Thursday, April 14, 2011

(Review) "Rumours" Fleetwood Mac's Double LP Edition For Record Store Day

Fleetwood Mac
WB 2 - 45rpm LP's
Tone Audio

After years of delay, Fleetwood Mac’s 1977 blockbuster Rumours finally made its way to the pressing plant—the Pallas plant in Germany, to be exact. True to its past performances, Pallas has done an exquisite job on these four vinyl surfaces. Though the cover printing has picked up a bit of contrast from the original, it’s printed on heavy stock, and there’s evidence of spot varnish having been applied. Very nice touch. Steve Hoffman and Kevin Gray are rumored (pun intended) to have performed the remastering duties, yet there are no mastering credits on the jacket and the copyright date is listed as 2009. Fittingly, then, the record retains some of its original relationship-related controversy.

Those who have been waiting for this reissue since 2006, the year a few test pressings slipped onto the market, will be rewarded the second they drop the tonearm on the opening track. It sounds scrumptious. Thanks to the almost CD-quiet backgrounds, you hear much more of Mick Fleetwood’s percussion. On “Dreams,” Lindsey Buckingham’s backing vocals have considerably more space than they do on early pressings. A smidge of tape hiss creeps into “Songbird” at the end of the second side, but that’s not a bad thing. It actually reinforces the material’s analog greatness. Moreover, Christine McVie’s voice never sounded better and, thanks to the extra grooves made possible by the 45RPM extension, possesses more delicacy than the original pressings. “Songbird” is the best example of low-level detail; the following track, and beginning of the third side, “The Chain,” offers up the best example of dynamic punch. “I Don’t Want To Know” comes a close second.

The best news? Warner Bros.’ pressing is flawless from beginning to end. This is definitely the super-sized version of Rumours: It goes beyond big sound. You can just feel this record breathe, in and out, while listening to tracks that you thought you knew like the back of your hand. Wait until you experience the new information that’s available. And the soundstage is massive. If the music doesn’t float well past your speakers’ boundaries, it’s time to go shopping for a new stereo.

So, take a trip back to 1977 when Stevie Nicks had small breasts and Buckingham sported big hair. If you’ve got a rare, early first-stamper pressing, you may not need to add this one to your collection unless you are really obsessive compulsive. But if you love Rumours (and almost everyone does) and you don’t have a flawless copy, this edition is worth every penny. A 180g 33-1/3RPM version is also available for around $25. But fairly priced at $45 for four sides, the deluxe audiophile edition is the way to go.

–Jeff Dorgay

Rumours a 2LP set is being re-released on vinyl April 16th - part of Record Store Day. It's available for pre-order on Amazon for $39.06 and is a Limited Edition with a worldwide pressing of 4,000.  The single LP version also available for pre-order on Amazon.


Anonymous said...

Sorry Jeff, but Stevie's breast implants were put in sometime in 1976 -- before Rumours was released. Still, I'd hardly call the classic back-cover Stevie as "small-breasted"!

Anonymous said...

Jeff, please read the "deadwax" area and you'll see it was definitely mastered by KG SH at Atm (Kevin Gray and Steve Hoffman at AcousTech mastering....all of their collaborative efforts are signed that way....


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