Lindsey Buckingham On Writing With Christine McVie on 'Mirage'

Arriving in store today (September 23) are deluxe editions of Fleetwood Mac's 1982 album Mirage.

The new set comes as a single-disc remastered version of the album along with a two-disc Expanded edition and a Deluxe package that includes three CDs, a DVD and an LP. The latter two include bonus demos, rarities and alternative tracks, while the Deluxe also features a 1982 concert from Los Angeles.

Mirage was the more "traditional" follow-up to 1979's experimental Tusk and hit No. 1 on the Billboard 200, going on to be certified double platinum. Lindsey Buckingham tells us that it was also on album on which he and singer-keyboardist Christine McVie -- who wrote the first single "Hold Me" -- clicked in a way that was different from the way he worked with Stevie Nicks:

"I would say that it's...an intangible thing. It's a very strong thing of what I always thought was, for lack of a better term, the whole being greater than the sum of the parts...and I think in that sense Christine and I as two musicians who are very well-grounded in their craft have a kind of symmetry of respect and love for each other on a creative and a musical and a personal level, and I think that was a big part of what that whole being greater than the sum of the parts was at the time. The fact that what I could do for her, I did it for Stevie too but the fact that she (McVie) could infuse her sensibilities into my stuff and I could tap into what I do as a producer, say, and give back so much to her."

McVie rejoined the band in 2014 following a nearly 16-year leave of absence. Fleetwood Mac has been working on new material but no release plans have been announced.

 - Gary Graff

Mick Fleetwood on if he's listened to the expanded version of Mirage

Released today (September 23rd) is the deluxe and expanded version of Fleetwood Mac‘s 1982 chart-topping Mirage collection. The album, which was released on June 18th, 1982, was the group’s first studio set of the decade and topped the album charts for five straight weeks. Mirage, which was released in the wake of Stevie Nicks‘ 1981 solo breakthrough, Bella Donna, was pushed by constant airplay of its first two singles and videos — Christine McVie‘s “Hold Me” and Nicks’ “Gypsy.” A third song from the set, McVie’s opening track “Love In Store” stalled at Number 22. In Britain, Lindsey Buckingham‘s neo-rockabilly track, “Oh Diane” was released as a single and scored the band its only Top 10 hit off the album there, when it peaked at Number Nine.

The newly expanded version of Mirage, features the remastered original 1982 album, a second disc of 19 alternate versions and outtakes, along with a third disc featuring highlights from the band’s brief U.S. tour in support of the album.

We caught up with Mick Fleetwood and asked him if he’s actually gone through the entire deluxe reissue of Mirage: 

“Oh yeah, we’ve all heard it — a while ago, to be quite blunt. So, we’re very happy with the way Warners. . . they do a lot of leg work. Y’know, we don’t actually have anywhere near — sadly — we don’t have anywhere near the archive (the) Beatles, and (Rolling) Stones, and Eagles and. . . I’m always happy when we do find something with outtakes and stuff like that that have been kept, and also it’s that time to do that. We’ve never really got into it. The Stones and the Beatles, they’ve been doing this for a long time.”

Fleetwood Mac’s Mirage has been re-released in three different configurations:

Deluxe: Three CDs, DVD and LP. Original album remastered, plus B-sides and rarities; the original album on LP; live performances; and a 5.1 mix on DVD

Expanded: Two CDs. Original album remastered, plus a disc of B-sides and rarities

Remastered: Original album remastered. A digital version is also be available.

LISTEN New Interview with Christine McVie on BBC Radio 2

Steve Wright in the Afternoon
BBC Radio 2

Steve and the team are joined by Christine McVie to talk about the deluxe reissue of the classic Fleetwood Mac album Mirage that was originally released in 1982.

BBC Radio2

REVIEW Fleetwood Mac Mirage (Expanded Reissue)

Fleetwood Mac - Mirage (Expanded Reissue)
(Warner Brothers/Rhino)
Rating: 4 out of 5 stars
American Songwriter
Written By Hal Horowitz

Often considered the belated follow-up to 1977’s mega platinum Rumours, 1982’s Mirage was a clear retreat from the somewhat abrasive, occasionally commercial avant-pop of the controversial Tusk. While that album has, over the decades, come to be respected as Lindsey Buckingham’s creative zenith, it appears Warner Brothers was less enthusiastic about their star act’s detour into the artsy abyss. Perhaps Mac were tired of it themselves, because the slick, glossily produced Mirage seems a capitulation to an audience who might have found the dense, inconsistent, but bold Tusk a musical and drug-fueled bridge too far.

While Mirage was no Rumours, its dozen sophisticated pop songs include such near-classics as “Love in Store,” “Gypsy,” and “Hold Me,” the latter two appearing on most subsequent Mac hits packages. But there are other, often unappreciated gems here too. Selections such as Buckingham’s folksy “Can’t Go Back,” Stevie Nicks’ surprisingly effective foray into country “That’s Alright,” the frisky pop/rock and sumptuous harmonies of “The Eyes of the World” and the closing “Wish You Were Here,” one of the always dependable Christine McVie’s more affecting and least appreciated pieces, are well worth reexamining.

It’s not a great album but it’s a good one, especially for Mac’s avid pop fans, and ripe for rediscovery on this newly remastered and expanded edition. A second disc with 20 previously unreleased rarities includes early, stripped down demos, alternate arrangements and outtakes of nearly every tune, plus some that didn’t make the final cut, and is well worth the price of admission. The no-frills versions are a welcome contrast to the finished product’s often over-produced slickness, and such oddities as a four minute in-studio jam on drummer Sandy Nelson’s 1959 instrumental “Teen Beat” with Buckingham at his most frazzled and unhinged is a major find.

But the real excitement is relegated to the pricey “deluxe” package that includes not only a 5.1 surround audio-only DVD of the album and a remastered vinyl reproduction, but a live show from the ‘82 Mirage tour. This 74-minute concert catches the band on a particularly inspired and improvisation filled night in LA as Mirage was ensconced atop the Billboard charts. It kicks off with a propulsive seven-minute “The Chain” that smokes the studio take into oblivion and features extended performances of two Tusk tracks with a nearly 10-minute “Not That Funny” along with another 8 minutes of “Sisters of the Moon,” closing with an unplugged emotional “Songbird” all in front of a clearly engaged audience.

Whether that’s worth dropping nearly $90 is up to you, but this is an invigorating presentation. It captures these five musicians (before they added an unnecessary backline to bolster the live sound) bouncing energy off each other and feeding from the crowd with exhilarating results.

MORE REVIEWS:
Fleetwood Mac – Mirage
The weakest album produced by the Rumours line-up? Or an essential chapter in the Fleetwood Mac story...
Sam Richards
Uncut


The deluxe edition of Mirage is out on September 23rd on Warner Brothers
Mirage (Deluxe) (3CD/1LP/1DVD-Audio)
http://smarturl.it/MirageDeluxe

Mick Fleetwood on Fleetwood Mac's 'Overlooked' Smash 'Mirage'

Ahead of new reissue, drummer talks "wild and romantic" France sessions, opulent video shoots and more
By Richard Bienstock
Rollingstone

"I don't think it would be wrong to say it sort of got overlooked," says Fleetwood Mac drummer Mick Fleetwood, reminiscing about his band's 1982 album, Mirage, which will be reissued in a deluxe package via Warner Bros. on September 23rd. It's something of an odd statement to make about a record that charted at Number One on the Billboard 200, spawned multiple hit singles and went on to sell more than three million copies. Of course, when you're in Fleetwood Mac, the definition of what constitutes success is relative.

The album, the band's 13th studio effort overall and fourth to feature singer Stevie Nicks and singer/guitarist Lindsey Buckingham alongside longtime members Fleetwood, bassist John McVie and singer/keyboardist Christine McVie, came on the heels of one of the more impressive runs in rock: the lineup's smash 1975 "debut," Fleetwood Mac; the now-more-than-40-million-selling follow-up, Rumours; and the sprawling and sonically adventurous Buckingham-helmed double–LP Tusk (a commercial "failure" that still managed to move several million copies). By the time the band reconvened for Mirage in May 1981, they had been off the road for close to a year, during which time three members had recorded – but not yet released – solo albums (Buckingham's Law and Order, Fleetwood's The Visitor and Nicks' eventual chart-topping, multi-platinum Bella Donna). That time apart, combined with the tensions that had been brought on by the experimental nature of the Tusk album, left them ready to recapture a bit of the old Rumours magic, so to speak.

Full interview with Mick at Rollingstone

The deluxe edition of Mirage is out on September 23rd on Warner Brothers

Mirage (Deluxe) (3CD/1LP/1DVD-Audio)

http://smarturl.it/MirageDeluxe

10 Questions for Christine McVie of Fleetwood Mac

The peacemaker of Fleetwood Mac on Mirage, Maui and missing the buzz
by Ralph Moore
The Arts Desk

theartsdesk meets Christine McVie on a sunny Friday afternoon in September; the Warner Brothers boardroom (with generous hospitality spread) is suitably palatial. We’re the first media interview of the day, so she’s bright and attentive. McVie was always the member of Fleetwood Mac who you’d want to adopt: the most approachably human member of a band constantly at war with itself. Readily admitting that she’s the “peacekeeper’ in the band, the singer/songwriter behind such Mac classics as “Everywhere” and “You Make Loving Fun” is as sweet and serene as you’d hope she would be.

She’s here to promote the new deluxe remaster of 1982 album Mirage – the follow-up to the somewhat deranged 1979 Tusk, which was recorded and released as Christine and John McVie, the band's bassist, were divorcing. She quit the band in 1998 after the hugely successful live album The Dance, after which she started a fairly solitary life of her own in the English countryside for the best part of 16 years. The first four of those, she says, were simply spent working on the house. It was only therapy and the canny, persuasive hand of Mick Fleetwood that coaxed her into returning after a trip to Maui, Hawaii, where Mick lives close to John McVie, his lifelong partner-in-crime.

The former Christine Perfect had a severe fear of flying that she’s now completely beaten, and as we speak, it’s clear that she’s fairly perplexed about having left the fray for so long in the first place. So what was she doing in all that time exactly? “A lot of people ask me that question!” With a brand new album (their first since 2001’s Say You Will) and a new world tour in the planning stages, it’s clear that the Fleetwood Mac story still has several enthralling chapters ahead. Somewhere near Fleetwood's on Front Street – Mick's fancy restaurant in Maui – the drummer must be feeling pretty smug that the ragged band of brothers and sisters he founded are finally back together.

RALPH MOORE: What was the mood of the band post-Tusk?

CHRISTINE McVIE: I remember we did two huge world tours after Tusk. We drove ourselves into the ground physically, and obviously there was a lot of drinking and a lot of drugs, and that just about killed us all, so we took a lot of time off. There was a long time between Tusk and Mirage. Mick went to Ghana to make an album called The Visitor and Stevie [Nicks] made Bella Donna, which was a huge hit for her.

But I think maybe we were under contract so had to make a record at that time, so Mick tried to recreate a similar bubble to Rumours where we were away from our homes, and that’s how that started. The mood? I was quite looking forward to it. We recorded at Honky Château [the infamous Chateau d'Herouville, located 20 miles north of Paris in the Val d'Oise]. There was a big piano there that Elton John had left there, so that was great. I seem to remember we did a lot of mucking around, playing table tennis. The guys from the French Open came down to visit us and John McEnroe also came down – I think I actually beat him at table tennis one night! It was a funny time. I don’t remember any particular animosity. I'm sure we were under contract to do another record so that was the basis of it. And from that, from little acorns the oak tree grew and it turned into a much nicer experience with some really good songs on it.

You returned to the band in 2014: had the dynamic changed?

Well, I just couldn’t believe that 16 years had actually passed. I mean, quite literally, from the moment I stepped on stage in Dublin to rehearse “Don’t Stop” I knew: the eye contact with all the band members, it was like going home. Truthfully. And they felt the same about me. The circle was complete. Had anything changed? Only technically. Vibe wise, I had Mick looking at me through his cymbals, but there was always that gap there on the stage when I left – they hadn’t filled it up with anyone else. That gap when they were touring without me was there every night. It was such a great feeling.

Is it fair to say that you’re the peacekeeper in the band?

I know Stevie always calls me Mother Earth, so possibly! How do I put this…. I have always been the most sane one of the lot, more down to earth, but I think John’s probably even more down to earth now. Peacekeeper? Yeah, I like that title. I do tend to meander around in the cracks! And do I have to be a peacekeeper now? Only occasionally. You always get moments with Stevie and Lindsey [Buckingham], that’s part of their make-up – they are each other’s muses and they have not been together for years, but they have this love/hate thing that they’ll always have and someone has to gently insinuate in the middle.

But Stevie and I are really good friends, in fact I think we’re better friends now than we were 16 years ago. And it’s a fact, when it's the Buckingham/Nicks show backed by John and Mick, that’s going to cause a lot of tension and stress. But with me in there, it gave Stevie the chance to get her breath back and not have this constant thing going on with Lindsey: her sister was back.

Is it fair to say that Fleetwood Mac is a democracy, but driven for the most part by Mick?

Yes, but you’ve got to have a degree of flexibility. We’re very democratic. If one person is outvoted, you go with it. Mick always says, I’m a drummer, I can’t just sit in a room and play drums, I need a band. So in Maui, he has his own little band and when Fleetwood Mac’s not touring, he plays with them. It keeps him busy.

In the 16 years interim, what were you doing and did you see the band much?

I didn’t see them very much. First of all, I never flew anywhere. I saw them at Earl's Court a few years back and sat at the sound board and that was a weird feeling. But I had no sense at that time of wanting to rejoin and at that time it was a relief – but I didn’t realise what pleasure I was missing until more recent days when I made the phone call to Mick and asked, "What would be it be like if I came back?" Fortunately Stevie was dying for me to come back, as were the rest of the band. Lindsey didn’t believe it would ever happen, but when I walked back onstage he did and they were delirious.

But when I first left, I was married at that point and spent four years restoring the house, a big rambling place with gardens – it was quite a project. But I didn’t write very much and the marriage didn’t work out, and I started to find I was twiddling my thumbs in this huge place, bouncing off the walls. So I thought that I’d do a little solo project. I got together with my nephew who’s a good musician and quite handy with ProTools and I thought, I’ll do a little record because I can’t fly, and I don’t want to tour, so we did that in my garage. And that took a couple of years, because we didn’t have a pressing need to finish it.

And then I sunk into isolation and got in a bit of trouble and sought help, and that was when I called Mick. It was healing and cathartic going back into the band. I missed all that buzz. I was also deluded about some idea of being the country lady with dogs, a Range Rover and Hunter boots, going for long walks, all that. Baking cakes in my Aga. It was not what I wanted in the end.

How did you overcome the fear of flying?

I was starting to realise that I was trapped in England unless I went by train or boat – and that I will never be able to see the world. So I went to a therapist and said, "I have to be able to get on a plane." And he said, "Where would you most like to go?" And I said, "Maui!" And he said, "Buy a first-class ticket. Don’t get on – you have the ticket, that’s the starting point." And as serendipity would have it Mick said, “I am coming to London” and I said, “I have a ticket to Maui!” So he said “Stay there! And we’ll go back together.”

So I went back with Mick to Maui and didn’t even feel the plane taking off, that’s how unafraid I was. I had some pretty good therapy, and I love flying now! And I did some songs with his little band there, and that was the start of it all. It’s the best thing we could have ever done. In many ways, I think we sound better and the audience reaction is better than even it was before. It’s unprecedented in rock ‘n’ roll that someone should leave and rejoin 16 years on and all five of us are still alive and healthy – touch wood and whistle.

Let’s talk about the new album.

I love every single track we’ve done, bar none. This's something to me that is really special. Stevie hasn’t come in on it yet because she’s been busy doing something else. Last year, I was in there with Mick and Lindsey and John – John’s healing very nicely now – and nearly completed seven tracks and they’re magic. Seriously, no padding! I’m going to go over again in October to work on it. Stevie’s on tour but we’ve got until next year to finish it because we’re planning a world tour again, for the summer of '17. I don’t know if I’m privy to give song titles yet, but Lindsey and I have practically co-written everything. Getting the band all together is like herding sheep: to get all five of us in a room is nigh-on impossible. And then somebody will wander out. But it does happen.

And what’s great is Fleetwood Mac is now a genuine, cross-generational experience.

The generation gap is phenomenal! Kids are going, "We’d better see them before one of them dies!" The songs endure. I have lots of friends with growing children, even 12- and 11-year-olds and some of them are avid listeners, they carry Rumours on their iPods! Tango is a favourite and Tusk is a favourite of some the weird 14-year-old boys. The demographic is remarkable.

And you still have the potential to play Glastonbury again.

Yes. I think we have been asked but for whatever reason it hasn’t happened, I don’t know for what reason. Would I love to do it? Love’s a strong word! I wouldn’t mind – so long as we could helicopter in and helicopter out!

Let’s end by returning to Mirage – where does it sit in the Mac canon for you?

If I have to be really truthful, it’s not catalogued as my favourite but on it are some great songs and some really good memories and it harkens in a vague sense not to the soul of Rumours but to more commercial roots after Tusk, which was the antithesis of commercial. On Mirage we made an effort to have a few more catchy songs. But it’s still a pretty eccentric record when you listen to it. It’s nuts!

The deluxe edition of Mirage is out on September 23rd on Warner Brothers

Source The Arts Desk

The deluxe edition of Mirage will be released September 23rd

Mirage (Deluxe) (3CD/1LP/1DVD-Audio)

http://smarturl.it/MirageDeluxe

Stevie Nicks details what fans should look forward to on 24 Karat Gold Tour

Stevie Nicks Talks About Empowering Women, Fleetwood Mac and her Next Tour
by Kyle Stevens
Huffington Post

Legend. Icon. Storyteller.

“I have a super loud voice,” Stevie Nicks said with a laugh. The world is thankful for it. Her voice is necessary in times like these. The future is up in the air and Stevie Nicks has stepped up to the plate to be the heroine we all need. She is taking the show on the road and it will be unlike anything anyone has ever seen before. The 27-city tour starts on October 25th in Phoenix and will travel to places like Atlanta, Toronto, Chicago, Philadelphia, New York City and more. “The 24 Karat Gold Tour” is the next chapter in the mythical career of Stevie Nicks.

In an exclusive interview with The Huffington Post, Nicks went into detail about what fans should look forward to when “The 24 Karat Gold Tour” comes to town. 

Full Interview at Huffington Post

One section of the interview I was really happy to read about are all the Herbert W. Worthington III Photos left behind when he died. I'm glad Stevie is now the owner of them. A lot of amazing shots were taken over the years.

"The guy who took the cover of Rumors, Fleetwood Mac and all of my covers, Herbert W. Worthington III, died last year and he left me everything. He left me every picture he ever took, all the way back to Jimi Hendrix, Buddy Guy and all the Fleetwood Mac stuff. All of the press photo sessions. I have an immense amount of amazing photographs taken by this great photographer who was a dear friend of mine that I can now use."

Christine McVie with MixMag Editor Ralph Moore

Christine was interview this morning (Sept 16th) by Ralph Moore, Editor of MixMag, on the re-

release of Mirage. No word yet on when the interview will be released, but it'll likely be in the next issue since Mirage will be released next week.  She looks great!!

Stevie Nicks shares intimate memories of her longtime friend Prince

Stevie Nicks: ‘My Heart Is With Hillary Clinton’

By  Ian Drew
Us Magazine

The Gold Dust Woman is with her too! During a chat with Us Weekly Entertainment Director Ian Drew about her upcoming 24 Karat Gold tour, Stevie Nicks revealed her pick for the 45th president of the United States: Hillary Clinton.

The ringing endorsement doesn’t come as too much of a surprise. After an extended hiatus, the singer, 68, reunited with her legendary band Fleetwood Mac to perform at the Inaugural Ball for the former secretary of state’s husband, Bill Clinton, in 1993 (the group’s 1977 smash “Don’t Stop” was his campaign theme song).

Nicks previously revealed she’d like to sing her Mac classic “Landslide” if Clinton wins. “I could gather together the Dixie Chicks, Billy Corgan and everybody who’s ever sung a version of ‘Landslide,’” she told The New York Times on September 6.

The “Stand Back” chanteuse, whose 27-city solo tour with the Pretenders kicks off October 25, also shared intimate memories of her longtime friend Prince, who died from an accidental overdose of the opioid fentanyl on April 21.

Us: You recently finished playing 120 shows with Fleetwood Mac and now you are heading out on the road again. Do you ever take a break?

SN: No, and I blame it on my mother. She was a born entertainer. Leave the songwriting, the singing and all that behind, and I still would have found some way to be an entertainer. I would have never been an actress, though, because I realized early in my life, in like sixth grade, I was a terrible actress. But I would have found something because I love to entertain people. I had the option to take the rest of the year off. But I said the songs on my last solo album, 24 Karat Gold, mean so much to me. I need to get out there and sing them.

Us: Why did you decide to tour with Chrissie Hynde and the Pretenders?

SN: When Chrissie Hynde was inducted into the Hall of Fame, I, of course, was there to see that because I have to back up the girl. When it was over, I said we needed to have a party for Chrissie in my hotel suite. I didn’t really know her, but it was great. I got to sit at the piano with her and just talk to her about everything — her family, rock ’n’ roll, the music business. I’ve always been a Pretenders fan, but I got to know her. So I’m very excited about this.

Us: You collaborated with Prince on your 1983 hit “Stand Back.” I assume you’ll be playing that song in his memory?

Video - Stevie Nicks performing Landslide on America's Got Talent, endorses finalist Grace VanderWaal

Stevie Nicks Praises Grace VanderWaal on 'America's Got Talent': 'She's Got It'
Billboard
by Michele Amabile Angermiller

America's Got Talent finalist Grace VanderWaal got a ringing endorsement from special guest Stevie Nicks on Wednesday (Sept. 14) night's season finale.

The 12-year old singer-songwriter entertained the audience once more with her original audition song, "I Don't Know My Name." VanderWaal brought Nicks to the stage following her performance, introducing her as "a true hero of inspiration."

The former Fleetwood Mac singer returned the compliment after performing a beautiful version of Fleetwood Mac's "Landslide," telling host Nick Cannon that VanderWaal has a bright future.

"I have been watching this show from the very beginning," she said, "I have to say she reminds me a lot of me in a lot of ways. We sing very similar ... we like to be weird and perky and we like to be a little different ... and not like anybody else."

VanderWaal's individuality will take her far.

"She's got it," she said. "Whatever happens Grace is going to the top."

LANDSLIDE:

Wednesday's 'America's Got Talent' finale will feature a performance by Stevie Nicks

America's Got Talent will crown a Season 11 champion Wednesday night, but there's already a clear

winner: the show itself.

The NBC talent competition (tonight and Wednesday, 8 ET/PT) is again summer's top-rated program, enjoying its biggest audience in five seasons (an average of 13.7 million viewers, up 10% from last year) and its best performance with young adults since 2013. Besides naming a winner, Wednesday's finale will feature performances by Stevie Nicks, Jersey Boys and Il Volo.

USA Today

Stevie Nicks to honor Prince during upcoming US tour

By MARK KENNEDY
Associated Press

NEW YORK (AP) — Stevie Nicks is trying to whittle down the set list for her upcoming solo tour, but one song that definitely made the cut is her 1983 hit "Stand Back" with Prince. Originally written as a compliment, now it will be a tribute.

The Fleetwood Mac singer, who heard Prince's "Little Red Corvette" on her car radio and loved it so much she decided to write an answer song, hasn't played "Stand Back" since Prince died in April.

"I will be singing it for the first time without Prince being on the planet," she said. "That is going to be horrible, but it doesn't mean that I don't want to pay homage to my 'Little Red Corvette' friend. I'll sing it forever for him now."

Nicks' two-month tour with The Pretenders kicks off Oct. 25 in support of her 2014 album, "24 Karat Gold: Songs From the Vault." She never got a chance to promote the CD since she spent most of the last three years on the road with Fleetwood Mac.

Nicks promises songs from "24 Karat Gold" as well as old favorites like "Dreams," ''If Anyone Falls," ''New Orleans," ''Bella Donna," ''Rooms on Fire" and "Stop Draggin' My Heart Around."

"Stand Back" will be there, fueled by the memory of her having lured Prince into the recording studio to play keyboards on the song he inspired. She said one of her deepest regrets is never getting him to join her onstage for a live version.

Though Nicks and Prince were friends, the two didn't hang out much. One thing they disagreed on was drug use. "He hated them. And he hated that I did drugs and that's probably why we didn't hang out more," she said.

"He was worried that I would die of an accidental drug overdose and my sadness is that he did die of an accidental drug overdose. He's up there looking down, saying to me, 'Sweetie, I can't believe it happened either.'"

Nicks has no current record deal — "I'm free to do whatever I want" — after delivering "24 Karat Gold" to Warner Bros. It's an album of orphan songs, demos mostly written between 1969-1987.

"These were written during the days when everybody was pretty high and crazy and there was a lot of love affairs going on and a lot of breakups going on and just a lot of emotion going on," she said.

The 68-year-old singer-songwriter said that there were many reasons why the songs never got on any of her albums or those by Fleetwood Mac. In some cases, she didn't like the arrangements and pulled them. Or they came out soulless.

So in 2014, she and producers Dave Stewart and Waddy Wachtel went to Nashville, Tennessee, and re-recorded the songs in a matter of weeks. When they were finished, she put one CD in a gold box, wrapped it in a red bow and delivered it to the front desk of Warner Bros. Then she rejoined the Fleetwood Mac reunion tour.

Now she's getting ready to hit the road again, one of the few legendary acts like the Rolling Stones or Bruce Springsteen to be able to deliver a three- or four-hour set because they never stopped making music.

"I am very aware that artists over 50 don't — and are never going to — sell a lot of albums any more. It took me years to accept that," she said. "Now we can just pretend we're like 15 and start over and make records just because we want to."

Fleetwood Mac Releases "Oh Diane" (early version) from "Mirage" Reissue

The latest single has been released from Fleetwood Mac's upcoming "Mirage" Deluxe Reissue. 

"Oh Diane" (early version)

It's available now on iTunes, Amazon, Spotify and Google Play.

"Mirage" will be released on September 23, 2016.

Pre-order NOW on the following links!

Physical:

Deluxe (3CD/1LP/5.1 Surround Mix)

http://smarturl.it/MirageDeluxe

Expanded (2CD)

http://smarturl.it/MirageExpanded

2016 Remaster (1CD)

http://smarturl.it/MirageCD

Digital:

Deluxe

http://smarturl.it/MirageDL

Stevie Nicks & Pretenders Flyaway Sweepstakes

Enter for a chance to win a flyaway trip for two to see Stevie Nicks and Pretenders on the 24 Karat Gold Tour at participating show of your choice!

Eligibility: The Live Nation: Stevie Nicks & Pretenders Flyaway Sweepstakes ("Promotion") is open only to natural persons who are legal residents of the United States of America or Canada (except Quebec) who have a valid social security or tax ID number, who are at least eighteen (18) years of age at the time of entry. 

PRIZES

Grand Prize: One (1) winner and guest will receive a 24 Karat Gold Tour Flyaway Package which includes:

• Reserved tickets to see Stevie Nicks and Pretenders on the 24 Karat Gold Tour at a participating show of winner's choice.
• Round-trip Airfare
• 2-night stay hotel accommodations
• $200 Cash Gift Card

DATES & ELIGIBILITY

Start : September 06, 2016 @ 12:00 pm (US/Pacific)

End :  October 12, 2016 @ 12:00 pm (US/Pacific)

Enter Now

GET TICKETS

Fleetwood Mac, Blues and Chemistry: The Mick Fleetwood Interview

Written by: Ken Sharp
Rock Cellar Magazine

Long before Fleetwood Mac owned the Billboard record charts for years in the mid to late ’70s with a string of mega-selling albums/singles culled from the albums Fleetwood Mac, Rumours and Tusk, their formative sound was rooted in something altogether different.

Fleetwood Mac mark 1 drew from a heavy blues-rock sound that stood in diametric opposition to their reputation as traditional pop alchemists in a later configuration featuring Stevie Nicks and Lindsey Buckingham.

Fronted by one of Britain’s most respected and revered lead guitar players, Peter Green, the early form of Fleetwood Mac was a raw blues band that won over audiences with its dynamic, blues-drenched sound with such signature classics as Albatross, Oh Well, Rattlesnake Shake and Black Magic Woman.

Full Interview at Rock Cellar Magazine

THE MICK FLEETWOOD BLUES BAND TOUR DATES:

Sept 16 - Aspen, CO - Belly Up Aspen

Sept 17 - Denver, CO - Ogden Theatre

Sept 18 - Telluride, CO - Telluride Blues & Brews Festival

Sept 20 - Los Angeles, CA - John Anson Ford Amphitheatre

Sept 21 - Solana Beach, CA - Belly Up Tavern

Sept 23 - Grass Valley, CA - Veterans Memorial Auditorium

Sept 24 - Monterey, CA - Golden State Theatre

Sept 25 - Napa, CA - Uptown Theatre

Sept 26 - San Francisco, CA - The Regency Ballroom

Sept 28 - Spokane, WA - Fox Theater

Sept 29 - Aberdeen, WA - D & R Theater

Sept 30 - Coquitlam, BC - Hard Rock Casino Vancouver

Oct 02  - Victoria, BC - University of Victoria/Farquhar Auditorium

Enter to WIN Tickets to see Stevie Nicks in LA at The Form 12/18

Stevie Nicks at The Forum
with Special Guest The Pretenders

Enter to win a pair of tickets to see STEVIE NICKS with Special Guest The Pretenders at The Forum on December 18th!

Enter Here: -> 100.3 The Sound

WIN Stevie Nicks Tickets - Tampa, Ft. Lauderdale, Chicago, Washington, Boston, Nashville, St. Paul, Phoenix

TAMPA:
Starting Monday, Ann is giving you the chance to win two tickets to see Stevie Nicks on Wednesday, November 2nd at Amalie Arena!

Listen to Morning Trivia with Ann Kelly on Monday morning for your chance to win!

Call (888) 723-9388

105.5 WDUV Lite Favorites

FT. LAUDERDALE:

She's 24 Karat Gold, She's a multi-platinum, award-winning music icon ... and she's returning to South Florida: Stevie Nicks -- The 24 Karat Gold Tour, with special guests, The Pretenders -- November 4th at BB&T Center. 

You can win your spot on the LITE FM Guest List

Listen to 101.5 for the LITE FM BrainScrambler with Julie Guy & Evelyn Curry as you're getting ready for work weekday mornings at 6:10 a.m., September 12th-September 16th.

And ... here's your bonus way to win:

Enter here to win two tickets to the Stevie Nicks/Pretenders concert at Hard Rock Live. 

101.5 Lite FM - Enter online

FT. LAUDERDALE:

Win Stevie Nicks Tickets!  Listen at 4 pm each weekday for DJ Holiday to provide the keyword for your chance to win 2 tickets for Stevie Nicks’ 24 Karat Gold Tour with Pretenders at BB&T Center on Friday, November 4th at 7 pm, courtesy of Live Nation. You can also enter online below! Msg & data rates apply. STOP 2 cxl.

102.7 The Beach - Enter online

FT. LAUDERDALE:

Win a pair of tickets to see Stevie Nicks, the 24 Carat Gold Tour with Special Guests The Pretenders at BB&T Center on Friday, November 4th!

107.9 SunnyFM

CHICAGO:

Win Stevie Nicks Tickets. Stevie Nicks is returning to Chicago on December 3rd to play at the United Center! Enter for your chance to win a pair of tickets. Contest begins September 11th

CBS 93WXRT - Enter online

WASHINGTON:

Win 2 Floor Seats to see STEVIE NICKS WITH PRETENDERS at the Verizon Center on November 14th! Listen to Craig Chambers on Monday morning starting at 9:40 for the PHRASE THAT PAYS.  Every hour at :40 minutes after the hour we will give you another word until 5:40pm.  Put them all together and be the 7th caller when STASH asks you to call and you might win!!

100.7 The Bay

BOSTON:
Enter now for your chance to win a pair of tickets to see Stevie Nicks and The Pretenders live at TD Garden on Tuesday, 11/15!
105 Lite Rock

PHOENIX:
Stevie Nicks Win Before You Can Buy Weekend
94.5 Coolfm

ST. PAUL:
Win Stevie Nicks Xcel Energy Tickets All Weekend
104.1 Jack FM

NASHVILLE:
Prize Grab with Mike Lindsey.  September 11th – September 15th – Join the fun at 8:25p for your chance to win a pair of tickets to see Stevie Nicks when she returns to Bridgestone Arena on November 7th.
MIX92.9 FM

Nicks discusses what the 24 Karat Gold Tour setlist might include

Stevie Nicks on Crafting a Setlist for 24 Karat Gold Tour, Possible Fleetwood Mac Album & Wishing She'd Performed With Prince

by Keith Caulfield
Billboard

"Whenever I play ‘Stand Back’ from this day forward, Prince will be standing next to me."

“I'm hoping that this will be as much fun for the audience as it's gonna be for me,” Stevie Nicks tells Billboard about her just-announced 24 Karat Gold Tour. The two-month trek -- launching Oct. 25 in Phoenix, with the Pretenders opening -- supports her 2014 effort 24 Karat Gold: Songs From the Vault, which marked her sixth top 10 album on the Billboard 200 chart.

The album was comprised of tracks Nicks had written and made demo recordings for decades ago but had never been included on any of her previous albums. Then, in 2014, she and producer Dave Stewart headed to Nashville with the demos and recorded entirely new versions of the songs to produce 24 Karat Gold. “I think this [tour] is going to be great,” Nicks says. “I think that all the fans are gonna have a ball. And I hope that they totally just dress up -- as Wendy Williams would say, 'Dress to the nines.' And come to party, and sing.”

Nicks says the setlist for the tour is still being shaped (it’s “about at 30 songs right now”) but will feature songs from 24 Karat Gold and possibly title cuts from some of her older albums, like “Bella Donna,” “Wild Heart” and “Trouble in Shangri-La.” She wants the show to “have its little explosions of fun” from the various parts of her career. Nicks also gives a hint to fans: “You know what, you might want to come to two shows, because you never know: There might be an alternative [set]list.”

It’s likely that familiar favorites like “Edge of Seventeen” and “Stand Back” will both turn up in the setlist, and for Nicks, “Stand Back” has a new emotional weight. The track was “written to” Prince’s “Little Red Corvette,” and she’s “brokenhearted” that she was never able to have him share the stage with her on the song. “Had I ever in a million years thought that we would lose him,” Nicks says, “I would have made sure that that would have happened. And it didn't. So that's just one of those things in your life where you so say, 'I really missed out.' Because he should have. That should have happened. So whenever I play ‘Stand Back’ from this day forward, Prince will be standing next to me. That is always going to be a joy.”

Stevie Nicks Balancing a Band With Solo Pleasures

Stevie Nicks on Her Fleetwood Mac ‘Team,’ Solo Joys and the 2016 Election

By Phoebe Reilly

The New York Times

Stevie Nicks says that one of her favorite things to do is light a candle, sit at the desk in her Los Angeles home and write poetry. Ms. Nicks, the rock ’n’ roll mystic who constitutes one-fifth of Fleetwood Mac’s classic lineup and wrote several of its most beloved hits (including “Dreams” and “Rhiannon”), is so prolific that six years after joining that multiplatinum California band in 1975, she embarked on a solo career with “Bella Donna,” which featured the memorable centerpiece “Edge of Seventeen.”

“In the beginning, I actually sat down and said, listen, I am doing this because I have way too many songs,” Ms. Nicks said. “I get frustrated because one of you walks by me every time I sit at the piano and says: ‘Oh my God, there she goes writing another song. We only need three or four from you.’ So what am I supposed to do?”

Eight solo albums later, Ms. Nicks, 68, is preparing to go on the road in support of her most recent releases, “In Your Dreams,” from 2011, and the 2014 album “24 Karat Gold: Songs From the Vault,” a collection of tracks written mainly between 1969 and 1987. A 28-city tour with the Pretenders as special guests begins on Oct. 25 in Phoenix. “I just woke up one morning and said I have two years off before Fleetwood Mac comes knocking on my door [for another tour],” she said. “Why would I want to sit around and do nothing?”

Fleetwood Mac has endured despite drug addictions and multiple intra-band relationships (and breakups) during the late ’70s, and recently completed a two-and-a-half-year, 122-date tour. (“I don’t twirl nearly as much as I used to,” said Ms. Nicks, whose past relationship with the guitarist Lindsey Buckingham provided a dose of drama.) When reached by phone, she was struggling to whittle down her set list. Here are edited excerpts from the conversation.

What’s the difference between touring behind your solo work and touring with Fleetwood Mac?

Fleetwood Mac is a team, and when you’re on a team everybody has the same vote — except in this particular team Lindsey has a little bit of a stronger vote than anybody else. I love being part of a team. We argue all the time, but we always have. In my band, there is no arguing. I am the boss. My solo career is probably the reason Fleetwood Mac is still together in 2016, because I was always happy to leave Fleetwood Mac, and I was always happy to come back, too.

You have said you thought Lindsey would like “24 Karat Gold” because so many of the songs are about him. What was his reaction?

Well, I don’t know. I don’t even know if he ever listened to the record and, honestly, I don’t care. I gave up caring about how everybody else in Fleetwood Mac feels about my solo work a long time ago. It’s not their thing. If my feelings were ever hurt, it was after “Bella Donna,” when I didn’t feel that anybody even listened to it. That was in 1981.

The ’80s have once again become a point of fascination in television shows like “Stranger Things.” Are you ever nostalgic?

I wouldn’t want to ever go back there. Yes, it was a lot of fun between 1975 and 1990 — until it wasn’t. I walk onstage every night now and do a three-hour show with Fleetwood Mac, and I have a great time up there. I wish I had known that I actually had the energy to do this entire set totally sober and get just as excited. On one hand, that makes me feel great and on the other it makes me sad that I ever did my first line of coke.

Your songs never lost the rawness associated with youthful emotion. Do you find that inspiration comes from your everyday life now, or is your imagination triggered by re-examining the past?

I would say both. Great stories inspire me. Some people have the ability to be extremely convincing, and other people can sing for 30 years and not convince you that they have lived a story. At 16 I could sing a love song well. My dad would go, “That’s a good song, honey.” And my mom would go, “That’s just beautiful, Stevie.” And they would be thinking, “We know for a fact that she’s only been on one date and she was back in two hours.”

“Don’t Stop” was the theme song of Bill Clinton’s campaign. What are your hopes for this election?

Of course I’m for Hillary Clinton. It’s hard to think of anything as amazing as that song was for Bill. He picked it out when he was driving around in a cab somewhere years before. When she wins by a landslide, I could gather together the Dixie Chicks, Billy Corgan and everybody who’s ever sung a version of “Landslide.” It’s not up-tempo, but it certainly would get the message across.

Are you a fan of Taylor Swift, Lady Gaga or any other major contemporary female artist?

I have so many favorites. I love Katy Perry. [And] I’m so happy for Adele right now. She’ll do what I did — she’ll figure out a way to stay in the business. The big difference between her and me is that she has a child, and that will change things for her, but I think Adele knows what she wants and I don’t think she’s in a hurry. And that’s great. If she needs to go away for three years, she doesn’t feel like somebody’s going to take her place. When you believe in yourself that much, you can take as long as you want.

A version of this article appears in print on September 6, 2016, on page C3 of the New York edition

27 City Stevie Nicks 24 Karat Gold Tour w/The Pretenders Announced

Singer Stevie Nicks, the multi-platinum, Grammy Award Winning music icon today announced The 24 Karat Gold Tour. Produced exclusively by Live Nation, the 27 city tour with Pretenders, will begin on Tuesday, October 25 in Phoenix, Arizona and will see the legendary Nicks perform throughout North America this Fall with shows scheduled in New York City, LA, Toronto, Vancouver, Chicago, Philadelphia, Atlanta and more. A full list of tour dates follows this release.

American Express Card Members can purchase tickets before the general public beginning Wednesday, September 7 at 10:00 am. Through Sunday, September 11 at 10:00 pm. Tickets go on sale beginning Monday, September 12 at www.livenation.com.

Nicks, a multi-platinum selling artist - dubbed “the reigning queen of rock and roll” by Rolling Stone Magazine has had six Top Ten albums and 8 Grammy nominations. Her 2014 album 24 Karat Gold – Songs From The Vault debuted at No. 7 on Billboard’s Top 200 Charts. As a member of Fleetwood Mac, Nicks recently performed 122 sold out shows around the world during 2014-2015. Collectively as a solo artist and Fleetwood Mac band member, Nicks has sold over 140 million albums and won several Grammys.

The Pretenders cross the bridge between punk, new wave and Top 40 pop music more than any other band, with hit songs like I'll Stand By You, Back On The Chain Gang and Don’t Get Me Wrong. The band has sold over 25 million albums and founder & leader Chrissie Hynde is one of contemporary music’s greatest songwriters. Chrissie most recently released the album Stockholm and a 2015 memoir, Reckless: My Life As a Pretender, hailed by the New York Times upon its release as "honest and distinctive…first and foremost, a love letter to rock and roll."

Full list of tour dates listed on Stevie's website with links to purchase VIP Tickets at:
http://www.stevienicksofficial.com/tour

10.25.16 - Phoenix, AZ - Talking Stick Resort Arena
10.27.16 - Denver, CO - Pepsi Center
10.29.16 - Houston, TX - Toyota Center
10.30.16 - Dallas, TX - American Airlines Center
11.02.16 - Tampa, FL - Amalie Arena
11.04.16 - Ft. Lauderdale, FL - BB&T Center
11.06.16 - Atlanta, GA - Philips Arena
11.07.16 - Nashville, TN - Bridgestone Arena
11.10.16 - Charlotte, NC - Time Warner Cable Arena
11.12.16 - Columbia, SC - Colonial Life Arena
11.14.16 - Washington DC - Verizon Center
11.15.16 -  Boston, MA - TD Garden
11.18.16 - Atlantic City, NJ - Boardwalk Hall (Removed from schedule)
11.19.16 - Bethlehem, PA - Sands Bethlehem Event Center (Added to schedule)
11.20.16 -  Philadelphia, PA - Wells Fargo Center
11.23.16 - Grand Rapids, MI - Van Andel Arena
11.25.16 - Uncasville, CT - Mohegan Sun Arena
11.27.16 - Detroit, MI - The Palace of Auburn Hills
11.29.16 - Toronto, ON - Air Canada Centre
12.01.16 - New York, NY - Madison Square Garden
12.03.16 - Chicago, IL - United Center
12.05.16 - Lincoln, NE - Pinnacle Bank Arena
12.06.16 - St. Paul, MN - Xcel Energy Center
12.09.16 - Vancouver, BC - Pepsi Live at Rogers Arena
12.11.16 - Seattle, WA - Key Arena
12.13.16 - Sacramento, CA - Golden 1 Center
12.14.16 - San Jose, CA - SAP Center
12.18.16 - Los Angeles, CA - The Forum

Pre-Sale Codes:
Denver - 10.27.16
Pre Sale: Friday, September 9th at 10am through Sunday, September 11th at 10am
99.5 The Mountain Password: SPOTLIGHT

Contest Details
Tampa
Uncasville 
Sacramento 
Atlanta
Washington
Philadelphia

Empire of the Sun "Two Vines" Album feat. contribution from Lindsey Buckingham

Empire of the Sun Recruit Lindsey Buckingham for New LP

Fleetwood Mac guitarist, Wendy Melvoin of Prince's Revolution group featured on electro-pop duo's third album 'Two Vines'

Empire of the Sun will release their third studio album, Two Vines, on October 28th via Astralwerks. The album, which follows 2013's Ice on the Dune, features contributions from Fleetwood Mac singer-guitarist Lindsey Buckingham, Wendy Melvoin (from Prince's Revolution band), and David Bowie collaborators Henry Hey (piano) and Tim Lefebvre (bass). The group will release its first single "High and Low" on Wednesday. 

Full article at Rollingstone

Pre-order "Roadies" Soundtrack, receive instant download of Lindsey Buckingham's "Big Love" (Live)

Featuring some of the best in music, the Roadies Official Soundtrack album (“Music From the

SHOWTIME Original Series”) is ready for pre-order.

The pre-order unlocks instant downloads of the previously released tracks Lindsey Buckingham’s “Big Love” (Live), Reignwolf’s “Are You Satisfied?” (Live), My Morning Jacket’s “The First Time” (Studio Recording), Lucius’ “Born Again Teen” (Live), “Longest Days” (Live) by John Mellencamp and, starting today “Feeling Ok (Live), by Best Coast.

It arrives in stores everywhere and online Friday August 26, but make sure to pre-order it HERE first! 

TRACKLISTING:
1. I Wish I Was Sober (Roadies Remix) – Frightened Rabbit ft. Mike McCready
2. Are You Satisfied? (Live) – Reignwolf
3. Big Love (Live) – Lindsey Buckingham
4. The First Time – My Morning Jacket
5. Born Again Teen (Live) – Lucius
6. Longest Days (Live) – John Mellencamp
7. Feeling OK (Live) – Best Coast
8. Simple Man (Live) – Machine Gun Kelly
9. You Don’t Get Me High Anymore (Live) – Phantogram
10. All We Ever Knew (Live Soundcheck) – The Head And The Heart
11. They Are All In Love (Live) – Jim James
12. Sayonara Judge (Live) – Robyn Hitchcock
13. Willin’ (Live) – Jackson Browne & Lucius ft. Greg Leisz
14. A Little Crazy (Live) – Nicole Atkins
15. The Healing (Live) – Gary Clark Jr.
16. Man of the Hour (Live) – Eddie Vedder

Republic Records

Sheryl Crow's new album includes Stevie Nicks collaboration

Although she's given up touring for the time being, she's currently working on a new album with collaborators Keith Richards, Willie Nelson, Stevie Nicks and others.

Sheryl said: 'A year ago I told my kids I wasn't touring anymore. I had been touring since 1987. The kids have been all over the world. They were so mad when I told them no more.

'It's been good for me to just be bored and creative, to be present. In the meantime, I've made a record with friends, hopefully out in the beginning of next year: Stevie Nicks, Willie Nelson...'

Full article at Daily Mail

Mick Fleetwood Interview... Talks Maui Gallery, Future of Fleetwood Mac and New Music

[excerpt]

As far as Fleetwood Mac is concerned, you guys wrapped up a world tour – your first in more than a decade with Christine McVie back in the fold – a little less than a year ago. What does the future hold for the band?

Well, we're all dedicated to getting together about a year or so from now and going and doing another two years of touring all over the world, probably. And we also have a huge amount of recorded music. A huge amount. None of it's with Stevie. Or very little. Some of it is very, very old stuff that Lindsey maybe did with her years and years ago. We're not quite sure what will happen with it. But you know, doing this band is a huge investment. We're only off the road for less than a year, and when you add in the time it takes to put a tour together, do rehearsals, get it up and running, the whole thing, it's three years that you don't do anything else. And Stevie has her own life and career and I think … you know, she just doesn't want to spend the time right now. And we're quietly saddened about that but also I sort of understand.

Do you think there will be a new record?

I really don't know. The hope was that there was going to be. I do know that when Christine came back, she came back with a bag full of goods. She fucking wrote up a storm. She and Lindsey could probably have a mighty strong duet album if they want. In truth I hope it will come to more than that.

So nothing's planned ... but it could happen.

There's always a "could happen" [laughs]. But one thing that's for sure — there really are dozens of songs. And they're really good. And so you think, "Shit, I don't want it to be that, decades later, when we're all pushing up daisies, someone hears this stuff and goes, 'Well, that should have come out!'" So we'll see.

Full interview by Richard Bienstock at Rollingstone

Fleetwood Mac Benefit Concert Live at Dodger Stadium July 28, 2016

Fleetwood Mac Benefit Concert Live at Dodger Stadium July 28, 2016

Photos: Los Angeles Dodgers - Instagram

Fleetwood Mac performed live for the first and only time in 2016 at Dodger Stadium in Los Angeles for The Los Angeles Dodgers Foundation Blue Diamond Gala Presented by The Los Angeles Dodgers Ownership Group. They played their main setlist with Don't Stop being the last song which is typically part of the encore. It was reported that about 1,500 people were in attendance. They sounded a little rusty after not performing live for a while - but none the less great! 

Setlist:
01. The Chain
02. You Make Loving Fun
03. Dreams
04. Second Hand News
05. Rhiannon
06. Everywhere
07. Bleed to Love Her
08. Tusk
09. Sara
10. Say You Love Me
11. Big Love
12. Landslide
13. Never Going Back Again
14. Think About Me
15. Gypsy
16. Little Lies
17. Gold Dust Woman
18. I'm So Afraid
19. Go Your Own Way
20. Don't Stop

Watch the show from Tom Hall's perspective on Periscope

Part 1 (33:27min)

Part 2 (1hr 14min)

On Snapchat check out: inspirer.life and John Mayer: johnthekangaroo for more footage.

Charles Kelley shares stories and photos from his recording session with Stevie Nicks

Inside Charles Kelley & Stevie Nicks' 'Southern Accents'
Country singer shares stories and exclusive photos from his recording session with the Fleetwood Mac legend

BY CHRIS PARTON
Rollingstone.com

Charles Kelley has always been a huge Tom Petty fan and holds a special love for the 1985 song "Southern Accents," part of an album of the same name. He says he thought the homesick ballad would make a great country song and had long wanted to cut it with his band, Lady Antebellum, but they never got the chance.

In an exclusive interview with Rolling Stone Country, though, the expressive singer and native son of the South explains how an opportunity finally presented itself with his first solo project, The Driver. . . but it turned out much different than expected.

"Growing up in Georgia, it reminded me a lot of my dad," Kelley says. "He's a very spiritual person and the way he works, the way he prays, it's definitely that old-school Southern thing. So I always thought it would be a cool little homage to him."

Kelley recorded a demo version of the song in straightforward fashion and was happy with the result, but then fate intervened in the form rock legend Stevie Nicks. The Fleetwood Mac singer had become friends with Kelley and his Lady A bandmates through their CMT Crossroads collaboration and the song "Golden" — a Lady A track that spoke to Nicks so much she asked to re-record it with the trio — and during a trip to Nashville, Nicks heard Kelley was working on a solo album. After hearing the early cut of "Southern Accents" she felt inspired once again to join in, and although Kelley didn't envision his version of the song as a duet, you don't turn down Stevie Nicks.

The pair wound up at the Village Studios in Los Angeles, and their remarkable session was captured on film for a new video and intimate photo series. Coincidentally, they recorded Kelley's "Southern Accents" redo in the very same room where Petty cut his original version.

Full story at Rollingstone

73 years young, and still a force to be reckoned with! Happy Birthday Christine!

The first lady of Fleetwood Mac... literally... Christine McVie.

Happy 73rd Birthday. Many MANY happy returns!