started talking about the Velvet Underground.

But concert-goers informs in a comment to the concert review. As Stevie Nicks spoke of is the Velvet Underground, she mentions in the lyrics: a clothing store in downtown San Francisco.

Rock Critics seem to have concluded that constant connection makes it now needs less effort at work. Readers they are talking about the opposite.

Almost all the songs at concerts are also now on YouTube afterwards, the public tender.
It is no longer the critic who has the last word. To quote the title of Thomas Anderson's recent book on criticism: We are all critics.

The visitors to the Globe on Saturday that gave the best journalistic narrative of the concert was the person standing in front of the stage held up a camera phone during Lindsey Buckingham solo version of "Big Love".

With this simple tool to tool - a camera can be a pen, a pencil can be a camera - achieves this amateur critic as critic heel up in the gallery is not brokered.

Through this story we follow down to the concert floor.

We'll see Lindsey Buckingham tense temples. We can relive the exorcism he practices with his acoustic guitar. We can almost feel how it smelled in Stockholm on Saturday evening.

And when the person with the mobile camera at the end of the song turns around, we'll also see how the audience reacts to the performance.

Writing reviews is not just about making a thumbs up or thumbs down. The idea is to reproduce in detail.

These are things that, at least in the past, been the foundation of what critics do.