"For What It's Worth" Video Being Filmed on Friday...

Some really great news from Dave Stewart today!!... The video for Stevie's latest single "For What It's Worth" is being shot tomorrow.

Update on today's filming here

Stevie Nicks: It Was ‘Really Fun’ Performing On ‘America’s Got Talent’

Stevie Nicks tells Access why she had nightmares about performing on “America’s Got Talent.” Also, she chats about touring with former winner Scott Grimes. Plus, Stevie talks about why she’s so “proud” of her new album, “In Your Dreams.” 

[VIDEO] Stevie Nicks On Amy Winehouse’s Death: It’s ‘Very Sad’

At the “America’s Got Talent” results show, Stevie Nicks reacts to the sudden death of British singer Amy Winehouse.

A few pics of Stevie Nicks from America's Got Talent show last night

Photos from NBC.com

Video may not be viewable in all countries

Fleetwood Mac's "Rumours" Re-enters The Billboard Top 200 Albums Chart

For the week ending July 24, 2011 'Rumours' re-enters the Top 200 Billboard Albums Chart at # 162 on sales for the week of 3,287.  Total soundscan sales since tracking began in November, 1991 are 2,866,904 in the US.

'Rumours' has sold in the US approximately 185,643 units since May 31, 2009.

[VIDEO] Stevie Nicks performing live on America's Got Talent 2011 [NEW SINGLE]

"FOR WHAT IT'S WORTH"

Absolutely love this... Great job Stevie!!


"EDGE OF SEVENTEEN"

This was the bigger surprise of the night... 

kick ass version of Edge of Seventeen!

"Sweet Dreams" Full Page Q&A with Stevie Nicks with a Great Photo

From Australia Herald Sun July 28, 2011 

This originally ran online at The Daily Telegraph yesterday. 

Stevie Nicks on writing her memoirs, the Rhiannon movie + Miley covering Landslide

The Daily Telegraph Australia

STEVIE Nicks is returning to Australia to promote her new solo album without her band Fleetwood Mac, who toured Australia to widespread acclaim in December 2009.

But Stevie Nicks - click for video - is bringing Dave Stewart, famous for being one half of The Eurythmics, and former Westlife singer Brain McFadden, who broke up with Nick Jonas' new girlfriend Delta Goodrem in April.

What's a Stevie Nicks solo setlist like in 2011? Presumably you play solo and Fleetwood Mac material?

Yeah. But not a whole lot of new songs. I remember when (Fleetwood Mac's) Rumours came out we went out and just did all those Rumours songs and just about got booed off the stage. You have to be careful when you do your setlist when you have a new record out, you can't just play all new songs. People will go 'Excuse me, we're not even familiar with these songs yet'. You have to weave some new ones in with the old ones. They can enjoy the new ones but aren't thinking, 'OK what song we love did you take out to play this song we don't know'.

Secret Love from your new album In Your Dreams is an unreleased song from the '70s. How many songs are in your vault?

Many. Many. In the beginning the reason I did a solo record was I was in a band like Fleetwood Mac with three writers. We used to get four songs an album. All the other five or six songs you wrote that didn't make it, they're usually just as good as what went on. Between '75 and '81 I had four or five or six really good songs from each album recording process that went in the vault.

Glee recently did an entire episode dedicated to Fleetwood Mac's Rumours. You're a Glee fan. You must have been in heaven.

Review: Stevie Nicks 'In Your Dreams' "Her voice and mystique are showcased in all their gypsy glory"

Stevie Nicks
In Your Dreams
by Tina Haase Findlay
Jambands

She could have twirled off to golden-oldie land, resting comfortably on her Gold Dust laurels. She could have taken her forty years’ worth of credentials and retired to a castle in the hills, like her one-time Fleetwood Mac bandmate Christine McVie. But Stevie Nicks shows us with her seventh solo release, In Your Dreams, that she and her mysterious glamour aren’t leaving anytime soon, offering her finest collection of tunes since her breakthrough solo debut, Bella Donna, in 1981.

Faithful followers of this melodic enchantress are well aware that two key ingredients of the Nicks appeal are singular lyric lines and scattered breathtaking moments, as much as entire songs. This principle is in full force here, from her sensual opening line in “Secret Love”, an invitation to “come on, it’s time to go upstairs,” all the way to the wistful coos in the two closing gems, “Italian Summer” and “Cheaper Than Free,” the latter a duet with the project’s main producer, Dave Stewart of Eurythmics fame. Always to his credit, Stewart artfully demonstrates a universal knack for bringing out the best in a female musical partner.

A mid-tempo, mid-album block of three songs- “New Orleans,” “Moonlight (Vampire’s Dream)” (inspired by the Bella and Edward “Twilight” romance), and a newly-arranged take on Poe’s “Annabel Lee,”- sounds sufficiently pleasant, yet somewhat repetitive at first, given the fact that all are in the same musical key with similar rhythm and pacing. Eventually, the unique poetic nuances of each do emerge, aided by the ever-stellar harmony vocals of Stevie’s longtime ladies-in-waiting, Sharon Celani and Lori Nicks.

The choice of a first single can make or break any album, and the pristine vanilla pop of “Secret Love” may not have been the best choice. Some critics would identify such choices as familiar tactical errors of past Stevie solo projects as well. It’s a nice enough, largely undemanding volley into today’s postmodern, musically-eclectic arena; designed as an effort to blend in with the perceived “hip and relevant” sonic palette and undoubtedly helped along by her recent pop culture star power moments on Dancing With The Stars, The Voice, the Fleetwood Mac episode of Glee, and even The Oprah Winfrey Show.

However, where Miss Nicks has always excelled is in the visiting of her extremes. On the ballad side, the new original “For What It’s Worth” possesses gentle “Landslide”-esque loveliness. And the album’s most potent emotional highlight is “Soldier’s Angel”, featuring her legendary romantic partner-in-rhyme Lindsey Buckingham, and is a stunning reminder of the greatness that transpires when the stars of Buckingham Nicks collide. At the other extreme of uptempo vigor and sass, Nicks gives it in spades on the straight-ahead rocker “Ghosts Are Gone” and the unexpectedly peppy title cut which defies its dreamy pedigree and is much more “in-your-face” than “in-your-sleep.”

All in all, kudos are due to Stevie for this stand-out addition to her catalog. Praise must also go to Dave Stewart for his infusions of creativity and playfulness into these proceedings. He’s such a hero of this project that his picture is on the back cover, right next to the still ravishingly alluring Stevie who, along with Kirstie Alley, could be a spokesmodel for the slogan, “60 is the new 40.” Her voice and mystique are showcased in all their gypsy glory, wrapped up in her signature fierce, yet feminine, storytelling style. And every so often, for those who are listening most closely, there are vocal moments that truly recall the sheer brilliance of the chart-topping, globe-trotting Stevie days gone by. Simply put, she continues after all these years to ring like a bell through the night, and her international legion of fans still love to love her.